The water-based, high-quality aqua-Linoprint colours contain natural binders such as gum Arabic as well as organic/inorganic pigments. They are easy to apply due to optimum open-times and result in even, sharp prints with fast drying times (wipe-resistant after approx. 15 minutes).

All colours offer maximum light fastness (4 and 5 stars) and an excellent intensity (especially black). The formulation for the colours in tubes and jars is the same. Due to its fluid consistency all aqua-Linoprint colours can easily be applied to different surfaces such as paper, felt, cardboard and suitable also for wood engraving and printing with various materials.

The smooth colours are of pleasant odour and can be overprinted with other colours. They are intermixable, ready to use and can be diluted with water.

The water-based, high-quality aqua-Linoprint colours contain natural binders such as gum Arabic as well as organic/inorganic pigments. They are easy to apply due to optimum open-times and result in even, sharp prints with fast drying times (wipe-resistant after approx. 15 minutes).

All colours offer maximum light fastness (4 and 5 stars) and an excellent intensity (especially black). The formulation for the colours in tubes and jars is the same. Due to its fluid consistency all aqua-Linoprint colours can easily be applied to different surfaces such as paper, felt, cardboard and suitable also for wood engraving and printing with various materials.

The smooth colours are of pleasant odour and can be overprinted with other colours. They are intermixable, ready to use and can be diluted with water.

Heavy Body Artist Acrylic Paint, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. High pigment load produces rich, brilliant, permanent colour.

For printmakers interested in non-toxic printmaking, Caligo are pleased to offer a new and innovative range of oil-based inks that can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. They call these inks ‘safe wash’ and they are available for both relief and intaglio printing.Caligo Safe Wash Etching inks are suitable for all types of intaglio printing, for example, etching, aquatint, line engraving etc.This range does not contain any driers. If you want faster drying rates, you can add a small amount of cobalt or manganese driers.

Heavy Body Artist Acrylic Paint, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. High pigment load produces rich, brilliant, permanent colour.

This innovative range of oil-based inks can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. Ideal for printmakers interested in a safe and non-toxic alternative. Caligo 'safe wash' inks are available for both relief and intaglio printing. Contains a small percentage of driers (less than 1%).Caligo Safe Wash Relief Inks are suitable for all types of relief printing, for example, linocut, woodcut, wood engraving, photopolymer and letterpress. Safe Wash Inks are oil-based, this means you can still use many of the modifiers used with traditional inks. For example you can use Magnesium Carbonate / Talc, Cobalt / Manganese Driers, or Caligo Wiping Compound / Tack Reducer etc. We also stock Caligo Safe Wash Oil - a washable oil that you can add to any ink from the Safe Wash range when you need to thin your ink a little.

 Charbonnel Transparent Ground is a slow drying retouching ground for printmaking and etching.The transparency of the ground allows for a second application and reworking. It can also allow previous etchings to show through. Applied straight onto a plate using a supple brush, or by pouring it on directly. Made with beeswax, pitch resin and turpentine.

Printing inks can be made by mixing powdered pigments with copperplate oils. Pour a small quantity of oil into a well of dry pigment and grind with a glass muller until smooth. Oil is then added until the mixture has a consistency of double cream. pdf=SDS_Cornelissen_Copperplate_Ink_Oil.pdf Cornelissen Copperplate Ink Oil Safety Data Sheet.

The water-based, high-quality aqua-Linoprint colours contain natural binders such as gum Arabic as well as organic/inorganic pigments. They are easy to apply due to optimum open-times and result in even, sharp prints with fast drying times (wipe-resistant after approx. 15 minutes).

All colours offer maximum light fastness (4 and 5 stars) and an excellent intensity (especially black). The formulation for the colours in tubes and jars is the same. Due to its fluid consistency all aqua-Linoprint colours can easily be applied to different surfaces such as paper, felt, cardboard and suitable also for wood engraving and printing with various materials.

The smooth colours are of pleasant odour and can be overprinted with other colours. They are intermixable, ready to use and can be diluted with water.

For printmakers interested in non-toxic printmaking, Caligo are pleased to offer a new and innovative range of oil-based inks that can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. They call these inks ‘safe wash’ and they are available for both relief and intaglio printing.Caligo Safe Wash Etching inks are suitable for all types of intaglio printing, for example, etching, aquatint, line engraving etc.This range does not contain any driers. If you want faster drying rates, you can add a small amount of cobalt or manganese driers.

Heavy Body Artist Acrylic Paint, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. High pigment load produces rich, brilliant, permanent colour.

High quality relief carving tools designed for lino and wood cutting. Suitable for students and professionals alike.Each tempered steel blade is manually sharpened and firmly attached to the handle. The black lacquered wooden handle has a long domed shape perfect for precision use.

High quality relief carving tools designed for lino and wood cutting. Suitable for students and professionals alike.Each tempered steel blade is manually sharpened and firmly attached to the handle. The black lacquered wooden handle has a long domed shape perfect for precision use.

For printmakers interested in non-toxic printmaking, Caligo are pleased to offer a new and innovative range of oil-based inks that can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. They call these inks ‘safe wash’ and they are available for both relief and intaglio printing.Caligo Safe Wash Etching inks are suitable for all types of intaglio printing, for example, etching, aquatint, line engraving etc.This range does not contain any driers. If you want faster drying rates, you can add a small amount of cobalt or manganese driers.

This innovative range of oil-based inks can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. Ideal for printmakers interested in a safe and non-toxic alternative. Caligo 'safe wash' inks are available for both relief and intaglio printing. Contains a small percentage of driers (less than 1%).Caligo Safe Wash Relief Inks are suitable for all types of relief printing, for example, linocut, woodcut, wood engraving, photopolymer and letterpress. Safe Wash Inks are oil-based, this means you can still use many of the modifiers used with traditional inks. For example you can use Magnesium Carbonate / Talc, Cobalt / Manganese Driers, or Caligo Wiping Compound / Tack Reducer etc. We also stock Caligo Safe Wash Oil - a washable oil that you can add to any ink from the Safe Wash range when you need to thin your ink a little.

The water-based, high-quality aqua-Linoprint colours contain natural binders such as gum Arabic as well as organic/inorganic pigments. They are easy to apply due to optimum open-times and result in even, sharp prints with fast drying times (wipe-resistant after approx. 15 minutes).

All colours offer maximum light fastness (4 and 5 stars) and an excellent intensity (especially black). The formulation for the colours in tubes and jars is the same. Due to its fluid consistency all aqua-Linoprint colours can easily be applied to different surfaces such as paper, felt, cardboard and suitable also for wood engraving and printing with various materials.

The smooth colours are of pleasant odour and can be overprinted with other colours. They are intermixable, ready to use and can be diluted with water.

These lithographic pencils are used to draw onto a lithographic stone alongside or in place of Lithographic Ink (Tusche. ) Lithographic pencils are available in several forms and degrees of hardness. The very soft pencils (no. 5 for example) produce rich, smoky black lines, the harder ones (containing less grease) produce the lighter and finer tones. The hardest grade pencils can be sharpened with a pencil sharpener or a polisher. Lithographic crayons are also used in etching.

The Aqua Wash range meets all the criteria for artist quality inks. It has a high pigmentation concentration identical to that of standard inks, and can be used in all intaglio printing techniques: such as engraving, dry-point, mezzotint, etching and aquatint, as well as monotype and relief printing techniques such as linocut and wood prints. Aqua Wash inks are genuine oily inks for use in all techniques whether etching or relief printing. They must not be confused with water and resin based inks such as gum Arabic or cellulose-tempera based inks that can be re-softened and are limited to monotype or relief techniques (linocut, wood engraving).

For printmakers interested in non-toxic printmaking, Caligo are pleased to offer a new and innovative range of oil-based inks that can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. They call these inks ‘safe wash’ and they are available for both relief and intaglio printing.Caligo Safe Wash Etching inks are suitable for all types of intaglio printing, for example, etching, aquatint, line engraving etc.This range does not contain any driers. If you want faster drying rates, you can add a small amount of cobalt or manganese driers.

Created from pigments ground and milled to the perfect consistency for block/relief printing, Speedball Watersoluble Block Printing Inks print in bold colour and dry to a rich, satin finish. They possess excellent tack ensuring even coverage and consistently spectacular results.Great for printing with linoleum, wood or soft block surfaces, flexible printing plates or polyfoam. Available in 16 brilliant colours, 5 metallics and 6 fluorescents. All colours clean up easily with soap and water and are safe to use in the classroom. Lightfastness varies from fair to excellent, except for the fluorescents, which have poor lightfastness.

The Aqua Wash range meets all the criteria for artist quality inks. It has a high pigmentation concentration identical to that of standard inks, and can be used in all intaglio printing techniques: such as engraving, dry-point, mezzotint, etching and aquatint, as well as monotype and relief printing techniques such as linocut and wood prints. Aqua Wash inks are genuine oily inks for use in all techniques whether etching or relief printing. They must not be confused with water and resin based inks such as gum Arabic or cellulose-tempera based inks that can be re-softened and are limited to monotype or relief techniques (linocut, wood engraving). • Water-washable oil-based emulsion (contains no water) • Hands and materials can be washed with soap and water • High pigment concentration (comparable with standard inks) • Extremely lightfast • All the colours can be intermixed • Viscous and easy to wipe • Can be used with paper that is less damp than required for standard etching ink • Same drying times as standard inks • Will not soften when dry pdf=AQUAWashEtchingInk.pdf Aqua Wash Etching Ink Colour Information

The Aqua Wash range meets all the criteria for artist quality inks. It has a high pigmentation concentration identical to that of standard inks, and can be used in all intaglio printing techniques: such as engraving, dry-point, mezzotint, etching and aquatint, as well as monotype and relief printing techniques such as linocut and wood prints. Aqua Wash inks are genuine oily inks for use in all techniques whether etching or relief printing. They must not be confused with water and resin based inks such as gum Arabic or cellulose-tempera based inks that can be re-softened and are limited to monotype or relief techniques (linocut, wood engraving).

The Adigraf professional Lino Cutters & Handle Set features an elegant handle made using FSC-Certified wood & ergonomically designed for comfort during prolonged use, whilst the 4 extra assorted cutters are individually shaped to provide the broadest possible range of cuts for finely detailed prints. Also included is a small wooden tool for safe removal of the cutters, allowing you to easily change how you’re working, without putting yourself at risk.

Steel prints rack with revolving wheels. Specifications.Width: 51cm Height : 65cm Depth: 60,95cmTakes: A3 & A4

Felt Matt for the Smaller Fome School Etching Press which has a width of 180mm. Read our series of blog posts about setting up and using the Fome School Etching Press. Fome Presses available here. Size: 18.6 x 32 x 0.3 cm.