The social-research organization Mass-Observation was founded in 1937. In this book, the true extent and significance of Mass-Observation's unique role in the formation of postwar Britain's idea of itself through the examination of everyday life across the long twentieth century. An excellent guide to Mass-Observation and the period generally, this scholarly work also provides surprising insights into the role social research has played in the development of policy and mass democracy.

This book uses evidence-based primary source analysis to provide students with the historical perspective necessary to think critically about the romantic memories, stubborn stereotypes, misperceptions, deliberate falsehoods, distorted myths, and old grudges that distort our popular perceptions of the 1960s. Twenty-first century Americans routinely use the 1960s as a metaphor, a sort of convenient shorthand, for the cultural wars-that continuous clash over differing values, beliefs, attitudes, and lifestyles-still bitterly polarizing the nation. Therefore, understanding the 1960s cultural revolution is critical to understanding ourselves. What this book contributes to that conversation is needed historical perspective with evidence-based primary source analysis. Ten chapters shed light on ordinarily overlooked aspects of the period, challenge stubborn misconceptions, and explore the enduring legacy of the 1960s. Primary source material-both written and visual-is drawn from archival holdings, newspapers, published proceedings, oral histories, and memoirs in order to present a balanced, accessible examination of mistaken beliefs and the historical truths. Features 10 chapters, arranged topically and chronologically, covering 10 misconceptions related to the 1960s cultural revolution Highlights source material drawn from archival holdings, newspapers, published proceedings, oral histories, and memoirs Includes photographs that make the material accessible across a wide range of grade levels Explores how the 1960s cultural revolution continues to influence America in such examples as LGBTQ Pride, Black Lives Matter, Me Too, environmentalism, disability rights, and modern conservatism

Sega Arcade: Pop-Up History presents six of the most iconic Sega Taiken 'body sensation' videogame cabinets - Hang-On, Space Harrier, Out Run, After Burner, Thunder Blade and Power Drift - in an innovative form: as dazzling pop-up paper sculptures. Sega Arcade: Pop-Up History is a unique book object, a delight for Sega fans and a love letter to the once-vibrant arcade game scene of the 1980s. Accompanying the 3D model showcase is a written history from Guardian games writer and best-selling novelist, Keith Stuart, punctuated by specially restored production artwork and beautifully reproduced in-game screens. The book features contributions from arcade game innovator Yu Suzuki, who offers first-hand insight into the development of these ground-breaking games and the birth of the Taiken cabinet phenomenon.

This book provides the first in-depth analysis of the global phenomenon of snowboarding culture. Adopting an interdisciplinary approach, it offers key insights into the sport, lifestyle, industry, media, gender relations, travel, and physical experience of snowboarding, in both historical and contemporary contexts.

This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. We all know what suburbia is, indeed the majority of us live in it. Yet, despite this ubituity, with no formal definition of the contept, the suburbs have developed in our collective imagination through representations in popular culture, from Terry and June to Desparate Housewives. Rupa Huq examines how suburbia has been depicted in novels, cinema, popular music and on television, charting changing trends both in the suburbs and popular media consumption and production. She looks at the differences in defining suburbia in the US and UK and how characteristics associated with it have shifted in meaning and form.

During the last decade, contemporary German and Austrian cinema has grappled with new social and economic realities. The "cinema of consensus," a term coined to describe the popular and commercially oriented filmmaking of the 1990s, has given way to a more heterogeneous and critical cinema culture. Making the greatest artistic impact since the 1970s, contemporary cinema is responding to questions of globalization and the effects of societal and economic change on the individual.

This book explores this trend by investigating different thematic and aesthetic strategies and alternative methods of film production and distribution. Functioning both as a product and as an agent of globalizing processes, this new cinema mediates and influences important political and social debates. The contributors illuminate these processes through their analyses of cinema's intervention in discourses on such concepts as "national cinema," the effects of globalization on social mobility, and the emergence of a "global culture." The essays illustrate the variety and inventiveness of contemporary Austrian and German filmmaking and highlight the complicated interdependencies between global developments and local specificities. They confirm a broader trend toward a more complex, critical, and formally diverse cinematic scene.

This book offers insights into the strategies employed by German and Austrian filmmakers to position themselves between the commercial pressures of the film industry and the desire to mediate or even attempt to affect social change. It will be of interest to scholars in film studies, cultural studies, and European studies.

Wherever vampires existed in the imaginations of different peoples, they adapted themselves to the customs of the local culture. As a result, vampire lore is extremely diverse. So too, representations of the vampire in creative works have been marked by much originality. In "The Vampyre" (1819), John Polidori introduced Lord Ruthven and established the vampire craze of the 19th century that resulted in a flood of German vampire poetry, French vampire drama, and British vampire fiction. This tradition culminated in Bram Stoker's "Dracula" (1897), which fixed the character of the Transylvanian nobleman as the archetypal vampire firmly in the public imagination. Numerous films drew from Stoker's novel to varying degrees, with each emphasizing different elements of his vampire character. And more recent writers have created works in which vampirism is used to explore contemporary social concerns.

The contributors to this volume discuss representations of the vampire in fiction, folklore, film, and popular culture. The first section includes chapters on Stoker and his works, with attention to such figures as Oscar Wilde and Edvard Munch. The second section explores the vampire in film and popular culture from Bela Lugosi to "Blacula." The volume then looks at such modern writers as Anne Rice and Chelsea Quinn Yarbro who have adapted the vampire legend to meet their artistic needs. A final section studies contemporary issues, such as vampirism as a metaphor for AIDS in ""Killing Zoe."

Faster than a speeding bullet. More powerful than a locomotive. Able to leap tall buildings in a single bound . . . It's Superman!"" Bending Steel examines the historical origins and cultural significance of Superman and his fellow American crusaders. Cultural historian Aldo J. Regalado asserts that the superhero seems a direct response to modernity, often fighting the interrelated processes of industrialization, urbanization, immigration, and capitalism that transformed the United States from the early nineteenth century to the present. Reeling from these exciting but rapid and destabilizing forces, Americans turned to heroic fiction as a means of explaining national and personal identities to themselves and to the world. In so doing, they created characters and stories that sometimes affirmed, but other times subverted conventional notions of race, class, gender, and nationalism. The cultural conversation articulated through the nation's early heroic fiction eventually led to a new heroic type--the brightly clad, super-powered, pro-social action heroes that first appeared in American comic books starting in the late 1930s. Although indelibly shaped by the Great Depression and World War II sensibilities of the second-generation immigrants most responsible for their creation, comic book superheroes remain a mainstay of American popular culture. Tracing superhero fiction all the way back to the nineteenth century, Regalado firmly bases his analysis of dime novels, pulp fiction, and comics in historical, biographical, and reader response sources. He explores the roles played by creators, producers, and consumers in crafting superhero fiction, ultimately concluding that these narratives are essential for understanding vital trajectories in American culture.

America Reflected offers eclectic film criticism and considerations of distinctive American voices from the ante-bellum era to the present.The much-loved Will Rogers reassured Americans that 19th-century pioneer values would survive in an age of machines, media, and political bunk. Deprecating changes of the post-WWI era, he proved-by his own example-that ordinary people could still practice neighborliness in an increasingly impersonal world. Benjamin Lee Whorf believed fervently that conflicts between science and religion could be resolved. All war films, even documentaries, are presented as interpretations that require additional interpretation by scholars-as well as media literacy on the part of audiences. Especially in the Vietnam chapters, Rollins taps his experiences as scholar, combat officer, and filmmaker-as well as his fervent commitment to America's fighting men and women. Other essays address questions of national vision: how do Harriet Beecher Stowe, Amy Lowell, John James Audubon, and Frederick Henry Hedge contribute to our understanding of the American spirit? Environmental issues are engaged in discussions of John James Audubon and the oil field films. America Reflected closes with a discussion of New Deal documentaries about the environment.Praise"From cowboy philosopher Will Rogers to popular perceptions of two world wars and Vietnam, from the history of language to the language of film and television, Peter Rollins has devoted his career to exploring the intriguing ways in which the creative impulse both shapes and reflectsAmerican culture. His observations are fresh, illuminating and of enduring value." John E. O'Connor, co-founder and long-term editor of Film & History: An Interdisciplinary Journal of Film and Television Studies "Even those who have known and admired Peter Rollin's acclaimed works will here find enlightening surprises. Epistemology, language theory, war's polemics, filmed history, and an array of significant creators of American culture are all elegantly displayed. This book will make you a wiser person and charm you while it does it." John Shelton Lawrence, Emeritus Professor of Philosophy, Morningside College."Two decades ago I was privileged to work on a book, America Observed, with Alistair Cooke. Now we have America Reflected by Peter Rollins, one of the most respected cultural historians working today. Not only does Rollins make good observations about our lives and times, his reflections on a diverse set of subjects helps us to see the meanings of our observations." Ronald A. Wells is Professor of History Emeritus at Calvin College, Michigan."In America Reflected, Rollins gathers together glimpses of our shared worlds, so that we may observe their interconnections across media, genres, and time. From down-home values and front-porch philosophy, to tales of wars and chronicles of lives, the subjects considered here are all part of the stories we tell about ourselves and our social worlds." Cynthia J. Miller, President, Literature/Film Association."Rollins examines the roles of language, satire, and film in reflecting the American consciousness through such diverse sources as Orestes Brownson, Benjamin Lee Whorf, Will Rogers, and Hollywood. Readers of America Reflected are in for a delightful voyage as they travel through American history and culture with Peter Rollins as their guide providing personal and scholarly insights into the shaping of the American mind." Ron Briley is the Assistant Schoolmaster, Sandia Preparatory School, Albuquerque, New Mexico, and editor, The Politics of Baseball: Essays on the Pastime and Power at Home and Abroad (2010).

Known for their visibility and tendency to generate controversy, first-person shooter (FPS) games are cultural icons and powder-kegs in American society. Contributors will examine a range of FPS games such as the Doom, Half-Life, System Shock, Deus Ex, Halo, Medal of Honor and Call of Duty franchises. By applying and enriching a broad range of perspectives, this volume will address the cultural relevance and place of the genre in game studies, game theory and the cultures of game players.

Guns, Grenades, and Grunts gathers scholars from all disciplines to bring the weight of contemporary social theory and media criticism to bear on the public controversy and intellectual investigation of first-person shooter games. As a genre, FPS games have helped shepherd the game industry from the early days of shareware distribution and underground gaming clans to contemporary multimillion dollar production budgets, Hollywood-style launches, downloadable content and worldwide professional gaming leagues. The FPS has been and will continue to be a staple of the game market.

Cecil B. DeMille, David Selznick, Louella Parsons, Joan Crawford--these legendary men and women built an empire called Hollywood. In Movie Crazy, meet another group of powerful players who shaped the film industry--the fans. MGM, for example, struggled to find a screen name for an actress named Lucille LeSeur. A fan--one of thousands who responded to a contest sponsored by the studio--called her Joan Crawford. Using fan club journals, fan letters, and studio production records, Samantha Barbas reveals how the passion, enthusiasm, and sometimes possessive advocacy of fans transformed early cinema, the modern mass media, and American popular culture. Barbas sheds new light on the development of the cult of celebrity in America, and demonstrates that while fans were avid consumers of the film industry, they did not mindlessly accept the images presented to them by the studios. Fans reacted to movies and stars with excitement, anger, confusion, joy, or boredom. Far from a united force, fans were often complex, and never predictable.

"Fashion Statements" presents an eclectic array of essays regarding the meanings of fashion to articulate the new directions of an everyday cultural phenomenon. Contributors bring insightful, playful, and accessible takes on a subject that, though very much part of popular discourse, often gets little significant attention from theoretical perspectives. Looking at fashion through the prism of race, class, gender, and technological issues, this book reflects and interprets the hybridity of contemporary cultural inquiry.

aFast Cars, Cool Rides is empirically rich, full of arresting observations and revealing verbatim quotes.a
--"American Journal of Sociology"

"Best shines a fluorescent street light on young people in high octane motion, making meaning and community through their cars. . . . Best's subjects articulate an intricate interplay of class, race, gender, and identity formation; she's given a great American institution its props."
--Donna Gaines, author of "Teenage Wasteland: Suburbia's Dead End Kids"

"Best's insights and observations should help youth workers and other adults understand this often powerful symbol."
--"Youth Today"

"How pleasantly jarring to be invited to enter Santa Clara Street, to feel the heat of the summer, to smell the alcohol on the breaths of the youth, to hear the bottles breaking on the sidewalk and to, most importantly, be treated to a fine analysis of the experiences of some of these cruisers."
--Daniel Thomas Cook, author of "The Commodification of Childhood: The Children's Clothing Industry and the Rise of the Child Consumer"

"Has the potential to expand our knowledge about young people's great social power, their contributions to changing culture, and their influence in marketplace decision-making. . . . A compelling and thought-provoking read."
--Debra Van Ausdale, author of "The First R: How Children Learn Race and Racism"

aIn Fast Cars, Cool Rides, Amy Best takes the inside lane on how and why young people use their cars as a means of cultural expression. Whether the school parking lot, auto-shop class, or the San Jose cruising scene, and whether the goal is personal freedom, racial solidarity, masculine power, or femininerebelliousness, the car is the vehicle for the job, affording youth the symbolic and material means to solidify their identities within the context of global consumer culture. An intelligent, well-written book on kids and their cars; buckle up and take this ride."
--Laura Grindstaff, author of "The Money Shot: Trash, Class, and the Making of TV Talk Shows"

"Amy Best once again proves herself a most astute observer of youth cultures. This exciting study of diverse American car cultures brims with insight about identity formation, commodification, and the making of diverse modern selves."
--Janice M. Irvine, author of "Talk About Sex: The Battles Over Sex Education in the United States"

"Social observers from Tom Wolfe to George Lucas have seen Californians' car-cruising as emblematic of our larger society and social structure. Amy Best studied the scene in San Jose. In her eyes, young people's actions and attitudes toward cars reveal links among gender, ethnicity, material culture, and contemporary social structure."
--Joel Best, author of "Damned Lies and Statistics: Untangling Numbers from the Media, Politicians, and Activists"

Bass booms from custom speakers, pick-up trucks boast lowered suspensions, chrome rims reflect stoplights, and bare arms dangle from open windows. Welcome to Santa Clara Street in San Jose, California, where every weekend kids come to cruise late at night, riding their cars slow and low. On the surrounding, less-traveled streets you can also find young men racing customized cars to see who has the "go," not just the "show." And, in the daylight hours, in a nearby suburb, you might find a brand new SUV parked in the driveway, a parents' Sweet 16present.

In Fast Cars, Cool Rides Amy Best provides a fascinating account of kids and car culture. Encompassing everything from learning to drive to getting one's license, from cruising to customizing, from racing to buying one's first car, Best shows that never before have cars played such an important role in the lives of America's youth as they do today. Drawing on interviews with over 100 young men and women, aged 15-24, and five years of research--cruising hot spots, sitting in on auto shop class, attending car shows--Best explores the fast-paced world of kids and their cars. She reveals a world where cars have incredible significance for kids today, as a means of transportation and thereby freedom to come and go, as status symbols and as a means to express their identities. But while having a fast car or a cool ride can carry tremendous importance for these kids, Best shows that the price, especially when it can cost $30,000, can be steep as working-class kids work jobs to make car payments and as college kids forgo moving out of Mom and Dad's house because they can't pay for rent, car payments, and car insurance.

Fast Cars, Cool Rides offers a rare and rich portrait of the complex and surprising roles cars can play in the lives of young Americans. Fasten your seatbelts, it's going to be a cool ride.

Crockett Johnson (born David Johnson Leisk, 1906-1975) and Ruth Krauss (1901-1993) were a husband-and-wife team that created such popular children's books as "The Carrot Seed and How to Make an Earthquake." Separately, Johnson created the enduring children's classic "Harold and the Purple Crayon" and the groundbreaking comic strip "Barnaby." Krauss wrote over a dozen children's books illustrated by others, and pioneered the use of spontaneous, loose-tongued kids in children's literature. Together, Johnson and Krauss's style--whimsical writing, clear and minimalist drawing, and a child's point-of-view--is among the most revered and influential in children's literature and cartooning, inspiring the work of Maurice Sendak, Charles M. Schulz, Chris Van Allsburg, and Jon Scieszka.

This critical biography examines their lives and careers, including their separate achievements when not collaborating. Using correspondence, sketches, contemporary newspaper and magazine accounts, archived and personal interviews, author Philip Nel draws a compelling portrait of a couple whose output encompassed children's literature, comics, graphic design, and the fine arts. Their mentorship of now-famous illustrator Maurice Sendak ("Where the Wild Things Are") is examined at length, as is the couple's appeal to adult contemporaries such as Duke Ellington and Dorothy Parker. Defiantly leftist in an era of McCarthyism and Cold War paranoia, Johnson and Krauss risked collaborations that often contained subtly rendered liberal themes. Indeed, they were under FBI surveillance for years. Their legacy of considerable success invites readers to dream and to imagine, drawing paths that take them anywhere they want to go.

View the Table of Contents.
Read the Introduction.

Winner of a 2006 American Book Award from the Before Columbus Foundation

"Ferraro maintains a breezy, journalistic style that has produced an easy and entertaining read. His work may give hope to people of other ethnicities who presently suffer from isolation and alienation on the part of the general American public."
--"Multicultural Review"

"Ferraro traces the 'evolution and persistence' of an identifiable Italian American identity, from the time of widespread Italian immigration in the late 1800s through popular mediated portrayals of Italian Americans such as those found in "The Sopranos" television series. The book is an important contribution not only to Italian American studies, but to the understanding of ethnicity in the 21st-century US."
--"Choice"

aFeeling Italian is a smart book, one that makes the reader think beyond the usual ways of looking at whatas Italian about the US.a
-- American Book Review

"This inspired, sophisticated, provoking book should command the attention of anybody interested in American Italianness in particular or the cultural consequences of ethnicity in general. Joseph Stella and Frank Sinatra, Maria Barbella and Giancarlo Esposito, Madonna and the good people who brought you the Corleones and Sopranos--they and others appear here, often seen in startlingly fresh ways, as creators and exemplars of the aesthetic Tom Ferraro calls 'feeling Italian.' Wise, funny, contagiously enthusiastic, Ferraro takes us far beyond the narrow pieties of the identity police or anti-defamation types as he traces the development of a widely accessible American cultural style that still bearsthe marks of distinctively Italian ways of making do and making sense."
--Carlo Rotella, author of "Good With Their Hands: Boxers, Bluesmen, and Other Characters from the Rust Belt"

aOriginal and deeply right. There is no other book that digs so deeply into the matter at hand, and does so with such eloquence and ferocity of intellect.a
--Jay Parini, author of "Passage to Liberty: The Story of Italian Immigration and the Rebirth of America"

"The lesson that each of us must choose of the narratives carefully: You can let the Olive Garden sum you up; or you can, like Ferraro, remind yourself that it'sj ust another version of mass-culture reductivism and stereotyping. Being Italian (or Polish or Jewish or African American), Ferraro reminds us, is not about the all-you-can eat breadsticks."
--"Duke Magazine"

Southern Italian emigration to the United States peaked a full century ago--descendents are now fourth and fifth generation, dispersed from their old industrial neighborhoods, professionalized, and fully integrated into the amelting pot.a Surely the social historians are right: Italian Americans are fading into the twilight of their ethnicity. So, why is the American imagination enthralled by "The Sopranos," and other portraits of Italian-ness?

Italian American identity, now a mix of history and fantasy, flesh-and-bone people and all-too-familiar caricature, still has something to teach us, including why each of us, as citizens of the U.S. twentieth century and its persisting cultures, are to some extent already Italian. Contending that the media has become the primary vehicle of Italian sensibilities, Ferraro explores a series of books, movies, paintings, andrecords in ten dramatic vignettes. Featured cultural artifacts run the gamut, from the paintings of Joseph Stella and the music of Frank Sinatra to "The Godfather"as enduring popularity and Madonnaas Italian background. In a prose style as vivid as his subjects, Ferraro fashions a sardonic love song to the art and iconography of Italian America.

When and why did the turntable morph from music machine to musical instrument? Why have mobile phones evolved changeable skins? How did hip-hop videos inspire an edgy new look for the Cadillac? The answers to such questions illustrate this provocative book, which examines the cultural meanings of artifacts and the role of designers in their design and production. "Designing Things" provides the reader with a map of the rapidly changing field of design studies, a subject which now draws on a diverse range of theories and methodologies -- from art and visual culture, to anthropology and material culture, to media and cultural studies. With clear explanations of key concepts -- such as form language, planned obsolescence, object fetishism, product semantics, brand positioning and user needs -- overviews of theoretical foundations and case studies of historical and contemporary objects, " Designing Things" looks behind-the-scenes and beneath-the-surface at some of our most familiar and iconic objects. See more at: http: //designingthings.org/

The films of Sofia Coppola have moved and entranced audiences with her minimalist style, moody soundscapes, and commitment to center the lives and experiences of women and girls. A Critical Companion to Sofia Coppola explores the profound implications of her stories, images, and convictions in a comprehensive study of all eight of her major works. Drawing from a wide range of disciplines, each chapter offers a fresh, interdisciplinary reading of one of Coppola's films and her treatment of core themes like masculinity, sexual politics, bodies, and love. Rigorously researched and unique, the arguments presented within this volume shed new light on one of the most important women filmmakers in film history.

This book offers a complete overview of the contributions of U.S. Latinos to American popular culture and examines the emergence of the U.S. Latino identity. According to the 2010 Census, Latinos represent more than 16 percent of the total population and are the largest and fastest-growing minority group in the United States. Their vast contributions to popular culture are visible in nearly every aspect of American life and are as diverse as the countries and cultures of origin with which Latinos identify themselves. This book provides a historical overview of the developments in U.S. Latino culture and highlights the most recent expressions of Latino life in American popular culture. With coverage of topics like Latino representations in television, radio, film, and theater; U.S. Latino literature and art; Latino sports stars in baseball, basketball, boxing, football, and soccer; and contemporary pop music; this book will appeal to general readers and be a useful and engaging resource for high school and college students. The work examines the cultural ties that U.S. Latinos maintain with their country of origin or that of their ancestors, explains why language is a critical cultural marker for Latinos, and identifies how Latinos are changing American popular culture. Insightful information on U.S. Latino identity issues and prevalent cultural stereotypes is also included.

Irish culture is obsessed with the past, and this book asks why and how. In an innovative reading of Irish culture since 1980, Emilie Pine provides a new analysis of theatre, film, television, memoir and art, and interrogates the anti-nostalgia that characterizes so much of contemporary Irish culture.

"Online Matchmaking "examines the joys, fears, and disappointments of hooking up with people in cyberspace. Unlike most other books that exist in this field, this collection includes studies by experts from a variety of disciplines, including Communications, Cultural studies, English, Health, Journalism, Psychology, Rhetoric, and Sociology. "Online Matchmaking" could be used as a primary or secondary resource for any subject that focuses on cyber-relationships.

At the heart of Stripping, Sex, and Popular Culture lies a very personal story, of author Catherine Roach's response to the decision of her life-long best friend to become an exotic dancer. Catherine and Marie grew up together in Canada and moved to the USA to enroll in PhD programs at prestigious universities. For various reasons, Marie left her program and instead chose to work as a stripper. The author, at first troubled and yet fascinated by her friend's decision, follows Marie's journey into the world of stripping as an observer and analyst. She finds that this world raises complex questions about gender, sexuality, fantasy, feminism, and even spirituality. Moving from first hand interviews with dancers and others, the book broadens into a provocative and accessible examination of the current popularity of "striptease culture," with sex-saturated media imagery, thongs gone mainstream, and stripper aerobics at your local gym. Stripping, Sex, and Popular Culture scrutinizes the naked truth of a lucrative industry whose norms are increasingly at the center of contemporary society.

aHighly recommended.a
--"Choice"

"Korean cinema is arguably more important on the world stage today than either the Japanese or Hong Kong cinemas. This book is a major intervention into the study of global media production and consumption."
--David Desser, University of Illinois at Champaign-Urbana

aSouth Korean film is one of the newest and most exciting areas of research and interest. The coverage of the subject in this volume is nuanced and impressive.a
--Kathleen McHugh, UCLA

Korean film has been heralded as the "newest tiger" of Asian cinema. In the past year, South Korea became one of the only countries in the world in which local films outsold Hollywood films, and Korean director Park Chan-wook was awarded the Grand Prix at Cannes.

New Korean Cinema provides a comprehensive overview of the production, circulation, and reception of this vibrant cinema, which has begun to flourish again in the past decade, following the lifting of repressive government policies. In addition to providing a cultural, historical, and social context for understanding this burgeoning cinema, the book considers the political economy of South Korea's film industry, strategies of domestic and international distribution and marketing, and the consumption of Korean films throughout the world. The volume also includes a glossary of key terms and a bibliography of works on Korean cinema.

New Korean Cinema gathers prominent critics from North America, Asia, and Europe to make sense of this exploding film industry. This book is essential reading for anyone seeking to understand the complex roles played by national and regional cinemas in a global age.