Public and academic debate about porn culture is proliferating. Ironically, what is often lost in these debates is a sense of what is specific about pornography. By focusing on pornography s mainstream contemporary commercial products for a heterosexual male audience Everyday Pornography offers the opportunity to reconsider what it is that makes pornography a specific form of industrial practice and genre of representation.

Everyday Pornography presents original work from scholars from a range of academic disciplines (Media Studies, Law, Sociology, Psychology, Women s Studies, Political Science), introducing new methodologies and approaches whilst reflecting on the ongoing value of older approaches. Among the topics explored are:

• the porn industry s marketing practices (spam emails, reviews) and online organisation
• commercial sex in Second Life
• the pornographic narratives of phone sex and amateur videos
• the content of best-selling porn videos
• how the male consumer is addressed by pornography, represented within the mainstream, understood by academics and contained by legislation.

This collection places a particular emphasis on anti-pornography feminism, a movement which has been experiencing a revival since the mid-2000s. Drawing on the experiences of activists alongside academics, Everyday Pornography offers an opportunity to explore the intellectual and political challenges of anti-pornography feminism and consider its relevance for contemporary academic debate.

Winner of the MLA's 2016 Alan Bray Prize for Best Book in GLBTQ Studies How BDSM can be used as a metaphor for black female sexuality. The Color of Kink explores black women's representations and performances within American pornography and BDSM (bondage and discipline, domination and submission, and sadism and masochism) from the 1930s to the present, revealing the ways in which they illustrate a complex and contradictory negotiation of pain, pleasure, and power for black women. Based on personal interviews conducted with pornography performers, producers, and professional dominatrices, visual and textual analysis, and extensive archival research, Ariane Cruz reveals BDSM and pornography as critical sites from which to rethink the formative links between Black female sexuality and violence. She explores how violence becomes not just a vehicle of pleasure but also a mode of accessing and contesting power. Drawing on feminist and queer theory, critical race theory, and media studies, Cruz argues that BDSM is a productive space from which to consider the complexity and diverseness of black women's sexual practice and the mutability of black female sexuality. Illuminating the cross-pollination of black sexuality and BDSM, The Color of Kink makes a unique contribution to the growing scholarship on racialized sexuality.

By examining the highly contested legal debate about the regulation of pornography through an epistemic lens, this book analyzes competing claims about the proper role of speech in our society, pornography's harm, the relationship between speech and equality, and whether law should regulate and, if so, upon what grounds. In maintaining that inegalitarian pornography generates discursive effects, the book contends that law cannot simply adopt a libertarian approach to free speech. While inegalitarian pornography may not be determinative of gender inequality, it does contribute, reinforce, reflect and help maintain such unfairness. As a result, we can place reasonable gender-based regulations on inegalitarian pornography while upholding our most treasured commitments to dissident speech just as other liberal democracies with strong free speech traditions have done.

The regulation of pornography has always been a contentious issue, which has sparked wide-ranging debates surrounding the acceptability and place of pornography in society. The use of the internet to distribute and access pornography has magnified this debate and has presented a number of challenges for the law in terms of effective and proportionate regulation. Following unsuccessful attempts by states to transpose traditional laws to cyberspace, a new and radical regulatory framework eventually evolved for regulating internet pornography. In this process, the focus of the law has changed from merely controlling the publication and distribution of obscene material to a model that aims to deter private consumption of illegal content. In addition, various self- and co-regulatory initiatives have been introduced with the involvement of non-state actors, imposing a certain degree of de facto liability on intermediaries, all of which raise interesting issues. This book examines the relevant regulatory responses to internet pornography, with particular reference to the UK, but also drawing comparisons with other countries where relevant. It argues that the internet has fundamentally, and in many ways irreversibly, changed the regulation of pornography. Classifying internet pornography into three broad categories - child pornography, extreme pornography, and adult pornography - the book provides an in-depth analysis of the legal issues involved in regulating internet pornography, and argues that the notions of obscenity and indecency on their own will not provide an adequate basis for regulating online pornography. The book identifies the legitimising factors that will lend credibility and normative force to the law in order to successfully regulate pornography in cyberspace. It is the only comprehensive text that rigorously addresses the regulation of internet pornography as a whole, and offers valuable insights that will appeal to academics, students, policy makers, and those working in the areas of broader internet governance and online child protection.

Netporn delves into the aesthetics and politics of sexuality in the era of do-it-yourself (DIY) Internet pornography. Katrien Jacobs, drawing on digital media theory and interviews with Web porn producers and consumers, offers an unprecedented critical analysis of Web culture as digital artistry and of the corresponding heightened government surveillance and censorship of the Internet. Netporn features Web users who question the goals of global commercial porn industries-whether they are engaged in Usenet fringes, video blogging, peer-to-peer distribution, porn art collectives, or decadent amateurism. Emphasizing gender and cultural differences, Jacobs shows how the creative uses of netporn images and services are important ways of exploring or redefining the 'network body' and indispensable ingredients of a maturing network society.

In this gracefully written, accessible and entertaining volume, John Semonche surveys censorship for reasons of sex from the nineteenth century up to the present. He covers the various forms of American media-books and periodicals, pictorial art, motion pictures, music and dance, and radio, television, and the Internet. The tale is varied and interesting, replete with a stock of colorful characters such as Anthony Comstock, Mae West, Theodore Dreiser, Marcel Duchamp, Opie and Anthony, Judy Blume, Jerry Falwell, Alfred Kinsey, Hugh Hefner, and the Guerilla Girls. Covering the history of censorship of sexual ideas and images is one way of telling the story of modern America, and Semonche tells that tale with insight and flair. Despite the varieties of censorship, running from self-censorship to government bans, a common story is told. Censorship, whether undertaken to ward off government regulation, to help preserve the social order, or to protect the weak and vulnerable, proceeds on the assumption that the censor knows best and that limiting the choices of media consumers is justified. At various times all of the following groups were perceived as needing protection from sexually explicit materials: children, women, the lower classes, and foreigners. As social and political conditions changed, however, the simple fact that someone was a woman or a day laborer did not support stereotyping that person as weak or impressionable. What would remain as the only acceptable rationale for censorship of sexual materials was the protection of children and unconsenting adults. For each mode of media, Semonche explains via abundant examples how and why censorship took place in America. Censoring Sex also traces the story of how the cultural territory contested by those advocating and opposing censorship has diminished over the course of the last two centuries. Yet, Semonche argues, the censorship of sexual materials that continues in the United States poses a challenge to the free speech that is part of the f

Winner of the MLA's 2016 Alan Bray Prize for Best Book in GLBTQ Studies How BDSM can be used as a metaphor for black female sexuality. The Color of Kink explores black women's representations and performances within American pornography and BDSM (bondage and discipline, domination and submission, and sadism and masochism) from the 1930s to the present, revealing the ways in which they illustrate a complex and contradictory negotiation of pain, pleasure, and power for black women. Based on personal interviews conducted with pornography performers, producers, and professional dominatrices, visual and textual analysis, and extensive archival research, Ariane Cruz reveals BDSM and pornography as critical sites from which to rethink the formative links between Black female sexuality and violence. She explores how violence becomes not just a vehicle of pleasure but also a mode of accessing and contesting power. Drawing on feminist and queer theory, critical race theory, and media studies, Cruz argues that BDSM is a productive space from which to consider the complexity and diverseness of black women's sexual practice and the mutability of black female sexuality. Illuminating the cross-pollination of black sexuality and BDSM, The Color of Kink makes a unique contribution to the growing scholarship on racialized sexuality.

Pornography is a volatile issue in the United States-depending on the source of opinion, it can be viewed as either demeaning or empowering. Global Perspectives on Social Issues: Pornography asks whether the issue is similarly contentious around the world. Richard Procida and Rita Simon collect in this volume a wealth of data on laws, regulations, and public opinion regarding pornography in a wide sample of countries in both the West and the East. The authors pose and discuss the following questions: Is censorship of pornography correlated with authoritarianism? Does the censorship of pornography lead to the censorship of other more valuable speech, such as political or artistic speech? How much of a factor is pornography in violence against women and the sexual abuse of children? Is the United States more, or less, prudish than other nations around the world, particularly other Western democratic nations? The book reveals a variety of approaches to the treatment of pornography, providing sociologists, legal scholars, and women's rights activists with a valuable reference tool.

This book explores young people's practices and perceptions of sexting and how sexting has been represented and responded to by the media, education campaigns, and the law. It analyses the important broader socio-legal issues raised by sexting and the appropriateness of current responses.

Porn is a complex symbol of our current world, and a shining example of the 'Shadow' of the Western culture. While many books essentially show its negative sides, the risks of addiction, the danger of damaging the relationship between sexes, and so on, this work focuses on porn as a phenomenon of our times, exploring its several colours, and trying to capture its inner logic and essence. Despite its pervasive ubiquity in the internet and in the lives of many, porn is apparently the ultimate taboo in the consulting room: in fact, very rarely does a patient mention something detailed about his or her use of porn. In parallel with its growing presence, the last forty years have witnessed a significant growth of publications about porn. The present work aims at deepening some aspects of internet porn from the perspective of Analytical Psychology, seeing it as symbol of the complexity of the human psyche, emerged in a specific moment of the history of consciousness.

Child pornography, particularly that available via the Internet, has become a cause of huge social concern in recent years. This book examines the reality behind the often hysterical media coverage of the topic. Drawing on extensive new research findings, it examines how child pornography is used on the Internet and the social context in which such use occurs, and develops a model of offending behaviour to better help understand and deal with the processes of offending. Detailed case studies and offenders' own accounts are used to illustrate the processes involved in offending and treatment.
The authors argue that we need to refine our ideas of offending, and that while severe deterrents need to be associated with possession of child pornography, a better understanding is needed of the links between possession and committing a contact offence. Only by improving our understanding of this complex and very controversial topic can we hope to deal effectively with offenders and with their child victims. This is a book which will become an essential read for anyone involved with offenders or victims from a psychological, judicial or social background.

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Pornography is a volatile issue in the United States_depending on the source of opinion, it can be viewed as either demeaning or empowering. Global Perspectives on Social Issues: Pornography asks whether the issue is similarly contentious around the world. Richard Procida and Rita Simon collect in this volume a wealth of data on laws, regulations, and public opinion regarding pornography in a wide sample of countries in both the West and the East. The authors pose and discuss the following questions: Is censorship of pornography correlated with authoritarianism? Does the censorship of pornography lead to the censorship of other more valuable speech, such as political or artistic speech? How much of a factor is pornography in violence against women and the sexual abuse of children? Is the United States more, or less, prudish than other nations around the world, particularly other Western democratic nations? The book reveals a variety of approaches to the treatment of pornography, providing sociologists, legal scholars, and women's rights activists with a valuable reference tool.

From advertising to health education campaigns, sex and sexual imagery now permeate every aspect of culture. Striptease Culture explores the 'sexualization' of contemporary life, relating it to wider changes in post-war society. Divided into three sections, Striptease Culture first traces the development of pornography, following its movement from elite to mass culture and the contemporary fascination with 'porno-chic'. In part two McNair considers popular cultural forms of sexual representation in the media. Moving from backlash elements in straight male culture and changing images of women to the representation of gays in contemporary film and television shows such as Ellen or Queer as Folk, McNair argues that the high profile of sexuality in contemporary culture, rather than evidence of moral decline, is a positive expression of post-war liberalism and the advance of feminism and gay rights, as well as a key contributor to public health education in the era of HIV and AIDS.
In part three, McNair turns to the uses of sexuality in contemporary art, examining the artistic 'striptease' of Jeff Koons and others, who have used their own naked bodies in their work. McNair also considers how feminist and gay artists have employed sexuality in the critique and transformation of patriarchy. In a concluding chapter, McNair considers the implications of the rise of striptease culture for the future of sexual politics.

'Priestdaddy caused a sensation when it hit bookshelves in 2017' Vogue 'Glorious' Sunday Times 'Laugh-out-loud funny' The Times 'Extraordinary' Observer 'Exceptional' Telegraph 'Electric' New York Times 'Snort-out-loud' Financial Times 'Dazzling' Guardian 'Do yourself a favour and read this memoir!' BookPage WINNER OF THE THURBER PRIZE FOR AMERICAN HUMOUR The childhood of Patricia Lockwood, the poet dubbed 'The Smutty-Metaphor Queen of Lawrence, Kansas' by The New York Times, was unusual in many respects. There was the location: an impoverished, nuclear waste-riddled area of the American Midwest. There was her mother, a woman who speaks almost entirely in strange riddles and arnings of impending danger. Above all, there was her gun-toting, guitar-riffing, frequently semi-naked father, who underwent a religious conversion on a submarine and found a loophole which saw him approved for the Catholic priesthood by the future Pope Benedict XVI, despite already having a wife and children. When an unexpected crisis forces Lockwood and her husband to move back into her parents' rectory, she must learn to live again with the family's simmering madness, and to reckon with the dark side of her religious upbringing. Pivoting from the raunchy to the sublime, from the comic to the serious, Priestdaddy is an unforgettable story of how we balance tradition against hard-won identity - and of how, having journeyed in the underworld, we can emerge with our levity and our sense of justice intact. 'Destined to be a classic . . . this year's must-read memoir' Mary Karr, author of The Liars' Club 'Irrepressible . . . joyous, funny and filthy . . . Lockwood blows the roof off every paragraph' Joe Dunthorne, author of Submarine 'Beautiful, funny and poignant. I wish I'd written this book' Jenny Lawson, author of Furiously Happy 'A revelatory debut . . . Lockwood's prose is nothing short of ecstatic . . . her portrait of her epically eccentric family is funny, warm, and stuffed to bursting with emotional insight' Joss Whedon 'Praise God, this is why books were invented' Emily Berry, author of Dear Boy and Stranger, Baby

The exponential growth of the Internet in recent years has given individuals immediate and virtually anonymous access to all types of information, including explicit sexual content. While many celebrate the personal freedoms made possible by the Internet, others consider unfettered access to online sexual material to be an unhealthy, if not dangerous phenomenon. Expanding this debate, Cybersex: The Dark Side of the Force presents for the first time an empirical foundation for the discussion of cybersex compulsivity and its effect on the mental health of individuals, couples, teens, and young children.
While pornographic material has long been available to the consumer in print and video form, these purchases are inherently limited by the individual's degree of comfort with the public exposure (however minimal) that they they require. In contrast, the Internet provides a forum where children can access unsuitable material without parental supervision, and where individuals with existing sexual compulsions can acces material that can exacerbate their struggle to maintain control over their desire. Even among individuals who are not as susceptible to such material, cybersex can create distorted associations or compound negative or unrealistic expectations about sexuality.
This groundbreaking examination of cybersex was originally published as a special issue of the journal Sexual Addiction and Compulsivity. It is a crucial resource for sex therapists, who until now had no rigorous study of the effect of online pornography on the patients they treat. It will also be of great interest to general marriage and family therapists who find themselves dealing with this issue with their clients, as well as others who are interested in the Internet as a social phenomenon.

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With tourism accounting for approximately thirty percent of the Caribbean's GDP and twenty-four percent of employment, a link between the sex trade and the tourism industry has gained recent attention. Shifts in global production, an increase of disposable income for pleasure and recreation, and a desire by North Americans and Europeans for an experience of 'exotic' cultures, are often claimed to be the cause. This volume explores the connections between the global economy and sex work, focusing on the experiences and views of women, men, and children who sell sex. Apart from attention to sex tourism in Cuba, the Dominican Republic, Barbados, and Jamaica, the book also examines sex work in the gold mining industry in the hinterlands of Suriname and Guyana, and in the entertainment sector in Belize and the Dutch Antilles. It presents new insights into the Caribbean sex trade and provides proposals and strategies for addressing the situation in the twenty-first century.

Presents the personal experiences of sex workers in Asia, Australia, the Americas, the Caribbean, West Africa and Western Europe. In exploring the individual narratives of people involved in the sex trade around the world, this book seeks to undermine the crude stereotypes often employed to characterize those involved in this expanding industry. It documents national and international sex workers' movements organized to uphold their legal and human rights as they struggle to resist marginalization and exploitative working conditions around the world.

First published in 1998. No other issue has divided the feminist movement in the past two decades quite like pornography. By providing the first book to engage in an empirical investigation of the pornography industry itself, the authors--each grounded in the radical feminist anti-pornography movement--move beyond the rhetorical bomb-tossing of an often polarized debate. The authors engage in a systematic examination of the politics, production, content, and consumption of contemporary mass-market heterosexual pornography, thereby contributing to a fuller understanding of pornography's role in the cultural construction of gender, racial and sexual identities, and relations. They begin with an overview of the social and political history of the feminist anti-pornography movement and the debate over pornography within feminism. Then they address the various rhetorical dodges--definitional, legal, and causal--used to distort the fact that institutionalized pornography helps maintain the sexual and social oppression of women within a patriarchal system. Exploring the beginnings of the commercial pornography industry, the book focuses in part on the history of Playboy magazine. It also analyzes the content of contemporary mass-market videos. Dines, Jensen, and Russo argue that the sexual ideology of patriarchy eroticizes domination and submission, with pornography playing a significant role in how these values are mediated and normalized in American society. They discuss the effects of pornography on the lives of those who use it and those against whom it is used. In so doing, the authors hope to contribute to creating a world in which sex is not a site of oppression but of liberation.

So serious are the topics of rape and sexual assault that the mere discussion of them is often avoided. In this book, Mary Odem and Jody Clay-Warner examine the complex and painful issue of sexual violence from various perspectives, including sociology, criminology, anthropology, public health, and women's studies. The inclusion of personal accounts from women who have been raped or threatened by rape makes this collection particularly accessible, compelling, and powerful. An essay details one woman's long struggle as a rape survivor, a poem describes the fear of rape and society's treatment of the victim, and a sonnet traces the journey from victim to survivor. Not only does this invaluable collection define and examine the prevalence of rape and sexual assault, but it analyzes social and institutional factors that contribute to their occurrence and provides strategies for prevention and change.

THE SUNDAY TIMES BESTSELLER FROM THE CULT-HIT TRUE CRIME PODCAST, MY FAVORITE MURDER In STAY SEXY & DON'T GET MURDERED, Karen Kilgariff and Georgia Hardstark, hosts of true crime comedy podcast 'My Favorite Murder,' open up about their lives more intimately than ever in their confessionally honest and hilarious debut book, titled after their podcast sign-off. Sharing never-before-heard stories ranging from their struggles with depression, eating disorders, and addiction, Karen and Georgia irreverently recount their biggest mistakes and deepest fears, reflecting on the formative life events that shaped them into two of the most followed voices in the podcasting world.

In this pioneering study in religion and culture, Mielke acknowledges the power that pornographic images continue to assert in a culture whose conscious intention is to deny their attraction. Despite efforts by Christians and feminists alike to radically alter the sexual agenda in the direction of a more tender and respectful eroticism, much of contemporary America continues its sexual odyssey with unrepentant enthusiasm and with an increasing interest in overt sexual imagery. Mielke's unique analysis brings together a wide range of sources contemporary as well as historical Christianity, sex therapy, secular feminism, contemporary psychoanalysis, and behavioral science research studies in an attempt to explain the prevalence of pornographic themes and imagery in human sexual arousal and fulfillment. Contents: Preface; Acknowledgements; Introducton; The Problematic Place of Pornography in Culture; Sexual Liberalism in America; Feminists Confront Pornography; Christian Perspectives on Sex and Pornography; The Dynamics of Sexual Excitement: The Research of Robert J. Stroller, M.D.; Pornography's Challenge to Theology; Bibliography; Readings for Further Study; Index."

This volume assembles hundreds of cases and studies to provide the most accurate and comprehensive picture of the status of pornography in the criminal justice system. Presenting high-level research in an accessible and organized manner, it explores a range of topics, including investigating and prosecuting a case, arguments favoring and opposing decriminalization of pornography, and relationships between pornography, mental disorders, and crime. It also examines criminal justice responses and international laws, policies, attitudes, and definitions of pornography in comparison to those of the United States.

Anti-porn feminism is back. Countering the ongoing 'pornification' of Western culture and society, with lads' mags on the middle shelf and lap-dancing clubs in residential areas, anti-porn movements are re-emerging among a new generation of feminist activists worldwide. This essential new guide to the problems with porn starts with a history of modern pro and anti political stances before examining the ways in which the new arguments and campaigns around pornography are articulated, deployed and received. Drawing on original ethnographic research, it provides an in-depth analysis of the groups campaigning against the pornography industry today, as well as some eye-opening facts about the damage porn can do to women and society as a whole. This unique and inspiring book explains the powerful comeback of anti-porn feminism, and it controversially challenges liberal perspectives and the mainstreaming of a porn culture that threatens to change the very nature of our intimate relationships.

Violence against Women in Pornography illuminates the ways in which adult pornography hurts many women, both on and off screen. A growing body of social scientific knowledge shows that it is strongly associated with various types of violence against women in intimate relationships. Many women who try to leave abusive and/or patriarchal men also report that pornography plays a role in the abuse inflicted on them by their ex-partners. On top of these harms, male pornography consumption is strongly correlated with attitudes supporting violence against women. Many researchers, practitioners, and policy makers believe that adult pornography is a major problem and offer substantial evidence supporting this claim. Violence against Women in Pornography, unlike books written mainly for scholarly and general audiences, specifically targets students enrolled in undergraduate criminology, deviance, women's studies, masculinities studies, human sexuality, and media studies courses. Thoughtful discussion questions are placed at the end of each chapter, and appropriate PowerPoint slides and suggestions for classroom exercises will be available to aid student understanding. The main objective of this book is to motivate readers to think critically about adult pornography and to take progressive steps individually and collectively to curb the production and consumption of hurtful sexual media, including that from the "dark side of the Internet."