Prostitution and Pornography examines debates about the sex industry and the adequacy of the liberal response to critiques of the sex industry. The anthology focuses particularly on the very different ways prostitution and pornography are treated. Unlike other books that deal with the sex industry, this volume brings together academics and industry veterans and survivors to discuss the ways prostitution, pornography, and other forms of commercial sex are treated, and to ask questions about the role that ideas about the self, personal identity, and freedom play in our attitudes about the sex industry.

Prostitution and Pornography examines debates about the sex industry and the adequacy of the liberal response to critiques of the sex industry. The anthology focuses particularly on the very different ways prostitution and pornography are treated. Unlike other books that deal with the sex industry, this volume brings together academics and industry veterans and survivors to discuss the ways prostitution, pornography, and other forms of commercial sex are treated, and to ask questions about the role that ideas about the self, personal identity, and freedom play in our attitudes about the sex industry.

Are you feeling shocked, betrayed, devastated, and downright angry after discovering your husband is addicted to pornography? Are you wondering: how could he do this to me or, why aren't I enough for him? Do you wonder if your marriage is over? Are you feeling lost and alone? Life and relationship coach Sandy Brown has been there. Her own experience in surviving the betrayal of her husband's porn addiction has inspired her to focus her practice on helping other women to do the same. Through her own recovery and her experience with clients, Sandy has developed a process of recovery to empower women at a time when they feel all is lost. Porn Addict's Wife shows readers that they are not alone in feeling shattered by their husband's sexual addiction, and teaches them how and with whom they can safely share their story. By providing resources for readers to get real help for both themselves and their spouse, it provides guidance to healing and rebuilding a normal life.

Before Pornography explores the relationship between erotic writing, masculinity, and national identity in Renaissance England. Drawing on both manuscripts and printed texts, and incorporating insights from modern feminist theory and queer studies, the book argues that pornography is a historical phenomenon: while the representation of sexual activity exists in nearly all cultures, pornography does not. The book includes analyses of the social significance of eroticism in such canonical texts as Sidney's Defense of Poesy and Spenser's Faerie Queene.

Challenging everything from the mandates of the Catholic Church to the hotly debated ethics of pornography, and from the controversy surrounding gay rights to issues of gender and feminism, With Pleasure explores a new theory of human sexuality that ignites every hot topic in the public domain. What role, authors Paul Abramson and Steven Pinkerton ask, does sexual pleasure play in our lives? Is the pursuit of sexual enjoyment in our blood? Our brains? Our very nature? Regardless of the source, it can be agreed that the joys of sex are widely appreciated. Why, then, is pleasure so often overlooked in discussions of sexual behaviour, and why do cultural, historical, and religious treatises so often fail to emphasise, or outright ignore, this obvious aspect of human sexuality?

Responding to these and many other questions about our most private affairs, With Pleasure provides a profoundly original challenge to the cherished truisms of human sexuality. Abramson and Pinkerton proclaim the paramount importance of pleasure, while at the same time overthrowing traditional ideas about gender, pornography, contraception, homosexuality, abortion, and much more. Supported by rigorous research and co-written by one of the foremost authorities on sex, With Pleasure argues that human sexuality cannot be understood if its significance is limited to reproduction alone. The authors posit that in humans reproduction itself occurs as a byproduct of pleasure--not the other way around--and that it is the strong drive for pleasure that makes people overcome many obstacles--and even life-threatening dangers such as AIDS--to have sex. Ranging from discussions about the church to current debates about pornography, and from evolutionary theory to questions about the future of sex and pleasure, Abramson and Pinkerton argue persuasively that the pleasurability of sex cannot be restricted to purely reproductive behaviour.

With Pleasure advances a startling and original new theory about human sexuality, one which the authors believe will replace all existing notions about sex. The book, standing in direct and deliberate opposition to traditions that try to confine sexuality to procreation, is sure to ignite a firestorm of controversy.

Porn is a complex symbol of our current world, and a shining example of the 'Shadow' of the Western culture. While many books essentially show its negative sides, the risks of addiction, the danger of damaging the relationship between sexes, and so on, this work focuses on porn as a phenomenon of our times, exploring its several colours, and trying to capture its inner logic and essence. Despite its pervasive ubiquity in the internet and in the lives of many, porn is apparently the ultimate taboo in the consulting room: in fact, very rarely does a patient mention something detailed about his or her use of porn. In parallel with its growing presence, the last forty years have witnessed a significant growth of publications about porn. The present work aims at deepening some aspects of internet porn from the perspective of Analytical Psychology, seeing it as symbol of the complexity of the human psyche, emerged in a specific moment of the history of consciousness.

From advertising to health education campaigns, sex and sexual imagery now permeate every aspect of culture. Striptease Culture explores this 'sexualization' of contemporary life, relating it to wider changes in post-war society. Divided into three sections, Striptease Culture first traces the development of pornography, following its movement from elite to mass culture and the contemporary fascination with 'porno-chic'. In part two McNair considers popular cultural forms of sexual representation in the media. Moving from backlash elements in straight male culture and changing images of women to the representation of gays in contemporary film and television shows such as Ellen or Queer as Folk, McNair argues that the high profile of sexuality in contemporary culture, rather than evidence of moral decline, is a positive expression of post-war liberalism and the advance of feminism and gay rights, as well as a key contributor to public health education in the era of HIV and AIDS.
In part three, McNair turns to the uses of sexuality in contemporary art, examining the artistic 'striptease' of Jeff Koons and others, who have used their own naked bodies in their work. McNair also considers how feminist and gay artists have employed sexuality in the critique and transformation of patriarchy. In a concluding chapter, McNair considers the implications of the rise of striptease culture for the future of sexual politics.

Debate about what constitutes obscenity and how -- if at all -- it should be regulated has been at the center of the "culture wars" of the past two decades. While literature abounds on the contemporary politics of obscenity, there has been little inquiry into the historic origins of these issues. Focusing on New York City in the first half of the twentieth century, Andrea Friedman's "Prurient Interests" considers the ways in which the evolution of obscenity debates in decades past has significantly affected today's controversies.

Exploring motion pictures, burlesque, and Broadway theater -- three forms of entertainment that were regularly condemned by anti-obscenity activists in the early 1900s -- Friedman traces the creation of a modern system of obscenity regulation in New York City. Friedman also shows how the rise of the concept of "democratic moral authority" -- the idea that obscenity should be regulated according to the standards of the "average person" and that the mechanisms of regulation should themselves be controlled by the people -- displaced middle-class women as anti-obscenity crusaders. At the same time, it offered inroads to male religious figures who were able to portray themselves as representatives of the people.

As "Prurient Interests" vividly illustrates, many of the elemental arguments that censorship advocates still employ today were first delineated in this period: the capacity of certain forms of entertainment to encourage violence against women, to corrupt the minds of young audiences, and to spread homosexuality. Friedman's innovative study enriches our understanding of the obscenity debates still raging at the close of the millennium.

Twenty-five years after the start of the feminist sex wars, pornography remains a flashpoint issue, with feminists locked in a familiar argument: Are women victims or agents? In At Home with Pornography, Jane Juffer exposes the fruitlessness of this debate and suggests that it has prevented us from realizing women's changing relationship to erotica and porn.

Over the course of these same twenty-five years, there has been a proliferation of sexually explicit materials geared toward women, made available in increasingly mainstream venues. In asking "what is the relationship of women to pornography?" Juffer maintains that we need to stop obsessing over pornography's transgressive aspects, and start focusing on the place of porn and erotica in women's everyday lives. Where, she asks, do women routinely find it, for how much, and how is it circulated and consumed within the home? How is this circulation and consumption shaped by the different marketing categories that attempt to distinguish erotica from porn, such as women's literary erotica and sexual self-help videos for couples?

At Home with Pornography responds to these questions by viewing women's erotica within the context of governmental regulation that attempts to counterpose a "dangerous" pornography with the sanctity of the home. Juffer explorers how women's consumption of erotica and porn for their own pleasure can be empowering, while still acting to reinforce conservative ideals. She shows how, for instance, the Victoria's Secret catalog is able to function as a kind of pornography whose circulation is facilitated both by its reliance on Victorian themes of secrecy and privacy and on its appeals to the selfish pleasures of modern career women. In her pursuit to understand what women like and how they get it, Juffer delves into adult cable channels, erotic literary anthologies, sex therapy guides, cyberporn, masturbation, and sex toys, showing the varying degrees to which these materials have been domesticated for home consumption.

Representing the next generation of scholarship on pornography, At Home with Pornography will transform our understanding of women's everyday sexuality.

The Fantasy Factory explores the world of women on the other end of the phone sex lines advertised in magazines like Playboy and Hustler. The author's interviews with these women, as well as her own first-hand experiences as an operator, reveal the complex ways operators and callers negotiate the shifting borders between desire and disgust, fantasy and reality, deception and belief. The Fantasy Factory raises provocative questions about the manufacture of artificial intimacy and the technological mediation of intimacy, as well as about the social construction of sexuality and gender. Flowers discovers that operators-who assume names like Tiffany and Corvette-create a virtual reality in which callers can act out fantasies that operators may find boring, disgusting, or even frightening. She also discovers that even those women who are skilled at keeping their "true self" and their phone sex persona separate find that they have to struggle to protect that self and to maintain the ability to experience real intimacy.

Professor Fiss examines contemporary free-speech issues in the context of the collision of liberal ideas of equality and freedom with modern social structures and speculates on what role the state might play in furthering robust public debate.

Thousands have run afoul of Britain's Obscene Publications Act-from Victorian erotica presses to 21st century dominatrices. At a time when the Internet has made sexually explicit material ubiquitous, why are British traditional media still regulated by a vaguely worded law from 1857? This comprehensive analysis of obscenity in British culture explores what is considered obscene, who gets to decide, and how class, race and gender inform laws regarding adult content. The author describes how obscenity laws disproportionately affect the BDSM subculture, the LGBT community and feminist porn performers.

Dealing with a topic fraught with moral, political and sexual tensions, this volume provides a forum for a male/female dialogue concerning the history, dissemination and consequences of pornographic representation that will challenge established views and open doors to further exploration and debate.

Pornography is a volatile issue in the United States_depending on the source of opinion, it can be viewed as either demeaning or empowering. Global Perspectives on Social Issues: Pornography asks whether the issue is similarly contentious around the world. Richard Procida and Rita Simon collect in this volume a wealth of data on laws, regulations, and public opinion regarding pornography in a wide sample of countries in both the West and the East. The authors pose and discuss the following questions: Is censorship of pornography correlated with authoritarianism? Does the censorship of pornography lead to the censorship of other more valuable speech, such as political or artistic speech? How much of a factor is pornography in violence against women and the sexual abuse of children? Is the United States more, or less, prudish than other nations around the world, particularly other Western democratic nations? The book reveals a variety of approaches to the treatment of pornography, providing sociologists, legal scholars, and women's rights activists with a valuable reference tool.

Violence against Women in Pornography illuminates the ways in which adult pornography hurts many women, both on and off screen. A growing body of social scientific knowledge shows that it is strongly associated with various types of violence against women in intimate relationships. Many women who try to leave abusive and/or patriarchal men also report that pornography plays a role in the abuse inflicted on them by their ex-partners. On top of these harms, male pornography consumption is strongly correlated with attitudes supporting violence against women. Many researchers, practitioners, and policy makers believe that adult pornography is a major problem and offer substantial evidence supporting this claim. Violence against Women in Pornography, unlike books written mainly for scholarly and general audiences, specifically targets students enrolled in undergraduate criminology, deviance, women's studies, masculinities studies, human sexuality, and media studies courses. Thoughtful discussion questions are placed at the end of each chapter, and appropriate PowerPoint slides and suggestions for classroom exercises will be available to aid student understanding. The main objective of this book is to motivate readers to think critically about adult pornography and to take progressive steps individually and collectively to curb the production and consumption of hurtful sexual media, including that from the "dark side of the Internet."

Pornography, also known as sexually explicit material intended to cause sexual arousal, has been hailed by many as a growing public health crisis. Multiple states have now passed resolutions declaring pornography a harm to individual and collective health for inciting epidemics of sexual assault, human trafficking, and compulsive use. But research on the impact of pornography reveals a complicated story behind the straightforward narrative of abuse, including the repression of sex positive materials in the pursuit of pornographic containment. Pornography and Public Health uses a rigorous evidence-based approach to explore the positive and negative effects of pornography on public health, revealing how pornography came to be considered a public health crisis despite the lack of US governmental support. While pornographic content varies widely, this book provides a holistic overview of the people who view pornography, what they are most likely to see, how content has changed over time, and how these changes appear to influence some users. Each chapter explores controversies related to important subtopics in pornography scholarship including aggression, body image, and problematic use, as well as acknowledging the benefits that porn and porn literacy can provide in some contexts. Drawing on meticulous research and close readings of the available data, Emily F. Rothman explores the implications of existing evidence for practice and policy and offers meaningful guidance for public health scholars interested in understanding, and resolving, one of the most complicated issues in health and human behavior of our time. With unique academic insights, Pornography and Public Health avoids moralizing to argue that we can take steps to minimize possible harms from pornography while simultaneously protecting sexual liberty and promoting respect for pornography performers.

Since the sexual revolution of the 1960s, debates over pornography have raged, and the explosive spread in recent years of sexually explicit images across the Internet has only added more urgency to these disagreements. Politicians, judges, clergy, citizen activists, and academics have weighed in on the issues for decades, complicating notions about what precisely is at stake, and who stands to benefit or be harmed by pornography. This volume takes an unusual but radical approach by analyzing pornography philosophically. Philosophers Andrew Altman and Lori Watson recalibrate debates by viewing pornography from distinctly ethical platforms - namely, does a person's right to produce and consume pornography supersede a person's right to protect herself from something often violent and deeply misogynistic? In a for-and-against format, Altman first argues that there is an individual right to create and view pornographic images, rooted in a basic right to sexual autonomy. Watson counteracts Altman's position by arguing that pornography inherently undermines women's equal status. Central to their disagreement is the question of whether pornography truly harms women enough to justify laws aimed at restricting the production and circulation of such material. Through this debate, the authors address key questions that have dogged both those who support and oppose pornography: What is pornography? What is the difference between the material widely perceived as objectionable and material that is merely erotic or suggestive? Do people have a right to sexual arousal? Does pornography, or some types of it, cause violence against women? How should rights be weighed against consequentialist considerations in deciding what laws and policies ought to be adopted? Bolstered by insights from philosophy and law, the two authors engage in a reasoned examination of questions that cannot be ignored by anyone who takes seriously the values of freedom and equality.

Feminists do not present a united front on either the legal and political remedies they propose, or definitions of sexuality and appropriate standards representing it. This study is the first to treat pornography within the context of the debate among feminists, also examining nonfeminist views embodied in popular opinion and social policy. Presenting an in-depth review of feminist and nonfeminist literature, it explores influential feminist ideologies as well as those that are only beginning to be voiced. The authors first review the femininst movement in relation to the pornography debate among both feminists and nonfeminists. Divisions over questions of sexuality, censorship, and sexual roles and lifestyles are highlighted in an analysis of radical and libertarian feminist viewpoints. Liberal, Marxist, socialist, and black approaches to feminism are also evaluated. Feminism and Pornography also addresses the male perspective on pornography and men's responses to the feminists' debate. The final chapters assess this debate in terms of empirical research on pornography, and legal and nonlegal strategies for regulating pornography. Providing an understanding of a broad range of feminist viewpoints, this balanced, even-handed discussion may prove helpful in moving beyond the current impasse. Feminism and Pornography is an important new work for research or courses in women's studies, politics, sexuality, social problems, deviance, and law.

Vicky and Charlie are best friends who used to co-review hardcore porn movies. After a year of fat lechers, bored hookers and clunky dialogue, they said, "Hang on, we could make a better film than this ourselves." What was to stop them? Only their conservative families, stammering English reserve, and total lack of experience. They set off at once. This is the extraordinary and hilarious story of their journey from a sofa in North London, through the heart of the sex industry in California, to their own film set in Amsterdam. What happens when a 'nice girl' falls in love with a rent-boy, and a vicar's son attempts to film a gang-bang? Vicky and Charlie learned to see the world through new eyes, and the sex-workers learned how to play cribbage. And together they produced perhaps the most baffling skinflick in history.

Art and Pornography presents a series of essays which investigate the artistic status and aesthetic dimension of pornographic pictures, films, and literature, and explores the distinction, if there is any, between pornography and erotic art. Is there any overlap between art and pornography, or are the two mutually exclusive? If they are, why is that? If they are not, how might we characterize pornographic art or artistic pornography, and how might pornographic art be distinguished, if at all, from erotic art? Can there be aesthetic experience of pornography? What are some of the psychological, social, and political consequences of the creation and appreciation of erotic art or artistic pornography? Leading scholars from around the world address these questions, and more, and bring together different aesthetic perspectives and approaches to this widely consumed, increasingly visible, yet aesthetically underexplored cultural domain. The book, the first of its kind in philosophical aesthetics, will contribute to a more accurate and subtle understanding of the many representations that incorporate explicit sexual imagery and themes, in both high art and demotic culture, in Western and non-Western contexts. It is sure to stir debate, and healthy controversy.