"...provides good coverage of the empirical literature." -Journal of Communication "...well written and presents a wide diversity of approaches to pornography." -CHOICE

This book presents an innovative cross-disciplinary report on research across the humanities and social sciences about the relationship between pornography and its consumers. For policy makers and the wider public it can be difficult to obtain a clear understanding of the current state of knowledge on pornography and its relationships with audiences, due to the often-contradictory nature of research spanning the various and politically diverse academic disciplines. The cross-disciplinary expertise of the author team has engaged in an extensive examination of the findings of academic research in the area in order to explain, in a clear and accessible style, the most important conclusions about the relationship of pornography to Healthy Sexual Development. This short and accessible overview is suitable for students and scholars in Psychology, Sexual Health, Film Studies, Sex Education, Queer Theory, Gender Studies, Sexuality Studies, Sociology, Media Studies and Cultural Studies.

Aggression in Pornography focusses on the issue of violence in mainstream pornography and examines what we know, what we think we know, and what are some surprising research findings and insights about the place of violence within pornography today. The authors first review the modern pornography industry, theoretical claims about pornography as violence, and the ways in which aggression has been defined and measured in previous research. Next, they review the findings of empirical research on violent content in pornographic materials and the potential effects of such content on audiences . The main part of the book relies on systematically collected empirical data, as the authors analyze the content of hundreds of pornographic videos as well as more than a hundred interviews with men and women who regularly watch pornography. These analyses provide surprising insights regarding the prevalence of and trends in violent content within mainstream pornography, the popularity of violent and non-violent content among viewers, and variations in aggression by race and sexual orientation. As such, Aggression in Pornography will be of interest to students and researchers in sociology, gender and sexuality studies, and media and film studies, as well as to wider audiences who are interested in today's pornography industry and to policymakers looking to devise empirically driven policies regarding this industry and its potential effects.

This is the hardback version. Golden Goddesses vibrantly casts light upon twenty-five significant women involved in the erotic film industry during its Golden Era, between the years 1968-1985 when participation in adult productions was illegal. Profiling performers, directors, scriptwriters and costumers, Golden Goddesses is a palate of insights, intimacy, vulnerability and strength, as it immerses readers into the lives of these celebrated and audacious females. Featuring the author's own interviews with Marilyn Chambers, Seka, Kay Parker, Rhonda Jo Petty, Serena, Georgina Spelvin, Juliet Anderson, Candida Royalle, Sharon Mitchell, Gloria Leonard, Annie Sprinkle, Ann Perry, Jody Maxwell, Barbara Mills, Veronica Hart, Kelly Nichols, Ginger Lynn, Kitten Natividad, Amber Lynn, Laurie Holmes, Christy Canyon, Julia St. Vincent, Roberta Findlay, Nina Hartley and Raven Touchstone, Golden Goddesses also includes film highlights and more than 300 photos. These fascinating women of classic adult film are presented with depth, sensitivity, and historical scope while capturing the quintessence of a rebellious spirit from days gone by.

By examining the highly contested legal debate about the regulation of pornography through an epistemic lens, this book analyzes competing claims about the proper role of speech in our society, pornography's harm, the relationship between speech and equality, and whether law should regulate and, if so, upon what grounds. In maintaining that inegalitarian pornography generates discursive effects, the book contends that law cannot simply adopt a libertarian approach to free speech. While inegalitarian pornography may not be determinative of gender inequality, it does contribute, reinforce, reflect and help maintain such unfairness. As a result, we can place reasonable gender-based regulations on inegalitarian pornography while upholding our most treasured commitments to dissident speech just as other liberal democracies with strong free speech traditions have done.

Rae Langton here draws together her ground-breaking work on pornography and objectification, and shows how both involve a kind of solipsism, a failure to treat women as fully human. She argues that pornography is a speech act that subordinates and silences women, and that, given certain liberal principles, women have rights against it. She explores the traditional Kantian idea that there is something wrong with treating a person as a thing, and highlights an additional epistemological dimension to objectification: it is through a kind of self-fulfilling projection of beliefs about women as subordinate that women are treated as things. These controversial essays include three new pieces written especially for the volume. They will make stimulating reading for anyone interested in feminism's dialogue with moral and political philosophy.

This book starts from the discussion of a pornography, but does not end with pornography. Rather, it suggests that a pornographic star can be treated as a cultural product which obtains rich cultural meanings. It contributes to the debate between the global homogenization paradigm and the creolization paradigm which predominates in multiple disciplines, through a thorough examination of the entire process of the cross-cultural migration of Aoi Sola, a Japanese adult video (AV) actress who has achieved amazing popularity in mainland China since 2010. Through fifteen-month participant observation inside the two Chinese agencies of Sola, this study reveals that the transformative intermediaries play a significant role in the transformation of the cultural product in the Chinese context, even though their operations are usually invisible to outsiders. The findings challenge the conventional scholarly assumption that foreign products produced by global producers are consumed "directly" by local consumers or that the significance of these intermediaries can be ignored. This study further extends the participant observation inside the realistic field to the virtual space of media in different countries, which can be called the second field. It demonstrates that multiple local groups, including intermediaries, Chinese commercial news portals, Party media, and Chinese Internet users, respond to the dominant ideologies in Chinese society by reinterpreting Sola in different, even contradictory, ways. Thus, this research refutes the presumption that a local society is a coherent monolith in the acceptance of foreign cultural products. The book also deepens the reader's understanding of Chinese Internet usage.

Pornography, Indigeneity and Neocolonialism examines how pornography operates as a representational system that authenticates settler colonies, focussing on American and Australian examples to reveal how pornography encodes whiteness, pleasure, colonisation and Indigeneity. This is the first text to use decolonial and queer theory to examine the role of pornography in America and Australia, as part of a network of neocolonial strategies that "naturalise" occupation. It is also the first study to focus on Indigenous people in pornography, providing a framework for understanding explicit representations of First Nations peoples. Pornography, Indigeneity and Neocolonialism defines the characteristics of heterosexual pornography in settler colonies, exposing how the landscape is presented as both exotic and domestic - a land of taboo pleasures that is tamed and occupied by and through white bodies. Examining the absence of Indigenous porn actors and arguing against the hypervisual fetishising of Black bodies that dominates racialised porn discourse, the book places this absence within the context of legal, political and military neocolonial Indigenous elimination strategies. This book will be of key interest to researchers and students studying porn studies, media and film studies, critical race studies and whiteness studies.

The turn of the twenty-first century has witnessed the striking advance of pornography into the Western cultural mainstream. Symptomatic of this development has been the use by writers, artists, and film-makers of the imagery and aesthetics of pornography, in works which have, often on this basis, achieved considerable international success. Amongst these artists are a number of French authors and directors - such as Michel Houellebecq, Catherine Breillat, Virginie Despentes, or Catherine Millet - whose work has often been dismissed as trashy or exploitative, but whose use of pornographic material may in fact be indicative of important contemporary concerns. In this, the first study of this significant trend, the authors explore how the reference to pornography encodes diverse political, cultural, and existential questions, including relations between the sexes, the collapse of avant-garde politics, gay sexualities in the time of AIDS, the anti-feminist backlash, the relation to the body and illness, the place of fantasy, and the sexualisation of children. It will be of interest to undergraduates, graduates, and researchers in the fields of French culture, gender, film and media studies. -- .

Pornography is a volatile issue in the United States-depending on the source of opinion, it can be viewed as either demeaning or empowering. Global Perspectives on Social Issues: Pornography asks whether the issue is similarly contentious around the world. Richard Procida and Rita Simon collect in this volume a wealth of data on laws, regulations, and public opinion regarding pornography in a wide sample of countries in both the West and the East. The authors pose and discuss the following questions: Is censorship of pornography correlated with authoritarianism? Does the censorship of pornography lead to the censorship of other more valuable speech, such as political or artistic speech? How much of a factor is pornography in violence against women and the sexual abuse of children? Is the United States more, or less, prudish than other nations around the world, particularly other Western democratic nations? The book reveals a variety of approaches to the treatment of pornography, providing sociologists, legal scholars, and women's rights activists with a valuable reference tool.

Full text online version at www.nyupress.org/netwars.

Who will rule cyberspace? And why should people care? Recently stories have appeared in a variety of news media, from the sensational to the staid, that portray the Internet as full of pornography, pedophilia, recipes for making bombs, lewd and lawless behavior, and copyright violators. And, for politicians eager for votes, or to people who have never strolled the electronic byways, regulating the Net seems as logical and sensible as making your kids wear seat belts. Forget freedom of speech: children can read this stuff.

From the point of view of those on the Net, mass-media's representation of pornography on the Internet grossly overestimates the amount that is actually available, and these stories are based on studies that are at best flawed and at worst fraudulent. To netizens, the panic over the electronic availability of bomb-making recipes and other potentially dangerous material is groundless: the same material is readily available in public libraries. Out on the Net, it seems outrageous that people who have never really experienced it are in a position to regulate it.

How then, should the lines be drawn in the grey area between cyberspace and the physical world? In net.wars, Wendy Grossman, a journalist who has covered the Net since 1992 for major publications such as "Wired, The Guardian," and "The Telegraph," assesses the battles that will define the future of this new venue. From the Church of Scientology's raids on Net users to netizens attempts to overthrow both the Communications Decency Act and the restrictions on the export of strong encryption, net.wars explains the issues and the background behind the headlines. Among the issues covered are net scams, class divisions on the net, privacy issues, the Communications Decency Act, women online, pornography, hackers and the computer underground, net criminals and sociopaths, and more.

So serious are the topics of rape and sexual assault that the mere discussion of them is often avoided. In this book, Mary Odem and Jody Clay-Warner examine the complex and painful issue of sexual violence from various perspectives, including sociology, criminology, anthropology, public health, and women's studies. The inclusion of personal accounts from women who have been raped or threatened by rape makes this collection particularly accessible, compelling, and powerful. An essay details one woman's long struggle as a rape survivor, a poem describes the fear of rape and society's treatment of the victim, and a sonnet traces the journey from victim to survivor. Not only does this invaluable collection define and examine the prevalence of rape and sexual assault, but it analyzes social and institutional factors that contribute to their occurrence and provides strategies for prevention and change.

This book explores the debate between those who argue that globalisation is leading to worldwide cultural homogeneity, with American cultural good predominating, and those who argue that cultural goods are always adapted and contextualised in the particular setting in which they are used. Based on extensive original research on how Japanese adult videos are consumed in Taiwan, it presents a rich picture of how Japanese adult videos are transformed into something Taiwanese, and how they are incorporated into both male and female Taiwanese sexual culture.

Whether in mainstream or independent films, depictions of female prostitution and promiscuity are complicated by their intersection with male fantasies. In such films, issues of exploitation, fidelity, and profitability are often introduced into the narrative, where sex and power become commodities traded between men and women. In Selling Sex on Screen: From Weimar Cinema to Zombie Porn, Karen A. Ritzenhoff and Catriona McAvoy have assembled essays that explore the representation of women and sexual transactions in film and television. Included in these discussions are the films Breakfast at Tiffany's, Eyes Wide Shut, L.A. Confidential, Pandora's Box, and Shame and such programs as Buffy the Vampire Slayer and Gigolos. By exploring the themes of class differences and female economic independence, the chapters go beyond textual analysis and consider politics, censorship, social trends, laws, race, and technology, as well as sexual and gender stereotypes. By exploring this complex subject, Selling Sex on Screen offers a spectrum of representations of desire and sexuality through the moving image. This volume will be of interest not only to students and scholars of film but also researchers in gender studies, women's studies, criminology, sociology, film studies, adaptation studies, and popular culture.

Prostitution and Pornography examines debates about the sex industry and the adequacy of the liberal response to critiques of the sex industry. The anthology focuses particularly on the very different ways prostitution and pornography are treated. Unlike other books that deal with the sex industry, this volume brings together academics and industry veterans and survivors to discuss the ways prostitution, pornography, and other forms of commercial sex are treated, and to ask questions about the role that ideas about the self, personal identity, and freedom play in our attitudes about the sex industry.

Twenty-five years after the start of the feminist sex wars, pornography remains a flashpoint issue, with feminists locked in a familiar argument: Are women victims or agents? In At Home with Pornography, Jane Juffer exposes the fruitlessness of this debate and suggests that it has prevented us from realizing women's changing relationship to erotica and porn.

Over the course of these same twenty-five years, there has been a proliferation of sexually explicit materials geared toward women, made available in increasingly mainstream venues. In asking "what is the relationship of women to pornography?" Juffer maintains that we need to stop obsessing over pornography's transgressive aspects, and start focusing on the place of porn and erotica in women's everyday lives. Where, she asks, do women routinely find it, for how much, and how is it circulated and consumed within the home? How is this circulation and consumption shaped by the different marketing categories that attempt to distinguish erotica from porn, such as women's literary erotica and sexual self-help videos for couples?

At Home with Pornography responds to these questions by viewing women's erotica within the context of governmental regulation that attempts to counterpose a "dangerous" pornography with the sanctity of the home. Juffer explorers how women's consumption of erotica and porn for their own pleasure can be empowering, while still acting to reinforce conservative ideals. She shows how, for instance, the Victoria's Secret catalog is able to function as a kind of pornography whose circulation is facilitated both by its reliance on Victorian themes of secrecy and privacy and on its appeals to the selfish pleasures of modern career women. In her pursuit to understand what women like and how they get it, Juffer delves into adult cable channels, erotic literary anthologies, sex therapy guides, cyberporn, masturbation, and sex toys, showing the varying degrees to which these materials have been domesticated for home consumption.

Representing the next generation of scholarship on pornography, At Home with Pornography will transform our understanding of women's everyday sexuality.

As surprising as it may be to parents, young people today are immersed in porn culture everywhere they look. Through Internet porn, gaming, social media, marketing, and advertising, kids today have a much broader view of social and sexual possibilities, which makes it difficult for them to establish appropriate expectations or to feel adequate in their own sexuality. Even more important, no one is talking to kids directly about the problem. Parents tend to convince themselves that their children are immune to cultural influences, wait until it comes up, or hope schools and pediatricians will address the issues. Educators and doctors may be able to start the conversation but it is fundamentally a parent's job to provide information about sex and relationships early and often to help young people find their way through their social and sexual lives. Delaying the necessary but awkward conversations with their kids leaves them vulnerable. The media, marketers, and porn and gaming industries are eager to step in anywhere parents choose to hold back. Sexploitation exposes the truth to parents, kids, educators, and the medical profession about the seen and unseen influences affecting children, inspiring parents to take the role as the primary sexuality educator. With more information, parents will gain conviction to discuss and develop values, expectations, boundaries, and rules with their kids. Kids who enter their teens with accurate information and truths stand a better chance of developing an "inner compass" when it comes to sex and relationships, which sets them up for a healthy adulthood. In her comic and straightforward style, Pierce brings together the latest research with anecdotal stories shared with her by high school and college students in the thick of it. Above all else, her goal is to get people to develop more comfort around those difficult conversations so that kids gain more confidence and courage about drawing boundaries based on their own values not those put upon them.

A women's rights-centered rationale for defending pornography Traditional explanations of why pornography must be defended from would-be censors have concentrated on censorship's adverse impacts on free speech and sexual autonomy. In contrast, Nadine Strossen focuses on the women's rights-centered rationale for defending pornography. Reissued with a new foreword and introduction by the author.

This book explores the debate between those who argue that globalisation is leading to worldwide cultural homogeneity, with American cultural good predominating, and those who argue that cultural goods are always adapted and contextualised in the particular setting in which they are used. Based on extensive original research on how Japanese adult videos are consumed in Taiwan, it presents a rich picture of how Japanese adult videos are transformed into something Taiwanese, and how they are incorporated into both male and female Taiwanese sexual culture.

The turn of the twenty-first century has witnessed the striking advance of pornography into the Western cultural mainstream. Symptomatic of this development has been the use by writers, artists, and film-makers of the imagery and aesthetics of pornography, in works which have, often on this basis, achieved considerable international success. Amongst these artists are a number of French authors and directors - such as Michel Houellebecq, Catherine Breillat, Virginie Despentes, or Catherine Millet - whose work has often been dismissed as trashy or exploitative, but whose use of pornographic material may in fact be indicative of important contemporary concerns. In this, the first study of this significant trend, the authors explore how the reference to pornography encodes diverse political, cultural, and existential questions, including relations between the sexes, the collapse of avant-garde politics, gay sexualities in the time of AIDS, the anti-feminist backlash, the relation to the body and illness, the place of fantasy, and the sexualisation of children. It will be of interest to undergraduates, graduates, and researchers in the fields of French culture, gender, film and media studies.

By examining the highly contested legal debate about the regulation of pornography through an epistemic lens, this book analyzes competing claims about the proper role of speech in our society, pornography's harm, the relationship between speech and equality, and whether law should regulate and, if so, upon what grounds. In maintaining that inegalitarian pornography generates discursive effects, the book contends that law cannot simply adopt a libertarian approach to free speech. While inegalitarian pornography may not be determinative of gender inequality, it does contribute, reinforce, reflect and help maintain such unfairness. As a result, we can place reasonable gender-based regulations on inegalitarian pornography while upholding our most treasured commitments to dissident speech just as other liberal democracies with strong free speech traditions have done.

First published in 1980, Pornography, Psychedelics And Technology: Essays on the Limits to Freedom focuses on the crucial connections between technological growth and the more salient features of social malaise in the latter part of the twentieth century. Professor Mishan is one of the few economists absorbed by the larger social questions, and does not believe that the growth in state intervention and the decline of social liberty are simply the result of intellectual confusion and bureaucratic momentum. He sees them as unavoidable consequences of scientific and technical progress. While agreeing with many of his fellow economists in acknowledging the virtues of a competitive market economy, Professor Mishan is acutely aware of its limitations. Following the growth of self-styled liberation movements, seen as manifestations of a move towards a world of greater individual emancipation and fulfilment, the author nevertheless groups such movements together with the rising indices of violence, suicide, family breakdown and hooliganism, which have become indicative of a growing disorientation and social disintegration. These developments and the hazards they entail, however, are bound up with the rapid scientific and technological progress of the post-war world.

In this provocative book, retired porn star Scott O Hara (known as "Spunk" by many of his fans from an early punk photospread) gives a backstage look at the world of pornography, revealing why he loved it, what he got out of it, and why he left it. In an autobiographical style, he considers and poses answers to some fascinating questions: What is sex? What makes a porn star? And why does pornography really upset people? You ll really get to know this noted gay porn star as you get a firsthand look at his life experiences and sexual journeys from his boyhood days of locker room fantasies and sexual experimentation to his years as a porn star and then to his experiences as an individual facing the realities of being HIV-positive. As O Hara puts it in his Introduction: "This book was written as a last-ditch effort: a way to open up all my closets, let you in on all the dark corners of my life, and give you a better picture of what goes into the making of a porn star. Because if there 's one profession that arouses people 's curiosity, it 's that one." As you read through the pages of Autopornography, you ll see how O Hara 's personality reflects his sexuality, that is, how they have melded into one. His vivid descriptions of personal relationships (with family, friends, lovers, and casual acquaintances) and his many sexual encounters as he traveled the world reveal his love of sex and his desire to live without inhibitions, secrets, or sexual constraints. Reading Autopornography may cause you to reexamine your own sexual boundaries, realize new sexual potential, and discover sexual desires not previously aroused.Listed #14 on Books Bought Mainly by Men 1997 Top 100 Bestsellers as rated by A Different Light Bookstore