In the face of an outpouring of research on Holocaust history, Holocaust Angst takes an innovative approach. It explores how Germans perceived and reacted to how Americans publicly commemorated the Holocaust. It argues that a network of mostly conservative West German officials and their associates in private organizations and foundations, with Chancellor Kohl located at its center, perceived themselves as the "victims" of the afterlife of the Holocaust in America. They were concerned that public manifestations of Holocaust memory, such as museums, monuments, and movies, could severely damage the Federal Republic's reputation and even cause Americans to question the Federal Republic's status as an ally. From their perspective, American Holocaust memorial culture constituted a stumbling block for (West) German-American relations since the late 1970s. Providing the first comprehensive, archival study of German efforts to cope with the Nazi past vis-a-vis the United States up to the 1990s, this book uncovers the fears of German officials - some of whom were former Nazis or World War II veterans - about the impact of Holocaust memory on the reputation of the Federal Republic and reveals their at times negative perceptions of American Jews. Focusing on a variety of fields of interaction, ranging from the diplomatic to the scholarly and public spheres, the book unearths the complicated and often contradictory process of managing the legacies of genocide on an international stage. West German decision makers realized that American Holocaust memory was not an "anti-German plot" by American Jews and acknowledged that they could not significantly change American Holocaust discourse. In the end, German confrontation with American Holocaust memory contributed to a more open engagement on the part of the West German government with this memory and eventually rendered it a "positive resource" for German self-representation abroad. Holocaust Angst offers new perspectives on postwar Germany's place in the world system as well as the Holocaust culture in the United States and the role of transnational organizations.

Corn Crusade: Khrushchev's Farming Revolution in the Post-Stalin Soviet Union is the first history of Nikita Khrushchev's venture to cover the Soviet Union in corn, a crop common globally but hitherto rare in his country. Lasting from 1953 until 1964, this crusade was an emblematic component of his efforts to resolve agrarian crises inherited from Joseph Stalin. Using policies and propaganda to pressure farms to expand corn plantings tenfold, Khrushchev expected the resulting bounty to feed not people, but the livestock necessary to produce the meat and dairy products required to make good on his frequent pledges that the Soviet Union was soon to "catch up to and surpass America." This promised to enrich citizens' hitherto monotonous diets and score a victory in the Cold War, which was partly recast as a "peaceful competition" between communism and capitalism. Khrushchev's former comrades derided corn as one of his "harebrained schemes" when ousting him in October 1964. Echoing them, scholars have ridiculed it as an "irrational obsession," blaming the failure on climatic conditions. Corn Crusade brings a more complex and revealing history to light. Borrowing technologies from the United States, Khrushchev expected farms in the Soviet Union to increase productivity because he believed that innovations developed under capitalism promised greater returns under socialism. These technologies generated results in many economic, social, and climatic contexts after World War II but fell short in the Soviet Union. Attempting to make agriculture more productive and ameliorate exploitative labor practices established in the 1930s, Khrushchev achieved only partial reform of rural economic life. Enjoying authority over formal policy, Khrushchev stood atop an undisciplined hierarchy of bureaucracies, local authorities, and farmworkers. Weighing competing incentives, they flouted his authority by doing enough to avoid penalties, but too little to produce even modest harvests of corn, let alone the bumper crops the leader envisioned.

Composer and cultural official Nicolas Nabokov (1903-78) led an unusual life even for a composer who was also a high-level diplomat. Nabokov was for nearly three decades an outstanding and far-sighted player in international cultural exchanges during the Cold War, much admired by some of the most distinguished minds of his century for the range of his interests and the breadth of his vision. Nicolas Nabokov: A Life in Freedom and Music follows Nabokov's life through its fascinating details: a privileged Russian childhood before the Revolution; exile, first to Germany, then to France; the beginnings of a promising musical career, launched under the aegis of Diaghilev and his Ballets Russes with Ode in 1928; his twelve-year "American exile" during which he occupied several academic positions; his return to Europe after the war to participate in the denazification of Germany; his involvement in anti-Stalinist causes in the first years of the Cold War; his participation in the Congress for Cultural Freedom; his role as cultural adviser to the Mayor of Berlin and director of the Berlin Festival in the early 1960s; the resumption of his American academic and musical career in the late 1960s and 1970s. Nabokov is unique not only in that he was involved on a high level in international cultural politics, but also in that his life intersected at all times with a vast array of people within, and also well beyond, the confines of classical music. Drawing on a vast array of primary sources, Vincent Giroud's first-ever biography of Nabokov will be of interest readers interested in twentieth-century music, Russian music, Russian emigration, and the Cold War, particularly in its cultural aspects. Musicians and musicologists interested in Nabokov as a composer, or in twentieth century Russian composers in general, will find in the book information not available anywhere else.

Most observers who follow nuclear history agree on one major aspect regarding Israel's famous policy of nuclear ambiguity; mainly that it is an exception. More specifically, it is largely accepted that the 1969 Nixon-Meir understanding, which formally established Israel's policy of nuclear ambiguity and transformed it from an undeclared Israeli strategy into a long-lasting undisclosed bilateral agreement, was in fact a singularity, aimed at allowing Washington to turn a blind eye to the existence of an Israeli arsenal. According to conventional wisdom, this nuclear bargain was a foreign policy exception on behalf of Washington, an exception which reflected a relationship growing closer and warmer between the superpower leading the free world and its small Cold War associate. Contrary to the orthodox narrative, this research demonstrates that this was not the case. The 1969 bargain was not, in fact, an exception, but rather the first of three Cold War era deals on nuclear tests brokered by Washington with its Cold War associates, the other two being Pakistan and South Africa. These two deals are not well known and until now were discussed and explored in the literature in a very limited fashion. Bargaining on Nuclear Tests places the role of nuclear tests by American associates, as well as Washington's attempts to prevent and delay them, at the heart of a new nuclear history narrative.

Evolution and Power: China's Struggle, Survival, and Success, edited by Xiaobing Li and Xiansheng Tian, brings together scholars from multiple disciplines to provide a comprehensive look at China s rapid socio-economic transformation and the dramatic changes in its political institution and culture. Investigating subjects such as party history, leadership style, personality, political movements, civil-military relations, intersection of politics and law, and democratization, this volume situates current legitimacy and constitutional debates in the context of both the country s ideology, traditions, and the wider global community. The contributors to this volume clarify key Chinese conceptual frameworks to explain previous subjects that have been confusing or neglected, offering case studies and policy analyses connected with power struggles and political crises in China. A general pattern is introduced and developed to illuminate contemporary problems with government accountability, public opposition, and political transparency. Evolution and Power provides essential scholarship on China s political development and growth.

This book presents absorbing and critical expert perspectives on the post-truth phenomenon that has infiltrated the U.S. political system, media, and populace. Deception in politics is nothing new, but the quantity of unsubstantiated statements in America today is unprecedented. False notions, fake news, "alternative facts," and opinions are being pitched from sources including the White House, Congress, and the American population via Twitter, Facebook, and online news sites as well as print, television, and radio. Such a widespread spectacle instantly captures the attention of people nationwide, but disagreement has the nation almost bordering on civil war over the definition of "the truth" and what this book calls "post-truth." In this text, C.G. Prado and expert contributors present varied perspectives on post-truth, its authoritarian implications for the nation, and how we can approach information to differentiate between truth and post-truth. Speaking to general readers, students, and scholars alike, chapters include text on the historical and social events that initiated and developed post-truth and why some people are more prone than others to accept and perpetuate post-truth. They also discuss post-truth as a threat to democracy. Analyzes Trump-administration-generated mistruths in a discussion of post-truth America Presents varied concerns, perspectives, and thought-provoking topics in clear, accessible, and engaging words Explains the historical and social circumstances that led to post-truth Details why some people are more apt to embrace and spread post-truth Outlines actions to defeat post-truth

America was made by the railroads. The opening of the Baltimore & Ohio line--the first American railroad--in the 1830s sparked a national revolution in the way that people lived thanks to the speed and convenience of train travel. Promoted by visionaries and built through heroic effort, the American railroad network was bigger in every sense than Europe's, and facilitated everything from long-distance travel to commuting and transporting goods to waging war. It united far-flung parts of the country, boosted economic development, and was the catalyst for America's rise to world-power status.

Every American town, great or small, aspired to be connected to a railroad and by the turn of the century, almost every American lived within easy access of a station. By the early 1900s, the United States was covered in a latticework of more than 200,000 miles of railroad track and a series of magisterial termini, all built and controlled by the biggest corporations in the land. The railroads dominated the American landscape for more than a hundred years but by the middle of the twentieth century, the automobile, the truck, and the airplane had eclipsed the railroads and the nation started to forget them.

In "The Great Railroad Revolution," renowned railroad expert Christian Wolmar tells the extraordinary story of the rise and the fall of the greatest of all American endeavors, and argues that the time has come for America to reclaim and celebrate its often-overlooked rail heritage.

From an early age, Brice H. Goldsborough exhibited an unending curiosity about the world around him; he was interested in almost anything mechanical, was inquisitive about weather patterns, and yearned to know more about aerodynamics. This lifelong quest for information led him to found Pioneer Instrument Company in New York in 1919, a firm that eventually became one of the world's largest producers of reliable aviation instruments. In this biography, author Robert Dye, Goldsborough's great-nephew, tells the story of a man who became an expert in meteorology, navigation, and aircraft instrument design and changed the course of aviation history. Based on personal letters, articles, and news clippings, "A Pioneer in Aviation" follows Goldsborough's life as a teen, his time in the navy studying electricity, and his accomplishments, such as establishing China's first offshore radio station and supervising the construction of Haiti's first radio station. Detailing one of aviation's unsung heroes, "A Pioneer in Aviation" shows the man who designed, built, and installed the instrument panel for "The Spirit of St. Louis" and flew with Charles Lindbergh during September 1927 and how he came to be associated with other great names in aviation history such as Glenn Curtiss, Clyde Cessna, Walter Beech, and Igor Sikorsky.

In his first book, "Journey to a Brave New World," author David Watts detailed how a small group of Satan-worshiping elites is following a multi-generational plan to manipulate humanity toward a vision outlined in Aldous Huxley's novel "Brave New World." In this, the second book in his series, he provides further evidence of their intentions for the United States. He has spent six years considering history, scientific research, and declassified government documents to uncover evidence to support his thesis.

He offers evidence to prove not only the existence of civilian inmate labor camps within the United States, but also the procedures that are already in place to activate them. Details of the continued build-up and expansion of the Department of Homeland Security in readiness for the planned war against the American people are provided as well. He identifies the Trojan Horse mechanism operating to bring down the United States from within and exposes the fact that Communist troops are to be used as a final clean-up to allow globalists to introduce their solution-a one-world government.

In "Journey to a Brave New World, Part Two," Watts includes a forty-five-step plan that would enable the United States to regain its former glory and ensure that the globalists do not get their brave new world.

For a country smaller than Vermont, with roughly the same population as Honduras, modern Israel receives a remarkable amount of attention. For supporters, it is a unique bastion of democracy in the Middle East, while detractors view it as a racist outpost of Western colonialism. The romanticization of Israel became particularly prominent in 1967, when its military prowess shocked a Jewish world still reeling from the sense of powerlessness dramatized by the Holocaust. That imagery has grown ever more visible, with Israel's supporters idealizing its technological achievements and its opponents attributing almost every problem in the region, if not beyond, to its imperialistic aspirations. The contradictions and competing views of modern Israel are the subject of this book. There is much to consider about modern Israel besides the Middle East conflict. Over the past generation, a substantial body of scholarship has explored numerous aspects of the country, including its approaches to citizenship and immigration, the arts, the women's movement, religious fundamentalism, and language; but much of that work has to date been confined within the walls of the academy. This book does not seek not to resolve either the country's internal debates or its struggle with the Arab world, but to present a sample of contemporary scholars' discoveries and discussions about modern Israel in an accessible way. In each of the areas discussed, competing narratives grapple for prominence, and it is these which are highlighted in this volume.

Fictions written between 1939 and 2005 by indigenous and white (post)colonial women writers emerging from an African-European cultural experience form the focus of this study. Their voyages into the European diasporic space in Africa are important for conveying how African women's literature is situated in relation to colonialism. Notwithstanding the centrality of African literature in the new postcolonial literatures in English, the accomplishments of the indigenous writer Grace Ogot have been eclipsed by the critical attention given to her male counterparts, while Elspeth Huxley, Barbara Kimenye, and Marjorie Oludhe Macgoye, who are of Western cultural provenance but adopt an African perspective, are not accommodated by the genre of 'expatriate literature'. The present study of both indigenous and white (post)colonial women's narratives that are common to both categories fills this gap. Focused on the representation of gender, identity, culture, and the 'Other', the texts selected are set in Kenya and Uganda, and a main concern is with the extent to which they are influenced by setting and intercultural influences. The 'African' woman's creation of textuality is at once the expression of female individualities and a transgression of boundaries. The particular category of fiction for children as written by Kimenye and Macgoye reveals the configuration of a voice and identity for the female 'Other' and writer which enables a subversive renegotiation of identity in the face of patriarchal traditions.

An essential new reference work for students and general readers interested in the history, dynamics, and influence of evangelicalism in recent American history, politics, and culture. What makes evangelical or "born-again" Christians different from those who identify themselves more simply as "Christian"? What percentage of Americans believe in the Rapture? How are evangelicalism and Baptism similar? What is the influence of evangelical religions on U.S. politics? Readers of Evangelical America: An Encyclopedia of Contemporary American Religious Culture will learn the answers to these questions and many more through this single-volume work's coverage of the many dimensions of and diversity within evangelicalism and through its documentation of the specific contributions evangelicals have made in American society and culture. It also illustrates the Evangelical movement's influence internationally in key issues such as human rights, environmentalism, and gender and sexuality. Provides readers with an understanding of contemporary American evangelicalism's history, key individuals, organizations, and beliefs through detailed coverage of more than 180 topics Documents the diversity of the Evangelical movement under a common core umbrella of doctrinal beliefs Displays the breadth of American evangelical interaction in social and cultural issues and in debates in recent American history

Hipsters have always used clothing, hairstyle, gesture, and slang to mark their distance from consensus culture, yet it is music that has always been the privileged means of cultural disaffiliation, the royal road to hip. Hipness in postwar America became an indelible part of the nation's intellectual and cultural landscape, and during the past half century, hip sensibility has structured self-understanding and self-representation, thought and art, in various recognizable ways. Although hipness is a famously elusive and changeable quality, what remains recognizable throughout its history in American intellectual life is a particular conception of the individual's alienation from society-alienation due not to any specific political wrong but to something more radical, a clash of perception and consciousness. The dominant culture thus constitutes a system bent on foreclosing the creativity, self-awareness, and self-expression by which people might find satisfaction in their lives. The hipster's project is to imagine this system and define himself against it; his task is to resist being stamped in its uniform, squarish mold. Culture then becomes the primary medium of hip resistance rather than political action as such, and this resistance is manifested in aesthetic creation, be that artworks or the very self. Music has stood consistently at the center of the evolving and alienated hipster's self-structuring: every hip subculture at least tags along with some kind of music (as the musically ungifted Beats did with jazz), and for many subcultures music is their raison d'etre. In Dig, author Phil Ford argues that hipness is in fact wedded to music at an altogether deeper level. In hip culture it is sound itself, and the faculty of hearing, that is the privileged part of the sensory experience. Ford's discussion of songs and albums in context of the social and political world illustrates how hip intellectuals conceived of sound as a way of challenging meaning - that which is cognitive and abstract, timeless and placeless - with experience - that which is embodied, concrete and anchored in place and time. Through Charlie Parker's "Ornithology," Ken Nordine's "Sound Museum," Bob Dylan's "Ballad of a Thin Man," and a string of other lucid and illuminating examples, Ford shows why and how music became a central facet of hipness and the counterculture. Shedding new light on an elusive and enigmatic culture, Dig is essential reading for students and scholars of popular music and culture, as well as anyone fascinated by the counterculture movement of the mid-twentieth-century.

Much has been written about the decline of the United Kingdom. The Two Unions looks instead at the lengthy survival of the Union, examining the institutions, structures, and individuals that have contributed to its longevity. In order to understand its survival, the author, one of the foremost historians of modern Ireland and of the British-Irish relationship, sustains a comparison between the Irish and Scots Unions, their respective origins and subsequent development. He provides a detailed examination of the two interlinked Unionist movements in Scotland and Ireland. Alvin Jackson illuminates not only the history and varied health of the United Kingdom over the past 300 years, but also its present condition and prospects.