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Books > Social sciences > Sociology, social studies > Social issues > Ethical issues & debates > Pornography & obscenity
From early twentieth-century stag films to 1960s sexploitation
pictures to the boom in 1970s "porno chic," adult cinema's vintage
forms are now being reappraised by a new generation of historians,
fans, preservationists, and home video entrepreneurs-all of whom
depend on and help shape the archive of film history. But what is
the present-day allure of these artifacts that have since become
eroticized more for their "pastness" than the explicit acts they
show? And what are the political implications of recovering these
rare but still-visceral films from a less "enlightened,"
pre-feminist past? Drawing on media industry analysis, archival
theory, and interviews with adult video personnel, David Church
argues that vintage pornography retains its retrospective
fascination precisely because these culturally denigrated texts
have been so poorly preserved on political and aesthetic grounds.
Through these films' ongoing moves from cultural emergence to
concealment to rediscovery, the archive itself performs a
"striptease," permitting tangible contact with these corporeally
stimulating forms at a moment when the overall physicality of media
objects is undergoing rapid transformation. Disposable Passions
explores the historiographic lessons that vintage pornography can
teach us about which materials our society chooses to keep, and how
a long-neglected genre is primed for serious rediscovery as more
than mere autoerotic fodder.
This volume assembles hundreds of cases and studies to provide the
most accurate and comprehensive picture of the status of
pornography in the criminal justice system. Presenting high-level
research in an accessible and organized manner, it explores a range
of topics, including investigating and prosecuting a case,
arguments favoring and opposing decriminalization of pornography,
and relationships between pornography, mental disorders, and crime.
It also examines criminal justice responses and international laws,
policies, attitudes, and definitions of pornography in comparison
to those of the United States.
Anti-porn feminism is back. Countering the ongoing 'pornification'
of Western culture and society, with lads' mags on the middle shelf
and lap-dancing clubs in residential areas, anti-porn movements are
re-emerging among a new generation of feminist activists worldwide.
This essential new guide to the problems with porn starts with a
history of modern pro and anti political stances before examining
the ways in which the new arguments and campaigns around
pornography are articulated, deployed and received. Drawing on
original ethnographic research, it provides an in-depth analysis of
the groups campaigning against the pornography industry today, as
well as some eye-opening facts about the damage porn can do to
women and society as a whole. This unique and inspiring book
explains the powerful comeback of anti-porn feminism, and it
controversially challenges liberal perspectives and the
mainstreaming of a porn culture that threatens to change the very
nature of our intimate relationships.
Netporn delves into the aesthetics and politics of sexuality in the
era of do-it-yourself (DIY) Internet pornography. Katrien Jacobs,
drawing on digital media theory and interviews with Web porn
producers and consumers, offers an unprecedented critical analysis
of Web culture as digital artistry and of the corresponding
heightened government surveillance and censorship of the Internet.
Netporn features Web users who question the goals of global
commercial porn industries-whether they are engaged in Usenet
fringes, video blogging, peer-to-peer distribution, porn art
collectives, or decadent amateurism. Emphasizing gender and
cultural differences, Jacobs shows how the creative uses of netporn
images and services are important ways of exploring or redefining
the 'network body' and indispensable ingredients of a maturing
network society.
In this gracefully written, accessible and entertaining volume,
John Semonche surveys censorship for reasons of sex from the
nineteenth century up to the present. He covers the various forms
of American media-books and periodicals, pictorial art, motion
pictures, music and dance, and radio, television, and the Internet.
The tale is varied and interesting, replete with a stock of
colorful characters such as Anthony Comstock, Mae West, Theodore
Dreiser, Marcel Duchamp, Opie and Anthony, Judy Blume, Jerry
Falwell, Alfred Kinsey, Hugh Hefner, and the Guerilla Girls.
Covering the history of censorship of sexual ideas and images is
one way of telling the story of modern America, and Semonche tells
that tale with insight and flair. Despite the varieties of
censorship, running from self-censorship to government bans, a
common story is told. Censorship, whether undertaken to ward off
government regulation, to help preserve the social order, or to
protect the weak and vulnerable, proceeds on the assumption that
the censor knows best and that limiting the choices of media
consumers is justified. At various times all of the following
groups were perceived as needing protection from sexually explicit
materials: children, women, the lower classes, and foreigners. As
social and political conditions changed, however, the simple fact
that someone was a woman or a day laborer did not support
stereotyping that person as weak or impressionable. What would
remain as the only acceptable rationale for censorship of sexual
materials was the protection of children and unconsenting adults.
For each mode of media, Semonche explains via abundant examples how
and why censorship took place in America. Censoring Sex also traces
the story of how the cultural territory contested by those
advocating and opposing censorship has diminished over the course
of the last two centuries. Yet, Semonche argues, the censorship of
sexual materials that continues in the United States poses a
challenge to the free speech that is part of the f
Pornography is a volatile issue in the United States-depending on
the source of opinion, it can be viewed as either demeaning or
empowering. Global Perspectives on Social Issues: Pornography asks
whether the issue is similarly contentious around the world.
Richard Procida and Rita Simon collect in this volume a wealth of
data on laws, regulations, and public opinion regarding pornography
in a wide sample of countries in both the West and the East. The
authors pose and discuss the following questions: Is censorship of
pornography correlated with authoritarianism? Does the censorship
of pornography lead to the censorship of other more valuable
speech, such as political or artistic speech? How much of a factor
is pornography in violence against women and the sexual abuse of
children? Is the United States more, or less, prudish than other
nations around the world, particularly other Western democratic
nations? The book reveals a variety of approaches to the treatment
of pornography, providing sociologists, legal scholars, and women's
rights activists with a valuable reference tool.
With tourism accounting for approximately thirty percent of the
Caribbean's GDP and twenty-four percent of employment, a link
between the sex trade and the tourism industry has gained recent
attention. Shifts in global production, an increase of disposable
income for pleasure and recreation, and a desire by North Americans
and Europeans for an experience of 'exotic' cultures, are often
claimed to be the cause. This volume explores the connections
between the global economy and sex work, focusing on the
experiences and views of women, men, and children who sell sex.
Apart from attention to sex tourism in Cuba, the Dominican
Republic, Barbados, and Jamaica, the book also examines sex work in
the gold mining industry in the hinterlands of Suriname and Guyana,
and in the entertainment sector in Belize and the Dutch Antilles.
It presents new insights into the Caribbean sex trade and provides
proposals and strategies for addressing the situation in the
twenty-first century.
?Private sexual fantasy can preoccupy vast areas of a person's
mental life, ? notes David Powlison. ?As explicit sexual images
proliferate in films and magazines, on television, and over the
Internet, the temptations increase and the bondage seems
unbreakable. Even Christians can find that their lives have become
a push-pull stuggle between indulging in fantasy and resisting it.?
?Is it really possible to slay the dragon of pornography and
fantasy once it has gained control of your life?? asks Powlison.
The answer is yes, as you will see from this interview with a man
called Bob, who experienced Christ's deliverance in this part of
his life.
In a book that completely changes the terms of the pornography
debate, Laura Kipnis challenges the position that porn perpetuates
misogyny and sex crimes. First published in 1996, Bound and Gagged
opens with the chilling case of Daniel DePew, a man convicted-in
the first computer bulletin board entrapment case-of conspiring to
make a snuff film and sentenced to thirty-three years in prison for
merely trading kinky fantasies with two undercover cops. Using this
textbook example of social hysteria as a springboard, Kipnis argues
that criminalizing fantasy-even perverse and unacceptable
fantasy-has dire social consequences. Exploring the entire spectrum
of pornography, she declares that porn isn't just about gender and
that fantasy doesn't necessarily constitute intent. She reveals
Larry Flynt's Hustler to be one of the most politically outspoken
and class-antagonistic magazine in the country and shows how
fetishes such as fat admiration challenge our aesthetic prejudices
and socially sanctioned disgust. Kipnis demonstrates that the porn
industry-whose multibillion-dollar annual revenues rival those of
the three major television networks combined-know precisely how to
tap into our culture's deepest anxieties and desires, and that this
knowledge, more than all the naked bodies, is what guarantees its
vast popularity. Bound and Gagged challenges our most basic
assumptions about America's relationship with pornography and
questions what the calls to eliminate it are really attempting to
protect.
Diana E. H. Russell, well-known for her pioneer research on the prevalence of rape and child sexual abuse, the reality of wife rape, the trauma of incestuous abuse, and the misogynist killing of women (femicide), breaks new ground once again in her analysis of pornography and its relationship with misogyny and rape. In this unflinching and uncompromising volume, Diana E. H. Russell examines the relationships between pornography, misogyny, and rape. As the title implies, Russell contends that these relationships are in fact dangerous to women. Dangerous Relationships begins by dealing with the vexing and thorny issue of defining pornography and considers the various types of pornographic materials that are commonly available. Russell turns to the notion that hatred of women is a predominate aspect of pornography and that racist undercurrents are often exploited in visual pornography of all types. She examines the conception of pornography as a cause of rape and provides a rich body of statistical evidence supporting the relationship. Dangerous Relationships argues forcefully that pornography indeed has victims and is a call to arms against the misogyny it engenders. Because pornography is increasingly accessible through the Internet, CD ROMs, digital cameras, and new technology, Dangerous Relationships will be important to scholars in the fields of violence against women, child abuse, interpersonal violence, deviant psychology, sociology, and criminal justice.
This book contains the oral testimony of victims of pornography,
spoken on the record for the first time in history.
Speaking at hearings on a groundbreaking antipornography civil
rights law, women offer eloquent witness to the devastation
pornography has caused in their lives. Supported by social science
experts and authorities on rape, battery, and prostitution,
discounted and opposed by free speech advocates and absolutists,
their riveting testimony articulates the centrality of pornography
to sexual abuse and inequity today.
At issue in these hearings is a law conceived and drafted by
Andrea Dworkin and Catharine A. MacKinnon that defines harm done
through pornography as a legal injury of sex discrimination
warranting civil redress. From the first set of hearings in
Minneapolis in 1983 through those before the Massachusetts state
legislature in 1992, the witnesses heard here expose the
commonplace reality of denigration and sexual subordination due to
pornography and refute the widespread notion that pornography is
harmless expression that must be protected by the state.
Introduced with powerful essays by MacKinnon and Dworkin, these
hearings--unabridged and with each word scrupulously
verified--constitute a unique record of a conflict over the meaning
of democracy itself--a major civil rights struggle for our time and
a fundamental crisis in United States constitutional law: Can we
sacrifice the lives of women and children to a pornographer's right
to free "speech"? Can we allow the First Amendment to shield sexual
exploitation and predatory sexual violence? These pages contain all
the arguments for protecting pornography--and dramatically document
its human cost.
So serious are the topics of rape and sexual assault that the mere
discussion of them is often avoided. In this book, Mary Odem and
Jody Clay-Warner examine the complex and painful issue of sexual
violence from various perspectives, including sociology,
criminology, anthropology, public health, and women's studies. The
inclusion of personal accounts from women who have been raped or
threatened by rape makes this collection particularly accessible,
compelling, and powerful. An essay details one woman's long
struggle as a rape survivor, a poem describes the fear of rape and
society's treatment of the victim, and a sonnet traces the journey
from victim to survivor. Not only does this invaluable collection
define and examine the prevalence of rape and sexual assault, but
it analyzes social and institutional factors that contribute to
their occurrence and provides strategies for prevention and change.
In this pioneering study in religion and culture, Mielke
acknowledges the power that pornographic images continue to assert
in a culture whose conscious intention is to deny their attraction.
Despite efforts by Christians and feminists alike to radically
alter the sexual agenda in the direction of a more tender and
respectful eroticism, much of contemporary America continues its
sexual odyssey with unrepentant enthusiasm and with an increasing
interest in overt sexual imagery. Mielke's unique analysis brings
together a wide range of sources contemporary as well as historical
Christianity, sex therapy, secular feminism, contemporary
psychoanalysis, and behavioral science research studies in an
attempt to explain the prevalence of pornographic themes and
imagery in human sexual arousal and fulfillment. Contents: Preface;
Acknowledgements; Introducton; The Problematic Place of Pornography
in Culture; Sexual Liberalism in America; Feminists Confront
Pornography; Christian Perspectives on Sex and Pornography; The
Dynamics of Sexual Excitement: The Research of Robert J. Stroller,
M.D.; Pornography's Challenge to Theology; Bibliography; Readings
for Further Study; Index."
Pornography has fascinated and divided researchers, policymakers,
and the public for years. Does it have harmful effects on
individuals? What effects in particular? Does pornography influence
everyone or just some people? How should society deal with the
results of this influence? In Pornography, Linz and Malamuth sort
through these and other questions by placing their topic within the
broader context of fundamental human nature theories. Their
approach reveals a systematic interweaving of social science,
morality, and law through three different perspectives:
conservative-moralistic, liberal, and feminist. The fifth volume in
the innovative Communication Concepts series, this book is an
invaluable addition to current research on pornography and
obscenity. Students and professionals in communication studies as
well as research methods and the social sciences in general will
find Pornography to be an illuminating and compelling study.
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