Gamblin Relief Inks are formulated for all relief techniques including woodblock, linocut, monotype, and Solarplate. They contain the right amount of stiffness and tack to hold fine detail, yet spread evenly on the block or plate. These soft inks should be rolled in a thin layer over the block or plate, their high pigment load will ensure a transfer of intense colour onto the paper. The palette of ten colours is designed to give artists pure pigmented colours straight from the jar, along with a wide range of colour mixing capabilities.

In addition, Gamblin relief inks are designed to suit the specific requirements needed for monotype printing. Their unique softer body and high pigment load allow them to be rolled out in thinner applications with greater colour intensity, particularly as you print multiple layers of colour.

You can also mix Gamblin relief ink with Gamblin oils to create an even wider range of colour. When mixing oil paint with relief ink, it may be necessary to add plate oil and/or tack reducer as the oil paint and ink have different viscosities. Using plate oils, as opposed to linseed oils, will not adversely affect the paper fibres over time.

Gamblin Relief Inks are formulated for all relief techniques including woodblock, linocut, monotype, and Solarplate. They contain the right amount of stiffness and tack to hold fine detail, yet spread evenly on the block or plate. These soft inks should be rolled in a thin layer over the block or plate, their high pigment load will ensure a transfer of intense colour onto the paper. The palette of ten colours is designed to give artists pure pigmented colours straight from the jar, along with a wide range of colour mixing capabilities.

In addition, Gamblin relief inks are designed to suit the specific requirements needed for monotype printing. Their unique softer body and high pigment load allow them to be rolled out in thinner applications with greater colour intensity, particularly as you print multiple layers of colour.

You can also mix Gamblin relief ink with Gamblin oils to create an even wider range of colour. When mixing oil paint with relief ink, it may be necessary to add plate oil and/or tack reducer as the oil paint and ink have different viscosities. Using plate oils, as opposed to linseed oils, will not adversely affect the paper fibres over time.

Gamblin Relief Inks are formulated for all relief techniques including woodblock, linocut, monotype, and Solarplate. They contain the right amount of stiffness and tack to hold fine detail, yet spread evenly on the block or plate. These soft inks should be rolled in a thin layer over the block or plate, their high pigment load will ensure a transfer of intense colour onto the paper. The palette of ten colours is designed to give artists pure pigmented colours straight from the jar, along with a wide range of colour mixing capabilities.

In addition, Gamblin relief inks are designed to suit the specific requirements needed for monotype printing. Their unique softer body and high pigment load allow them to be rolled out in thinner applications with greater colour intensity, particularly as you print multiple layers of colour.

You can also mix Gamblin relief ink with Gamblin oils to create an even wider range of colour. When mixing oil paint with relief ink, it may be necessary to add plate oil and/or tack reducer as the oil paint and ink have different viscosities. Using plate oils, as opposed to linseed oils, will not adversely affect the paper fibres over time.

Gamblin Relief Inks are formulated for all relief techniques including woodblock, linocut, monotype, and Solarplate. They contain the right amount of stiffness and tack to hold fine detail, yet spread evenly on the block or plate. These soft inks should be rolled in a thin layer over the block or plate, their high pigment load will ensure a transfer of intense colour onto the paper. The palette of ten colours is designed to give artists pure pigmented colours straight from the jar, along with a wide range of colour mixing capabilities.

In addition, Gamblin relief inks are designed to suit the specific requirements needed for monotype printing. Their unique softer body and high pigment load allow them to be rolled out in thinner applications with greater colour intensity, particularly as you print multiple layers of colour.

You can also mix Gamblin relief ink with Gamblin oils to create an even wider range of colour. When mixing oil paint with relief ink, it may be necessary to add plate oil and/or tack reducer as the oil paint and ink have different viscosities. Using plate oils, as opposed to linseed oils, will not adversely affect the paper fibres over time.

Gamblin Relief Inks are formulated for all relief techniques including woodblock, linocut, monotype, and Solarplate. They contain the right amount of stiffness and tack to hold fine detail, yet spread evenly on the block or plate. These soft inks should be rolled in a thin layer over the block or plate, their high pigment load will ensure a transfer of intense colour onto the paper. The palette of ten colours is designed to give artists pure pigmented colours straight from the jar, along with a wide range of colour mixing capabilities.

In addition, Gamblin relief inks are designed to suit the specific requirements needed for monotype printing. Their unique softer body and high pigment load allow them to be rolled out in thinner applications with greater colour intensity, particularly as you print multiple layers of colour.

You can also mix Gamblin relief ink with Gamblin oils to create an even wider range of colour. When mixing oil paint with relief ink, it may be necessary to add plate oil and/or tack reducer as the oil paint and ink have different viscosities. Using plate oils, as opposed to linseed oils, will not adversely affect the paper fibres over time.

Gamblin Relief Inks are formulated for all relief techniques including woodblock, linocut, monotype, and Solarplate. They contain the right amount of stiffness and tack to hold fine detail, yet spread evenly on the block or plate. These soft inks should be rolled in a thin layer over the block or plate, their high pigment load will ensure a transfer of intense colour onto the paper. The palette of ten colours is designed to give artists pure pigmented colours straight from the jar, along with a wide range of colour mixing capabilities.

In addition, Gamblin relief inks are designed to suit the specific requirements needed for monotype printing. Their unique softer body and high pigment load allow them to be rolled out in thinner applications with greater colour intensity, particularly as you print multiple layers of colour.

You can also mix Gamblin relief ink with Gamblin oils to create an even wider range of colour. When mixing oil paint with relief ink, it may be necessary to add plate oil and/or tack reducer as the oil paint and ink have different viscosities. Using plate oils, as opposed to linseed oils, will not adversely affect the paper fibres over time.

Gamblin Relief Inks are formulated for all relief techniques including woodblock, linocut, monotype, and Solarplate. They contain the right amount of stiffness and tack to hold fine detail, yet spread evenly on the block or plate. These soft inks should be rolled in a thin layer over the block or plate, their high pigment load will ensure a transfer of intense colour onto the paper. The palette of ten colours is designed to give artists pure pigmented colours straight from the jar, along with a wide range of colour mixing capabilities.

In addition, Gamblin relief inks are designed to suit the specific requirements needed for monotype printing. Their unique softer body and high pigment load allow them to be rolled out in thinner applications with greater colour intensity, particularly as you print multiple layers of colour.

You can also mix Gamblin relief ink with Gamblin oils to create an even wider range of colour. When mixing oil paint with relief ink, it may be necessary to add plate oil and/or tack reducer as the oil paint and ink have different viscosities. Using plate oils, as opposed to linseed oils, will not adversely affect the paper fibres over time.

Gamblin Relief Inks are formulated for all relief techniques including woodblock, linocut, monotype, and Solarplate. They contain the right amount of stiffness and tack to hold fine detail, yet spread evenly on the block or plate. These soft inks should be rolled in a thin layer over the block or plate, their high pigment load will ensure a transfer of intense colour onto the paper. The palette of ten colours is designed to give artists pure pigmented colours straight from the jar, along with a wide range of colour mixing capabilities.

In addition, Gamblin relief inks are designed to suit the specific requirements needed for monotype printing. Their unique softer body and high pigment load allow them to be rolled out in thinner applications with greater colour intensity, particularly as you print multiple layers of colour.

You can also mix Gamblin relief ink with Gamblin oils to create an even wider range of colour. When mixing oil paint with relief ink, it may be necessary to add plate oil and/or tack reducer as the oil paint and ink have different viscosities. Using plate oils, as opposed to linseed oils, will not adversely affect the paper fibres over time.

Gamblin Relief Inks are formulated for all relief techniques including woodblock, linocut, monotype, and Solarplate. They contain the right amount of stiffness and tack to hold fine detail, yet spread evenly on the block or plate. These soft inks should be rolled in a thin layer over the block or plate, their high pigment load will ensure a transfer of intense colour onto the paper. The palette of ten colours is designed to give artists pure pigmented colours straight from the jar, along with a wide range of colour mixing capabilities.

In addition, Gamblin relief inks are designed to suit the specific requirements needed for monotype printing. Their unique softer body and high pigment load allow them to be rolled out in thinner applications with greater colour intensity, particularly as you print multiple layers of colour.

You can also mix Gamblin relief ink with Gamblin oils to create an even wider range of colour. When mixing oil paint with relief ink, it may be necessary to add plate oil and/or tack reducer as the oil paint and ink have different viscosities. Using plate oils, as opposed to linseed oils, will not adversely affect the paper fibres over time.

Gamblin Relief Inks are formulated for all relief techniques including woodblock, linocut, monotype, and Solarplate. They contain the right amount of stiffness and tack to hold fine detail, yet spread evenly on the block or plate. These soft inks should be rolled in a thin layer over the block or plate, their high pigment load will ensure a transfer of intense colour onto the paper. The palette of ten colours is designed to give artists pure pigmented colours straight from the jar, along with a wide range of colour mixing capabilities.

In addition, Gamblin relief inks are designed to suit the specific requirements needed for monotype printing. Their unique softer body and high pigment load allow them to be rolled out in thinner applications with greater colour intensity, particularly as you print multiple layers of colour.

You can also mix Gamblin relief ink with Gamblin oils to create an even wider range of colour. When mixing oil paint with relief ink, it may be necessary to add plate oil and/or tack reducer as the oil paint and ink have different viscosities. Using plate oils, as opposed to linseed oils, will not adversely affect the paper fibres over time.

Gamblin Tack Reducer is a transparent gel made from a very light drying oil. It is added to oil-based inks to lessen their tack. Used in small amounts its transparency will not reduce the intensity of your ink's colour. It can be used in the same way as an easy-wipe compound.

These grey sheets / blocks of lino are especially made for "linocut" relief printmaking. They are 3.2mm thick, have a fabric backing, and are available in a range of sizes and packs. The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.

This traditional easy-cut art-print lino is specially made for carving and is pre-mounted onto 18mm fibreboard blocks, giving extra rigidity allowing the user to achieve consistent, flat prints.

Essdee Lino Cutter replacement blades for use with Essdee handles. Box of 12 precision-ground high-carbon steel Lino Cutters Style 8. A wide, deep cutter for lines up to 6mm wide. Avoid cutting too deep. Good for bold lines.

The Essdee Fabric Lino Printing Kit includes al lthe essential lino cutting tools and materials you need to create your own designs and print them onto fabric. The MasterCut carvying blocks, Lino cutters, fabric printing ink and unique fabric roller have all been selected for designed specially to make block printing onto fabric a fun, creative and successful activity that anybody can enjoy.

Essdee Soft Roller is a versatile tool which can be used for painting with cold wax medium, water-based media and printmaking. This roller gives better coverage than a hard roller as it can push into textured areas and enables paint and ink to be laid onto an uneven surface with ease. The 25 Shore roller is especially useful for cold wax painting, where you can build up layers, create textures and blend colours on the surface.

Essdee have designed a roller specifically for block printing onto textiles and fabric. This absorbent fabric roller is designed to pick-up and transfer thinner water-based ink, like screen printing ink or fabric paint, which would be too slippery for a normal roller, and transfer it to a Lino block for printing. A great tool which opens-up new possibilities when block printing onto fabric.

The Speedball Beginner Screen Printing Craft Vinyl Kit is designed for those with a vinyl cutter machine. It is an All-in-One kit perfect for anyone wanting to use their vinyl stencils to create screen-printed images.

Speedball has developed a range of screen printing kits featuring all the essentials specific to your screen printing project. From their Beginner Paper Stencil Kit to their Advanced All-in-One Kit, and several options in between, Speedball’s Screen Printing Kits have been designed to contain just what you need for a variety of projects.

Contents include:
Red Baron Squeegee
10 x 14in Wood Frame and Mesh 110US (43T) mesh
Black Fabric Screen Printing Ink 4oz
3 Sheets of Craft Vinyl
3 Sheet of Transfer Tape
Sheet of Parchment Paper
Craft Stick
Instructions

Speedball Fabric Screen Printing Inks offer rich, vibrant colours for printing on natural and synthetic fabrics as well as paper and cardboard. They offer great coverage with smooth workability and easy clean-up. When heat-set they are wash proof with good colour permanence. Can be painted on with a brush or screen printed. Non-flammable. Non-toxic and low odour.

The Speedball Opaque Fabric Screen Printing Starter Set offers six rich, vibrant colours for printing on natural and synthetic fabrics as well as paper and cardboard. The opaque ink is ideal for printing onto dark fabrics and all colours have a pearlescent finish. They offer great coverage with smooth workability and easy clean-up. When heat-set they are wash proof with good colour permanence. Can be painted on with a brush or screen printed. Nonflammable. Non-toxic and low odour.

The set contains 6 x 118.2ml (4oz) Opaque Fabric Screen Printing Inks:
Silver
Raspberry
Blue Topaz
Citrine
Pearly White
Black Pearl

Speedball have partnered with colour experts to develop these custom speciality ink sets with exciting colour combinations that will inspire and complement any project on your wish list.

Speedball Fabric Screen Printing Inks offer rich, vibrant colours for printing on natural and synthetic fabrics as well as paper and cardboard. They offer great coverage with smooth workability and easy clean-up. When heat-set they are wash proof with good colour permanence. Can be painted on with a brush or screen printed. Non-flammable. Non-toxic and low odour.

The Speedball Polished Pastels Set includes 4 x 118ml jars of Fabric Screen Printing Ink:
Prim Peacock
Luscious Lilac
Blushing Bride
Pretty in Pearl

Speedball Supergraphic Black Ink is the flagship colour in the Speedball Professional Relief Ink range. Developed in consultation with the printmaker and tutor Bill Fick, this is a rich, velvety black which holds detail well and will not clog up a block halfway through an edition. Like all colours in the range, this ink is a lightfast and fully archival oil-based printmaking ink which can be washed up with just soap and water.Speedball Professional Relief Inks are designed for all types of relief printing, especially linocut and woodcut. Because this ink can be thinned with water, it is preferable to print onto dry paper.This is an 8oz (236.5ml) tin of Supergraphic Black (PBK7, Speedball Lightfastness rating I). It is suitable for mixing with any of the Speedball Professional Relief Ink colours. To increase the transparency of this ink, add Speedball Professional Relief Transparent Base. The ink can be stiffened with talc or magnesium carbonate, and thinned with water.

Speedball Professional Relief Inks are lightfast and archival oil-based printmaking inks which can be washed up with just soap and water. These inks are designed for all types of relief printing, especially linocut and woodcut.This is an 8oz (236.5ml) tin of the Transparent Base. It is suitable for mixing with any of the Speedball Professional Relief Ink colours, or any mixture of colours, to increase the transparency of the ink.Speedball Professional Relief Inks can be stiffened with talc or magnesium carbonate, and thinned with water. Because the ink can be thinned with water, it is preferable to print onto dry paper.

The photo emulsion method of screen printing is one of the most exciting techniques. It makes possible the printing of fine line drawings, various hand and commercial lettering techniques, as well as photographic half-tone positives. When Photo Emulsion Remover is applied to the emulsion coated screen, it reclaims the screen with minimal cleaning effort.

Created from pigments ground and milled to the perfect consistency for block/relief printing, Speedball Watersoluble Block Printing Inks print in bold colour and dry to a rich, satin finish. They possess excellent tack ensuring even coverage and consistently spectacular results.

Great for printing with linoleum, wood or soft block surfaces, flexible printing plates or polyfoam. Available in 16 brilliant colours, 5 metallics and 6 fluorescents. All colours clean up easily with soap and water and are safe to use in the classroom. Lightfastness varies from fair to excellent, except for the fluorescents, which have poor lightfastness.