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Arts & Crafts > Crafts and Hobbies > Printmaking
Gamblin Etching Inks were formulated at the request of professional printmakers in the Pacific Northwest who wanted strong reliable inks for edition printing. The palette of pure intense pigments offers a broad range of colour mixing potential. Five black inks and Graphite were formulated to meet the demands of printmakers who want deep rich black inks with good working characteristics. Colour: Quinacridone red b (PV19) Colour Description: Cool lightfast modern red with high key tint. Useful in place of Alizarin Crimson where more intense masstone and mixtures are desired.
Gamblin Etching Inks were formulated at the request of professional printmakers in the Pacific Northwest who wanted strong reliable inks for edition printing. The palette of pure intense pigments offers a broad range of colour mixing potential.Five black inks and Graphite were formulated to meet the demands of printmakers who want deep rich black inks with good working characteristics. Colour: Bone Black (PBk9), Transparent Mars Red (PR101)Colour Description: Sepia is a rich warm earth colour in both masstone and transparency.
Gamblin Etching Inks were formulated at the request of professional printmakers in the Pacific Northwest who wanted strong reliable inks for edition printing. The palette of pure intense pigments offers a broad range of colour mixing potential.Five black inks and Graphite were formulated to meet the demands of printmakers who want deep rich black inks with good working characteristics. Colour: Natural hydrated iron oxide (PY 43)Colour Description: Clay and silica coloured with various kinds of iron oxides, ochre has been used in art-making media since earliest history. Muted earthy yellow brown with good hiding power and muted tint.
Gamblin Etching Inks were formulated at the request of professional printmakers in the Pacific Northwest who wanted strong reliable inks for edition printing. The palette of pure intense pigments offers a broad range of colour mixing potential.Five black inks and Graphite were formulated to meet the demands of printmakers who want deep rich black inks with good working characteristics. Colour: Titanium dioxide (PW 6), zinc oxide (PW 4)Colour Description: An opaque white useful in creating tints.
Cranfield Traditional Etching Inks are handcrafted, highly pigmented and include a vast range of colours giving the printmaker a wide choice whether they want to mix their own colours or not. Cranfield Traditional Etching Ink can be used for engraving, etching, drypoint, mezzotint and aquatint printmaking techniques.
Cranfield Traditional Etching Inks are handcrafted, highly pigmented and include a vast range of colours giving the printmaker a wide choice whether they want to mix their own colours or not. Cranfield Traditional Etching Ink can be used for engraving, etching, drypoint, mezzotint and aquatint printmaking techniques.
For inking: Place one lip of the bench hook over the edge of your desk or table and roll ink out in preparation for inking up a plate or block. For cutting: Place one lip of the bench hook over the edge of your desk or table and set a linoleum or wood block up against the other lip and use the lip as a stop when carving and cutting. Lino Bench hook has holes to switch the side bar over to accomodate left-hand usage.
This sturdy geared etching press has a traditional look with a cast iron handle. With its solid steel rollers it is immensly strong for it's size weighing 100kg. It can be purchased with an additional stand that includes a handy shelf underneath. The stand is available with either locking castors (RKEP3318SC) or with self levelling feet for uneven floors (RKEP3318S). The press can be sent via palette delivery or there is the option of having it professionally installed. Please contact us to discuss delivery options and pricing.Specification ; Weight :- 90 Kg Bed Size :- 838mm x 457mm x 12.5mm Top Roller :- 75mm diameter solid steel & Nickel plated Bottom Roller :- 75mm diameter solid steel Gear Ratio :- 4 to 1 (4 turns of the hand-wheel = 1 turn of the bottom roller) Hand Wheel :- 430mm diameter cast iron Maximum Clearance Top Roller to Bed :- 27mm Bed Height (When on optional stand) :- 910mm
Specially designed for ease of operation due to the double reduction gearing and wide wooden handle. This handsome, traditional style press is extremely robust and solid in construction for the production of perfect etchings. It can be bench mounted or purchased with an additional purpose built stand. Due to the weight of the press it will be installed by the engineers who manufacture it. Please contact us to discuss delivery and pricing.Specification ; Weight :- 200 Kg Bed Size :- 1015mm x 535mm x 15mm Top Roller :- 115mm diameter solid steel & Nickel plated Bottom Roller :- 115mm diameter solid steel Gear Ratio :- 5.25 to 1 (51⁄4 turns of the hand-wheel = 1 turn of the bottom roller) Hand Wheel :- 600mm diameter cast iron. Maximum Clearance Top Roller to Bed :- 30mm Bed height (When on optional stand) :- 1000mm
World renowned Swiss made wood carving tools from Pfeil. All tools are forged from steel that is manufactured especially for them, and this special steel guarantees excellent elasticity and the best edge retention with extreme hardness.
World renowned Swiss made wood carving tools from Pfeil. All tools are forged from steel that is manufactured especially for them, and this special steel guarantees excellent elasticity and the best edge retention with extreme hardness.
World renowned Swiss made wood carving tools from Pfeil. All tools are forged from steel that is manufactured especially for them, and this special steel guarantees excellent elasticity and the best edge retention with extreme hardness.
World renowned Swiss-made wood carving tools from Pfeil. All tools are forged from steel that is manufactured especially for them, and this special steel guarantees excellent elasticity and the best edge retention with extreme hardness.
For use with Pfeil wood carving tools, Pfeil's Hornbeam mallet is high-quality and beautifully balanced.
High-quality Swiss made carving tools suitable for either lino or wood cutting. Each tool is made from chrome vanadium steel, precisely forged, sharpened and polished for excellent results. Palm-handles are made of hardwood from ecologically managed Swiss forests. Full bolster and square tang for optimal stability. Internal steel ferrule under bolster prevents handle from splitting. Tools are hardened to edge of bevel. Blades electronically hardened to exacting tolerances.70mm blade length, 125mm overall length. Blade size - 8mm.pdf=pfeil-19.pdf More Information
Lightweight yet sturdy with wooden handles, this set of 12 wood cut knives isthe perfect introduction to wood cutting. With a range of different blades, from V-Straight parting chisels to gouges, they will enable you to create a variety of effects and textures. Great for basic and detailed carvings on wood, wax and clay as well as for linoleum block carving.
Lightweight yet sturdy with wooden handles, this set of 6 wood cut knives is the perfect introduction to wood cutting. With a range of different blades, from V-Straight parting chisels to gouges, they will enable you to create a variety of effects and textures. Great for basic and detailed carvings on wood, wax and clay as well as for linoleum block carving. Presented in a wooden holder box, ideal as a neat storage solution and for traveling.
These grey sheets / blocks of lino are especially made for "linocut" relief printmaking. They are 3.2mm thick, have a fabric backing, and are available in a range of sizes and packs. The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.
These grey sheets / blocks of lino are especially made for "linocut" relief printmaking. They are 3.2mm thick, have a fabric backing, and are available in a range of sizes and packs. The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.
These grey sheets / blocks of lino are especially made for "linocut" relief printmaking. They are 3.2mm thick, have a fabric backing, and are available in a range of sizes and packs.The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.Please note: sizes are approximate and will vary.
These grey sheets / blocks of lino are especially made for "linocut" relief printmaking. They are 3.2mm thick, have a fabric backing, and are available in a range of sizes and packs.The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.Please note: sizes are approximate and will vary.
This traditional easy-cut art-print lino is specially made for carving. Available in a variety of sizes and also pre-mounted onto 18mm fibreboard blocks, giving extra rigidity allowing the user to achieve consistent, flat prints.
This traditional easy-cut art-print lino is specially made for carving. Available in a variety of sizes and also pre-mounted onto 18mm fibreboard blocks, giving extra rigidity allowing the user to achieve consistent, flat prints.
This traditional easy-cut art-print lino is specially made for carving and is pre-mounted onto 18mm fibreboard blocks, giving extra rigidity allowing the user to achieve consistent, flat prints.
This traditional easy-cut art-print lino is specially made for carving and is pre-mounted onto 18mm fibreboard blocks, giving extra rigidity allowing the user to achieve consistent, flat prints. |
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