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Arts & Crafts > Fine Art Supplies > Printmaking
World renowned Swiss made wood carving tools from Pfeil. All tools are forged from steel that is manufactured especially for them, and this special steel guarantees excellent elasticity and the best edge retention with extreme hardness.
World renowned Swiss made wood carving tools from Pfeil. All tools are forged from steel that is manufactured especially for them, and this special steel guarantees excellent elasticity and the best edge retention with extreme hardness.
Cranfield Traditional Etching Inks are handcrafted, highly pigmented and include a vast range of colours giving the printmaker a wide choice whether they want to mix their own colours or not. Cranfield Traditional Etching Ink can be used for engraving, etching, drypoint, mezzotint and aquatint printmaking techniques.
Cranfield Traditional Etching Inks are handcrafted, highly pigmented and include a vast range of colours giving the printmaker a wide choice whether they want to mix their own colours or not. Cranfield Traditional Etching Ink can be used for engraving, etching, drypoint, mezzotint and aquatint printmaking techniques.
Cranfield Traditional Etching Inks are handcrafted, highly pigmented and include a vast range of colours giving the printmaker a wide choice whether they want to mix their own colours or not. Cranfield Traditional Etching Ink can be used for engraving, etching, drypoint, mezzotint and aquatint printmaking techniques.
Cranfield Traditional Etching Inks are handcrafted, highly pigmented and include a vast range of colours giving the printmaker a wide choice whether they want to mix their own colours or not. Cranfield Traditional Etching Ink can be used for engraving, etching, drypoint, mezzotint and aquatint printmaking techniques.
Cranfield Traditional Etching Inks are handcrafted, highly pigmented and include a vast range of colours giving the printmaker a wide choice whether they want to mix their own colours or not. Cranfield Traditional Etching Ink can be used for engraving, etching, drypoint, mezzotint and aquatint printmaking techniques.
Cranfield Traditional Etching Inks are handcrafted, highly pigmented and include a vast range of colours giving the printmaker a wide choice whether they want to mix their own colours or not. Cranfield Traditional Etching Ink can be used for engraving, etching, drypoint, mezzotint and aquatint printmaking techniques.
Cranfield Traditional Etching Inks are handcrafted, highly pigmented and include a vast range of colours giving the printmaker a wide choice whether they want to mix their own colours or not. Cranfield Traditional Etching Ink can be used for engraving, etching, drypoint, mezzotint and aquatint printmaking techniques.
Cranfield Traditional Etching Inks are handcrafted, highly pigmented and include a vast range of colours giving the printmaker a wide choice whether they want to mix their own colours or not. Cranfield Traditional Etching Ink can be used for engraving, etching, drypoint, mezzotint and aquatint printmaking techniques.
Cranfield Traditional Etching Inks are handcrafted, highly pigmented and include a vast range of colours giving the printmaker a wide choice whether they want to mix their own colours or not. Cranfield Traditional Etching Ink can be used for engraving, etching, drypoint, mezzotint and aquatint printmaking techniques.
Cranfield Traditional Etching Inks are handcrafted, highly pigmented and include a vast range of colours giving the printmaker a wide choice whether they want to mix their own colours or not. Cranfield Traditional Etching Ink can be used for engraving, etching, drypoint, mezzotint and aquatint printmaking techniques.
High quality relief carving tools designed for lino and wood cutting. Suitable for students and professionals alike.Each tempered steel blade is manually sharpened and firmly attached to the handle. The black lacquered wooden handle has a long domed shape perfect for precision use.
High quality relief carving tools designed for lino and wood cutting. Suitable for students and professionals alike.Each tempered steel blade is manually sharpened and firmly attached to the handle. The black lacquered wooden handle has a long domed shape perfect for precision use.
Economical zinc plate for etching, unpolished, and unbacked. The plate is 0.8mm thick which makes it good for use with small tabletop presses. The zinc has a fine milled finish, ready to polish and degrease for use with traditional resists and grounds.
Cranfield Traditional Letterpress Ink is a range of interesting, subtly toned black inks, tailor-made for wood engraving and all letterpress printing. The rich blacks, which are tinted with pigments from green through to graphite, are designed to give nuanced printed results and include a black black - Carbon Black. Their simple, traditional formulation of pigments, finely ground in linseed oil, is designed with optimum viscosity to avoid "ink squash", yet achieve good paper penetration resulting in a smooth and wonderfully rich print. They work very well when printed by hand as well as by machine.
Cranfield Traditional Letterpress Ink is a range of interesting, subtly toned black inks, tailor-made for wood engraving and all letterpress printing. The rich blacks, which are tinted with pigments from green through to graphite, are designed to give nuanced printed results and include a black black - Carbon Black. Their simple, traditional formulation of pigments, finely ground in linseed oil, is designed with optimum viscosity to avoid "ink squash", yet achieve good paper penetration resulting in a smooth and wonderfully rich print. They work very well when printed by hand as well as by machine.
Cranfield Traditional Letterpress Ink is a range of interesting, subtly toned black inks, tailor-made for wood engraving and all letterpress printing. The rich blacks, which are tinted with pigments from green through to graphite, are designed to give nuanced printed results and include a black black - Carbon Black. Their simple, traditional formulation of pigments, finely ground in linseed oil, is designed with optimum viscosity to avoid "ink squash", yet achieve good paper penetration resulting in a smooth and wonderfully rich print. They work very well when printed by hand as well as by machine.
Cranfield Traditional Letterpress Ink is a range of interesting, subtly toned black inks, tailor-made for wood engraving and all letterpress printing. The rich blacks, which are tinted with pigments from green through to graphite, are designed to give nuanced printed results and include a black black - Carbon Black. Their simple, traditional formulation of pigments, finely ground in linseed oil, is designed with optimum viscosity to avoid "ink squash", yet achieve good paper penetration resulting in a smooth and wonderfully rich print. They work very well when printed by hand as well as by machine.
Cranfield Traditional Letterpress Ink is a range of interesting, subtly toned black inks, tailor-made for wood engraving and all letterpress printing. The rich blacks, which are tinted with pigments from green through to graphite, are designed to give nuanced printed results and include a black black - Carbon Black. Their simple, traditional formulation of pigments, finely ground in linseed oil, is designed with optimum viscosity to avoid "ink squash", yet achieve good paper penetration resulting in a smooth and wonderfully rich print. They work very well when printed by hand as well as by machine.
Cranfield Traditional Letterpress Ink is a range of interesting, subtly toned black inks, tailor-made for wood engraving and all letterpress printing. The rich blacks, which are tinted with pigments from green through to graphite, are designed to give nuanced printed results and include a black black - Carbon Black. Their simple, traditional formulation of pigments, finely ground in linseed oil, is designed with optimum viscosity to avoid "ink squash", yet achieve good paper penetration resulting in a smooth and wonderfully rich print. They work very well when printed by hand as well as by machine.
Cranfield Traditional Letterpress Ink is a range of interesting, subtly toned black inks, tailor-made for wood engraving and all letterpress printing. The rich blacks, which are tinted with pigments from green through to graphite, are designed to give nuanced printed results and include a black black - Carbon Black. Their simple, traditional formulation of pigments, finely ground in linseed oil, is designed with optimum viscosity to avoid "ink squash", yet achieve good paper penetration resulting in a smooth and wonderfully rich print. They work very well when printed by hand as well as by machine.
Cranfield Traditional Letterpress Ink is a range of interesting, subtly toned black inks, tailor-made for wood engraving and all letterpress printing. The rich blacks, which are tinted with pigments from green through to graphite, are designed to give nuanced printed results and include a black black - Carbon Black. Their simple, traditional formulation of pigments, finely ground in linseed oil, is designed with optimum viscosity to avoid "ink squash", yet achieve good paper penetration resulting in a smooth and wonderfully rich print. They work very well when printed by hand as well as by machine.
Cranfield Traditional Letterpress Ink is a range of interesting, subtly toned black inks, tailor-made for wood engraving and all letterpress printing. The rich blacks, which are tinted with pigments from green through to graphite, are designed to give nuanced printed results and include a black black - Carbon Black. Their simple, traditional formulation of pigments, finely ground in linseed oil, is designed with optimum viscosity to avoid "ink squash", yet achieve good paper penetration resulting in a smooth and wonderfully rich print. They work very well when printed by hand as well as by machine.
Cranfield Traditional Letterpress Ink is a range of interesting, subtly toned black inks, tailor-made for wood engraving and all letterpress printing. The rich blacks, which are tinted with pigments from green through to graphite, are designed to give nuanced printed results and include a black black - Carbon Black. Their simple, traditional formulation of pigments, finely ground in linseed oil, is designed with optimum viscosity to avoid "ink squash", yet achieve good paper penetration resulting in a smooth and wonderfully rich print. They work very well when printed by hand as well as by machine. |
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