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Books > Reference & Interdisciplinary > Interdisciplinary studies > Cultural studies > Popular culture
In the networked age, we are living with changed parameters of time and space. Mobile networked communication fosters a form of virtual time and space, which is super-imposed onto territorial space. Time is increasingly composed of interruptions and distractions, as smartphone users are overwhelmed by messages.
From the Minds of Jazz Musicians: Conversations with the Creative and Inspired celebrates contemporary jazz artists who have toiled, struggled and succeeded in finding their creative space. The volume was developed through transcribing and editing selected interviews with 35 jazz artists, conducted by the author between 2009 and 2012 in New York City, with a historical essay on each artist to provide context. The interviews feature musicians from a broad range of musical styles and experiences, ranging from Gerald Wilson, born in 1918, to Chris Potter, born in 1971. Topics range from biographical life histories to artists' descriptions of mentor relationships, revealing the important life lessons they learned along the way. With the goal to discover the person behind the persona, the author elicits conversations that speak volumes on the creative process, mining the individualistic perspectives of seminal artists who witnessed history in the making. The interviews present the artists' candid and direct opinions on music and how they have succeeded in pursuing their unique and creative lives.
As the fortieth anniversary of the Nixon resignation approaches, it is time to take a fresh look at Watergate's impact on the American political system and to consider its significance for the historical reputation of the president indelibly associated with it.
Questions arose after 1945, and have persisted, about the ownership of properties which had belonged to Jewish communities before the Second World War, to Holocaust victims and survivors, and to Jewish expellees from the Middle East and North Africa. Studies of these properties have often focused on their symbolic values, their places in cultures of memory and identity construction, and measures of justice achieved or denied. This collection explores contesting conceptions of ownership and property claims advanced in the post-war years. The authors focus considerably upon how conflicts over these properties both shaped and reflected shifting and competing ideas about Jewish belonging. They show their outcomes to have had considerable consequences for the lived experiences of both Jews and non-Jews around the world. This is because the properties in questions always maintained their worth as material assets, just as they could also impart financial liabilities and other responsibilities to their stewards, regardless of the morality of their title. The unique decision to include studies of European, Middle Eastern, and North African communities into one volume represents an attempt to achieve a more globally sensitive language for thinking about these histories, especially at their points of contact and mutual-reference. This book was originally published as a special issue of Jewish Culture and History.
Published to coincide with an exhibition at the Hayward Gallery, London, this is an expressive exploration of Black popular culture at its most wildly imaginative, artistically ambitious and politically urgent. In the Black Fantastic assembles art and imagery from across the African diaspora that embraces ideas of the mythic and the speculative. Neither Afrofuturism nor Magic Realism, but inhabiting its own universe, In the Black Fantastic brings to life a cultural movement that conjures otherworldly visions out of the everyday Black experience - and beyond - looking at how speculative fictions in Black art and culture are boldly reimagining perspectives on race, gender, identity and the body in the 21st century. Transcending time, space and genre to span art, design, fashion architecture, film, literature and popular culture from African myth to future fantasies and beyond, this vital, timely and compelling publication is an expressive exploration of Black popular culture at its most wildly imaginative, artistically ambitious and politically urgent.
Chinese and Western Literary Influence in Liu Cixin's Three Body Trilogy examines Liu Cixin's acclaimed trilogy, a Chinese science fiction epic whose translation is exceedingly popular in the Western world. Will Peyton argues that the ingenuity of Liu's writing is found in its conscious engagement with translated Western fiction rather than, as one might expect, in Chinese language science fiction of the past. The book illustrates how contemporary Chinese fiction, since the economic opening of China in the late 1980s, is deeply and complexly influenced by various strains in Western literary and intellectual thought, an area that scholars of Chinese literature have tended to neglect. Providing a lucid and succinct close-reading and textual analysis of Three Body trilogy, the book also makes reference to broader ideas and themes in modern Chinese and Western intellectual history.
Drawing on case studies across the Asia-Pacific region, Gaming in Social, Locative and Mobile Media explores the 'playful turn' in contemporary everyday life, and the role of mobile devices, games and social media in this transformation.
Like music and the news media before it, the film and television business is now facing its time of digital disruption. Major changes are being brought about in global online distribution of film and television by new players, such as Google/YouTube, Apple, Amazon, Yahoo , Facebook, Netflix and Hulu, some of whom massively outrank in size and growth the companies that run film and television today. Content, Hollywood has always asserted, is King. But the power and profitability in screen industries have always resided in distribution. Incumbents in the screen industries tried to control the emerging dynamics of online distribution, but failed. The new, born digital, globally focused, players are developing TV network-like strategies, including commissioning content that has widened the net of what counts as television. Content may be King, but these new players may become the King Kongs of the online world.
Relax, unwind and soak up the wisdom of the sloth with the slowest page turner you'll ever read. From tidying and Hygge, to living Lagom, the endless pressure to be happier, live better, sleep soundly, and eat mindfully can be exhausting. But this year's lifestyle trend finally delivers the perfect antidote - welcome to the year of the sloth. Sloths are mindfulness in action. Contemplative, deliberate, relaxed, and focused. They resist the rat race, the incessant pressures from society to be more productive, and they don't care how many steps they've logged on their fitness tracker. Long-limbed, a little bit shaggy, and a lot wide-eyed, they're wonderful creatures, not to mention completely adorable. Here you can enjoy take-it-slow wisdom inspired by sloths; including advice on sleep (more restorative than a 6am run), eating and 'exercise' (sloths are the original pioneers of slow food and yoga after all), work (did you know that lazy people have higher IQs?), family life, and love. Dispelling over-complicated myths about productivity, this brilliant book confirms that it really is OK to be a sloth.
This book continues the exploration of themes either neglected or devalued by others working in the field of philosophy and culture. The authors in this volume consider the domain of travel from the broadest and most diverse of philosophical perspectives, covering everyday topics ranging from commuting and vacation travel to immigration and forced relocation. Our time in transit, our being in transit, and our time at rest, whether by choice or edict, has always been at issue, always been at play (and has always been in motion, if you will), for our species. The essays collected here explore the possibilities of the material impact of being able to move or stay put, as well as being forced to go or prevented from leaving.
For some time now the body has been a central topic across a range
of social science disciplines. Similarly, there has been a growing
interest in the cultural meaning of clothing. But curiously, even
though people are nearly always clothed, the relationship between
dress and the body has been relatively unexplored until now.
Despite dying in relative obscurity, Jane Austen has become a global force as different readers across time, space, and media have responded to her work - beyond simply American and Great Britain, there are Janeites to be found in China, India, and across the globe. Many fans feel they have developed a personal relationship with Austen and her work. This volume examines the ways in which her novels affect individual psychologies and how Janeites in both the English and non-English speaking worlds experience her work, from visiting her home, to public re-enactments, to films based on her writings.
Queercore is a queer and punk transmedia movement that was instigated in 1980s Toronto via the pages of the underground fanzine ("zine") J.D.s. Authored by G.B. Jones and Bruce LaBruce, J.D.s. declared "civil war" on the punk and gay and lesbian mainstreams, consolidating a subculture of likeminded filmmakers, zinesters, musicans and performers situated in pointed opposition to the homophobia of mainline punk and the lifeless sexual politics and exclusionary tendencies of dominant gay and lesbian society. More than thirty years later, queercore and its troublemaking productions remain under the radar, but still culturally and politically resonant. This book brings renewed attention to queercore, exploring the homology between queer theory/practice and punk theory/practice at the heart of queercore mediamaking. Through analysis of key queercore texts, this book also elucidates the tropes central to queercore's subcultural distinction: unashamed sexual representation, confrontational politics and "shocking" embodiments, including those related to size, ability and gender variance. An exploration of a specific transmedia subculture grounded in archival research, ethnographic interviews, theoretical argumentation and close analysis, ultimately, Queercore proffers a provocative, and tangible, new answer to the long-debated question, "What does it mean to be queer?"
Forget everything you've heard about Manchester - Madchester, Gunchester - and read what it was like to live there at the turn of the century from those that know it best. Mancunians: Where do we start, where do I begin? is the story of those who didn't fit the typecast: the musicians of colour, the football fans alienated by rampant commercialism, the northerners who didn't wear parkas, the frustrated police figures, the optimistic developers, the ambitious artists, the drinkers, dealers, street sweepers, and a young author trying to negotiate his way amongst the chaos. Through a mixture of memoir and interviews with well-known Mancunians such as Guy Garvey, Tunde Babalola, Sylvia Tella, Badly Drawn Boy and Stan Chow, combined with the unheard voices of the population, David Scott portrays the city in a way never seen before. Mancunians: Where do we start, where do I begin? is the authentic account of Manchester on the brink of the Millennium. -- .
Whereas in English-speaking countries comics are for children or adults 'who should know better', in France and Belgium the form is recognized as the 'Ninth Art' and follows in the path of poetry, architecture, painting and cinema. The bande dessinee [comic strip] has its own national institutions, regularly obtains front-page coverage and has received the accolades of statesmen from De Gaulle onwards. On the way to providing a comprehensive introduction to the most francophone of cultural phenomena, this book considers national specificity as relevant to an anglophone reader, whilst exploring related issues such as text/image expression, historical precedents and sociological implication. To do so it presents and analyses priceless manuscripts, a Franco- American rodent, Nazi propaganda, a museum-piece urinal, intellectual gay porn and a prehistoric warrior who's really Zinedine Zidane.
This book studies the intersection of performance and nationalism in South Asia.It traces the emergence of the culture of nationalism from the late nineteenth century through to contemporary times. Drawing on various theatrical performance texts, it looks at the ways in which performative narratives have reflected the national narrative and analyses the role performance has played in engendering nationhood. The volume discusses themes such as political martyrdom as performative nationalism, the revitalisation of nationalism through new media, the sanitisation of physical gestures in dance, the performance of nationhood through violence in Tajiki films, as well as K-Pop and the new northeastern identity in India. A unique contribution to the study of nationalism, this book will be useful for scholars and researchers of history, theatre and performance studies, cultural studies, postcolonial studies, modern India, Asian studies, political studies, social anthropology and sociology.
"It's time for those of us who remember how great our generation
was to start thinking about what else we need to do "Before We
Croak." I agree with Mr. Keveson, we were the greatest, coolest,
most evolutionary generation the world has ever seen, and for too
many people on earth life still sucks. Clearly there's more to do.
And as Keveson points out, us hippie bastards still have 20 year
left, so clearly we'll be the ones to do it. That's what the 20
years are for, and that's what we're here to do. Question is, what
needs doing and how are we to do it? What Keveson does nobly well
in this book, is take The Bus a little Further towards reaching our
always lofty goal, figuring out why the hell we're still alive
" "Evolve, always evolve, my children, or I'll starve myself to
death " "Read it. I'm telling ya. I highly recommend this book. Very
highly. So ya better read this book, "Before Ya Croak ." I ain't
kiddin "
From the reality TV show Superstar to Formula One ace Michael Schumacher, Pop Culture Germany! explores the exciting world of contemporary German popular culture. Like no other volume of its kind, Pop Culture Germany! captures the breadth and vitality of popular culture in modern Germany, exploring both familiar and lesser-known aspects of German art, entertainment, television, music, and film. Written by expert contributors who are rooted in German language and culture, the book focuses on German popular culture since 1945, providing an indispensable guide for anyone planning a trip to Germany for business or pleasure or for those who wish to have a deeper understanding of the German nation. This book offers a concise, in-depth overview of the evolution and impact of German media, arts, lifestyles, and recreation, written with a historical perspective. Illustrated with photographs and reprints of iconic German advertisements, magazine covers, and official forms and documents A-Z glossaries at the end of each chapter list key words and summarize the most important topics
Orgasmic Bodies explores how bodily experiences of orgasm are worked up as present/absent, complicated/straightforward, too slow/too fast, fake or real, in the doing of masculinities and femininities. Engaging with both science and popular culture it examines the meanings given to orgasmic bodies in contemporary heterosex.
Where did the Coronavirus outbreak originate and was the pandemic predicted? Did aliens help to build the Sphinx and the Great Pyramid of Giza, and what were they trying to tell us? Is the food industry colluding to make us addicted to sugar? Prepare yourself for some startling revelations on these topics and many more in this updated and expanded compendium of the world's scariest and strangest conspiracy theories. Leaving no stone unturned, it delves into such conundrums as: the growing number of people who believe the Earth is flat the unsolved disappearance of Flight MH370 the uncertainties surrounding the assassination of Osama Bin Laden the mysterious circumstances of Bruce Lee's death Whether you're a doubter or a self-confessed conspiracy junkie, you'll find a cover-up for every occasion. And remember, just because you're paranoid doesn't mean they're not after you... |
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