Through popular culture, we can define, explore and experiment with our identities. This vibrant text provides an understanding of popular culture in a globalized world through the intersection of sociology and cultural studies, combining cultural theory with a wide range of examples from everyday life, including fashion, social networking and music, drawn from the United States, the UK and the Asia-Pacific.

With more than 100 inventive lists, charts, and timelines, The Big Bang Theory Book of Lists offers fans a creative way of looking at and celebrating the iconic and beloved early 2000s sitcom. Revisit some of your favorite moments, pairings, cameos, and geeky references (or test your super-fan knowledge) with these fun groupings exploring the variables of life in apartment 4A. Lists include: - Timelines of all the characters, their romantic partnerships, vows, and weddings - Analysis of Sheldon's Public Restroom Kit - All of Penny's Relationship Advice - Pictorial Records for Sheldon, Leonard, Penny, Howard, Raj, Amy, and Bernadette - Record of all of the guests (cameos) in the apartment - Diagram of The Universe of All Women - Everything that's in Bernadette's Grab Bag - A break-down of all of Sheldon's geeky shirts and their references And more! Illustrated with full-color photographs and visuals from the show throughout, The Big Bang Theory Book of Lists is an officially licensed, must-have collector's item for the ultimate fan. THE BIG BANG THEORY and all related characters and elements (c) & (TM) Warner Bros. Entertainment Inc. (s22)

"International Whos Who in Popular Music 2006" provides biographical details on some of the most talented and influential artists, as well as up-and-coming individuals from the world of popular music. International in scope, this new edition provides information on artists, varying from Eminem to Wynton Marsalis; Ray Davies to Talvin Singh.
Listed alphabetically by surname, entries provide full biographical profiles, including personal information, principal career details, recordings and compositions, and full contact details, where available. A directory section includes details of record companies, management companies and booking agents and promoters, music publishers, festivals and events, and other organizations in the popular music industry.
The careers of pop, rock, folk, jazz, dance, world and country music artists from around the world are profiled in this new edition. New artists are included, as well as established names in popular music. Entrants include Elvis Costello, Carlos Santana, Wayne Shorter, Dizzee Rascal, Gil Scott-Heron and Joss Stone.

• Over 6,000 alphabetically arranged entries
• Fully revised and updated for this 7th edition
• Spans the full range of popular music
• 
  

Think Woodstock and the mind turns to the seminal 1969 festival that crowned a seismic decade of sex, drugs, and rock 'n' roll. But the town of Woodstock, New York, the original planned venue of the concert, is located over 60 miles from the site to which the fabled half a million flocked. Long before the landmark music festival usurped the name, Woodstock--the tiny Catskills town where Bob Dylan holed up after his infamous 1966 motorcycle accident--was already a key location in the '60s rock landscape. Drawing on numerous first-hand interviews with the remaining key players in the scene--and on the period when he lived there himself in the 1990s--Hoskyns has produced an East Coast companion to his bestselling L.A. canyon classic Hotel California. This is a richly absorbing study of a vital music scene in a revolutionary time and place.

Where did the Coronavirus outbreak originate and was the pandemic predicted? Did aliens help to build the Sphinx and the Great Pyramid of Giza, and what were they trying to tell us? Is the food industry colluding to make us addicted to sugar? Prepare yourself for some startling revelations on these topics and many more in this updated and expanded compendium of the world's scariest and strangest conspiracy theories. Leaving no stone unturned, it delves into such conundrums as: the growing number of people who believe the Earth is flat the unsolved disappearance of Flight MH370 the uncertainties surrounding the assassination of Osama Bin Laden the mysterious circumstances of Bruce Lee's death Whether you're a doubter or a self-confessed conspiracy junkie, you'll find a cover-up for every occasion. And remember, just because you're paranoid doesn't mean they're not after you...

Winner of the 2007 Alan Merriam Prize presented by the Society for Ethnomusicology

aThe Games Black Girls Play is beautifully and passionately written. This book presents an engaging reflexive narrative that ranges from childhood memories to involvement with ethnomusicological scholarship. Gaunt makes a convincing argument that the playsongs of African American girls is the foundation of African diasporic popular music-making. In a radical counter-history, she shows how African American girls-interlocutors who are triply minoritized through race, gender, and age-are producing music culture that has profound influences on popular music and the popular imagination. She calls for an engaged ethnomusicology and moves gracefully through an array of anti-essentialist perspectives on race and gender. She argues that akinetic oralitya is key to African American musicking and that the body is always a locus of memory and communality. From somatic historiography to serious cross-talk with girls, Gaunt offers new methodologies for ethnomusicological work. The reader is pulled into a world in which Black girls are masters of musical knowledge, and in emerging from the book, we can't see the world of American popular music in the same way. When we chant Miss Mary Mack, Mack, Mack is dressed in black, black, black, with silver buttons, buttons, buttons, all down her back, back, back, we suddenly see how musical play and embodied knowledge generates a world of raced and gendered sociality. Oo-lay oo-lay! Congratulations, Kyra!a
--President Elect Professor Deborah Wong, Society for Ethnomusicology (October 27, 2007)

aFusing academic prose with vividly rendered memories, Gauntas journey isrefreshing. . . . Gaunt successfully lifts ignored girls from obscurity to center stage. . . . With The Games Black Girls Play, Gaunt has created a necessary space for translating black girlsa joy in a society that typically overlooks it. Hopefully, others will take their turn and jump in to keep the games going.a
--"Bitch"

"In thoughtful and affectionate prose, Gaunt makes plain how the schoolyard syncopations of body and voice are both oral-kinetic play and improvised lessons in socializing girls into the unique social practices of black urban life. . . . The Games Black Girls Play is a smart, delightful and witty polemic of attributions; a cultural benchmark of the complex web of history, race and gender to suggest a agendered musical blacknessa and an aethnographic trutha linking the aintergenerational cultures of black musical expressiona as embodied in the infectious playfulness of black girls."
--"Black Issues Book Review"

"Very informative and insightful. . . . A valuable source to add to oneas collection."
--"AllHipHop.com"

"By placing black girls at the center of her analysis, Kyra Gaunt challenges us to be ever mindful of the importance of gender, the body, and the everyday in our discussions of black music. "The Games Black Girls Play" is an exciting and original work that should forever transform the way we think about the sources of black, indeed American, popular music. This is a bold, brilliant, and beautifully written book."
--Farah Jasmine Griffin, Columbia University

"The Games Black Girls Play not only makes the point that black girls matter, but that the games, thoughts, and passions of black girls matter in a world that regularly rendersblack girls invisible and silent. Gaunt brilliantly argues that the culture of black girls is a critical influence on contemporary black popular culture."
-- Mark Anthony Neal, author of" New Black Man: Rethinking Black Masculinity"

"A particular strength of Gaunt's text is the ethnographic dimension of her discussions. The reader is privy to the personal musical and cultural experiences of African American females of varying ages (including Gaunt herself)."
--"New Black Man Book Review"

aIt is written in an accessible style and the inclusion of personal musical and cultural experiences and histories of a variety of women, including the author, adds to the appeal. The infectious playfulness of the topic and Gauntas own personal style and passion shine though.a
--"Journal of Folklore Research"

When we think of African American popular music, our first thought is probably not of double-dutch: girls bouncing between two twirling ropes, keeping time to the tick-tat under their toes. But this book argues that the games black girls play --handclapping songs, cheers, and double-dutch jump rope--both reflect and inspire the principles of black popular musicmaking.

The Games Black Girls Play illustrates how black musical styles are incorporated into the earliest games African American girls learn--how, in effect, these games contain the DNA of black music. Drawing on interviews, recordings of handclapping games and cheers, and her own observation and memories of gameplaying, Kyra D. Gaunt argues that black girls' games are connected to long traditions of African and African American musicmaking, and that they teach vital musical and social lessons that are carried intoadulthood. In this celebration of playground poetry and childhood choreography, she uncovers the surprisingly rich contributions of girls' play to black popular culture.

Music, Popular Culture, Identities is a collection of sixteen essays that will appeal to a wide range of readers with interests in popular culture and music, cultural studies, and ethnomusicology. Organized around the central theme of music as an expression of local, ethnic, social and other identities, the essays touch upon popular traditions and contemporary forms from several different regions of the world: political engagement in Italian popular music; flamenco in Spain; the challenge of traditional music in Bulgaria; boerenrock and rap in Holland; Israeli extreme heavy metal; jazz and pop in South Africa, and musical hybridity and politics in Cote d'Ivoire. The collection includes essays about Latin America: on the Mexican corrido, the Caribbean, popular dance music in Cuba, and bossanova from Brazil. Communities of a cultural diaspora in North America are discussed in essays on Somali immigrant and refugee youth and Iranians in exile in the US. Grounded in cultural theory and a specialized knowledge of a particular popular musical practice, each author has written a critical study on the mix of music and identity in a particular social practice and context.

Outstanding range of curated materials showing the development of transgender studies Includes historical perspective from 1910 up to the latest research Interdisciplinary in nature Accurate account of theoretical interventions in the field * The definitive volume in the field of transgender studies and history of sexuality. There is no other book out there like this one * Contains classic essays and the most modern pieces available in the field * The editors are trans celebrities and have broad appeal in the transgender communities in the US and UK

Dancing at the crossroads used to be young people's opportunity to meet and enjoy themselves on mild summer evenings in the countryside in Ireland--until this practice was banned by law, the Public Dance Halls Act in 1935. Now a key metaphor in Irish cultural and political life, "dancing at the crossroads" also crystallizes the argument of this book: Irish dance, from Riverdance (the commercial show) and competitive dancing to dance theatre, conveys that Ireland is to be found in a crossroads situation with a firm base in a distinctly Irish tradition which is also becoming a prominent part of European modernity. Helena Wulff is Associate Professor of Social Anthropology at Stockholm University. Publications include Twenty Girls (Almqvist & Wiksell International, 1988), Ballet across Borders (Berg, 1998), Youth Cultures (co-edited with Vered Amit-Talai, Routledge, 1995), New Technologies at Work (co-edited with Christina Garsten, Berg, 2003). Her research focusses on dance, visual culture, and Ireland.

Readings in Law and Popular Culture is the first book to bring together high quality research, with an emphasis on context, from key researchers working at the cutting-edge of both law and cultural disciplines.

Fascinating and varied, the volume crosses many boundaries, dealing with areas as diverse as football-based computer games, Buffy the Vampire Slayer, digital sampling in the music industry, the films of Sidney Lumet, football hooliganism, and Enid Blyton. These topics are linked together through the key thread of the role of, or the absence of, law - therefore providing a snapshot of significant work in the burgeoning field of law and popular culture.

Including important theoretical and truly innovative, relevant material, this contemporary text will enliven and inform a legal audience, and will also appeal to a much broader readership of people interested in this highly topical area.

Contents:
Introduction Part One : Nursery Crymes Little Miss Dynamite; The Boy Behind The Mask; Father... I Want To Kill You: The Birth of the Lizard King; Monsters and Ogres; When Will They Ever Learn? Part Two : Little Girls Introduction; Kate Bush: The Red Shoes; Tori Amos: Lady of the Rings; Bjork: The Icelandic Elf; Little Girls Revisited Part Three: Little Boys Introduction: The Rules of the Game; Age, Identity and the Slippery Divide of the Rock/Pop Binary; Who's That Boy? Death And My Cock; 'Scuse Me While I Kiss The Sky; Myth and Reality; Boys Just Wanna Be Boys; The Young Ones; Somebody Wants To Be Wanted; I'm A Believer; Rollermania; Do What U Like? Pop Idols Postscript. Life After Death: Old Girls and Old Boys Notes Bibliography Discography

Learn the value of football to American society No sport reflects the American value system like football. Visitors to the United States need only watch a game or two to learn all they need to know about the American way of life and the beliefs, attitudes, and concerns of American society. Football and American Identity examines the social conditions and cultural implications found in the football subculture, represented by core values such as competition, conflict, diversity, power, economic success, fair play, liberty, and patriotism. This unique book goes beyond the standard fare on football strategy and history, or the biographies of famous players and coaches, to analyze the reasons why the game is the essence of the American spirit. Author Gerhard Falk, Professor of Sociology at the State University College of New York at Buffalo, examines football as a game, as a business, and as a reflection of the diversity in American life. Football and American Identity also addresses the relationship between football and the media, with much of the game's income generated by advertising and endorsements, and examines the presence of crime in football culture. The book discusses the development of the gameand those involved in itat the Pop Warner, college, and professional levels, examining the social origin of players, coaches, cheerleaders, and owners. In addition, Football and American Identity analyzes the game's fans and their devotion to their teams, examines why Pennsylvania is considered the mother of American football, and looks at the National Football League and its commissioners. Football and American Identity examines: how individualism and achievement can lead to mythological status why a person's occupation is the most important indicator of prestige in the United States what the consequences are of earning more in a year than most Americans make in a lifetime why equality is vital to the ethnic make-up of American football teams why teamwork is important-in football and in industry how freedom is essential for taking the risks necessary for success and much more! Football and American Identity is an inside look at football as an American cultural phenomenon. Devoted and casual fans of the game, as well as academics working in sociology, will find this unique book interesting, entertaining, and thought-provoking.

The book investigates the witch as a key rhetorical symbol in twentieth- and twenty-first century feminist memory, politics, activism, and popular culture. The witch demonstrates the inheritance of paradoxical pasts, traversing numerous ideological memoryscapes. This book is an examination of the ways that the witch has been deployed by feminist activists and writers in their political efforts in the twentieth century, and how this has indelibly affected cultural memories of the witch and the witch trials, and how this plays out in popular culture representations of the symbol through the twentieth and twenty-first centuries. Consequently, this book considers the relationship between popular culture and media, activist politics, and cultural memory. Using hauntological theories of memory and temporality, and literary, screen, and cultural studies methodologies, this book considers how popular culture remembers, misremembers, and forgets usable pasts, and the uses (and misuses) of these memories for feminist politics. Given the ubiquity of the witch in popular culture, politics and activism since 2016, this book is a timely examination of the range of meanings inherent to the figure, and is an important study of how cultural symbols like the witch inherit paradoxical memories, histories, and politics. The book will be valuable for scholars across disciplines, including witchcraft studies, feminist philosophy and history, memory studies, and popular culture studies.

Indispensable for students of film studies, in this book Reena Dube explores Satyajit Ray's films, and The Chess Players in particular, in the context of discourses of labour in colonial and postcolonial conditions. Starting from Daniel Defoe and moving through history, short story and film to the present, Dube widens her analysis with comparisons in which Indian films are situated alongside Hollywood and other films, and interweaves historical and cultural debates within film theory. Her book treats film as part of the larger cultural production of India and provides a historical sense of the cross genre borrowings, traditions and debates that have deeply influenced Indian cinema and its viewers.

An analysis of African American televangelists as cultural icons Through their constant television broadcasts, mass video distributions, and printed publications, African American religious broadcasters have a seemingly ubiquitous presence in popular culture. They are on par with popular entertainers and athletes in the African American community as cultural icons even as they are criticized by others for taking advantage of the devout in order to subsidize their lavish lifestyles. For these reasons questions abound. Do televangelists proclaim the message of the gospel or a message of greed? Do they represent the "authentic" voice of the black church or the Christian Right in blackface? Does the phenomenon reflect orthodox "Christianity" or ethnocentric "Americaninity" wrapped in religious language? Watch This! seeks to move beyond such polarizing debates by critically delving into the dominant messages and aesthetic styles of African American televangelists and evaluating their ethical implications.

Learn the value of football to American society No sport reflects the American value system like football. Visitors to the United States need only watch a game or two to learn all they need to know about the American way of life and the beliefs, attitudes, and concerns of American society. Football and American Identity examines the social conditions and cultural implications found in the football subculture, represented by core values such as competition, conflict, diversity, power, economic success, fair play, liberty, and patriotism. This unique book goes beyond the standard fare on football strategy and history, or the biographies of famous players and coaches, to analyze the reasons why the game is the essence of the American spirit. Author Gerhard Falk, Professor of Sociology at the State University College of New York at Buffalo, examines football as a game, as a business, and as a reflection of the diversity in American life. Football and American Identity also addresses the relationship between football and the media, with much of the game's income generated by advertising and endorsements, and examines the presence of crime in football culture. The book discusses the development of the gameand those involved in itat the Pop Warner, college, and professional levels, examining the social origin of players, coaches, cheerleaders, and owners. In addition, Football and American Identity analyzes the game's fans and their devotion to their teams, examines why Pennsylvania is considered the mother of American football, and looks at the National Football League and its commissioners. Football and American Identity examines: how individualism and achievement can lead to mythological status why a person's occupation is the most important indicator of prestige in the United States what the consequences are of earning more in a year than most Americans make in a lifetime why equality is vital to the ethnic make-up of American football teams why teamwork is important-in football and in industry how freedom is essential for taking the risks necessary for success and much more! Football and American Identity is an inside look at football as an American cultural phenomenon. Devoted and casual fans of the game, as well as academics working in sociology, will find this unique book interesting, entertaining, and thought-provoking.

The classic game of Loter a drew a lot of inspiration from the ancient practice of Tarot. This deck explores the similarities between these two timeless traditions with a modern twist finally reuniting these long lost primos to help you reconnect with your Latinx magic. One common misconception is that Tarot is a practice used only to predict the future, but this Millennial Loter a Tarot Deck is specifically designed to help you better understand your present and get in touch with your heritage. The only person in charge of your future is you, so the guidebook accompanying this 78-card tarot deck focuses on self-reflection and inspiration for your goals, all done with a sprinkle of Millennial Loter a humour.

"It Came From the 1950s" is an eclectic, witty and insightful collection of essays predicated on the hypothesis that popular cultural documents provide unique insights into the concerns, anxieties and desires of their times. The essays explore the emergence of "Hammer Horror" and the company's groundbreaking 1958 adaptation of "Dracula"; the work of popular authors such as Shirley Jackson and Robert Bloch, and the effect that 50s food advertisements had upon the poetry of Sylvia Plath; the place of special effects in the decade's science fiction films; and 1950s Anglo-American relations as refracted through the prism of the 1957 film "Night of the Demon."

This handbook provides a comprehensive overview and holistic analysis of the intersection between tourism and popular culture. It examines current debates, questions and controversies of tourism in the wake of popular culture phenomena and explores the relationships between popular culture, globalization, tourism and mobility. In addition, it offers a cross-disciplinary, cutting edge review of the character of popular cultural production and consumption trends, analyzing their consequences for tourism, spatial strategies and destination competitiveness. The scope of the volume encompasses various expressions of popular culture such as cinema, TV shows, music, literature, sports and heritage. Featuring a mix of theoretical and empirical chapters, the handbook problematizes and conceptualizes the ties and clusters of popular cultural actors, thereby positioning tourism within the wider context of creative economies, cultural planning and multimodal technologies. Written by an international team of academics with expertise in a range of disciplines, this timely book will be of interest to researchers from a variety of subjects including tourism, events, geography, cultural studies, fandom research, political economy, business, media studies and technology.

The essays in this book examine various forms of popular culture and the ways in which they represent, shape, and are constrained by notions about and issues within higher education. From an exploration of rap music to an analysis of how the academy presents and markets itself on the World Wide Web, the essays focus attention on higher education issues that are bound up in the workings and effects of popular culture.

From Black Lives Matter to the ongoingWomen's Marches, we have had some powerful moments over the last decade that have galvanized and created new, but brief, feelings of community. Many of us, however, haven't figured out how to spark that feeling on our own, or how to build off or sustain those moments. Many of us are longing for a kind of sugar-borrowing and stoop-sitting closeness we imagine existed in the 50s. Maybe we even grew up in that environment, but we moved away from home for love, work, or adventure and we don't know how to recreate it in a new place. What so many of us are missing is the closeness that connects us and make us feel like we belong to a community.In How We Show Up, community visionary Mia Birdsong delivers a modern, timely understanding of what true, authentic family and community can look like--outside of the 2-parent, 2.5 kids norm we all have in our heads. Today we have more single parents, couples who raise children outside of marriage, and more people growing older alone. Tackling topics like creating safe spaces, creativity in community, raising children in community, and more, How We Show Up is the antidote to the social fractures we face in our nation today. By sharing stories and actionable advice, and taking cues from marginalized communities--people of color, women, LGBTQ--Mia Birdsong offers us the blueprint we need to build true community wherever we are.

It explains why we have more than a hundred more record shops than we had in 2009, and how others have gained the reward from their hard work. Budget turntables, manufactures, supermarkets, chain stores, clothes shops, pressing plants and even the government are amongst the many who have benefited from their efforts. Graham Jones has spent 32 years travelling the UK selling to independent record shops and visited more record shops than any other human. This book guides you around the record shops of the UK who sell new vinyl. He has gathered some fascinating and funny anecdotes told him by our much-loved record shop staff so that when you visit you will feel like you already know the characters behind the counters. It is perfect for vinyl fans to keep with them on their travels around the country.

The highway has become the buyway. Along the millions of miles the public travels, advertisers spend billions on images of cola, cars, vodka, fast food, and swimming pools that blur past us, catching our fleeting attention and turning the landscape into a corridor of commerce.
A smart, succinct, and visually compelling history of the billboard in America, "Buyways" traces how the outdoor advertising industry changed the face of American commercialism. Taking us from itinerant bill-stickers of circus posters in the 19th century to the blinking, beeping, 3-D eyesores of today, Gudis argues that roadside advertising has turned the landscape itself into a commodity to be bought and sold as advertising space.
"Buyways" vividly chronicles the battles between environmentalists and businessmen as well as the response of artists, from New Deal photographers who satirized the billboard-infested landscape to commercial artists who embraced the kitsch of it all. It also shows how advertisers tapped into the American mythology of the open road, promoting mobile consumption as the American Dream on four wheels.
Entertaining and brilliantly illustrated, "Buyways" is a vibrant road map of the new geography of consumption. Also includes an eight page color insert.