Obscenity is central to an understanding of medieval culture, and it is here examined in a number of different media. Obscenity is, if nothing else, controversial. Its definition, consumption and regulation fire debate about the very meaning of art and culture, law, politics and ideology. And it is often, erroneously, assumed to be synonymous with modernity. Medieval Obscenities examines the complex and contentious role of the obscene - what is offensive, indecent or morally repugnant - in medieval culture from late antiquity through to the end of the Middle Ages in western Europe. Its approach is multidisciplinary, its methodologies divergent and it seeks to formulate questions and stimulate debate. The essays examine topics as diverse as Norse defecation taboos, the Anglo-Saxon sexual idiom, sheela-na-gigs, impotence in the church courts, bare ecclesiastical bottoms, rude sounds and dirty words, as well as the modern reception and representation of the medieval obscene. They demonstrate not only the vitality of medieval obscenity, but its centrality to our understanding of the Middle Ages and ourselves. Contributors: MICHAEL CAMILLE, GLENN DAVIS, EMMA DILLON, SIMON GAUNT, JEREMY GOLDBERG, EAMONN KELLY, CAROLYNE LARRINGTON, NICOLAMCDONALD, ALASTAIR MINNIS, DANUTA SHANZER

Vicky and Charlie are best friends who used to co-review hardcore porn movies. After a year of fat lechers, bored hookers and clunky dialogue, they said, "Hang on, we could make a better film than this ourselves." What was to stop them? Only their conservative families, stammering English reserve, and total lack of experience. They set off at once. This is the extraordinary and hilarious story of their journey from a sofa in North London, through the heart of the sex industry in California, to their own film set in Amsterdam. What happens when a 'nice girl' falls in love with a rent-boy, and a vicar's son attempts to film a gang-bang? Vicky and Charlie learned to see the world through new eyes, and the sex-workers learned how to play cribbage. And together they produced perhaps the most baffling skinflick in history.

Art and Pornography presents a series of essays which investigate the artistic status and aesthetic dimension of pornographic pictures, films, and literature, and explores the distinction, if there is any, between pornography and erotic art. Is there any overlap between art and pornography, or are the two mutually exclusive? If they are, why is that? If they are not, how might we characterize pornographic art or artistic pornography, and how might pornographic art be distinguished, if at all, from erotic art? Can there be aesthetic experience of pornography? What are some of the psychological, social, and political consequences of the creation and appreciation of erotic art or artistic pornography? Leading scholars from around the world address these questions, and more, and bring together different aesthetic perspectives and approaches to this widely consumed, increasingly visible, yet aesthetically underexplored cultural domain. The book, the first of its kind in philosophical aesthetics, will contribute to a more accurate and subtle understanding of the many representations that incorporate explicit sexual imagery and themes, in both high art and demotic culture, in Western and non-Western contexts. It is sure to stir debate, and healthy controversy.

Taking as his point of departure the authors, the audience, and the texts of Victorian writings on sex in general and of Victorian pornography in particular, Steven Marcus offers a startling and revolutionary perspective on the underside of Victorian culture. The subjects dealt with in "The Other Victorians" are not only those to have been "shocking" in the Victorian period. The way these subjects were regarded--and the way our notions of the Victorians continue to change, as the efforts of contemporary scholarship restore them to their full historical dimensions--are matters today of some surprise and wonder.

Making use, for the first time, of the extensive collection of Victoriana at the Kinsey Institute for Sex Research, Marcus first examines the writings of Dr. William Acton, who may be said to represent the "official views" of sexuality held by Victorian society, and of Henry Spencer Ashbee, the first and most important bibliographer-scholar of pornography. He then turns to the most significant work of its kind from the period, the eleven-volume anonymous autobiography "My Secret Life." There follows an analysis of four pornographic Victorian novels--an analysis that throws an oblique but fascinating light on the classics of Victorian literature--and a review of the odd flood of Victorian publications devoted to flagellation. The book concludes with a chapter propounding a general theory of pornography as a sociological phenomenon.

With the publication of "The Other Victorians," understanding of this period took a giant stride forward. Most of the writers and writings discussed by Marcus belong to Victorian sub-literature rather than to literature proper; in this way the work remains connected to a consideration of the exotic sub-literature. A brilliantly written book in its own right, this work transformed the study of the Victorian period as did no other.

Prostitution and Pornography examines debates about the sex industry and the adequacy of the liberal response to critiques of the sex industry. The anthology focuses particularly on the very different ways prostitution and pornography are treated. Unlike other books that deal with the sex industry, this volume brings together academics and industry veterans and survivors to discuss the ways prostitution, pornography, and other forms of commercial sex are treated, and to ask questions about the role that ideas about the self, personal identity, and freedom play in our attitudes about the sex industry.

Written for a broad audience and grounded in cutting-edge, contemporary scholarship, this volume addresses some of the key questions asked about pornography today. What is it? For whom is it produced? What sorts of sexualities does it help produce? Why should we study it, and what should be the most urgent issues when we do? What does it mean when we talk about pornography as violence? What could it mean if we discussed pornography through frameworks of consent, self-determination and performance? This book places the arguments from conservative and radical anti-porn activists against the challenges coming from a new generation of feminist and queer porn performers and educators. Combining sensitive and detailed discussion of case studies with careful attention to the voices of those working in pornography, it provides scholars, activists and those hoping to find new ways of understanding sexuality with the first overview of the histories and futures of pornography.

Every porn scene is a record of people at work. But on-camera labor is only the beginning of the story. Part labor history, part ethnography illuminating the lives of the performers who work in the medium, Porn Work takes readers behind the scenes to explore what porn performers think of their work and how they intervene to hack it. It tells a story of crafty workers, faltering managers, and shifting solidarities. Blending extensive fieldwork with feminist and antiwork theorizing, Porn Work details entrepreneurial labor on the boundaries between pleasure and tedium. Rejecting any notion that sex work is an aberration from straight work, it reveals porn workers' creative strategies as prophetic of a working landscape in crisis. In the end, it looks to what porn has to tell us about what's wrong with work, and what it might look like to build something better.

THE SUNDAY TIMES BESTSELLER FROM THE CULT-HIT TRUE CRIME PODCAST, MY FAVORITE MURDER In STAY SEXY & DON'T GET MURDERED, Karen Kilgariff and Georgia Hardstark, hosts of true crime comedy podcast 'My Favorite Murder,' open up about their lives more intimately than ever in their confessionally honest and hilarious debut book, titled after their podcast sign-off. Sharing never-before-heard stories ranging from their struggles with depression, eating disorders, and addiction, Karen and Georgia irreverently recount their biggest mistakes and deepest fears, reflecting on the formative life events that shaped them into two of the most followed voices in the podcasting world.

Astonishingly, the average age of first viewing porn is now 11.5 years for boys, and with the advent of the Internet, it's no surprise that young people are consuming more porn than ever. And, as Gail Dines shows, today's porn is strikingly different from yesterday's "Playboy." As porn culture has become absorbed into pop culture, a new wave of entrepreneurs are creating porn that is even more hard-core, violent, sexist, and racist. Proving that porn desensitizes and actually limits our sexual freedom, Dines argues its omnipresence is a public health concern we can no longer ignore.

Henry Spencer Ashbee seemed a prosperous and respectable Victorian gentleman. But his well-upholstered chambers in Gray's Inn concealed a shocking secret: a vast collection of erotica and pornography, thousands of volumes strong. The Erotomaniac is a fascinating account of Victorian curiosity, repression and subverted desire. Acclaimed biographer Ian Gibson has created an engrossing portrait of Ashbee, which examines the evidence that Ashbee himself may have been the author of the most famous work of Victorian erotica, My Secret Life.

Sex is cheap. Coupled sexual activity has become more widely available than ever. Cheap sex has been made possible by two technologies that have little to do with each other-the wide uptake of the Pill and high-quality pornography-and its distribution made more efficient by a third, the uptake of online dating. Together, they drive down the cost of real sex, have created a massive slow-down in the development of significant relationships, put women's fertility at risk, and have even taken a toll on men's marriageability. What the West has witnessed of late is not the social construction of sexuality or marriage or family forms toward different possibilities as a product of political will, but technology-driven social change. This revolution in sexual autonomy also ushered in an era of plastic sexuality and prompted the flourishing on non-heterosexual identities. This book takes readers on a tour inside the American mating market, and highlights key patterns that characterize young adults' experience today, including the early timing of first sex in relationships, overlapping partners, the hazards of online dating, frustrating returns on their relational investments, and a failure to link future goals like marriage with how they are conducting their current relationships. Drawing upon several large nationally-representative surveys, in-person interviews with 100 men and women, and the assertions of scholars ranging from evolutionary psychologists to gender theorists, what emerges is a story about social change, technological breakthroughs, and the unintended consequences of women's economic success. Sex and its satisfactions are becoming increasingly important in contemporary life. No longer playing a supporting role in enduring relationships, sex has emerged as a central priority in relationship development and continuation. But unravel the layers, and it is obvious that the emergence of "industrial sex" is far more a reflection of men's interests than women's.

"There is much of value in Jenkins' work. He manages to discuss CP calmly, while at the same time making clear his personal revulsion, an achievement in itself in an area characterized by so much hysteria."
-- "The Journal of Sex Research"

"Magnificently readable social science on a widely misunderstood subject."
--"Booklist"

"A useful introduction to the methods that the kiddie-porn community uses to hide its activities...a smart history of the child-porn industry"
"--The Washington Monthly," Nov. 2001

"This is a troubling book that exposes how child pornography has found a safe haven on the Internet. Philip Jenkins's innovative research methods let him explore and map the secret electronic networks that link individuals whose deviance seems not just outrageous, but incomprehensible. Jenkins shows how culture and social structure emerge in a virtual--and decidedly not virtuous--world. This book raises profound questions about the nature of deviance in an electronic future."
--Joel Best, University of Delaware

"A disturbing, thought-provoking study"
--"Library Journal"

"A detailed yet engaging account . . . . Engrossing"
--"Liberty," Jan. 2002

Perhaps nothing evokes more universal disgust as child pornography. The world of its makers and users is so abhorrent that it is rarely discussed much less studied. Child pornographers have taken advantage of this and are successfully using the new electronic media to exchange their wares without detection or significant sanction. What are the implications of this threat for free speech and a free exchange of ideas on the internet? And how can we stop this illegal activity, which is so repugnant that eventhe most laissez-faire cyberlibertarians want it stamped out, if we know nothing about it?

Philip Jenkins takes a leap onto the lower tiers of electronic media in this first book on the business of child pornography online. He tells the story of how the advent of the internet caused this deviant subculture to become highly organized and go global. We learn how the trade which operates on clandestine websites from Budapest or Singapore to the U.S. is easy to glimpse yet difficult to eradicate. Jenkins details how the most sophisticated transactions are done through a proxy, a "false flag" address, rendering the host computer, and participants, virtually unidentifiable. And these sites exist for only a few minutes or hours allowing on-line child pornographers to stay one step ahead of the law. This is truly a globalized criminal network which knows no names or boundaries, and thus challenges both international and U.S. law.

Beyond Tolerance delves into the myths and realities of child pornography and the complex process to stamp out criminal activity over the web, including the timely debates over trade regulation, users' privacy, and individual rights. This sobering look and a criminal community contains lessons about human behavior and the law that none interested in media and the new technology can afford to ignore.

"Meg is a lantern guiding women through the twists and turns along this pain-filled path." --Lynn Marie Cherry, speaker and author of Keep Walking: 40 Days to Hope and Freedom After Betrayal Meg Wilson watched her world fall apart when her husband confessed to years of sexual addiction. She has intimate knowledge of the devastation that follows--and she has come through the other side. In her groundbreaking Hope After Betrayal, Meg provides reassuring counsel, compassionate insight, and wise direction. By sharing her story, talking to other women who've been in a similar situation, and turning to Scripture, Wilson has helped countless readers through the steps to recovery--and shows how you can follow that same path out of the darkness. This newly revised and expanded edition includes new lessons Meg has learned over the last decade. A compelling final chapter by Meg's husband sheds further light on the difficult road to healing from sexual addiction, and a thoughtful new appendix addresses the effect sexual addiction has on children in the home.

Pornography catapulted to the forefront of the American women's movement in the 1980s, singled out by some leading feminists as a key agent of female oppression and celebrated by others as an essential ingredient of sexual liberation. In Battling Pornography, Carolyn Bronstein locates the origins of anti-pornography sentiment in the turbulent social and cultural history of the late 1960s and 1970s, including women's mixed responses to the sexual revolution, and explains the gradual emergence of a controversial anti-pornography movement. Based on extensive original archival research, the book reveals that that the seeds of the movement were planted by groups who protested the proliferation of advertisements, Hollywood films, and other mainstream media that glorified sexual violence. Over time, feminist leaders redirected the emphasis from violence to pornography to leverage rhetorical power, unwittingly attracting right-wing supporters who opposed sexual freedom and igniting a forceful feminist counter-movement in defense of sexuality and free speech. Battling Pornography presents a fascinating account of the rise and fall of this significant American social movement and documents the contributions of influential activists on both sides of the pornography debate, including some of the best-known American feminists.

Rae Langton here draws together her ground-breaking work on pornography and objectification. On pornography she argues from uncontroversial liberal premises to the controversial feminist conclusions that pornography subordinates and silences women, and that women have rights against pornography. On objectification she begins with the traditional idea that objectification involves treating a person as a thing, but then shows that it is through a kind of self-fulfilling projection of beliefs and perceptions of women as subordinate that women are made subordinate and treated as things. These controversial essays in feminist philosophy will be stimulating reading for anyone interested in the status of women in society.

Imagine watching an action film in a small-town cinema hall in Bangladesh, and in between the gun battles and fistfights a short pornographic clip appears. This is known as a cut-piece, a strip of locally made celluloid pornography surreptitiously spliced into the reels of action films in Bangladesh. Exploring the shadowy world of these clips and their place in South Asian film culture, Lotte Hoek builds a rare, detailed portrait of the production, consumption, and cinematic pleasures of stray celluloid. Hoek's innovative ethnography plots the making and reception of Mintu the Murderer (2005, pseud.), a popular, Bangladeshi B-quality action movie and fascinating embodiment of the cut-piece phenomenon. She begins with the early scriptwriting phase and concludes with multiple screenings in remote Bangladeshi cinema halls, following the cut-pieces as they appear and disappear from the film, destabilizing its form, generating controversy, and titillating audiences. Hoek's work shines an unusual light on Bangladesh's state-owned film industry and popular practices of the obscene. She also reframes conceptual approaches to South Asian cinema and film culture, drawing on media anthropology to decode the cultural contradictions of Bangladesh since the 1990s.