. This book is strictly for entertainment purposes and is not considered a training book in any way shape or form. This book should only be read by adults and people who are interested in ideas for alternative sexual fun. That is the true goal after all is to have a little fun in this life isn't it so if this is your idea of fun then we hope you enjoy these ideas immensely. If however this is not your idea of fun then why did you buy the book in the first place? Quite a bit of effort was put in to this to keep the assignments as simple and straight forward as possible. The assignments vary from quite easy to quite difficult and it is up to you and your own personal situation as to how you will accomplish them. There is no grading system or anything like that provided however if you are working on these assignments with a partner or Mistress then I am sure the grading will be done by them appropriately. That being said remember that you are in control at all times and that if you don't want to do something don't do it, once again we are not forcing you to do anything, these are just entertaining ideas for you to read and decide for yourself. The ideal situation for these assignments is if you are doing it with a partner or Mistress, but the majority of them can be done solo if you do not have someone else to play with, I am sure you will be able to figure out the best way to achieve acceptable results either way. Some of these assignments require certain items that you may or may not have already so either go out and buy them or find some other alternative for the necessary items and get on with it. What is a Sissy? A Sissy for our purposes is man who likes to wear female attire whether that be undergarments or a full fledge cross dresser. They like to feel like what a woman would feel like, though they do not necessarily have aspirations to truly become a woman they just like the naughtiness about the whole idea. They are usually submissive many consider themselves bi-sexual, they are usually into being dominated by females. They are not usually homosexual in the true sense of the word but there are certainly no issues if they were. It comes down to being more feminine, a true submissive sissy likes to be ordered about and told to do things that are naughty, and sometimes painful in a naughty way. There is no real definition of a sissy in our world that could adequately sum up the many different feelings that go through the mind of a Sissy male to state the simple truth.

Filmmaker Wakefield Poole wrote the rules for living on the edge with no safety net and no apologies. How a respected Broadway dancer, choreographer, and director became the infamous creator of beautiful, wildly successful gay porn is just part of a gripping story that takes us on a whirlwind tour of the early days of the sexual revolution, when "anything goes" was a way of life. While rubbing shoulders with the theatrical elite of the day, including Noel Coward, Marlene Deitrich, Richard Rodgers, Liza Minelli and Stephen Sondheim, Poole created Boys in the Sand, the film that would revolutionize pornography and gay film, start the "porno chic" trend of the 1970s, and serve as the ruler by which all adult entertainment is measured. This new edition of Poole's memoir is an honest and entertaining look at life in the worlds of theater and gay porn, the perils and joys of success, the horrors of drug addiction, and the resilient spirit of a man who continually re-invented himself and survived it all.

After the Second World War, Vancouver emerged as a hotbed of striptease talent. In Burlesque West, the first critical history of this notorious striptease scene, Becki Ross delves into the erotic entertainment industry at the northern end of the dancers' west coast tour - the North-South route from Los Angeles to Vancouver that provided rotating work for dancers and variety for club clientele.

Drawing on extensive archival materials and fifty first-person accounts of former dancers, strip-club owners, booking agents, choreographers, and musicians, Ross reveals stories that are deeply flavoured with an era before "striptease fell from grace because the world stopped dreaming," in the words of ex-dancer Lindalee Tracey. Though jobs in this particular industry are often perceived as having little in common with other sorts of work, retired dancers' accounts resonate surprisingly with those of contemporary service workers, including perceptions of unionization and workplace benefits and hazards. Ross also traces the sanitization and subsequent integration of striptease style and neo-burlesque trends into mass culture, examining continuity and change to ultimately demonstrate that Vancouver's glitzy nightclub scene, often condemned as a quasi-legal strain of urban blight, in fact greased the economic engine of the post-war city.

Provocative and challenging, Burlesque West combines the economic, the social, the sexual, and the personal, and is sure to intellectually tantalize.

Discover the Light that Will Lead You Out of Your Most Shameful Sins
It's destroying the lives of an astounding number of Christian men - and women. Yet most of us are afraid to talk about it. It's pornography. And if it's invaded your life or the life of a loved one, you can't afford to put this book down.
Secret Sexual Sins tackles the problem of pornography addiction from a Christian perspective. Completely non-judgmental and biblically based, this accessible and comforting book breaks new ground in pornography addiction management by combining proven treatment techniques with scripture. And it does so with a personal standpoint that's instantly relatable. You'll learn:
Why good men (and women) succumb to the allure of pornography - even when they know better
What the Bible really says about self-pleasure - and its consequences
The most important warning signs of a pornography addict
How to draw upon the strength of the Lord to beat back the urge
Recommendations for wives - what's a woman to do?
The truth about homosexuality and lesbianism
Whether you're a man struggling with an Internet porn addiction, a woman who has fallen into pornography, Secret Sexual Sins has the answers from the highest authority - God Himself.
You can recover from this debilitating sin.
Let Pastor Fred C. Rochester show you how

"Licentious Gotham, " set in the streets, news depots, publishing houses, grand jury chambers, and courtrooms of the nation s great metropolis, delves into the stories of the enterprising men and women who created a thriving transcontinental market for sexually arousing books and pictures. The experiences of fancy publishers, flash editors, and racy novelists, who all managed to pursue their trade in the face of laws criminalizing obscene publications, dramatically convey nineteenth-century America s daring notions of sex, gender, and desire, as well as the frequently counterproductive results of attempts to enforce conventional moral standards.

In nineteenth-century New York, the business of erotic publishing and legal attacks on obscenity developed in tandem, with each activity shaping and even promoting the pursuit of the other. Obscenity prohibitions, rather than curbing salacious publications, inspired innovative new styles of forbidden literature such as works highlighting expressions of passion and pleasure by middle-class American women. Obscenity prosecutions also spurred purveyors of lewd materials to devise novel schemes to evade local censorship by advertising and distributing their products through the mail. This subterfuge in turn triggered far-reaching transformations in strategies for policing obscenity.

Donna Dennis offers a colorful, groundbreaking account of the birth of an indecent print trade and the origins of obscenity regulation in the United States. By revealing the paradoxes that characterized early efforts to suppress sexual expression in the name of morality, she suggests relevant lessons for our own day.

Ask anyone who the biggest name in gay porn is and they'll tell you, "Michael Lucas." Ask what he's like and you'll get the gamut of replies: He's a smart, shrewd businessman who studied law and loves the opera. A witty raconteur who doesn't drink, smoke or do drugs. A loyal son who is close to his family. Bracingly honest. Ruthless. A hot top with a killer body. Sexy. Razor-tongued and iron-fisted. Michael Lucas has been called everything on his climb from rent boy to running the most successful gay porn business in the entire world--but he's never been called boring. Now, in this no-holds-barred biography, Corey Taylor delivers a delicious portrait of gay porn's hottest maverick.

From the start, Michael Lucas challenged the stereotype of a porn star. He did not grow up in an abusive family. Instead, he was born and raised in Soviet Russia as Andrei Treyvas to a close-knit family of outspoken, intellectual Russian Jews. The shy, skinny kid grew up to be a handsome man determined to make his mark on the world--and how. From his start as an escort in Europe, to his hustling days in America, making the money he would invest in his own company, Lucas Entertainment, Michael's life is inspiring, provocative, and 100% candid--no filter.

"NAKED "lays bare the fascinating, often surreal life of a sexy, complex man who has set his own standards and played by his own rules. Chock full of outrageous quotes and "you've got to hear this" stories, this is one biography just like its subject: one of a kind.

Corey Taylor has a Bachelor of Arts degree in English from the University of Memphis. He has written for U.S. publications "(Unzipped, Men, Artisan Northwest)" as well as for publications in the UK "(reFRESH)" and Australia "(DNA), " covering celebrity features, art, fashion, and politics. Corey lives in Chicago, Illinois.

Porn is everywhere - not just in cybersex and "Playboy" but in popular video games, advice columns, and reality television shows, and on the bestseller lists. Even more striking, as porn has become affordable, accessible, and anonymous, it has become increasingly acceptable - and a big part of the personal lives of many men and women. In this controversial and critically acclaimed book, Pamela Paul argues that as porn becomes more pervasive, it is destroying our marriages and families as well as distorting our children's ideas of sex and sexuality. Based on more than one hundred interviews and a nationally representative poll, "Pornified" exposes how porn has infiltrated our lives, from the wife agonizing over the late-night hours her husband spends on porn Web sites to the parents stunned to learn their twelve-year-old son has seen a hardcore porn film.

In Dirt for Art's Sake, Elisabeth Ladenson recounts the most visible of modern obscenity trials involving scandalous books and their authors. What, she asks, do these often-colorful legal histories have to tell us about the works themselves and about a changing cultural climate that first treated them as filth and later celebrated them as masterpieces?

Ladenson's narrative starts with Madame Bovary (Flaubert was tried in France in 1857) and finishes with Fanny Hill (written in the eighteenth century, put on trial in the United States in 1966); she considers, along the way, Les Fleurs du Mal, Ulysses, The Well of Loneliness, Lady Chatterley's Lover, Tropic of Cancer, Lolita, and the works of the Marquis de Sade. Over the course of roughly a century, Ladenson finds, two ideas that had been circulating in the form of avant-garde heresy gradually became accepted as truisms, and eventually as grounds for legal defense. The first is captured in the formula "art for art's sake" the notion that a work of art exists in a realm independent of conventional morality. The second is realism, vilified by its critics as "dirt for dirt's sake." In Ladenson's view, the truth of the matter is closer to dirt for art's sake "the idea that the work of art may legitimately include the representation of all aspects of life, including the unpleasant and the sordid.

Ladenson also considers cinematic adaptations of these novels, among them Vincente Minnelli's Madame Bovary, Stanley Kubrick's Lolita and the 1997 remake directed by Adrian Lyne, and various attempts to translate de Sade's works and life into film, which faced similar censorship travails. Written with a keen awareness of ongoing debates about free speech, Dirt for Art's Sake traces the legal and social acceptance of controversial works with critical acumen and delightful wit."

FINALLY-THE CURE FOR THE COMMON CURSE Faced with an epidemic of profanity, our country is in need of practical suggestions for breaking a habit that has ordinary citizens contributing to the decline of civility and good manners. It's not always easy to resist the urge to cuss, but foul language creates an unfavorable image, is damaging to relationships, and goes hand-in-hand with a negative attitude.

Now, James V. O'Connor-founder of the Cuss Control Academy-offers the first book to explain why we swear and how we can learn to hold our tongues. "Cuss Control" doesn't call for the total elimination of swearing, just for its confinement to situations where extreme emotion (think hammer, think thumb) demand it. His program for easing us off the gutter-talk highway involves alternative "potent phrases" for classic curses, including the F-word; ways to communicate clearly rather than use lazy language; and tips on adjusting our attitude and abolishing obscenities.

Packed with practical exercises and tips, as well as thoughtful reflection on how we've worked ourselves up into such a state of affairs, "Cuss Control" is a refreshing celebration of the joys of a civil tongue.

"O'Connor is not ready to rid the world of dirty words. He just thinks less cursing is the key to a less stressful world, and maintains that even natural-born cursers can learn to control their anger along with their language."
-"Knight-Ridder Newspapers"

Porn is big business. By some estimates, it grosses more revenue per year than the entire "legitimate" film and entertainment industry. Most large hotel chains offer pay-for-view adult movies, many video stores have adult movie rental sections, and Internet porn sites have proliferated by the thousands. With porn so ubiquitous in mainstream American culture, why is it that when "respectable" people talk about this phenomenon, they act puzzled, as if they cannot imagine who would watch such worthless and meaningless smut? In this collection of path-breaking essays, thirteen respected scholars bring critical insights to the reality of porn and what it can tell us about ourselves sexually, culturally, and economically. Moving beyond simplistic feminist and religious positions that cast these films as categorical evils-a collective preserve of sexual perversion, misogyny, pedophilia, and racism-the contributors to this volume raise the bar of the debate and push porn studies into intriguing new territory. The essays are divided into two sections. The first of these reprints important debates on the topic and traces the evolution of pornographic film, including comparing its development to that of Hollywood cinema. The second part presents new essays that consider current trends in the field, including pornography's expansion into new technologies. This book separates this compelling genre from the sensation and shame that have long surrounded and obscured it. It will be of interest to general readers and film scholars alike. Peter Lehman is the director of the Film and Media Studies Program and the Center for Film and Media Research at Arizona State University, Tempe. He is the author, coauthor, and editor of twelve books including, Roy Orbison: The Invention of an Alternative Rock Masculinity. A volume in the Depth of Field Series, edited by Charles Affron, Mirella Jona Affron, and Robert Lyons

International Exposure demonstrates the wealth of desires woven into the fabric of European history: desires about empire and nation, about self and other, about plenty and dearth. By documenting the diverse meanings of pornography, senior scholars from across disciplines show the ways that sexuality became central to the individual, to the nation, and to the transnational character of modern society. The ten essays in the volume engage a rich array of topics, including obscenity in the German states, censorship in France's Third Republic, "she-male" internet porn, the rise of incestuous longings in England, the place of the Hungarian video revolution in the global market, and the politics of pornography in Russia. Taken together, the essays illustrate the latest approaches to content, readership, form, and delivery in modern European pornography. A substantial discussion of the broad history and state of the field complements the ten in-depth case studies that examine a wide range of sources from literature to magazines, video to the internet. By tackling the highbrow and lowdown of the pornographic form, this volume lays the groundwork for the next surge of studies in the field.

"There is much of value in Jenkins' work. He manages to discuss CP calmly, while at the same time making clear his personal revulsion, an achievement in itself in an area characterized by so much hysteria."
-- "The Journal of Sex Research"

"Magnificently readable social science on a widely misunderstood subject."
--"Booklist"

"A useful introduction to the methods that the kiddie-porn community uses to hide its activities...a smart history of the child-porn industry"
"--The Washington Monthly," Nov. 2001

"This is a troubling book that exposes how child pornography has found a safe haven on the Internet. Philip Jenkins's innovative research methods let him explore and map the secret electronic networks that link individuals whose deviance seems not just outrageous, but incomprehensible. Jenkins shows how culture and social structure emerge in a virtual--and decidedly not virtuous--world. This book raises profound questions about the nature of deviance in an electronic future."
--Joel Best, University of Delaware

"A disturbing, thought-provoking study"
--"Library Journal"

"A detailed yet engaging account . . . . Engrossing"
--"Liberty," Jan. 2002

Perhaps nothing evokes more universal disgust as child pornography. The world of its makers and users is so abhorrent that it is rarely discussed much less studied. Child pornographers have taken advantage of this and are successfully using the new electronic media to exchange their wares without detection or significant sanction. What are the implications of this threat for free speech and a free exchange of ideas on the internet? And how can we stop this illegal activity, which is so repugnant that eventhe most laissez-faire cyberlibertarians want it stamped out, if we know nothing about it?

Philip Jenkins takes a leap onto the lower tiers of electronic media in this first book on the business of child pornography online. He tells the story of how the advent of the internet caused this deviant subculture to become highly organized and go global. We learn how the trade which operates on clandestine websites from Budapest or Singapore to the U.S. is easy to glimpse yet difficult to eradicate. Jenkins details how the most sophisticated transactions are done through a proxy, a "false flag" address, rendering the host computer, and participants, virtually unidentifiable. And these sites exist for only a few minutes or hours allowing on-line child pornographers to stay one step ahead of the law. This is truly a globalized criminal network which knows no names or boundaries, and thus challenges both international and U.S. law.

Beyond Tolerance delves into the myths and realities of child pornography and the complex process to stamp out criminal activity over the web, including the timely debates over trade regulation, users' privacy, and individual rights. This sobering look and a criminal community contains lessons about human behavior and the law that none interested in media and the new technology can afford to ignore.

This study of pornographic magazine photographs -- softcore, hardcore, transsexual/transvestite -- analyzes the visual code of these images. It engagesquestions about masculinity and masculine sexuality such as "Is there a necessaryrelation between difference and phallic desire?" "Can the masculine subject imagineotherness?" "Is there a will-to-asceticism in this (masculine) sexual surrender toindifferentiation?"

What do porn films tell us about our own erotic impulses? What can we learn about our culture's sexual attitudes, fears, and fantasies from the ways that porn films are designed and produced? In this book, Dr. Robert J. Stoller, one of the world's leading experts on human sexual behavior, joins with I. S. Levine, a professional writer with long experience in X-rated video making, to examine the ideas and psychological makeup of the participants in an adult heterosexual X-rated video, Stairway to Paradise. Their interviews with performers, writers, directors, producers, and technicians provide extraordinary insights into the technical aspects of this type of video, the motivations and backgrounds of the people involved, and the porn industry's view of the video's intended audience. Stoller, Levine, and the porn filmmakers have wide ranging discussions about the aesthetics, ethics, and etiquette of the porn industry; the hostility that Dr. Stoller claimed underlies all erotic excitement; the liberating - and educational - function of porn in a puritanical culture; the misconceptions of antiporn crusaders; the impact of AIDS on the participants; and the future of the porn film industry. The authors hope that if we understand how and why a pornographic work is created, we will be better able to understand the implications of the legal and moral issues it raises.

Bill, Merlin, Happy, and Kay are among the porn-film performers and producers who tell their stories to Dr. Robert J. Stoller in this pschyodynamic ethnography of adult heterosexual pornography. Their engrossing accounts reveal in rich detail not only the inner workings of "the Industry" and the fantasies and motivations of its participants but also the relation between this most denigrated of occupations and "normal" human erotic behavior and attitudes. Consistently nonjudgmental about the material he presents, Dr. Stoller nevertheless draws provocative conclusions about porn, its practitioners, and its effects on society. Everyone at work on a porn production, he says, uses it as a vehicle for unloading his or her rage against something-mores, institutions, laws, parents, females, or males. According to Dr. Stoller, pornography does not exist only to degrade women, there is no reliable evidence that it increases the frequency of rape, and (with the exception of child porn) it does little harm. Pornography, says Dr. Stoller, seems more the result of our changing society than a cause of change; it reflects, more than influences, our values and mores.

Over the past twenty years debates about pornography have raged within feminism and beyond. Throughout the 1970s feminists increasingly addressed the problem of men's sexual violence against women, and many women reduced the politics of men's power to questions about sexuality. By the 1980s these questions had become more and more focused on the issue of pornography--now a metaphor for the menace of male power. Collapsing feminist politics into sexuality and sexuality into pornography has not only caused some of the deepest splits between feminists, but made it harder to think clearly about either sexuality or pornography--indeed, about feminist politics more generally.

This provocative collection, by well-known feminists, surveys these arguments, and in particular asks why recent feminist debates about sexuality keep reducing to questions of pornography.

With full-frontal genitalia, erections, even actual sex featuring increasingly in films, this explicitness in presentation has caused critical consternation and accusations that such film narratives are pornographic. This book explores how, rather than being pornographic, explicit sex can be an essential element of cinematic storytelling today. Offering detailed analysis of how choices are made in the presentation of explicit sex in often very controversial films, such as "Shame", "Baise-Moi", "Antichrist", "Dogtooth" and "Lust, Caution", the expert contributors - including Barbara Creed, Jacob Held and Linda Ruth Williams - show how sexual content can aid characterisation, highlight themes, and provide events that serve to develop plot. The impact of explicit sex as an element of a film's narrative is also revealed to be assisted by effective, nuanced performances and the incisive deployment of directorial technique. Together they detail through the fundamentals of cinema the shot by shot, moment by moment manner in which explicit sex can be an essential component of a dramatically powerful narrative.

Who Is Bob_34? sheds light on the clandestine world of online child pornography and pedophilia. What exactly do we know about these crimes? Who produces child cyberpornography? Who distributes it? Who consumes it? And is there a link between viewing and abuse? By infiltrating child-porn user groups and comparing their findings to scholarship on the topic, Francis Fortin and Patrice Corriveau address these questions and more, opening a window on a world that is much more complex than media accounts and commissioned reports suggest.

In the late 1970s, the adult film industry began the transition from celluloid to home video. Smutty Little Movies traces this change and examines the cultural and legal efforts to regulate, contain, limit, or eradicate pornography. Drawing on a wide variety of materials, Smutty Little Movies de-centers the film text in favor of industry histories and contexts. In so doing, the book argues that the struggles to contain and regulate pleasure represent a primary starting point for situating adult video's place in a larger history, not just of pornography, but of media history as a whole.