Adnan Menderes' election to power in 1950 signalled a new epoch in the history of modern Turkey. For the first time a democratic government ruled the country, taking over Kemal Ataturk's political heirs, the People's Republican Party (CHP), and challenging the Kemalist elite's monopoly on the control of state institutions and society itself. However, this period was short-lived. In 1960, Turkey's army staged a coup d'etat and Menderes was hanged the following year. Here, Mogens Pelt beings by examining the era of the rule of the Democratic Party, and what led to its downfall. Among the chief accusations raised against Menderes by the army was that he had undermined the principles of the founder of modern Turkey, Ataturk, and that he had exploited religion for political purposes. Military Intervention and a Crisis Democracy in Turkey furthermore, and crucially, examines the legacy of the military intervention that brought this era of democratic rule to an end. Although the armed forces officially returned power to the civilians in 1961, this intervention - indeed, this crisis of democracy - allowed the military to become a major player in Turkey's political process, weakening the role of elected politicians. The officer corps claimed that the army was the legal guardian of Kemalism, and that it had the right and duty to intervene again, if the circumstances proscribed it and when it deemed that the values of Ataturk were threatened. Indeed, these were precisely that ground on which the armed forces justified its coup d'etats of 1971 and 1980. This unique exploration of the Menderes period sheds new light on the shaping of post-war Turkey and will be vital for those researching the Turkish Republic, and the influence of the military in its destiny.

Our Way of life and our very existence are under threat. Get educated and resist.

In Aldous Huxley's Brave New World, published in 1932, we are provided with a view into a possible future that shows humanity under total control. It's a world in which babies are created in the laboratory to fit specific job functions and a small number of savages live in the restricted wild lands. "Journey to a Brave New World" uses examples of news reports and the real history- not always the version taught in the classroom -to show how we are being managed and manipulated to allow for a total tyrannical takeover and massive depopulation that could lead us to Huxley's vision.

For over six years, author David Watts has undertaken deep research into the real history of the world and the ways in which it is being manipulated toward a future that only benefits an elite few. He provides many news reports, official documents and quotes from the so called 'elites' to piece the puzzle together. He presents a cohesive exploration of what to expect in the future if we don't become involved in determining our own fate.

"Journey to a Brave New World" seeks to help everyone to put the pieces together, deprogram, and understand both how we are being manipulated and how we can change direction now.

No Accident, Comrade argues that chance became a complex yet conflicted cultural signifier during the Cold War, when a range of thinkers--politicians, novelists, historians, biologists, sociologists, and others--contended that totalitarianism denied the very existence and operation of chance in the world. They claimed that the USSR perpetrated a vast fiction on its population, a fiction amplified by the Soviet view that there is no such thing as chance or accident, only manifestations of historical law (hence the popular American refrain used to refer to Marxism: "It was no accident, Comrade").
By reading an expansive range of American novels published between 1947-2005, alongside nonfiction texts by the likes of Jerzy Kosinski, Daniel Bell, Ian Hacking, and mid-century game theorists, No Accident, Comrade explains how associations of chance with democratic freedom and the denial of chance with totalitarianism circulated in Cold War America. Chance became tied to the liberties of U.S. democracy, whereas its eradication or denial became symptomatic of Soviet tyranny. With works by Nabokov, Ellison, Pynchon, Didion, DeLillo, Colson Whitehead, and many others, Steven Belletto shows how writers developed innovative strategies for dealing with and incorporating these ever-present beliefs about chance and its role in their culture. These newly developed narrative techniques allowed them to theorize, satirize, and make sense of the constantly changing relationship between the individual and the state during a largely rhetorical conflict.

The Oxford Handbook of Contemporary British and Irish Poetry offers thirty-eight chapters of ground breaking research that form a collaborative guide to the many groupings and movements, the locations and styles, as well as concerns (aesthetic, political, cultural and ethical) that have helped shape contemporary poetry in Britain and Ireland. The book's introduction offers an anthropological participant-observer approach to its variously conflicted subjects, while exploring the limits and openness of the contemporary as a shifting and never wholly knowable category. The five ensuing sections explore: a history of the period's poetic movements; its engagement with form, technique, and the other arts; its association with particular locations and places; its connection with, and difference from, poetry in other parts of the world; and its circling around such ethical issues as whether poetry can perform actions in the world, can atone, redress, or repair, and how its significance is inseparable from acts of evaluation in both poets and readers. Though the book is not structured to feature chapters on authors thought to be canonical, on the principle that contemporary writers are by definition not yet canonical, the volume contains commentary on many prominent poets, as well as finding space for its contributors' enthusiasms for numerous less familiar figures. It has been organized to be read from cover to cover as an ever deepening exploration of a complex field, to be read in one or more of its five thematically structured sections, or indeed to be read by picking out single chapters or discussions of poets that particularly interest its individual readers.

Explores the ways television documents, satirizes, and critiques the political era of the Trump presidency. In American Television during a Television Presidency, Karen McNally and contributors critically examine the various ways in which television became transfixed by the Trump presidency and the broader political, social, and cultural climate. This book is the first to fully address the relationship between TV and a presidency consistently conducted with television in mind. The sixteen chapters cover everything from the political theater of televised impeachment hearings to the potent narratives of fictional drama and the stinging critiques of comedy, as they consider the wide-ranging ways in which television engages with the shifting political culture that emerged during this period. Approaching television both historically and in the contemporary moment, the contributors-an international group of scholars from a variety of academic disciplines-illuminate the indelible links that exist between television, American politics, and the nation's broader culture. As it interrogates a presidency played out through the lens of the TV camera and reviews a medium immersing itself in a compelling and inescapable subject, American Television during a Television Presidency sets out to explore what defines the television of the Trump era as a distinctive time in TV history. From inequalities to resistance, and from fandom to historical memory, this book opens up new territory in which to critically analyze television's complex relationship with Donald Trump, his presidency, and the political culture of this unsettled and simultaneously groundbreaking era. Undergraduate and graduate students and scholars of film and television studies, comedy studies, and cultural studies will value this strong collection.

Alla Osipenko is the gripping story of one of history's greatest ballerinas, a courageous rebel who paid the price for speaking truth to the Soviet state. The daughter of a distinguished Russian aristocratic and artistic family, Osipenko was born in 1932, but raised almost in a cocoon of pre-Revolutionary decorum and protocol. In Leningrad she studied directly under Agrippina Vaganova, the most revered and influential of all Russian ballet instructors. In 1950, she joined the Mariinsky (then-Kirov) Ballet, where her lines, shapes, movement both exemplified the venerable traditions of Russian ballet and projected those traditions into uncharted and experimental realms. She was the first of her generation of Kirov stars to enchant the West when she danced in Paris in 1956. Five years later, she was a key figure in the sensational success of the Kirov in its European debut. But Osipenko's sharp tongue and candid independence, as well as her almost-reckless flouting of Soviet rules for personal and political conduct, soon found her all but quarantined in Russia. An internationally acclaimed ballerina at the height of her career, she found that she would now have to prevail in the face of every attempt by the Soviet state and the Kirov administration to humble her. Throughout the book, Osipenko talks frankly and freely in a way that few Russians of her generation have allowed themselves to. She discusses her traumatic relationship to the Soviet state, her close but often-fraught relationship with her family, her four husbands, her lovers, her colleagues, her son's arrest for selling dollars in Leningrad and subsequent death. This biography features a cast of characters drawn from all sectors of Soviet and post-Perestroika society.

On May 17th, 1968, a group of Catholic antiwar activists burst into a draft board in suburban Baltimore, stole hundreds of Selective Service records (which they called "death certificates"), and burned the documents in a fire fueled by homemade napalm. The bold actions of the ''Catonsville Nine'' quickly became international news and captured headlines throughout the summer and fall of 1968 when the activists, defended by radical attorney William Kunstler, were tried in federal court. In The Catonsville Nine, Shawn Francis Peters, a Catonsville native, offers the first comprehensive account of this key event in the history of 1960's protest. While thousands of supporters thronged the streets outside the courthouse, the Catonsville Nine-whose ranks included activist priests Philip and Daniel Berrigan-delivered passionate indictments of the war in Vietnam and the brutality of American foreign policy. The proceedings reached a stirring climax, as the nine activists led the entire courtroom (the judge and federal prosecutors included) in the Lord's Prayer. Peters gives readers vivid, blow-by-blow accounts of the draft raid, the trial, and the ensuing manhunt for the Berrigans, George Mische, and Mary Moylan, who went underground rather than report to prison. He also examines the impact of Daniel Berrigan's play, The Trial of the Catonsville Nine, and the larger influence of this remarkable act of civil disobedience. More than 40 years after they stormed the draft board, the Catonsville Nine are still invoked by both secular and religious opponents of militarism. Based on a wealth of sources, including archival documents, the activists' previously unreleased FBI files, and a variety of eyewitness accounts, The Catonsville Nine tells a story as relevant and instructive today as it was in 1968.

Modern China and the New World focuses upon a few of the main topics associated with China's recent rise to global prominence. Dr. Randall Doyle discusses the impact that China will have on the geopolitical balance throughout the Asia-Pacific region, as well as the effect of China's new power on U.S.-China relations in the 21st century. Dr. Zhang Boshu addresses China's continuing struggles with Tibet and the Dalai Lama. He also discusses the existing political system within China today and the future possibility of democratic reforms occurring and transforming Chinese society itself. Modern China and the New World presents these important topics by incorporating not just traditional reading and research, but also integrating the personal experiences of the authors.

The collapse of Austria-Hungary in 1918 left all Austrians in a state of political, social, and economic turmoil, but Jews in particular found their lives shaken to the core. Although Jews' former comfort zone suddenly disappeared, the dissolution of the Dual Monarchy also created plenty of room for innovation and change in the realm of culture. Jews eagerly took up the challenge to fill this void, becoming heavily invested in culture as a way to shape their new, but also vexed, self-understandings. By isolating the years between the World Wars and examining formative events in both Vienna and the provinces, Becoming Austrians: Jews and Culture between the World Wars demonstrates that an intensified marking of people, places, and events as "Jewish" accompanied the crises occurring in the wake of Austria-Hungary's collapse, leaving profound effects on Austria's cultural legacy. In some cases, the consequences of this marking resulted in grave injustices. Philipp Halsmann, for example, was wrongfully imprisoned for the murder of his father years before he became a world-famous photographer. And the men who shot and killed writer Hugo Bettauer and physicist and philosopher Moritz Schlick received inadequate punishment for their murderous deeds. But engagements with the terms of Jewish difference also characterized the creation of culture, as shown in Hugo Bettauer's satirical novel The City without Jews and its film adaptation, other novels by Veza Canetti, David Vogel, A.M. Fuchs, Vicki Baum, and Mela Hartwig, and performances at the Salzburg Festival and the Yiddish theater in Vienna. By examining the role Jewish difference played in the lives, works, and deeds of a broad range of Austrians, this study reveals how the social codings of politics, gender, and nation received a powerful boost with the application of the "Jewish" label.

In April of 1975, Lebanon, the tranquil Middle Eastern country called the Switzerland of the Orient, exploded into a violent conflict that lasted almost two decades. This book explores the convoluted politics and forces within Lebanon and the Near East that made the atmosphere in that tiny republic highly charged, thus inhibiting conflict resolution. This comprehensive study describes the strategies, battles, and conferences that kept Lebanon aflame, despite the best efforts of all concerned parties to terminate the bloodshed. Abraham looks at Lebanon from the inside-out, highlighting the conflicting politics of Lebanese leaders, the failure of the democratic left to take over the state, and the underlying problem of the PLO's presence in the country.

Philip tackles the major problems posed by military radicalism in Peru between 1968 and 1976. He discusses the ideology of the military, the commitment of the officer corps to reform, the degree of reformism, and the limits of popular participation, and attempts to answer why it was possible for a radical military government to arise in Peru. The answers contribute not only to an understanding of modern Peru but also to the general study of the military in politics.

Here, sociologist Ralph Pyle investigates the extent to which a male-dominated, Ivy League educated Protestant establishment in the United States since World War II has given way to an elite whose diversity is more representative of the general population. While there is evidence that major changes have diminished the social, political, and economic prerogatives of the traditional Protestant establishment, the author finds that those in command positions of the most influential institutions bear a strong resemblance to their predecessors who directed affairs in an earlier era. Even if the current expansion of influence among previously disempowered groups continues at its present rate, the disproportionate power of white Protestant Ivy Leaguers will persist for several decades to come.

From the New York Times columnist and bestselling author of Bad Religion, a powerful portrait of how our wealthy, successful society has passed into an age of gridlock, stalemate, public failure and private despair. The era of the coronavirus has tested America, and our leaders and institutions have conspicuously failed. That failure shouldn't be surprising: Beneath social-media frenzy and reality-television politics, our era's deep truths are elite incompetence, cultural exhaustion, and the flight from reality into fantasy. Casting a cold eye on these trends, The Decadent Society explains what happens when a powerful society ceases advancing-how the combination of wealth and technological proficiency with economic stagnation, political stalemate, and demographic decline creates a unique civilizational crisis. Ranging from the futility of our ideological debates to the repetitions of our pop culture, from the decline of sex and childbearing to the escapism of drug use, Ross Douthat argues that our age is defined by disappointment-by the feeling that all the frontiers are closed, that the paths forward lead only to the grave. Correcting both optimism and despair, Douthat provides an enlightening explanation of how we got here, how long our frustrations might last, and how, in renaissance or catastrophe, our decadence might ultimately end.

Three years after the departure of the Ayatollah Rouhallah Khomeini, Iran's political future remains uncertain. This volume explores the directions the Islamic regime and, more importantly, the Iranian society and nation are likely to take in the 1990s. The study begins with a brief historical survey of Iran's political institutions, its sociocultural traits, and its economic and military conditions, as well as its foreign policy orientation at the time of the revolution. It follows with a summary of the political, social, and economic changes the Islamic revolution introduced. These serve as benchmarks against which to measure the changes and reforms of the last three years and provide a basis for sketching the potential future directions of Iran's domestic evolution and foreign relations.

Central Asia has become the battleground for the major struggles of the 21st century: radical Islam versus secularism, authoritarianism versus identity politics, Eastern versus Western control of resources, and the American 'War on Terror'. Nowhere are these conflicts more starkly illustrated than in the case of Tajikistan. Embedded in the oil-rich Central Asian region, and bordering war-torn Afghanistan, Tajikistan occupies a geo-strategically pivotal position. It is also a major transit hub for the smuggling of opium, which eventually ends up in the hands of heroin dealers in Western cities. In this timely book, Lena Jonson examines Tajkistan's search for a foreign policy in the post 9/11 environment. She shows the internal contradictions of a country in every sense at the crossroads, reconciling its bloody past with an uncertain future She assesses the impact of regional developments on the reform movement in Tajikistan, and in turn examines how changes in Tajik society (which is the only Central Asian country to have a legal Islamist party) might affect the region. The destiny of Tajikistan is intimately connected with that of Central Asia, and this thorough and penetrating book is essential reading for anyone seeking to make sense of this strategically vital region at a moment of transition.

To understand contemporary Irana??s notoriously complex politics, it is essential to grasp the monumental changes initiated by Mohammad Khatami. The previously little-known cleric stormed to victory in Irana??s 1997 presidential elections with nearly 70 percent of the vote, encouraging Irana??s reform movement to flourish during his eight year tenure as president. Ghoncheh Tazminia??s book offers a thought-provoking, astutely close-up yet systematic analysis of Khatami the man and the reform movement that supported him. She provides us with the first insight into Khatami and his politics, unravelling from the inside the dramatic emergence and consequences of Irana??s vibrant reform movement. Balanced and analytical, this book provides a comprehensive and finely detailed introduction to the subtleties of contemporary Irana??s complex political culture. At the same time it is an important reference point for a critical period of Irana??s post-revolutionary trajectory, especially given the controversial Post-Khatami developments in the country following the election of President Ahmadinejad.And with the Ahmadinejad view of Iranian politics creating a measure of discord in the country, Khatamia? ?s role as a player on the Iranian political scene remains firm.

In the years since World War II, commercial television has become the most powerful force in American culture. It is also the quintessential example of postmodernist culture. This book studies how "The Twilight Zone, The Prisoner, Twin Peaks," and "The X-Files" display many of the central characteristics that critics and theorists have associated with postmodernism, including fragmentation of narratives and characters, multiplicity in style and genre, and the collapse of traditional categorical boundaries of all kinds. The author labels these series strange TV since they challenge the conventions of television programming, thus producing a form of cognitive estrangement that potentially encourages audiences to question received ideas.

Despite their challenges to the conventions of commercial television, however, these series pose no real threat to the capitalist order. In fact, the very characteristics that identify these series as postmodern are also central characteristics of capitalism itself, especially in its late consumerist phase. An examination of these series within the context of postmodernism thus confirms Fredric Jameson's thesis that postmodernism is a reflection of the cultural logic of late capitalism. At the same time, these series do point toward the potential of television as a genuinely innovative medium that promises to produce genuinely new forms of cultural expression in the future.

Providing an indispensable resource for students and policy makers investigating the Bosnian catastrophes of the 1990s, this book provides a comprehensive survey of the leaders, ideas, movements, and events pertaining to one of the most devastating conflicts of contemporary times. In the three years of the Bosnian War, well over 100,000 people lost their lives, amid intense carnage. This led to unprecedented criminal prosecutions for genocide, war crimes, and crimes against humanity that are still taking place today. Bosnian Genocide: The Essential Reference Guide is the first encyclopedic treatment of the Balkan conflicts of the period from 1991 to 1999. It provides broad coverage of the nearly decade-long conflict, but with a major focus on the Bosnian War of 1992-1995. The book examines a variety of perspectives of the conflicts relating to Slovenia, Croatia, Bosnia-Herzegovina, Serbia, and Kosovo, among other developments that took place during the years spotlighted. The entries consider not only the leaders, ideas, movements, and events relating to the Bosnian War of 1992-1995 but also examine themes from before the war and after it. As such, coverage continues through to the Kosovo Intervention of 1999, arguing that this event, too, was part of the conflict that purportedly ended in 1995. This work will serve university students undertaking the study of genocide in the modern world and readers interested in modern wars, international crisis management, and peacekeeping and peacemaking. Provides nearly 150 entries-written in a clear and concise style by leading international authorities-that summarize the roles of the leaders involved in the Bosnian Conflict of 1992-1995 and beyond as well as contextualizing essays on various facets of the Bosnian Conflicts Considers and evaluates the various strategies adopted by members of the international community in trying to bring the war to an end Edited by renowned genocide scholar, Paul R. Bartrop, PhD

Following Stalin's death in 1953, during the period now known as the Thaw, Nikita Khrushchev opened up greater freedoms in cultural and intellectual life. A broad group of intellectuals and artists in Soviet Russia were able to take advantage of this, and in no realm of the arts was this perhaps more true than in music. Students at Soviet conservatories were at last able to use various channels--many of questionable legality--to acquire and hear music that had previously been forbidden, and visiting performers and composers brought young Soviets new sounds and new compositions. In the 1960s, composers such as Andrey Volkonsky, Edison Denisov, Alfred Schnittke, Arvo Part, Sofia Gubaidulina, and Valentin Silvestrov experimented with a wide variety of then new and unfamiliar techniques ranging from serialism to aleatory devices, and audiences eager to escape the music of predictable sameness typical to socialist realism were attracted to performances of their new and unfamiliar creations.
This "unofficial" music by young Soviet composers inhabited the gray space between legal and illegal. Such Freedom, If Only Musical traces the changing compositional styles and politically charged reception of this music, and brings to life the paradoxical freedoms and sense of resistance or opposition that it suggested to Soviet listeners. Author Peter J. Schmelz draws upon interviews conducted with many of the most important composers and performers of the musical Thaw, and supplements this first-hand testimony with careful archival research and detailed musical analyses. The first book to explore this period in detail, Such Freedom, If Only Musical will appeal to musicologists and theorists interested in post-war arts movements, the Cold War, and Soviet music, as well as historians of Russian culture and society."

A history of the Official Irish Republican movement, from the IRA's 1962 ceasefire to the Official IRA's permanent ceasefire in 1972. The civil rights movement, outbreak of violence in August 1969, links with the communist party, Official IRA's campaign, ceasefire, and developments towards 'Sinn Fein the Workers' Party' are explored. "This book is the first in-depth study of this crucial period in the history of Irish republicanism. Using his unprecedented access to the internal documents of the movement and interviews with key participants Swan's work will transform our understanding of this transformative period in the history of the movement." Henry Patterson, Author of 'The Politics of Illusion: A Political History of the IRA' and 'Ireland Since 1939'. "There is much fascinating material . and also much good sense." Richard English, Author of 'Armed Struggle, A History of the IRA' and 'Radicals and the Republic: Socialist Republicanism in the Irish Free State'.