Featuring high carbon steel blades, this Flexcut Mini-Palm four piece set is perfect for minature carving. Those who enjoy carving fine detail will find this tools invaluable. Ranging in size from 1/8-inch down to 1/16-inch, the wooden handles fit comfortably in the palm. Comes in a handy wooden storage box. Includes: FR600 #3 x 1/8", FR601 #5 x 1/8", FR602 #11 x 1/16", FR603 70 deg. x 1/8".

This set of Lino Carving Tool Handles includes 12 handles, which will fit Essdee lino cutting blades. Please note that no blades are supplied with this set.

This Essdee Lino Carving Tool Set includes one handle and ten blades which will fit it. The blades include several U and V Gouges, as well as a blade for precision work and a flat-bottomed gouge for clearing large areas of white.

This baren box set includes an excellent burnishing tool (baren), 5 precision cutters in styles 1 to 5, and a sturdy lino cutter handle with expandable collar for easy fitting and tightening.The baren provides internal storage for the cutters, creating a clean and convenient lino tool set.

For printmakers interested in non-toxic printmaking, Caligo are pleased to offer a new and innovative range of oil-based inks that can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. They call these inks ‘safe wash’ and they are available for both relief and intaglio printing.Caligo Safe Wash Etching inks are suitable for all types of intaglio printing, for example, etching, aquatint, line engraving etc.This range does not contain any driers. If you want faster drying rates, you can add a small amount of cobalt or manganese driers.

This innovative range of oil-based inks can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. Ideal for printmakers interested in a safe and non-toxic alternative. Caligo 'safe wash' inks are available for both relief and intaglio printing. Contains a small percentage of driers (less than 1%).

Caligo Safe Wash Relief Inks are suitable for all types of relief printing, for example, linocut, woodcut, wood engraving, photopolymer and letterpress.

Safe Wash Inks are oil-based, this means you can still use many of the modifiers used with traditional inks. For example you can use Magnesium Carbonate / Talc, Cobalt / Manganese Driers, or Caligo Wiping Compound / Tack Reducer etc.

Made from soft, natural latex gum rubber with a precision-ground finish, Speedball Soft Rubber Brayers are ideal for use with linoleum, vinyl, or wood blocks.  The flexibility of the 40/42 durometer rubber ensures for even ink distribution especially over uneven surfaces. The roller can be popped out of the plastic handle to allow for easier cleaning. Designed for use with water based and oil based inks. Care should be taken with the rubber rollers when cleaning and storing.  Lightly dust with talc to avoid the surface becoming sticky and ensure the surface of the roller is not pressing against anything when put away. For a replacement Roller / Brayer, click here.

Speedball Supergraphic Black Ink is the flagship colour in the Speedball Professional Relief Ink range. Developed in consultation with the printmaker and tutor Bill Fick, this is a rich, velvety black which holds detail well and will not clog up a block halfway through an edition. Like all colours in the range, this ink is a lightfast and fully archival oil-based printmaking ink which can be washed up with just soap and water.Speedball Professional Relief Inks are designed for all types of relief printing, especially linocut and woodcut. Because this ink can be thinned with water, it is preferable to print onto dry paper.This is an 16oz (473ml) tin of Supergraphic Black (PBK7, Speedball Lightfastness rating I). It is suitable for mixing with any of the Speedball Professional Relief Ink colours. To increase the transparency of this ink, add Speedball Professional Relief Transparent Base. The ink can be stiffened with talc or magnesium carbonate, and thinned with water.

The water-based, high-quality aqua-Linoprint colours contain natural binders such as gum Arabic as well as organic/inorganic pigments. They are easy to apply due to optimum open-times and result in even, sharp prints with fast drying times (wipe-resistant after approx. 15 minutes).

All colours offer maximum light fastness (4 and 5 stars) and an excellent intensity (especially black). The formulation for the colours in tubes and jars is the same. Due to its fluid consistency all aqua-Linoprint colours can easily be applied to different surfaces such as paper, felt, cardboard and suitable also for wood engraving and printing with various materials.

The smooth colours are of pleasant odour and can be overprinted with other colours. They are intermixable, ready to use and can be diluted with water.

For printmakers interested in non-toxic printmaking, Caligo are pleased to offer a new and innovative range of oil-based inks that can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. They call these inks ‘safe wash’ and they are available for both relief and intaglio printing.Caligo Safe Wash Etching inks are suitable for all types of intaglio printing, for example, etching, aquatint, line engraving etc.This range does not contain any driers. If you want faster drying rates, you can add a small amount of cobalt or manganese driers.

The smooth surface and soft texture of the SoftCut lino sheets makes cutting easy: blades will glide through with minimal effort. SoftCut prints well onto a range of surfaces including paper, card and fabric. It can even print onto curved surfaces due to its flexibility. The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.

This is a rigid polyproylene. easy-clean tray which is 240mm x 200mm and is 16mm deep. It comes complete with a hanger for convient storage or drying at home. It can be used with rollers up to 200m wide. It is ideal for mixing paint, PVA and rolling out ink before applying to lino. Because of its smooth surface it will allow fuller coverage of ink on the roller before it is applied to a surface. 

This innovative range of oil-based inks can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. Ideal for printmakers interested in a safe and non-toxic alternative. Caligo 'safe wash' inks are available for both relief and intaglio printing. Contains a small percentage of driers (less than 1%).Caligo Safe Wash Relief Inks are suitable for all types of relief printing, for example, linocut, woodcut, wood engraving, photopolymer and letterpress. Safe Wash Inks are oil-based, this means you can still use many of the modifiers used with traditional inks. For example you can use Magnesium Carbonate / Talc, Cobalt / Manganese Driers, or Caligo Wiping Compound / Tack Reducer etc. We also stock Caligo Safe Wash Oil - a washable oil that you can add to any ink from the Safe Wash range when you need to thin your ink a little.

The smooth surface and soft texture of the SoftCut lino sheets makes cutting easy: blades will glide through with minimal effort. SoftCut prints well onto a range of surfaces including paper, card and fabric. It can even print onto curved surfaces due to its flexibility. The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.

This innovative range of oil-based inks can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. Ideal for printmakers interested in a safe and non-toxic alternative.

Add Caligo Safe Wash Extender to increase the transparency and reduce the strength of your colours.

These grey sheets / blocks of lino are especially made for "linocut" relief printmaking. They are 3.2mm thick, have a fabric backing, and are available in a range of sizes and packs.The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.Please note: sizes can vary slightly as these are cut to size in-house.

Jackson's Polished Copper Etching Plate, made with 0.9mm polished copper plate for etching. The polished surface is protected with a plastic film so simply requires degreasing before applying ground.The back of the plate will require the application of an acid resistant stop out. Copper is a harder metal than zinc and plates will withstand more printing. It is also idealy suited to non-etching intaglio techniques such as drypoint and engraving and mezzotint.

SuperCover colours are specifically designed to provide excellent coverage and opacity on dark fabrics.Based on carefully selected pigments and the latest advances in polymer technology, Permaset delivers pure colour, a superior soft handle and excellent durability in an easy to use ink that is environmentally friendly. Permaset Aqua breaks new ground; a water based ink that offers superior performance and eliminates the historical trade-off between printability performance on the screen and post-production performance of the finished garment including user comfort and safety and environmental sustainability. This 100% solvent free range is environmentally friendly. The pigments provide intense, vibrant colour, rich in coverage and deliver exceptional colour yield. The unique polymer binding the pigment to the fabric delivers exceptionally soft handle and yet shows excellent resistance to damage by rub, wash and dry-cleaning, all without the need for additives.

Wood engravers use Tint Tools to create incisions on the surface of woodblocks. As woodblocks are inked with a roller, these recessed incisions do not receive ink. They therefore show up white in the final print.This is a medium-fine Tint Tool (#3), designed for cutting straight lines of a constant width. The trade engravers of the Nineteenth century referred to a series of parallel lines as a 'tint'. They used tints to depict colour and form; by varying the width and spacing of the lines that made up their tints, they were able to attain a sophisticated range of mid-tones, between the white of the paper and the black of the ink.This tool is not designed to cut curves; use a Graver or (preferably) a Spitsticker for that. The shank of the tool may be damaged if you force it to make corners.This tool was made from high carbon tool steel in the United States by E.C. Lyons. It is supplied factory-sharp, but it has not been honed to a fine edge. Please note, engraving tools are known by different names in the UK and the United States. Tint Tools are known as 'Angle Tints' or 'Angle Tint Tools' in the US.

Wood engravers use Square Scorpers to create incisions on the surface of woodblocks. As woodblocks are inked with a roller, these incisions do not receive ink, and therefore show up white in the final print. Because the tip of a Scorper is flat, rather than pointed (as Spitstickers and Gravers are), scorpers of larger sizes are used to clear large areas of woodblocks (often round the edge of the design, or at the corners of a block) so that they will not print.This is a medium Square Scorper (#42). It has strait sides, which means that it will cut a thick, bold line of a constant width. Because the tip of the cutting face is completely flat, lines cut with this tool will begin and end abruptly, with a square edge. They will not swell or taper, like lines made with a spitsticker or a graver might; nor will they be rounded at the ends, like cuts made with a Round Scorper.This tool was made from high carbon tool steel in the United States by E.C. Lyons. It is supplied factory-sharp, but it has not been honed to a fine edge. Please note, engraving tools are known by different names in the U.K. and the United States. Square Scorpers are known as 'Flat Gravers' in the U.S.A.

Square Gravers are used by wood engravers and copper engravers. The face of the tool is square-shaped and will cut a line as deep as it is wide. This is a fine Square Graver (#1).Copper engravers use Square Gravers to create incisions on the surface of metal plates, which will hold ink during the printing process. The lines thus show up as black in the final print.

This tool was made from high carbon tool steel in the United States by E.C. Lyons. It is supplied factory-sharp, but it has not been honed to a fine edge.

Please note, engraving tools are known by different names in the U.K. and the United States. Square Gravers are known as 'Square Burins' in the U.S.A.

Diamond point etching no. 1. For fine drypoint work.

High-quality Swiss made carving tools suitable for either lino or wood cutting. Each tool is made from chrome vanadium steel, precisely forged, sharpened and polished for excellent results. Palm-handles are made of hardwood from ecologically managed Swiss forests. Full bolster and square tang for optimal stability. Internal steel ferrule under bolster prevents handle from splitting. Tools are hardened to edge of bevel. Blades electronically hardened to exacting tolerances.70mm blade length, 125mm overall length. Blade size - 4.pdf=pfeil-19.pdf More Information

This innovative range of oil-based inks can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. Ideal for printmakers interested in a safe and non-toxic alternative. Caligo 'safe wash' inks are available for both relief and intaglio printing. Contains a small percentage of driers (less than 1%).Caligo Safe Wash Relief Inks are suitable for all types of relief printing, for example, linocut, woodcut, wood engraving, photopolymer and letterpress. Safe Wash Inks are oil-based, this means you can still use many of the modifiers used with traditional inks. For example you can use Magnesium Carbonate / Talc, Cobalt / Manganese Driers, or Caligo Wiping Compound / Tack Reducer etc. We also stock Caligo Safe Wash Oil - a washable oil that you can add to any ink from the Safe Wash range when you need to thin your ink a little.

These grey sheets / blocks of lino are especially made for "linocut" relief printmaking. They are 3.2mm thick, have a fabric backing, and are available in a range of sizes and packs. The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.