Aggression in Pornography focusses on the issue of violence in mainstream pornography and examines what we know, what we think we know, and what are some surprising research findings and insights about the place of violence within pornography today. The authors first review the modern pornography industry, theoretical claims about pornography as violence, and the ways in which aggression has been defined and measured in previous research. Next, they review the findings of empirical research on violent content in pornographic materials and the potential effects of such content on audiences . The main part of the book relies on systematically collected empirical data, as the authors analyze the content of hundreds of pornographic videos as well as more than a hundred interviews with men and women who regularly watch pornography. These analyses provide surprising insights regarding the prevalence of and trends in violent content within mainstream pornography, the popularity of violent and non-violent content among viewers, and variations in aggression by race and sexual orientation. As such, Aggression in Pornography will be of interest to students and researchers in sociology, gender and sexuality studies, and media and film studies, as well as to wider audiences who are interested in today's pornography industry and to policymakers looking to devise empirically driven policies regarding this industry and its potential effects.

Pornography, Indigeneity and Neocolonialism examines how pornography operates as a representational system that authenticates settler colonies, focussing on American and Australian examples to reveal how pornography encodes whiteness, pleasure, colonisation and Indigeneity. This is the first text to use decolonial and queer theory to examine the role of pornography in America and Australia, as part of a network of neocolonial strategies that "naturalise" occupation. It is also the first study to focus on Indigenous people in pornography, providing a framework for understanding explicit representations of First Nations peoples. Pornography, Indigeneity and Neocolonialism defines the characteristics of heterosexual pornography in settler colonies, exposing how the landscape is presented as both exotic and domestic - a land of taboo pleasures that is tamed and occupied by and through white bodies. Examining the absence of Indigenous porn actors and arguing against the hypervisual fetishising of Black bodies that dominates racialised porn discourse, the book places this absence within the context of legal, political and military neocolonial Indigenous elimination strategies. This book will be of key interest to researchers and students studying porn studies, media and film studies, critical race studies and whiteness studies.

Pornography in a Free Society deals with what has been called the "civil war over smut." The past two decades have been high seasons for pornography commissions. They were appointed in the United States in 1968, in Great Britain in 1977, in Canada in 1985, and in the United States again in 1985. In the United States, the report of the first commission was denounced as a pornographer's charter and that of the second as a reflection of the moral militancy of the Reagan counterrevolution. The authors look at the problems of pornography in a broader perspective than that of partisan political debate. They explain why it has become so controversial and divisive an issue in Western nations in recent decades. They discuss the radical feminist challenge to pornography and the question of pornography and children. Considering likely future developments, the authors argue that the furor over pornography and the appointment of commissions are part of a "ceremony of adjustment" to widespread availability of sexually explicit material and they predict less social concern about pornography as time passes. Franklin E. Zimring is Professor of Law and Director of the Earl Warren Legal Institute. Gordon Hawkins is Senior Fellow, Earl Warren Legal Institute at the University of California, Berkeley. Together they have written Capital Punishment and the American Agenda (1986), and The Citizen's Guide to Gun Control (1987).

This book investigates what women enjoy about consuming, and in some cases producing, gay male erotic media-from slashfic, to pornographic texts, to visual pornography-and how this sits within their consumption of erotica and pornography more generally. In addition, it will examine how women's use of gay male erotic media fits in with their perceptions of gender and sexuality. By drawing on a piece of wide-scale mixed methods research that examines these motivations, an original and important volume is presented that serves to explore and contribute to this under-researched area.

Mighty Lewd Books describes the emergence of a new, home-grown English pornography as seen in flagellation novellas which burst to the fore in the 1770s. Prior to this, English erotica had included a particular style of bawdy material marked by its euphemisms and double entendres. Through the examination of over 500 pieces of British erotica, this book looks at sex as seen in erotic culture, religion and medicine throughout the long eighteenth-century, and provides a radical new approach to the study of sexuality.

Full text online version at www.nyupress.org/netwars.

Who will rule cyberspace? And why should people care? Recently stories have appeared in a variety of news media, from the sensational to the staid, that portray the Internet as full of pornography, pedophilia, recipes for making bombs, lewd and lawless behavior, and copyright violators. And, for politicians eager for votes, or to people who have never strolled the electronic byways, regulating the Net seems as logical and sensible as making your kids wear seat belts. Forget freedom of speech: children can read this stuff.

From the point of view of those on the Net, mass-media's representation of pornography on the Internet grossly overestimates the amount that is actually available, and these stories are based on studies that are at best flawed and at worst fraudulent. To netizens, the panic over the electronic availability of bomb-making recipes and other potentially dangerous material is groundless: the same material is readily available in public libraries. Out on the Net, it seems outrageous that people who have never really experienced it are in a position to regulate it.

How then, should the lines be drawn in the grey area between cyberspace and the physical world? In net.wars, Wendy Grossman, a journalist who has covered the Net since 1992 for major publications such as "Wired, The Guardian," and "The Telegraph," assesses the battles that will define the future of this new venue. From the Church of Scientology's raids on Net users to netizens attempts to overthrow both the Communications Decency Act and the restrictions on the export of strong encryption, net.wars explains the issues and the background behind the headlines. Among the issues covered are net scams, class divisions on the net, privacy issues, the Communications Decency Act, women online, pornography, hackers and the computer underground, net criminals and sociopaths, and more.

This collection focuses attention on an important but academically neglected area of contemporary operational policing: the regulation of consensual sexual practices. Despite the high-level public visibility of, and debate about, policing in relation to violent and abusive sexual crimes (from child sexual abuse to adult rape) very little public or scholarly attention is paid to the policing of consensual sexual practices in contemporary societies. Whilst sexual life is commonly understood to be a matter of private life that is beyond formal social control, this book shows that policing is implicated in the regulation of a wide range of consensual sexual practices. This book brings together a well known and respected group of academics, from a range of disciplines, to explore the role of the police in shaping the boundaries of that aspect of our lives that we imagine to be most intimate and most our own. The volume presents a snap shot of policing in respect of a number of diverse areas such as public sex, pornography, and sex work and considers how sexual orientation structures police responses to them. The authors critically examine how policing is implicated in the social, moral and political landscape of sex and, contrary to the established rhetoric of politicians and criminal justice practitioners, continues to intervene in the private lives of citizens.

It is essential supplementary reading for courses in criminology, law, policing, sociology of deviance, gender and sexuality, and cultural studies.

Whether in mainstream or independent films, depictions of female prostitution and promiscuity are complicated by their intersection with male fantasies. In such films, issues of exploitation, fidelity, and profitability are often introduced into the narrative, where sex and power become commodities traded between men and women. In Selling Sex on Screen: From Weimar Cinema to Zombie Porn, Karen A. Ritzenhoff and Catriona McAvoy have assembled essays that explore the representation of women and sexual transactions in film and television. Included in these discussions are the films Breakfast at Tiffany's, Eyes Wide Shut, L.A. Confidential, Pandora's Box, and Shame and such programs as Buffy the Vampire Slayer and Gigolos. By exploring the themes of class differences and female economic independence, the chapters go beyond textual analysis and consider politics, censorship, social trends, laws, race, and technology, as well as sexual and gender stereotypes. By exploring this complex subject, Selling Sex on Screen offers a spectrum of representations of desire and sexuality through the moving image. This volume will be of interest not only to students and scholars of film but also researchers in gender studies, women's studies, criminology, sociology, film studies, adaptation studies, and popular culture.

This book explores the debate between those who argue that globalisation is leading to worldwide cultural homogeneity, with American cultural good predominating, and those who argue that cultural goods are always adapted and contextualised in the particular setting in which they are used. Based on extensive original research on how Japanese adult videos are consumed in Taiwan, it presents a rich picture of how Japanese adult videos are transformed into something Taiwanese, and how they are incorporated into both male and female Taiwanese sexual culture.

The turn of the twenty-first century has witnessed the striking advance of pornography into the Western cultural mainstream. Symptomatic of this development has been the use by writers, artists, and film-makers of the imagery and aesthetics of pornography, in works which have, often on this basis, achieved considerable international success. Amongst these artists are a number of French authors and directors - such as Michel Houellebecq, Catherine Breillat, Virginie Despentes, or Catherine Millet - whose work has often been dismissed as trashy or exploitative, but whose use of pornographic material may in fact be indicative of important contemporary concerns. In this, the first study of this significant trend, the authors explore how the reference to pornography encodes diverse political, cultural, and existential questions, including relations between the sexes, the collapse of avant-garde politics, gay sexualities in the time of AIDS, the anti-feminist backlash, the relation to the body and illness, the place of fantasy, and the sexualisation of children. It will be of interest to undergraduates, graduates, and researchers in the fields of French culture, gender, film and media studies. -- .

As surprising as it may be to parents, young people today are immersed in porn culture everywhere they look. Through Internet porn, gaming, social media, marketing, and advertising, kids today have a much broader view of social and sexual possibilities, which makes it difficult for them to establish appropriate expectations or to feel adequate in their own sexuality. Even more important, no one is talking to kids directly about the problem. Parents tend to convince themselves that their children are immune to cultural influences, wait until it comes up, or hope schools and pediatricians will address the issues. Educators and doctors may be able to start the conversation but it is fundamentally a parent's job to provide information about sex and relationships early and often to help young people find their way through their social and sexual lives. Delaying the necessary but awkward conversations with their kids leaves them vulnerable. The media, marketers, and porn and gaming industries are eager to step in anywhere parents choose to hold back. Sexploitation exposes the truth to parents, kids, educators, and the medical profession about the seen and unseen influences affecting children, inspiring parents to take the role as the primary sexuality educator. With more information, parents will gain conviction to discuss and develop values, expectations, boundaries, and rules with their kids. Kids who enter their teens with accurate information and truths stand a better chance of developing an "inner compass" when it comes to sex and relationships, which sets them up for a healthy adulthood. In her comic and straightforward style, Pierce brings together the latest research with anecdotal stories shared with her by high school and college students in the thick of it. Above all else, her goal is to get people to develop more comfort around those difficult conversations so that kids gain more confidence and courage about drawing boundaries based on their own values not those put upon them.

Lyombe Eko carries out an historical and cultural survey of the regulation of visual depictions of explicit human sexual conduct from their earliest appearance on the clay tablets of the valley of the Tigris and Euphrates rivers in ancient Mesopotamia, to the tablet computers of Silicon Valley. The Regulation of Sex-Themed Visual Imagery analyzes the contemporary problem of the applicability of the human right of freedom of expression to explicit imagery in the face of societal interests in the regulation of representations of human sexuality. This book will be of interest to scholars, students, and broad audiences interested in comparative studies in pornography regulation, the history of pornography, the law of pornography and obscenity, and visual culture and history alike.

This book explores the debate between those who argue that globalisation is leading to worldwide cultural homogeneity, with American cultural good predominating, and those who argue that cultural goods are always adapted and contextualised in the particular setting in which they are used. Based on extensive original research on how Japanese adult videos are consumed in Taiwan, it presents a rich picture of how Japanese adult videos are transformed into something Taiwanese, and how they are incorporated into both male and female Taiwanese sexual culture.

In this provocative book, retired porn star Scott O Hara (known as "Spunk" by many of his fans from an early punk photospread) gives a backstage look at the world of pornography, revealing why he loved it, what he got out of it, and why he left it. In an autobiographical style, he considers and poses answers to some fascinating questions: What is sex? What makes a porn star? And why does pornography really upset people? You ll really get to know this noted gay porn star as you get a firsthand look at his life experiences and sexual journeys from his boyhood days of locker room fantasies and sexual experimentation to his years as a porn star and then to his experiences as an individual facing the realities of being HIV-positive. As O Hara puts it in his Introduction: "This book was written as a last-ditch effort: a way to open up all my closets, let you in on all the dark corners of my life, and give you a better picture of what goes into the making of a porn star. Because if there 's one profession that arouses people 's curiosity, it 's that one." As you read through the pages of Autopornography, you ll see how O Hara 's personality reflects his sexuality, that is, how they have melded into one. His vivid descriptions of personal relationships (with family, friends, lovers, and casual acquaintances) and his many sexual encounters as he traveled the world reveal his love of sex and his desire to live without inhibitions, secrets, or sexual constraints. Reading Autopornography may cause you to reexamine your own sexual boundaries, realize new sexual potential, and discover sexual desires not previously aroused.Listed #14 on Books Bought Mainly by Men 1997 Top 100 Bestsellers as rated by A Different Light Bookstore

First published in 1980, Pornography, Psychedelics And Technology: Essays on the Limits to Freedom focuses on the crucial connections between technological growth and the more salient features of social malaise in the latter part of the twentieth century. Professor Mishan is one of the few economists absorbed by the larger social questions, and does not believe that the growth in state intervention and the decline of social liberty are simply the result of intellectual confusion and bureaucratic momentum. He sees them as unavoidable consequences of scientific and technical progress. While agreeing with many of his fellow economists in acknowledging the virtues of a competitive market economy, Professor Mishan is acutely aware of its limitations. Following the growth of self-styled liberation movements, seen as manifestations of a move towards a world of greater individual emancipation and fulfilment, the author nevertheless groups such movements together with the rising indices of violence, suicide, family breakdown and hooliganism, which have become indicative of a growing disorientation and social disintegration. These developments and the hazards they entail, however, are bound up with the rapid scientific and technological progress of the post-war world.

This collection focuses attention on an important but academically neglected area of contemporary operational policing: the regulation of consensual sexual practices. Despite the high-level public visibility of, and debate about, policing in relation to violent and abusive sexual crimes (from child sexual abuse to adult rape) very little public or scholarly attention is paid to the policing of consensual sexual practices in contemporary societies. Whilst sexual life is commonly understood to be a matter of private life that is beyond formal social control, this book shows that policing is implicated in the regulation of a wide range of consensual sexual practices. This book brings together a well known and respected group of academics, from a range of disciplines, to explore the role of the police in shaping the boundaries of that aspect of our lives that we imagine to be most intimate and most our own. The volume presents a snap shot of policing in respect of a number of diverse areas such as public sex, pornography, and sex work and considers how sexual orientation structures police responses to them. The authors critically examine how policing is implicated in the social, moral and political landscape of sex and, contrary to the established rhetoric of politicians and criminal justice practitioners, continues to intervene in the private lives of citizens.

It is essential supplementary reading for courses in criminology, law, policing, sociology of deviance, gender and sexuality, and cultural studies.

Over the last decade there has been dramatically increased interest in the ways that technology has been used in the abuse and exploitation of children, due in part to increasing numbers of convictions for child pornography-related offenses. Opinion swings between those who feel that there is a danger of distorting the threat posed to children by technology, and those for whom it appears that the threat has been grossly underestimated. Current literature surrounding the debate at times seems to create more questions than answers and what quickly becomes apparent is that the data we have to inform our understanding is partial, potentially context specific, and at times seemingly contradictory. This book broadens our understanding of the complex nature of online sexual exploitation of children and considers the risk that those engaged in Internet-related offences pose to children in both the online and offline environments. It focuses on cutting-edge research and conceptual thinking that views perpetrators within context, examines those impacted by such offending, describes emerging legal and policy issues, and proposes innovative strategies for prevention within a dynamic global environment. Understanding and Preventing Online Sexual Exploitation of Children responds to the growing call for help across all practice areas, from judicial to therapeutic, and will provide an invaluable resource for practitioners and policy makers working in the field, as well as students and academics studying sexual exploitation and cyber crime.

Over the last decade there has been dramatically increased interest in the ways that technology has been used in the abuse and exploitation of children, due in part to increasing numbers of convictions for child pornography-related offenses. Opinion swings between those who feel that there is a danger of distorting the threat posed to children by technology, and those for whom it appears that the threat has been grossly underestimated. Current literature surrounding the debate at times seems to create more questions than answers and what quickly becomes apparent is that the data we have to inform our understanding is partial, potentially context specific, and at times seemingly contradictory. This book broadens our understanding of the complex nature of online sexual exploitation of children and considers the risk that those engaged in Internet-related offences pose to children in both the online and offline environments. It focuses on cutting-edge research and conceptual thinking that views perpetrators within context, examines those impacted by such offending, describes emerging legal and policy issues, and proposes innovative strategies for prevention within a dynamic global environment. Understanding and Preventing Online Sexual Exploitation of Children responds to the growing call for help across all practice areas, from judicial to therapeutic, and will provide an invaluable resource for practitioners and policy makers working in the field, as well as students and academics studying sexual exploitation and cyber crime.

By examining the highly contested legal debate about the regulation of pornography through an epistemic lens, this book analyzes competing claims about the proper role of speech in our society, pornography's harm, the relationship between speech and equality, and whether law should regulate and, if so, upon what grounds. In maintaining that inegalitarian pornography generates discursive effects, the book contends that law cannot simply adopt a libertarian approach to free speech. While inegalitarian pornography may not be determinative of gender inequality, it does contribute, reinforce, reflect and help maintain such unfairness. As a result, we can place reasonable gender-based regulations on inegalitarian pornography while upholding our most treasured commitments to dissident speech just as other liberal democracies with strong free speech traditions have done.

First published in 1980, Pornography, Psychedelics and Technology: Essays on the Limits to Freedom focuses on the crucial connections between technological growth and the more salient features of social malaise in the latter part of the twentieth century. Professor Mishan is one of the few economists absorbed by the larger social questions, and does not believe that the growth in state intervention and the decline of social liberty are simply the result of intellectual confusion and bureaucratic momentum. He sees them as unavoidable consequences of scientific and technical progress. While agreeing with many of his fellow economists in acknowledging the virtues of a competitive market economy, Professor Mishan is acutely aware of its limitations. Following the growth of self-styled liberation movements, seen as manifestations of a move towards a world of greater individual emancipation and fulfilment, the author nevertheless groups such movements together with the rising indices of violence, suicide, family breakdown and hooliganism, which have become indicative of a growing disorientation and social disintegration. These developments and the hazards they entail, however, are bound up with the rapid scientific and technological progress of the post-war world.

Public and academic debate about porn culture is proliferating. Ironically, what is often lost in these debates is a sense of what is specific about pornography. By focusing on pornography s mainstream contemporary commercial products for a heterosexual male audience Everyday Pornography offers the opportunity to reconsider what it is that makes pornography a specific form of industrial practice and genre of representation.

Everyday Pornography presents original work from scholars from a range of academic disciplines (Media Studies, Law, Sociology, Psychology, Women s Studies, Political Science), introducing new methodologies and approaches whilst reflecting on the ongoing value of older approaches. Among the topics explored are:

• the porn industry s marketing practices (spam emails, reviews) and online organisation
• commercial sex in Second Life
• the pornographic narratives of phone sex and amateur videos
• the content of best-selling porn videos
• how the male consumer is addressed by pornography, represented within the mainstream, understood by academics and contained by legislation.

This collection places a particular emphasis on anti-pornography feminism, a movement which has been experiencing a revival since the mid-2000s. Drawing on the experiences of activists alongside academics, Everyday Pornography offers an opportunity to explore the intellectual and political challenges of anti-pornography feminism and consider its relevance for contemporary academic debate.

Public and academic debate about 'porn culture' is proliferating. Ironically, what is often lost in these debates is a sense of what is specific about pornography. By focusing on pornography's mainstream - contemporary commercial products for a heterosexual male audience - Everyday Pornography offers the opportunity to reconsider what it is that makes pornography a specific form of industrial practice and genre of representation.

Everyday Pornography presents original work from scholars from a range of academic disciplines (Media Studies, Law, Sociology, Psychology, Women's Studies, Political Science), introducing new methodologies and approaches whilst reflecting on the ongoing value of older approaches. Among the topics explored are:

• the porn industry's marketing practices (spam emails, reviews) and online organisation
• commercial sex in Second Life
• the pornographic narratives of phone sex and amateur videos
• the content of best-selling porn videos
• how the male consumer is addressed by pornography, represented within the mainstream, understood by academics and contained by legislation.

This collection places a particular emphasis on anti-pornography feminism, a movement which has been experiencing a revival since the mid-2000s. Drawing on the experiences of activists alongside academics, Everyday Pornography offers an opportunity to explore the intellectual and political challenges of anti-pornography feminism and consider its relevance for contemporary academic debate.

Chinese artists, activists, and netizens are pioneering a new order of pornographic representation that is in critical dialogue with global entertainment media. Jacobs examines the role of sex-positive feminists and queer communities to investigate pornography's "afterglow" (a state of crisis and decay within digital culture).

We usually think of women as the victims of pornography rather than its consumers. Whether appearing in films, peering provocatively from the pages of magazines, or posing on explicit Web-sites, women are considered the dehumanized objects of unseen lascivious male viewers. But in her controversial new book "One for the Girls ," Clarissa Smith debunks this myth and challenges women to read, watch, and enjoy pornography on their own terms. Focusing on the British magazine "For Women," Smith looks at its readers' responses to male pinups and erotica and explores the intricacies of women's unique reactions to pornography.

"Clarissa Smith has achieved something special with her new proffering from her masculinities repertoire. Smith's text is groundbreaking, multidisciplinary and--equally importantly--extremely readable. It is the last point perhaps that really sets this work apart, as One for the Girls has a great deal to offer both the specialist academic and the general reader. Clarissa Smith's accessible style allows readers with little prior knowledge of critical theory, cultural studies or the 1980s pornography debate, to not only understand these discourses, but to develop a strong grasp of their impact in this context."--Michelle Parsons, "Transition Tradition"""

Discusses governmental responsibilities and individual liberties, ethical problems of moral judgement, and legal considerations in defining and suppressing obscene material.