Zinc Jetplate is a high quality zinc plate for etching. It is pre-polished ready for degreasing and comes coated with an acid-resistant backing. The polished face is protected with plastic. With excellent oxidation resistance, smooth etch, and durability.

Please allow 2mm tolerance on sizes described.

Zinc Jetplate is a high quality zinc plate for etching. It is pre-polished ready for degreasing and comes coated with an acid-resistant backing. The polished face is protected with plastic. With excellent oxidation resistance, smooth etch, and durability.

Please allow 2mm tolerance on sizes described.

Zinc Jetplate is a high quality zinc plate for etching. It is pre-polished ready for degreasing and comes coated with an acid-resistant backing. The polished face is protected with plastic. With excellent oxidation resistance, smooth etch, and durability.

Please allow 2mm tolerance on sizes described.

Zinc Jetplate is a high quality zinc plate for etching. It is pre-polished ready for degreasing and comes coated with an acid-resistant backing. The polished face is protected with plastic. With excellent oxidation resistance, smooth etch, and durability.

Please allow 2mm tolerance on sizes described.

Zinc Jetplate is a high quality zinc plate for etching. It is pre-polished ready for degreasing and comes coated with an acid-resistant backing. The polished face is protected with plastic. With excellent oxidation resistance, smooth etch, and durability.

Please allow 2mm tolerance on sizes described.

Zinc Jetplate is a high quality zinc plate for etching. It is pre-polished ready for degreasing and comes coated with an acid-resistant backing. The polished face is protected with plastic. With excellent oxidation resistance, smooth etch, and durability.

Please allow 2mm tolerance on sizes described.

Zinc Jetplate is a high quality zinc plate for etching. It is pre-polished ready for degreasing and comes coated with an acid-resistant backing. The polished face is protected with plastic. With excellent oxidation resistance, smooth etch, and durability.

Please allow 2mm tolerance on sizes described.

Zinc Jetplate is a high quality zinc plate for etching. It is pre-polished ready for degreasing and comes coated with an acid-resistant backing. The polished face is protected with plastic. With excellent oxidation resistance, smooth etch, and durability.

Please allow 2mm tolerance on sizes described.

Zinc Jetplate is a high quality zinc plate for etching. It is pre-polished ready for degreasing and comes coated with an acid-resistant backing. The polished face is protected with plastic. With excellent oxidation resistance, smooth etch, and durability.

Please allow 2mm tolerance on sizes described.

Zinc Jetplate is a high quality zinc plate for etching. It is pre-polished ready for degreasing and comes coated with an acid-resistant backing. The polished face is protected with plastic. With excellent oxidation resistance, smooth etch, and durability.

Please allow 2mm tolerance on sizes described.

Permaset print paste (reducer) is an uncoloured base for achieving a more transparent shade - designed for use with Permaset Aqua water-based screenprinting inks.

Based on carefully selected pigments and the latest advances in polymer technology, Permaset delivers pure colour, a superior soft handle and excellent durability in an easy to use ink that is environmentally friendly. Permaset Aqua breaks new ground; a water based ink that offers superior performance and eliminates the historical trade-off between printability performance on the screen and post-production performance of the finished garment including user comfort and safety and environmental sustainability. This 100% solvent free range is environmentally friendly. The pigments provide intense, vibrant colour, rich in coverage and deliver exceptional colour yield. The unique polymer binding the pigment to the fabric delivers exceptionally soft handle and yet shows excellent resistance to damage by rub, wash and dry-cleaning, all without the need for additives.

Lightweight yet sturdy with wooden handles, this set of 10 wood cut knives is the perfect introduction to wood cutting. With a range of different blades, from V-Straight parting chisels to gouges, they will enable you to create a variety of effects and textures. Great for basic and detailed carvings on wood, wax and clay as well as for linoleum block carving. Presented in a wooden holder box, ideal as a neat storage solution and for traveling.This set of 10 wood cut knives.
Length from blade to base: 13.5cm
Length of blade: 2.5cm

Speedball’s Fabric Block Printing Inks are an oil-based range of bold, permanent colours designed to be with washed up with soap and water. They are an opaque ink with excellent coverage and by adding Speedball’s Fabric Block Printing Transparent Extender you can create transparent colours while maintain the inks viscosity.These inks are designed to print onto smooth fabrics that do not possess a heavy texture or stretch such as cotton, linen, broadcloth or denim. Nylon and canvas are not recommended. Your printing block can be lino, wood or any similar surface and soft rubber rollers or brayers are ideally suited for inking the block.Speedball’s Fabric Block Printing Inks will dry to the touch overnight depending on your climate and they do not require any setting with heat. It is recommended you wait 4-7 days before washing your fabrics after printing.

Drypoint Junior Etching Tools are great for those new to engraving. These lightweight tools are made of carbon and alloy steel and are mounted on handles made of the finest beechwood. Practical, beautiful and economical, these tools provide the best possible start to etching. They come in a range of sizes for producing a variety of different effects.

Speedball Supergraphic Black Ink is the flagship colour in the Speedball Professional Relief Ink range. Developed in consultation with the printmaker and tutor Bill Fick, this is a rich, velvety black which holds detail well and will not clog up a block halfway through an edition. Like all colours in the range, this ink is a lightfast and fully archival oil-based printmaking ink which can be washed up with just soap and water.Speedball Professional Relief Inks are designed for all types of relief printing, especially linocut and woodcut. Because this ink can be thinned with water, it is preferable to print onto dry paper.This is an 16oz (473ml) tin of Supergraphic Black (PBK7, Speedball Lightfastness rating I). It is suitable for mixing with any of the Speedball Professional Relief Ink colours. To increase the transparency of this ink, add Speedball Professional Relief Transparent Base. The ink can be stiffened with talc or magnesium carbonate, and thinned with water.

These grey sheets / blocks of lino are especially made for "linocut" relief printmaking. They are 3.2mm thick, have a fabric backing, and are available in a range of sizes and packs. The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.

Wood engravers use Tint Tools to create incisions on the surface of woodblocks. As woodblocks are inked with a roller, these recessed incisions do not receive ink. They therefore show up white in the final print.This is a medium-fine Tint Tool (#3), designed for cutting straight lines of a constant width. The trade engravers of the Nineteenth century referred to a series of parallel lines as a 'tint'. They used tints to depict colour and form; by varying the width and spacing of the lines that made up their tints, they were able to attain a sophisticated range of mid-tones, between the white of the paper and the black of the ink.This tool is not designed to cut curves; use a Graver or (preferably) a Spitsticker for that. The shank of the tool may be damaged if you force it to make corners.This tool was made from high carbon tool steel in the United States by E.C. Lyons. It is supplied factory-sharp, but it has not been honed to a fine edge. Please note, engraving tools are known by different names in the UK and the United States. Tint Tools are known as 'Angle Tints' or 'Angle Tint Tools' in the US.

Wood engravers use Square Scorpers to create incisions on the surface of woodblocks. As woodblocks are inked with a roller, these incisions do not receive ink, and therefore show up white in the final print. Because the tip of a Scorper is flat, rather than pointed (as Spitstickers and Gravers are), scorpers of larger sizes are used to clear large areas of woodblocks (often round the edge of the design, or at the corners of a block) so that they will not print.This is a medium Square Scorper (#42). It has strait sides, which means that it will cut a thick, bold line of a constant width. Because the tip of the cutting face is completely flat, lines cut with this tool will begin and end abruptly, with a square edge. They will not swell or taper, like lines made with a spitsticker or a graver might; nor will they be rounded at the ends, like cuts made with a Round Scorper.This tool was made from high carbon tool steel in the United States by E.C. Lyons. It is supplied factory-sharp, but it has not been honed to a fine edge. Please note, engraving tools are known by different names in the U.K. and the United States. Square Scorpers are known as 'Flat Gravers' in the U.S.A.

Square Gravers are used by wood engravers and copper engravers. The face of the tool is square-shaped and will cut a line as deep as it is wide. This is a fine Square Graver (#1).Copper engravers use Square Gravers to create incisions on the surface of metal plates, which will hold ink during the printing process. The lines thus show up as black in the final print.

This tool was made from high carbon tool steel in the United States by E.C. Lyons. It is supplied factory-sharp, but it has not been honed to a fine edge.

Please note, engraving tools are known by different names in the U.K. and the United States. Square Gravers are known as 'Square Burins' in the U.S.A.

Diamond point etching no. 1. For fine drypoint work.

Speedball’s Fabric Block Printing Inks are an oil-based range of bold, permanent colours designed to be with washed up with soap and water. They are an opaque ink with excellent coverage and by adding Speedball’s Fabric Block Printing Transparent Extender you can create transparent colours while maintain the inks viscosity.These inks are designed to print onto smooth fabrics that do not possess a heavy texture or stretch such as cotton, linen, broadcloth or denim. Nylon and canvas are not recommended. Your printing block can be lino, wood or any similar surface and soft rubber rollers or brayers are ideally suited for inking the block.Speedball’s Fabric Block Printing Inks will dry to the touch overnight depending on your climate and they do not require any setting with heat. It is recommended you wait 4-7 days before washing your fabrics after printing.

The Lawrence Dabber is a traditional tool for inking an etching plate or applying grounds. The dabber is made of leather and has a wooden handle. Dab the leather pad onto the ground or ink to transfer it to the plate. This process is especially useful for very deeply bitten plates. Available in 2.5in diameter and 3in diameter.

This heavyweight roller is perfectly smooth allowing for a greater quantity of ink to be held and in doing so also means a greater amount of coverage.  A wet roller can simply be turned over and the handle doubles as a stand for cleaner working. Made from a hand-ground concentric EPDM rubber surface, which means it is flexible yet resistant to weathering. The EDPM rubber is of medium hardness and gives excellent pickup and deposit of all types of ink. This tool is the choice for the artisan printmaker with good recovery to indentation, and resistance to common printing chemicals. Perfect for printmaking, wood engraving and woodcut.

Lawrence Gum Arabic Powder is the pulverised version of lump gum arabic, the natural gum formed from the sap of the acacia tree. It is used in painting as a dilutant and medium for watercolour and gouache, increasing their strength, shine, and transparency. Printmakers will use the gum arabic in solution form for lithography processing and making sugarlift for etching.

Lawrence Gum Arabic Powder is easily mixed with distilled water, you can use tap water, but regional variations may alter the results slightly. Once mixed keep refrigerated.