Cranfield Traditional Etching Inks are handcrafted, highly pigmented and include a vast range of colours giving the printmaker a wide choice whether they want to mix their own colours or not. Cranfield Traditional Etching Ink can be used for engraving, etching, drypoint, mezzotint and aquatint printmaking techniques.

Cranfield Traditional Etching Inks are handcrafted, highly pigmented and include a vast range of colours giving the printmaker a wide choice whether they want to mix their own colours or not. Cranfield Traditional Etching Ink can be used for engraving, etching, drypoint, mezzotint and aquatint printmaking techniques.

Cranfield Traditional Etching Inks are handcrafted, highly pigmented and include a vast range of colours giving the printmaker a wide choice whether they want to mix their own colours or not. Cranfield Traditional Etching Ink can be used for engraving, etching, drypoint, mezzotint and aquatint printmaking techniques.

Cranfield Traditional Etching Inks are handcrafted, highly pigmented and include a vast range of colours giving the printmaker a wide choice whether they want to mix their own colours or not. Cranfield Traditional Etching Ink can be used for engraving, etching, drypoint, mezzotint and aquatint printmaking techniques.

Cranfield Traditional Etching Inks are handcrafted, highly pigmented and include a vast range of colours giving the printmaker a wide choice whether they want to mix their own colours or not. Cranfield Traditional Etching Ink can be used for engraving, etching, drypoint, mezzotint and aquatint printmaking techniques.

Cranfield Traditional Etching Inks are handcrafted, highly pigmented and include a vast range of colours giving the printmaker a wide choice whether they want to mix their own colours or not. Cranfield Traditional Etching Ink can be used for engraving, etching, drypoint, mezzotint and aquatint printmaking techniques.

Cranfield Traditional Etching Inks are handcrafted, highly pigmented and include a vast range of colours giving the printmaker a wide choice whether they want to mix their own colours or not. Cranfield Traditional Etching Ink can be used for engraving, etching, drypoint, mezzotint and aquatint printmaking techniques.

Cranfield Traditional Etching Inks are handcrafted, highly pigmented and include a vast range of colours giving the printmaker a wide choice whether they want to mix their own colours or not. Cranfield Traditional Etching Ink can be used for engraving, etching, drypoint, mezzotint and aquatint printmaking techniques.

Cranfield Traditional Etching Inks are handcrafted, highly pigmented and include a vast range of colours giving the printmaker a wide choice whether they want to mix their own colours or not. Cranfield Traditional Etching Ink can be used for engraving, etching, drypoint, mezzotint and aquatint printmaking techniques.

Cranfield Traditional Etching Inks are handcrafted, highly pigmented and include a vast range of colours giving the printmaker a wide choice whether they want to mix their own colours or not. Cranfield Traditional Etching Ink can be used for engraving, etching, drypoint, mezzotint and aquatint printmaking techniques.

Cranfield Traditional Etching Inks are handcrafted, highly pigmented and include a vast range of colours giving the printmaker a wide choice whether they want to mix their own colours or not. Cranfield Traditional Etching Ink can be used for engraving, etching, drypoint, mezzotint and aquatint printmaking techniques.

Cranfield Traditional Etching Inks are handcrafted, highly pigmented and include a vast range of colours giving the printmaker a wide choice whether they want to mix their own colours or not. Cranfield Traditional Etching Ink can be used for engraving, etching, drypoint, mezzotint and aquatint printmaking techniques.

Cranfield Traditional Etching Inks are handcrafted, highly pigmented and include a vast range of colours giving the printmaker a wide choice whether they want to mix their own colours or not. Cranfield Traditional Etching Ink can be used for engraving, etching, drypoint, mezzotint and aquatint printmaking techniques.

Cranfield Traditional Etching Inks are handcrafted, highly pigmented and include a vast range of colours giving the printmaker a wide choice whether they want to mix their own colours or not. Cranfield Traditional Etching Ink can be used for engraving, etching, drypoint, mezzotint and aquatint printmaking techniques.

Cranfield Traditional Etching Inks are handcrafted, highly pigmented and include a vast range of colours giving the printmaker a wide choice whether they want to mix their own colours or not. Cranfield Traditional Etching Ink can be used for engraving, etching, drypoint, mezzotint and aquatint printmaking techniques.

Cranfield Traditional Etching Inks are handcrafted, highly pigmented and include a vast range of colours giving the printmaker a wide choice whether they want to mix their own colours or not. Cranfield Traditional Etching Ink can be used for engraving, etching, drypoint, mezzotint and aquatint printmaking techniques.

Cranfield Traditional Etching Inks are handcrafted, highly pigmented and include a vast range of colours giving the printmaker a wide choice whether they want to mix their own colours or not. Cranfield Traditional Etching Ink can be used for engraving, etching, drypoint, mezzotint and aquatint printmaking techniques.

Japanese synthetic waterstones and slipstones for sharpening lino and woodcut tools of all types.

A fine, 4000 grit multiform synthetic waterstone from Japan. On one edge the curved radius changes from 13mm to 3mm over its length. The opposite edge is tapered at an angle of about 40° making it ideal for sharpening the inside of V tools. The overall design allows the sharpening of a wide variety of tools from flat and wide to small narrow gouges and all V tools.

The 1000 grit can be described as a medium stone and is used to sharpen to an almost perfect cutting edge. The 4000 grit or fine stone is used for the final hone and polish and will leave the tool ready for use. Before use the stones will need to be soaked in water for 10 to 15 minutes. After use the stones are best air dried and wrapped in a soft cloth for storage.

Fluffy swanskin blanket is highly compressible with the ability to bounce back into shape. In addition this highest quality blanket has a woven core so retains its shape for years. Regular cold/delicate wash with a wool detergent will ensure years of use. 1/4in/7mm thick.

For inking: Place one lip of the bench hook over the edge of your desk or table and roll ink out in preparation for inking up a plate or block. For cutting: Place one lip of the bench hook over the edge of your desk or table and set a linoleum or wood block up against the other lip and use the lip as a stop when carving and cutting. Lino Bench hook has holes to switch the side bar over to accomodate left-hand usage.

This Essdee Lino Carving Tool Set includes five blades and a handle. Includes two sizes of V-gouge, two shallow U-Gouges, and a blade for precise incisions.

This sturdy geared etching press has a traditional look with a cast iron handle. With its solid steel rollers it is immensly strong for it's size weighing 100kg. It can be purchased with an additional stand that includes a handy shelf underneath. The stand is available with either locking castors (RKEP3318SC) or with self levelling feet for uneven floors (RKEP3318S). The press can be sent via palette delivery or there is the option of having it professionally installed. Please contact us to discuss delivery options and pricing.Specification ; Weight :- 90 Kg Bed Size :- 838mm x 457mm x 12.5mm Top Roller :- 75mm diameter solid steel & Nickel plated Bottom Roller :- 75mm diameter solid steel Gear Ratio :- 4 to 1 (4 turns of the hand-wheel = 1 turn of the bottom roller) Hand Wheel :- 430mm diameter cast iron Maximum Clearance Top Roller to Bed :- 27mm Bed Height (When on optional stand) :- 910mm

Bespoke stand with extra shelf for the Art Equipment press RKEP3318. This stand is available with self levelling feet, useful if your studio has an uneven floor.

Bespoke stand with extra shelf for the Art Equipment press RKEP3318. The stand is available with locking castors for moving around the studio. Two of the four castors can be locked after you have moved the press into position.

Specially designed for ease of operation due to the double reduction gearing and wide wooden handle. This handsome, traditional style press is extremely robust and solid in construction for the production of perfect etchings. It can be bench mounted or purchased with an additional purpose built stand. Due to the weight of the press it will be installed by the engineers who manufacture it. Please contact us to discuss delivery and pricing.Specification ; Weight :- 200 Kg Bed Size :- 1015mm x 535mm x 15mm Top Roller :- 115mm diameter solid steel & Nickel plated Bottom Roller :- 115mm diameter solid steel Gear Ratio :- 5.25 to 1 (51�4 turns of the hand-wheel = 1 turn of the bottom roller) Hand Wheel :- 600mm diameter cast iron. Maximum Clearance Top Roller to Bed :- 30mm Bed height (When on optional stand) :- 1000mm