- Digital food studies is a growing research area. There is a burgeoning number of conferences (e.g. Digital Food Cultures; Food and Communication; The Meaning of Food; European Conference on Health Communication), food and media research groups (e.g. Food Values Research Group, University of Adelaide), specialist scholarly journals (e.g. Gastronomica; Food, Culture & Society; Food Studies: An Interdisciplinary). - Although positioned primarily for English-speaking market, many of themes covered would travel well globally. - Fills a niche in the market for a more in depth study of digital food (the only real competition is Tania Lewis' more general book, Digital Food (see competiting titles for more info).

- The first sustained scholarly study of black horror films, now updated to include the last decade. - Tells a unique social history of African Americans through changing representation in horror films. - Chronological, decade-by-decade survey of black horror films from mainstream Hollywood, to art-house and independent films.

The evolution of tattoo art in America is spread before you in 265 impressive original tattoo flash sheets and insightful text written by a tattoo artist who has designed on his own since 1960. Military, religious, figural, animal, and nature themes are displayed among the many hundred designs. Changes in tattoo art over the years is shown as well as the trend today to return to earlier designs. Individual artists are listed, along with others who altered designs. This book will be an endless source of inspiration, for those who are passionate about tattoo art.

- Topic timely and important: connects established and emerging journalism practices to changing discourses about sexual violence.. - Diverse range of perspectives, international in scope. Including contributions from authors situated in: Australia, US, Denmark, Sweden, Japan, India, Norway, Israel. - No other academic book on the market which explores sexual violence in the hashtag era of #metoo, #blacklivesmatter, #SayHerName from an intersectional lens

This book is an account of the history and continuation of plague as a potent metaphor since the disease ceased to be an epidemic threat in Western Europe, engaging with twentieth-century critiques of fascism, anti-Semitic rhetoric, the Oedipal legacy of psychoanalysis and its reception, and film spectatorship and the zombie genre.

Debates on the meaning of religious belief in an advanced technological age have established the emergence of religion as a fact of daily life. The nineteenth-century imagery of "warfare" between science and religion is long dismissed. Emphasizing this fact of the continuing relevance and importance of religion as a driving force in contemporary life is the stunning emergence on the world scene of militant Muslim beliefs in a period of relatively inactive religious belief elsewhere. In this volume of Culture and Civilization, religion is examined in the context of post-modern societies.

The collection of essays is divided by themes: religions, civilizations, cultures, and the history of ideas. The contributors William Donohue, Simon Kuznets, A. L. Kroeber, Greg Mills, Yoani Sanchez, Murray Weidenbaum, Andreas Herberg-Rothe, Daniel Bell, John W. Gardner, John Charles, and Liu Xiaobo's discuss a variety of topics, with titles including "The Catholic Church and Sexual Abuse," "Why is Africa Poor?," "Freedom and Exchange in Communist Cuba," and the "Economic Structure and the Life of the Jews."

This volume concludes with a grouping of review essays on famous figures ranging from Crane Brinton and Herbert Spencer to Max Gluckman and Hannah Arendt. The volume as a whole projects a sense of the future and avoids hysteria about the past. The contributors have a sharp edge and speak in a critical voice to the dilemmas of the present world order.

In Music in Disney's Animated Features James Bohn investigates how music functions in Disney animated films and identifies several vanguard techniques used inthem. In addition he also presents a history of music in Disney animated films, as well as biographical information on several of the Walt Disney Studios' seminal composers. The popularity and critical acclaim of Disney animated features truly is built as much on music as it is on animation. Beginning with Steamboat Willie and continuing through all of the animated features created under Disney's personal supervision, music was the organizing element of Disney's animation. Songsestablish character, aid in narrative, and fashion the backbone of the Studios' movies from Snow White and the Seven Dwarfs through The Jungle Book and beyond. Bohn underscores these points while presenting a detailed history of music in Disney's animated films. The book includes research done at the Walt Disney Archives as well as materials gathered from numerous other facilities. In his research of the Studios' notable composers, Bohn includes perspectives from familymembers, thus lending a personal dimension to his presentation of the magical Studios' musical history. The volume's numerous musical examples demonstrate techniques used throughout the Studios' animated classics.

The book is an interdisciplinary exploration of the complexities of 'popular' culture as a category of public policy. It approaches the notions of 'cultural policy' and 'popular culture' flexibly, examining what each comes to mean, explicitly or implicitly, in relation to the other. This generates a rich variety of approaches, but also a number of identifiable commonalities. We start from the proposition that 'popular culture' is largely absent as an explicit category of arts policy and debate today. The 'arts' are still, in practice, construed in terms of elite culture (despite claims to the contrary), while artefacts such as popular music, television, fashion, and so on are assumed to figure among the cultural or creative 'industries', giving the popular a set of narrowly economic, professional and commodity connotations. And yet, the popular is, in a range of ways, powerfully present as an implicit dimension of public policy and as a catalyst of cultural practices and attitudes. This apparent paradox underpins the proposal. The book is a collaboration between two UK-based institutions: the University of Leeds's Popular Cultures Research Network and the well established Centre for Cultural Policy Studies at the University of Warwick. This book was originally published as a special issue of International Journal of Cultural Policy.

Race and ethnicity have shaped the social, cultural and political character of much of the world, and remain an important influence on contemporary life in the 21st Century. Race and Ethnicity: The Basics is an accessible introduction to these potent forces. Topics covered include:

• The forms and dynamics of racial and ethnic relations
• The dynamics of inequality
• The relationship between prejudice and discrimination
• Ethnic conflict
• Models of inclusion

Including plenty of examples, chapter summaries and a glossary, this book is an essential read for all those interested in the contested field of race and ethnicity.

This collection of papers discusses the impact of diasporas on the articulations and practices of legal, political, cultural and social citizenship in their country of origin. While the majority of current citizenship debates focus on the challenges and directions in which diasporic and migrant communities impact on the citizenship regime in their country of settlement, the papers in this volume approach the study of citizenship from the perspective of the link between the sending state and its diasporic communities abroad. The papers discuss the role of language, religion, kinship, and other ethnic markers in diaspora politics and trace their implications for the articulations and practices of citizenship. Through discussing cases across political and geographical spectrums, and from different historical epochs the book broadens and enriches the debate on citizenship by demonstrating important ways in which diasporas impact on the delineation of citizenship regimes and the politics of national identity in their homeland. This links to the continued use of language as an ethnic marker, but also one which may be learned, allowing a certain degree of choice and shifting affiliations amongst putative members of a diaspora. This book was published as a special issue of Nationalism and Ethnic Politics.

In the wake of the debates over high/low culture distinction spilling into the effective dismantling of the boundary that once separated them, the past decade has seen the explosion of ?bad taste? production on screen. Starting with paracinema or ?badfilm? ? a movement that has grown up around sleazy, excessive, or poorly executed B-movies and has come to encompass disreputable and unworthy films ? this trend has been evident in various formats: on television and in video-art, low-budget and straight to TV films, amateur and home movies. The proliferation of trash on screen can be seen as delivering the final blow to the vexed issue of taste.

More importantly, it prompts a reconsideration of some critical issues surrounding production, circulation, understanding and teaching of ?bad objects? in the media. This collection of essays, written by international film and television scholars, provides detailed critical analysis of the issues surrounding judgements of cultural value and taste, feeling and affect, cultural morals and politics, research methodologies and teaching strategies in the new landscape of ?after taste? media. Addressing global and local developments ? from global Hollywood to Australian indigenous film and television, through auteurs Sergei Eisenstein to Jerry Bruckheimer, on to examples such as Twilight to Sukiyaki Western Django ? the essays in this book offer a range of critical tools for understanding the recent shifts affecting cultural, aesthetic and political value of the moving image.

This book was originally published as a special issue of Continuum: Journal of Media & Cultural Studies.

Research in and around popular culture continues to flourish. And its study is, more than ever, a key component of Media and Communications Studies courses, and a vital part of Cultural Studies and Cultural Sociology curricula.

The sheer scale of the available research exploring popular culture?and the breadth and complexity of the canon on which it draws?makes this new four-volume Routledge collection especially timely. It answers the urgent need for a wide-ranging collection which provides ready access to the key items of scholarly literature, material that is often inaccessible or scattered throughout a variety of specialist journals and books from a broad range of disciplines.

Volume I (?History and Theory?) brings together the best work on the rise of popular culture as a subject for serious academic study, uncovering its roots and exploring its rapid development in the years after the Second World War. Key debates (e.g. between base and superstructure, hegemony and control, colonialism and postcolonialism) are traced to provide users with a clear understanding of the foundational approaches that inform the more applied examinations of popular culture in the succeeding volumes.

Volume II assembles the most important thinking on ?Ideology and Representation?, including work drawn from feminism, structuralism, post-structuralism, and postmodernism. Volume III gathers crucial work on ?Fissures and Fusions?, while the last volume in the set is organized around ?Critical Departures?.

Popular Culture is supplemented with a full index, and includes a comprehensive introduction, newly written by the editor, which places the collected material in its historical and intellectual context. It is destined to be valued by scholars and advanced students as a vital research and reference resource.

The book explains why the US-Russia post-9/11 partnership did not endure. Washington backed away from its initial commitment to a new level of cooperation with Moscow in addressing issues of terrorism, energy security, political instability and weapons proliferation. Much of America's policy is shaped by an ambition to remain the only world's superpower and by activities of interest groups with the agenda of isolating Russia from the Western world. Although these groups do not dictate the official policy, their influence has been notable. The book analyzes the negative role played by Russophobia and formulates a different approach to Russia in the post-Cold War world.

Climate Change Temporalities explores how various timescales, timespans, intervals, rhythms, cycles, and changes in acceleration are at play in climate change discourses. It argues that nuanced, detailed, and specific understandings and concepts are required to handle the challenges of a climatically changed world, politically and socially as well as scientifically. Rather than reflecting abstractly on theories of temporality, this edited collection explores a variety of timescales and temporalities from narratives, experience, popular culture, and everyday life in addition to science and history - and the entanglements between them. The chapters are clustered into three main sections, exploring a range of genres, such as questionnaires, interviews, magazines, news media, television series, aquariums, and popular science books to critically examine how and where climate change understandings are formed. The book also includes chapters historising notions of climate and temporality by exploring scientific debates and practices. Climate Change Temporalities will be of great interest to students and scholars of humanistic climate change research, environmental humanities, studies of temporality and historicity, cultural studies, cultural history, and popular culture.

Words of Wisdom from Wild WomenIn Wild Words from Wild Women, author and feminist August Stephens compiles words of wisdom from much loved famous feminists. Hilarious, inspiring, and empowering, this pocket book of affirmation quotes is the perfect gift for all nasty women with something to say. Some tongues just can't be tamed. What can be better than words of wisdom from wild gals? Wild Words from Wild Women is a ribald compilation of powerful women quotes; everything from bras to babies, menopause to men, and politics to parties. Featuring historically nasty women like Jane Austen and Billie Jean King, these famous feminists knew how to read between the lines and now you can too. Girls run the world. These words of wisdom from strippers, CEOs, poets, senators, and every woman in between make delectable reading for sassy, untamable, and fabulous ladies everywhere. In the time of "Girl Boss" learn why and how girls run the world with Wild Words from Wild Women. Inside, find powerful women quotes from famous feminists like: Billie Holiday Virginia Wolfe Coco Chanel And many more! If you enjoyed books like Badass Affirmations, Daily Affirmations for Women, or I Really Needed This Right Now, then you'll love Wild Words from Wild Women.

This book identifies and analyzes the ways in which RuPaul's Drag Race has reshaped the visibility of drag culture in the US and internationally, as well as how the program has changed understandings of reality TV. This edited volume illustrates how drag has become a significant aspect of LGBTQ experience and identity globally through RuPaul's Drag Race, and how the show has reformed a media landscape in which competition and reality itself are understood as given. Taking on lenses addressing race, ethnicity, geographical origin, cultural identity, physicality and body image, and participation in drag culture across the globe, this volume offers critical, non-traditional, and first-hand perspectives on drag culture.

Why doesn't self-help help? Millions of people turn to self-improvement when they find that their lives aren't working out quite as they had imagined. The market for self-improvement products-books, audiotapes, life-makeover seminars and regimens of all kinds-is exploding, and there seems to be no end in sight for this trend. In Self-Help, Inc.: Makeover Culture in American Life, cultural critic Micki McGee asks what our seemingly insatiable demand for self-help can tell us about ourselves at the outset of this new century. The answers are surprising. Rather than finding an America that is narcissistic or self-involved, as others have contended, McGee sees a nation relying on self-help culture for advice on how to cope in an increasingly volatile and competitive work world. For Americans today, a central component of working has become working on themselves. "Be all one can be," they are told. Build your own personal brand. As women have entered the paid labor force in growing numbers, the Protestant work ethic has been augmented by a Romantic imperative that one create a vision-a script-for one's life. More and more, Americans are compelled to regard themselves in effect as "human capital." No longer simply an enterprising or entrepreneurial individual, the new worker is the artist and the artwork, the "CEO of Me, Inc.," in Tom Peters' memorable phrase, and the central product line. Self-Help, Inc. reveals how makeover culture traps Americans in endless cycles of self-invention and overwork as they struggle to stay ahead of a rapidly restructuring economic order. A lucid and fascinating treatment of the modern obsession with work and self-improvement, this book will strike a chord with its diagnosis of the self-help trap and with its suggestions for how we can address the alienating conditions of modern work and family life.

The study of Soviet youth has long lagged behind the comprehensive research conducted on Western European youth culture. In an era that saw the emergence of youth movements of all sorts across Europe, the Soviet Komsomol was the first state-sponsored youth organization, in the first communist country. Born out of an autonomous youth movement that emerged in 1917, the Komsomol eventually became the last link in a chain of Soviet socializing agencies which organized the young. Based on extensive archival research and building upon recent research on Soviet youth, this book broadens our understanding of the social and political dimension of Komsomol membership during the momentous period 1917 1932. It sheds light on the complicated interchange between ideology, policy and reality in the league's evolution, highlighting the important role ordinary members played. The transformation of the country shaped Komsomol members and their league's social identity, institutional structure and social psychology, and vice versa, the organization itself became a crucial force in the dramatic changes of that time. The book investigates the complex dialogue between the Communist Youth League and the regime, unravelling the intricate process that transformed the Komsomol into a mere institution for political socialization serving the regime's quest for social engineering and control.

The films of Sofia Coppola have moved and entranced audiences with her minimalist style, moody soundscapes, and commitment to center the lives and experiences of women and girls. A Critical Companion to Sofia Coppola explores the profound implications of her stories, images, and convictions in a comprehensive study of all eight of her major works. Drawing from a wide range of disciplines, each chapter offers a fresh, interdisciplinary reading of one of Coppola's films and her treatment of core themes like masculinity, sexual politics, bodies, and love. Rigorously researched and unique, the arguments presented within this volume shed new light on one of the most important women filmmakers in film history.

In High Theory/Low Culture , Brottman uses the tools of 'high' cultural theory to examine many areas of today's popular culture, including style magazines, sport, shopping, tabloid newspapers, horror movies and pornography. In doing so, she not only demonstrates the practical use of 'high' theory as it relates to our everyday world, but she also investigates the kinds of 'low' culture that are regularly dismissed by academic scholars. Through a close examination of these cultural forms, Brottman reveals how the kinds of popular culture that we usually take for granted are, in fact, far more complex and sophisticated than is normally assumed.

Analysing the events surrounding the death of Diana, Princess of Wales, in 1997, Vic Seidler considers the public outpourings of grief and displays of emotion which prompted new kinds of identification and belonging in which communities came together regardless of race, class, gender and sexuality.

Given the complexity and expense of making and distributing a film, the process of filmmaking is by its very nature a political process. Moreover, given the power and persuasiveness of the cinema as a medium, film can be a powerful political tool. It should thus come as no surprise that film has had a long and extensive engagement with a variety of political topics, ranging from the actual mechanics of governance to electoral politics, to any number of specific political issues. Through a film-by-film examination of the movies explicitly concerned with American politics and American political issues, From Box Office to Ballot Box provides valuable new insights into our culture's perceptions of various political environments and serves as a witness to the cinema's own complex contribution to the media's coverage of, and relationship to, American politics at large. From Box Office to Ballot Box takes as its subject films exploring the electoral process, the process of governing, and the involvement of the media in both. Separate chapters also deal with films related to specific political issues or phenomena that are particularly relevant to the above three categories, including labor and class, the Cold War, the Vietnam War, and the other recent conflicts in which the media has played such a large role. Specific films discussed include: Citizen Kane, All the King's Men, The Manchurian Candidate, All the Presidents' Men, The Front, M*A*S*H*, JFK, Nixon, Wag the Dog, Three Kings, Black Hawk Down, The Quiet American, The Contender, and many more.

This book explores how photography and recorded music act as vehicles or catalysts in processes of remembering, and how they are regarded, treated, valued and drawn upon as resources connecting past and present in everyday life. It does so via two key concepts: vernacular memory and the mnemonic imagination.

Almost 20 years ago Michael Brocken created from his doctoral research, what became both a seminal and contested volume concerning the social mores surrounding the British Folk Revival up to that point in time: The British Folk Revival 1944-2002. In this long-overdue second edition he revisits not only his own research, but also that of others from the 1990s and early 21st century. He then considers how a discourse of folkloric authenticity emerged in the closing years of the 19th century and how a worrying nationalistic immanence came to surround folk music and dance during the inter-war years. Brocken also proposes that the media: records, radio and TV in post-WWII folk revivalism can offer us important insights into how self-directed learning of the folk guitar emerged. Brocken moves on to consider the business structures of the contemporary folk scene and how relationships are formed between contemporary folk business and the digital and social media spheres. In his penultimate chapter he discusses the masculinisation of folk traditions and asks important questions about how our folk traditions are carried and are authorised. In the final chapter he also considers the rise of an exciting new folk live music built environment.