For printmakers interested in non-toxic printmaking, Caligo are pleased to offer a new and innovative range of oil-based inks that can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. They call these inks ‘safe wash’ and they are available for both relief and intaglio printing.Caligo Safe Wash Etching inks are suitable for all types of intaglio printing, for example, etching, aquatint, line engraving etc.This range does not contain any driers. If you want faster drying rates, you can add a small amount of cobalt or manganese driers.

For printmakers interested in non-toxic printmaking, Caligo are pleased to offer a new and innovative range of oil-based inks that can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. They call these inks ‘safe wash’ and they are available for both relief and intaglio printing.Caligo Safe Wash Etching inks are suitable for all types of intaglio printing, for example, etching, aquatint, line engraving etc.This range does not contain any driers. If you want faster drying rates, you can add a small amount of cobalt or manganese driers.

For printmakers interested in non-toxic printmaking, Caligo are pleased to offer a new and innovative range of oil-based inks that can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. They call these inks ‘safe wash’ and they are available for both relief and intaglio printing.Caligo Safe Wash Etching inks are suitable for all types of intaglio printing, for example, etching, aquatint, line engraving etc.This range does not contain any driers. If you want faster drying rates, you can add a small amount of cobalt or manganese driers.

For printmakers interested in non-toxic printmaking, Caligo are pleased to offer a new and innovative range of oil-based inks that can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. They call these inks ‘safe wash’ and they are available for both relief and intaglio printing.Caligo Safe Wash Etching inks are suitable for all types of intaglio printing, for example, etching, aquatint, line engraving etc.This range does not contain any driers. If you want faster drying rates, you can add a small amount of cobalt or manganese driers.

For printmakers interested in non-toxic printmaking, Caligo are pleased to offer a new and innovative range of oil-based inks that can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. They call these inks ‘safe wash’ and they are available for both relief and intaglio printing.Caligo Safe Wash Etching inks are suitable for all types of intaglio printing, for example, etching, aquatint, line engraving etc.This range does not contain any driers. If you want faster drying rates, you can add a small amount of cobalt or manganese driers.

For printmakers interested in non-toxic printmaking, Caligo are pleased to offer a new and innovative range of oil-based inks that can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. They call these inks ‘safe wash’ and they are available for both relief and intaglio printing.Caligo Safe Wash Etching inks are suitable for all types of intaglio printing, for example, etching, aquatint, line engraving etc.This range does not contain any driers. If you want faster drying rates, you can add a small amount of cobalt or manganese driers.

Medium intensity black printing ink for lithography. In the lithographic process, ink is applied to a grease-treated image on a flat printing surface; areas which are blank and hold moisture repel the lithographic ink. This inked surface is then printed.

These lithographic pencils are used to draw onto a lithographic stone alongside or in place of Lithographic Ink (Tusche. ) Lithographic pencils are available in several forms and degrees of hardness. The very soft pencils (no. 5 for example) produce rich, smoky black lines, the harder ones (containing less grease) produce the lighter and finer tones. The hardest grade pencils can be sharpened with a pencil sharpener or a polisher. Lithographic crayons are also used in etching.

These lithographic pencils are used to draw onto a lithographic stone alongside or in place of Lithographic Ink (Tusche. ) Lithographic pencils are available in several forms and degrees of hardness. The very soft pencils (no. 5 for example) produce rich, smoky black lines, the harder ones (containing less grease) produce the lighter and finer tones. The hardest grade pencils can be sharpened with a pencil sharpener or a polisher. Lithographic crayons are also used in etching.

Non-drying black for temporary protection of stone between etchings. This lithographic roll-up ink is used to secure the image in the stone after the image has been drawn and processed. The ingredients within roll-up inks are selected especially for their resistance to corrosion and are characteristically greasy in texture.

Heritage Woodfree is a high quality, versatile, acid-free paper, superior to cartridge paper for drawing and screenprinting.This is a machine made paper made from alpha Cellulose Woodpulp, with a vellum surface. It is acid free and calcium carbonate buffered to pH8.5, lightfast, free of optical brighteners, sized with Aquapel and surface sized with starch. Size: 56x76cmWeight: 200gsmColour: White

Speedball’s Fabric Block Printing Transparent Extender is available to create transparent colour while maintaining viscosity.These inks are designed to print onto smooth fabrics that do not possess a heavy texture or stretch such as cotton, linen, broadcloth or denim. Nylon and canvas are not recommended. Your printing block can be lino, wood or any similar surface and soft rubber rollers or brayers are ideally-suited for inking the block.Speedball’s Fabric Block Printing Inks will dry to the touch overnight depending on your climate and they do not require any setting with heat. It is recommended you wait 4-7 days before washing your fabrics after printing.

Grafix Monoprint Plates are a transparent, durable, nonporous printing surface used to create unique prints by applying paint, using stencils, tracing, or removing ink to create a print. They are economical compared to metal or glass plates and are lightweight for easy portability. Drypoint and collage techniques are also possible with these multipurpose plates. Their flexibility and lightweight nature means they are easily scratched which is ideal for drypoint. Grafix monoprint plates have a light blue protective coating on each side to keep the film from scratching. Just remove the blue liners before use. A pack of 3 Monoprint Plates each measuring 12x18in

Grafix Monoprint Plates are a transparent, durable, nonporous printing surface used to create unique prints by applying paint, using stencils, tracing, or removing ink to create a print. They are economical compared to metal or glass plates and are lightweight for easy portability. Drypoint and collage techniques are also possible with these multipurpose plates. Their flexibility and lightweight nature means they are easily scratched which is ideal for drypoint.

Grafix monoprint plates have a light blue protective coating on each side to keep the film from scratching. Just remove the blue liners before use.

A pack of 3 Monoprint Plates each measuring 4x6in

Grafix Monoprint Plates are a transparent, durable, nonporous printing surface used to create unique prints by applying paint, using stencils, tracing, or removing ink to create a print. They are economical compared to metal or glass plates and are lightweight for easy portability. Drypoint and collage techniques are also possible with these multipurpose plates. Their flexibility and lightweight nature means they are easily scratched which is ideal for drypoint.

Grafix monoprint plates have a light blue protective coating on each side to keep the film from scratching. Just remove the blue liners before use.

A pack of 3 Monoprint Plates each measuring 5x7in

Grafix Monoprint Plates are a transparent, durable, nonporous printing surface used to create unique prints by applying paint, using stencils, tracing, or removing ink to create a print. They are economical compared to metal or glass plates and are lightweight for easy portability. Drypoint and collage techniques are also possible with these multipurpose plates. Their flexibility and lightweight nature means they are easily scratched which is ideal for drypoint.

Grafix monoprint plates have a light blue protective coating on each side to keep the film from scratching. Just remove the blue liners before use.

A pack of 3 Monoprint Plates each measuring 6x8in

Grafix Monoprint Plates are a transparent, durable, nonporous printing surface used to create unique prints by applying paint, using stencils, tracing, or removing ink to create a print. They are economical compared to metal or glass plates and are lightweight for easy portability. Drypoint and collage techniques are also possible with these multipurpose plates. Their flexibility and lightweight nature means they are easily scratched which is ideal for drypoint.

Grafix monoprint plates have a light blue protective coating on each side to keep the film from scratching. Just remove the blue liners before use.

A pack of 3 Monoprint Plates each measuring 8x10in

Multi-purpose professional brayer with steel handle. Exceptional ability to shift and rotate.

The new Photo Rag Pearl has a smooth homogeneous surface structure with the unique pearl-coating. This natural white paper - consisting of 100 % cotton - is free of OBAs and reminds of a natural white baryt-paper. The paper features a high Dmax and a large colour gamut that enables the reproduction of finest colour and black-and-white nuances in three-dimensional prints. The precious feel of a real cotton paper offers also a "4th dimension": sensuality and emotion. The exclusive use of cotton linters in this premium paper makes it extremely age resistant and conforms to the highest conservation requirements. It is especially suitable for black and white and colour photographies with warm grey and colour tones and for art reproductions.

The new Photo Rag Pearl has a smooth homogeneous surface structure with the unique pearl-coating. This natural white paper - consisting of 100 % cotton - is free of OBAs and reminds of a natural white baryt-paper. The paper features a high Dmax and a large colour gamut that enables the reproduction of finest colour and black-and-white nuances in three-dimensional prints. The precious feel of a real cotton paper offers also a "4th dimension": sensuality and emotion. The exclusive use of cotton linters in this premium paper makes it extremely age resistant and conforms to the highest conservation requirements. It is especially suitable for black and white and colour photographies with warm grey and colour tones and for art reproductions.

White spirit-based slower drying alternative to SOV.

This print medium by Schmincke is made from a mixture of stand oil, linseed oil and dammar resin. Designed for use with Mussini Oils, it will make oil and resin-oil colors suitable for relief or intaglio printmaking. It should be added to the oil color to a ratio of 1:1 and mixed in thoroughly.

Please make sure to store this print medium in a cool, dry place. Close immediately after use. Clean tools and plates immediately after use with turpentine or a suitable substitute.

Heavy Body Artist Acrylic Paint, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. High pigment load produces rich, brilliant, permanent colour.

Heavy Body Artist Acrylic Paint, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. High pigment load produces rich, brilliant, permanent colour.

Heavy Body Artist Acrylic Paint, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. High pigment load produces rich, brilliant, permanent colour.