This book systematically introduces the popular science industry. It firstly summarizes the social basis and research status of the development of contemporary science popularization industry and also elaborates on the basic theory and main forms of science popularization industry. The most important feature of this book is its focus on the practice and case study of the development of science popularization industry in China. Meanwhile, it analyzes the development of science popularization industry in China from four perspectives: the basis and conditions, the current situation and countermeasures, the main promotion tasks, and the policy suggestions for promotion. The book analyzes the development trend of science popularization industry in China. It can be used as a reference book for science popularization practitioners and enthusiast to learn and understand the theory and practice of science popularization industry. It can also be used as a textbook for the cultivation and training of science popularization talents.

In 1985, Nike released Michael Jordan's first sneaker, the Air Jordan 1, and sneaker culture was born. Now thousands of people wait in line at Supreme, and companies throw millions of dollars at LeBron James to keep him in their marketing plans. The trend that saw steady growth for decades with the emergence of sports, hip-hop, and sportswear advertising has exploded into a phenomenon. And no one has watched that phenomenon more closely than Complex. Sneaker of the Year explores the past 35 years of sneaker culture with the expertise, authority, and passion that only Complex can offer. With vibrant photographs and illustrations throughout, as well as input from some of the sneaker world's most important voices, this compilation is a must-have for hypebeasts and sneakerheads everywhere.

This book explores the relationship between European Union law, culture, and identity. Community trade and competition rules have certainly affected many mundane, though highly formative, aspects of our day-to-day lives: when we shop, what we drink, even which football matches we watch on television. But Community law is not merely a vehicle for challenging established national rules which have a cultural dimension: Article 151 of the EC Treaty, which came into force in 1993, empowers the Community to 'contribute to the flowering of the cultures of the Member States', whilst at the same time bringing the 'common cultural heritage to the fore'. This book explores some of the challenges facing the European Union in developing convincing and coherent policies in the cultural domain. These challenges stem not only from the Union's fragmented institutional structure and Member State sensitivities but also from the uncertainty which surrounds the very meaning of the term 'culture' itself. The wide-ranging contributions illustrate how cultural issues can be seen to permeate all aspects of European Union law, by focussing on areas as diverse as international trade and aid, education, sport, language use, and the mass media.

This book is the first comprehensive account of how Anglo-American popular music transformed Italian cultural life. Drawing on neglected archival materials, the author explores the rise of new musical tastes and social divisions in late twentieth century Italy. The book reconstructs the emergence of pop music magazines in Italy and offers the first in-depth investigation of the role of critics in global music cultures. It explores how class, gender, race and geographical location shaped the production and consumption of music magazines, as well as critics' struggle over notions of expertise, cultural value and cosmopolitanism. Globalization, Music and Cultures of Distinction provides an innovative framework for studying how globalization transforms cultural institutions and aesthetic hierarchies, thus breaking new ground for sociological and historical research. It will be essential reading for scholars and students interested in cultural sociology, popular music, globalization, media and cultural studies, social theory and contemporary Italy.

The concept of "care" defines our humanity, encompassing not only anxieties and woes but also acts of nurture, prudence, and diligence. Care is core to how we interact with one another and our surroundings, whether for good or bad. Insofar as everyone cares about someone or something, everyone cares about care. Covering topics as diverse as familial care, medical care, artistic care, scientific care, and various other permutations of the term, this book examines the word and concept of "care" from a cultural perspective, tracing its use throughout literature and history.

This collection investigates how our online identities and cultures are embedded within the digital practices of our lives, exploring how we form community, how we play, and how we re-imagine traditional media in a digital world. The collection explores a wide range of digital topics - from dating apps, microcelebrity, and hackers to auditory experiences, Netflix algorithms, and live theatre online - and builds on existing work in digital culture and identity by bringing new voices, contemporary examples, and highlighting platforms that are emerging in the field. The book speaks to the modern reality of how our digital lives have been forever altered by our transnational experiences - one of those key experiences is the pandemic, but so too is systemic inequality, questions of digital privacy, and the role of joy in our online lives. A vital contribution at a time of significant social and cultural flux, this book will be highly relevant to those studying digital culture within media, communication, cultural studies, digital humanities, and sociology departments.

Tracing the historical trajectory of the pocho (Latinos who are influenced by Anglo culture) in pop culture, Medina shows how the trope of pocho/pocha/poch@, which traditionally signified the negative connotation of "cultural traitor" in Spanish, has been reclaimed through the pop cultural productions of Latinos who self-identify as poch@.

A reporter for the "Los Angeles Times" once noted that a"I Love Lucy" is said to be on the air somewhere in the world 24 hours a day.a That Lucyas madcap antics can be watched anywhere at any time is thanks to television syndication, a booming global marketplace that imports and exports TV shows. Programs from different countries are packaged, bought, and sold all over the world, under the watch of an industry that is extraordinarily lucrative for major studios and production companies.

In Global TV, Denise D. Bielb and C. Lee Harrington seek to understand the machinery of this marketplace, its origins and history, its inner workings, and its product management. In so doing, they are led to explore the cultural significance of this global trade, and to ask how it is so remarkably successful despite the inherent cultural differences between shows and local audiences. How do culture-specific genres like American soap operas and Latin telenovelas so easily cross borders and adapt to new cultural surroundings? Why is aThe Nanny, a whose gum-chewing star is from Queens, New York, a smash in Italy? Importantly, Bielby and Harrington also ask which kinds of shows fail. What is lost in translation? Considering such factors as censorship and other such state-specific policies, what are the inevitable constraints of crossing over?

Highly experienced in the field, Bielby and Harrington provide a unique and richly textured look at global television through a cultural lens, one that has an undeniable and complex effect on what shows succeed and which do not on an international scale.

"Queer Popular Culture "is an exciting new collection that brings together work from several disciplines that address queer representation in multiple contexts. The articles cover many aspects of contemporary U.S. and international queer culture, including the rise of the queer cowboy, the emergence of lesbian chic, and the expansion of representations of blackness, and work on queer, Taiwanese, online communities. Other essays address queer representations from soap operas to gangster films. The book also includes a pedagogical section that addresses the use of queer concepts in the classroom

Looking at the emergent industries of spectacle practices in nineteenth- and early twentieth-century mass culture, "Spectacle Culture and American Identity" investigates the immersive energies of American landscape and history as a fluid scene space. The changing dynamics of the American experience are viewed in relation to the ways entertainment technologies flourishing in spectacle attractions communicate iconic sites and scenes. Arguing the ways in which spectacle immersion enacts an on-going civilian dialogue with landscape, Tenneriello uses a series of case studies featuring panoramas, multimedia performance, theatrical spectacles, exhibition sites, and museum dioramas to trace the country's movement from agrarian to multinational economies.

Where and who do we want to be? How might we get there? What might happen if we stay on our current course? In The Future of Serious Art, Bidisha uses her personal journey through novels, TV and film to mirror the seismic changes that have occurred in culture and its industries in recent years. The digital revolution has brought all of TV, cinema and music into the palms of our hands. It's easier than ever to bring stories to life, but what happens when artistic work is rebranded as 'content creation'? Where does this leave literary novelists and arthouse filmmakers? What about those auteur-directors who make mainstream but thoughtful films for the big screen? As a storyteller herself, and a woman of colour who isn't a millennial, Bidisha asks who is taken seriously as an artist, what is taken seriously as art now and how that might change over the next century. This brief but mighty book is one of five that comprise the first set of FUTURES essays. Each standalone book presents the author's original vision of a singular aspect of the future which inspires in them hope or reticence, optimism or fear. Read individually, these essays will inform, entertain and challenge. Together, they form a picture of what might lie ahead, and ask the reader to imagine how we might make the transition from here to there, from now to then.

Questioning the psychiatric construction of mental distress as 'illness', and challenging existing studies of media stigmatization, Stephen Harper argues that today's media images of mental distress are often sympathetic, yet tend to reproduce the sexist, classist, racist and individualist ideologies of contemporary capitalism.

THE BACHELORS GUIDE TO THE GALAXY - THIS IS THE RETRO AND MODERN DAY GUIDE TO THE NEW MILLENNIUM RENAISSANCE MAN AND BACHELOR OF TODAY Authored by LARRY 'VON LARS' WEHUNT 'The Bachelor's Guide To The Galaxy' is not your typical self-deprecating cheesy and kind of funny at times bachelor cookbook, bachelor how to decorate or grill-out guide, how to start a campfire, how to make a killer martini, or laser-focused college dormitory party guide, but instead it is rather a comprehensive and insightful mind-blowing journey into the all-encompassing jet-setting lifestyle of the free modern day American and western bachelor including all aspects of life. Whether you are a taxicab driver or bartender, a professional corporate desk-jockey or manager in business, a stockbroker or lawyer, a tech-savvy dot com guy, a plumber or rancher or truck driver, or just the regular guy who lives next door going to college or trade school, this book was written EXCLUSIVELY FOR YOU Experience the ultimate bachelor lifestyle whether you are a fat cat in business, a middle class cubicle dude on the so called corporate fast track like in the movie Office Space or on a tight fraternity or high school budget still able to party your ass off every night of the week. It is time to tell your girlfriend a good storyline and get out of town to be the fearless weekend warrior and domestic and international traveler who indulges his desires in hedonistic verve for life and for more lustful passion This book is the Big Leagues, the Adult Disneyland and the Great Pyramid of combined ancient and modern male wisdom and knowledge which I have accumulated for you in these written pages while smoking my trademark pipe and wearing my robe and slippers. I know you will LOVE IT This is the first book manuscript project from author Larry 'Von Lars' Wehunt which he hopes will go to press and create quite a stir and become a national and international underground cult classic and bestseller. He is also a writer and a blogger in cyberspace. He details how he worked the American dating scene as a former nightclub prowler turned "International Man of Mystery" 007 Style. He admits he has dated and bedded an "embarrassingly large number of women" over the years and shares his expert dynamic insights, wit, male wisdom and advice. Visionary, saint, huckster, rebel, snake-oil salesman, wise-guy, modern day charlatan and man-about-town, corporate desk jockey, jack of all trades, a roman foot soldier and brave heart in the corporate cubicle trench warfare of today and bachelor extraordinaire and Hugh Hefner wannabe, 'Von Lars' pulls no punches like a raging bull boxer in the ring of life. He tells it the way it really is like an arrow in flight, shoots his intellectual wit and insight with both barrels loaded and takes no prisoners for his first written international "bachelor manifesto" and man's man debut to the entire world This book will challenge conventional wisdom and shake up the status quo and show you how to TAKE CONTROL of your manly life. The smart bachelor knows that to change your life that you must first change your thinking Learn to plan for a life of success and to be one of the lucky ones. As our manly credo echoes in time immortal and as we gallop and race in our roman chariots we boldly proclaim to all: "ONWARDS TO THE EMPIRE AND MAY GOD SAVE THE BACHELOR KING "

America's often-unspoken morality codes make many topics taboo in "the land of the free." This book analyzes hundreds of popular culture examples to expose how the media both avoids and alludes to how we derive pleasure from our bodies. Flatulence ... male nudity ... abortion ... masturbation: these are just a few of the taboo topics in the United States. What do culturally enforced silences about certain subjects say about our society-and our latent fears? This work provides a broad yet detailed overview of popular culture's most avoided topics to explain why they remain off-limits and examines how they are presented in contemporary media-or, in many cases, delicately explored using euphemism and innuendo. The author offers fascinating, in-depth analysis of the meaning behind these portrayals of a variety of both mundane and provocative taboos, and identifies how new television programs, films, and advertising campaigns intentionally violate longstanding cultural taboos to gain an edge in the marketplace. Analyzes an enormous range of popular culture examples in a lively and highly readable writing style Identifies and examines 12 separate taboos of the media Provides interdisciplinary coverage that intersects with a wide variety of subject areas, including cultural studies, philosophy, feminism, and queer culture Offers not only in-depth descriptions of cultural taboos but also clear explanations of why they exist Supplies fascinating and useful information for general audiences as well as students and scholars of popular culture, political science, sexuality and gender studies, and sociology

Events such as the phone-hacking scandal, Wikileaks and the Mohammed cartoons controversy have placed ethics of media at the centre of current debates. Media are not only centralised institutions, but also technologies and means through which we sustain relationships with each other. We live with and in media, and this book sketches and critiques the normative contours of our intensely mediated worlds. What are the 'ethics' of media? What forms would we expect them to take? Do digital media create new ethical dilemmas and what is our responsibility as spectators/witnesses? Bringing together philosophers and media scholars and drawing on a range of contemporary case studies, the book highlights the diversity of competing answers to the question, 'is there an ethics of media?'

The story of NASCAR's preeminent family and the multibillion dollar sport they helped create. From mid-century dirt tracks to today's super speedways, The Earnhardts: A Biography tells the remarkable story of a racing family-Dale, his father Ralph, and son Dale Jr.-whose careers span the full history of NASCAR and whose accomplishments define this unique American motorsport. Drawing on extensive research, including interviews with friends, family, and sports writers covering the NASCAR scene, Gerry Souter follows the Earnhardts' story from Ralph's short track racing in cars he built himself to Dale's record-setting career and shocking death to Dale Jr.'s emergence as one of the sport's most popular figures today. Through the lives of the Earnhardts, and their unmatched legacy of hard work and victory, readers see American stock car racing evolve from its rural Southern roots into a nationwide phenomenon. A chronology putting high points in the Earnhardts' careers in the context of pivotal moments in the rise of NASCAR and American motorsports A rich bibliography of resources for further reading including books, journalism, archives, and websites

Perhaps no other television show captures our innate fascination with crime and criminals better than the original Forensic Files. Examining true crime cases from murders to insurance fraud, hit-and-runs to kidnappings, every case featured on the show is solved in large part with the help of forensic science like DNA evidence. While the original Forensic Files stopped production in 2011 with over 400 original episodes, re-runs now air in 142 countries, not to mention on streaming services, making the show perfect for binge watchers, daunting for new-comers, and as much a mainstay as any program in the history of television. But, most of all, the cases always leave viewers wanting to know more. In Forensic Files Now, author Rebecca Reisner shares her own gripping retellings of 40 favorite cases profiled on the show along with fascinating updates adapted from her popular blog, ForensicFilesNow.com. From classic cases like the Harvard-educated architect who opted for arsenic instead of divorce, to the Texas lovebirds who robbed a grave in an insurance fraud plot that made international headlines, the Ohio doctor who attempted a fresh start by burying his wife in the basement of their house, and some cases that are so captivating that they have sparked spinoff mini-series of their own, readers will be enthralled by these vivid recaps and detailed updates. Also featuring an in-depth interview with Forensic Files creator Paul Dowling and a profile on the show's beloved narrator, Peter Thomas, Forensic Files Now is a must-read for diehard Forensic Files fans and a welcome find for true crime readers who are always looking for more riveting and well-told stories.

Bridal magazines have become increasingly popular in Western society, proliferating the idea of a 'princess bride' on her 'big day'. Yet little has been written on how the ever-expanding wedding media and the popular wedding culture constructs gender and affects the ways women live and experience their weddings. Offering a critique of contemporary wedding discourse, this book marries together analyses of media texts and their reception to propose a new approach to media discourse. The analysis richly illustrates how women are invited to embrace not only the stereotypical idea of bridal femininity but also a consumptive way of experiencing it. Through examination of brides' accounts of their 'big days', the book observes the imprints of the popular gender imagery on their self-portraits and self-narratives, and describes the women's diverse approaches to them. Based on insights from gender and critical discourse studies, sociology and audience research, this exploration illuminates the ongoing debate on 'media and gender' and its methodological approaches.

Food Discourse explores a fascinating, yet virtually unexplored research area: the language of food used on television cooking shows. It shows how the discourse of television cooking shows on the American television channel Food Network conveys a pseudo-relationship between the celebrity chef host and viewers. Excerpts are drawn from a variety of cooking show genres (how-to, travel, reality, talk, competition), providing the data for this qualitative investigation. Richly interdisciplinary, the study draws upon discourse analysis, narrative, social semiotics, and media communication in order to analyze four key linguistic features - recipe telling, storytelling, evaluations, and humor - in connection with the themes of performance, authenticity, and expertise, essential components in the making of celebrity chefs. Given its scope, the book will be of interest to scholars of linguistics, media communication, and American popular culture. Further, in light of the international reach and influence of American television and celebrity chefs, it has a global appeal.

Theatre has often found itself at the centre of recent debates over censorship and the arts, as a result of coverage of events such as the protests against the play "Behzti" and the controversy over "Jerry Springer: The Opera." This book offers the first sustained study of censorship of the British stage from 1968 into the twenty-first century.

Through nine seasons the TV show Supernatural has delved into social, philosophical, literary, and theological themes that not only add depth to the show, but reflect our era's intellectual concerns. This book contextualizes Supernatural within the renaissance of the fantastic in pop culture and traces its roots in folklore and Biblical narrative.

This book demonstrates principles of Ancestor Veneration Avatars (AVAs), by running avatars based on eleven deceased members of one family through ten highly diverse virtual worlds from the violent Defiance to the intellectual Uru: Myst Online, from the early EverQuest to the recent Elder Scrolls Online.

This book offers analyses of the roles of race, gender, and sexuality in the post-apocalyptic visions of early twenty-first century film and television shows. Contributors examine the production, reproduction, and re-imagination of some of our most deeply held human ideals through sociological, anthropological, historical, and feminist approaches.