Rae Langton here draws together her ground-breaking work on pornography and objectification. On pornography she argues from uncontroversial liberal premises to the controversial feminist conclusions that pornography subordinates and silences women, and that women have rights against pornography. On objectification she begins with the traditional idea that objectification involves treating a person as a thing, but then shows that it is through a kind of self-fulfilling projection of beliefs and perceptions of women as subordinate that women are made subordinate and treated as things. These controversial essays in feminist philosophy will be stimulating reading for anyone interested in the status of women in society.

Sex is cheap. Coupled sexual activity has become more widely available than ever. Cheap sex has been made possible by two technologies that have little to do with each other-the wide uptake of the Pill and high-quality pornography-and its distribution made more efficient by a third, the uptake of online dating. Together, they drive down the cost of real sex, have created a massive slow-down in the development of significant relationships, put women's fertility at risk, and have even taken a toll on men's marriageability. What the West has witnessed of late is not the social construction of sexuality or marriage or family forms toward different possibilities as a product of political will, but technology-driven social change. This revolution in sexual autonomy also ushered in an era of plastic sexuality and prompted the flourishing on non-heterosexual identities. This book takes readers on a tour inside the American mating market, and highlights key patterns that characterize young adults' experience today, including the early timing of first sex in relationships, overlapping partners, the hazards of online dating, frustrating returns on their relational investments, and a failure to link future goals like marriage with how they are conducting their current relationships. Drawing upon several large nationally-representative surveys, in-person interviews with 100 men and women, and the assertions of scholars ranging from evolutionary psychologists to gender theorists, what emerges is a story about social change, technological breakthroughs, and the unintended consequences of women's economic success. Sex and its satisfactions are becoming increasingly important in contemporary life. No longer playing a supporting role in enduring relationships, sex has emerged as a central priority in relationship development and continuation. But unravel the layers, and it is obvious that the emergence of "industrial sex" is far more a reflection of men's interests than women's.

The unprecedented mainstreaming of the global pornography industry is transforming the sexual politics of intimate and public life, popularising new forms of hardcore misogyny, and strongly contributing to the sexualisation of children. Yet challenges to the pornography industry continue to be dismissed as uncool, anti-sex and moral panics. With contributions from leading world experts and activists, "Big Porn Inc" offers a cutting edge expose of the hidden realities of a multi-billion dollar global industry that promotes itself as a fashionable life-style choice. Unmasking the lies behind the selling of porn as 'just a bit of fun' this book reveals the shocking truths of an industry that trades in violence, crime and degradation. This fearless book will change the way you think about pornography forever. Contributors include: Abigail Bray; Anna van Heeswijk; Anne Mayne; Asja Armanda; Betty McLellan; Caroline Norma; Caroline Taylor; Catharine A MacKinnon; Christopher Kendall; Chyng Sun; Diana Russell; Diane L Rosenfeld; Gail Dines; Helen Pringle; Hiroshi Nakasatomi; Jeffrey Masson; Julia Long; Linda Thompson; Maggie Hamilton; Matt McCormack Evans.; Meagan Tyler; Melinda Liszewski; Melinda Tankard Reist; Melissa Farley; Natalie Nenadic; Nina Funnell; Renate Klein; Robert Jensen; Robi Sonderegger; Ruchira Gupta; Sheila Jeffreys; and, Susan Hawthorne.

Modernist literature is inextricable from the history of obscenity. The trials of figures like James Joyce, D. H. Lawrence, and Radclyffe Hall loom large in accounts twentieth century literature. Filthy Material: Modernism and The Media of Obscenity reveals the ways that debates about obscenity and literature were shaped by changes in the history of media. Judgments about obscenity, which hinged on understanding how texts were circulated and read, were often proxies for the changing place of literature in an age of new technological media. The emergence of film, photography, and new printing technologies shaped how "literary value" was understood, altering how obscenity was defined and which texts were considered obscene. Filthy Material rereads the history of obscenity in order to discover a history of technological media behind debates about moral corruption and sexual explicitness. The shift from the intense censorship of the early twentieth century to the effective "end of obscenity" for literature at the middle of the century, it argues, is not simply a product of cultural liberalization but of a changing media ecology. Filthy Material brings together media theory and archival research to offer a fresh account of modernist obscenity and novel readings of works of modernist literature. It sheds new light on figures at the center of modernism's obscenity trials (such as Joyce and Lawrence), demonstrates the relevance of the discourse obscenity to understanding figures not typically associated with obscenity debates (like T. S. Eliot and Wyndham Lewis), and introduces new figures to our account of modernism (like Norah James and Jack Kahane). It reveals how modernist obscenity reflected a contest over the literary in the face of new media technologies.

With full-frontal genitalia, erections, even actual sex featuring increasingly in films, this explicitness in presentation has caused critical consternation and accusations that such film narratives are pornographic. This book explores how, rather than being pornographic, explicit sex can be an essential element of cinematic storytelling today. Offering detailed analysis of how choices are made in the presentation of explicit sex in often very controversial films, such as "Shame", "Baise-Moi", "Antichrist", "Dogtooth" and "Lust, Caution", the expert contributors - including Barbara Creed, Jacob Held and Linda Ruth Williams - show how sexual content can aid characterisation, highlight themes, and provide events that serve to develop plot. The impact of explicit sex as an element of a film's narrative is also revealed to be assisted by effective, nuanced performances and the incisive deployment of directorial technique. Together they detail through the fundamentals of cinema the shot by shot, moment by moment manner in which explicit sex can be an essential component of a dramatically powerful narrative.

This study is not written as a diatribe against eroticism or a moral crusade to stamp out sex. It is intended as an attack, rather, on a multi-billion pound international industry that, it argues, systematically abuses and degrades women, an industry whose product is at the root of cases of routine discrimination and horrific violence. Many writers, both women and men, have contributed to this collection. Each has their own view, but they all hold two beliefs in common: opposition to censorship and the conviction that until pornography is eradicated, women's status in society can never be equal to men's. They argue that the regulation of pornography under the Obscene Publications Act is intentionally ineffective, permitting the mass-marketing of women's genitals and anuses, and the sale of rape and sexual assault as "entertainment" for men, but censoring art, literature and homosexuality. Many of the contributors argue instead for sex discrimination legislation to enable civil actions against the pornography industry where pornography could be proved to have caused harm, or for legislation like the Race Relations Act where pornography could be shown to have incited sexual hatred an

Germany has been infamously dubbed the "Brothel of Europe," but how does legalized prostitution actually work? Is it empowering or victimizing, realistic or dangerous? In Legalized Prostitution in Germany, Annegret D. Staiger's ethnography engages historical, cultural, and legal contexts to reframe the brothel as a place of longing and belonging, of affective entanglements between unlikely partners, and of new beginnings across borders, while also acknowledging the increasingly exploitative labor practices. By sharing the stories of sex workers, clients, and managers within the larger legal system-meant to provide dignity and safety through regulation-Staiger skillfully frames the economic aspects of commercial sex work and addresses important questions about sexual labor, intimacy, and relationships. Weaving insightful scholarship with beautiful storytelling, Legalized Prostitution in Germany provides readers with a deeper understanding of the complexities of legalized prostitution.