Akua : Liquid Pigment : 4oz : 118ml : Phthalo Blue Green

pdf=SDS_Cranfield_Printmaker_Wax_Drier.pdf Cranfield Printmaker Wax Drier Safety Data Sheet.

Cranfield Traditional Relief Ink is formulated from a careful mix of traditional linseed oils and vibrant lightfast pigments. As well as being highly pigmented, the formulation provides a viscosity and structure to the ink, along with the unique linseed smell. This keeps the relief print as fresh and bright as the day it was created. All the inks are rated 6 or higher on the International Blue Wool Scale. The range benefits from lovely metalic silver and gold as well as a transparent base. They can be used on all types of relief plate and can be cleaned up with vegetable oil before a final wipe with a low odour or plant based solvent. The range benefits from lovely metalic silver and gold, as well as a transparent base. They can be used on all types of relief plate and can be cleaned up with vegetable oil before a final wipe with a low odour or plant based solvent.

Cranfield Traditional Relief Ink is formulated from a careful mix of traditional linseed oils and vibrant lightfast pigments. As well as being highly pigmented, the formulation provides a viscosity and structure to the ink, along with the unique linseed smell. This keeps the relief print as fresh and bright as the day it was created. All the inks are rated 6 or higher on the International Blue Wool Scale. The range benefits from lovely metalic silver and gold as well as a transparent base. They can be used on all types of relief plate and can be cleaned up with vegetable oil before a final wipe with a low odour or plant based solvent. The range benefits from lovely metalic silver and gold, as well as a transparent base. They can be used on all types of relief plate and can be cleaned up with vegetable oil before a final wipe with a low odour or plant based solvent.

Cranfield Traditional Relief Ink is formulated from a careful mix of traditional linseed oils and vibrant lightfast pigments. As well as being highly pigmented, the formulation provides a viscosity and structure to the ink, along with the unique linseed smell. This keeps the relief print as fresh and bright as the day it was created. All the inks are rated 6 or higher on the International Blue Wool Scale. The range benefits from lovely metalic silver and gold as well as a transparent base. They can be used on all types of relief plate and can be cleaned up with vegetable oil before a final wipe with a low odour or plant based solvent. The range benefits from lovely metalic silver and gold, as well as a transparent base. They can be used on all types of relief plate and can be cleaned up with vegetable oil before a final wipe with a low odour or plant based solvent.

Speedball’s Fabric Block Printing Inks are an oil-based range of bold, permanent colours designed to be with washed up with soap and water. They are an opaque ink with excellent coverage and by adding Speedball’s Fabric Block Printing Transparent Extender you can create transparent colours while maintain the inks viscosity.These inks are designed to print onto smooth fabrics that do not possess a heavy texture or stretch such as cotton, linen, broadcloth or denim. Nylon and canvas are not recommended. Your printing block can be lino, wood or any similar surface and soft rubber rollers or brayers are ideally suited for inking the block.Speedball’s Fabric Block Printing Inks will dry to the touch overnight depending on your climate and they do not require any setting with heat. It is recommended you wait 4-7 days before washing your fabrics after printing.

Speedball’s Fabric Block Printing Inks are an oil-based range of bold, permanent colours designed to be with washed up with soap and water. They are an opaque ink with excellent coverage and by adding Speedball’s Fabric Block Printing Transparent Extender you can create transparent colours while maintain the inks viscosity.These inks are designed to print onto smooth fabrics that do not possess a heavy texture or stretch such as cotton, linen, broadcloth or denim. Nylon and canvas are not recommended. Your printing block can be lino, wood or any similar surface and soft rubber rollers or brayers are ideally suited for inking the block.Speedball’s Fabric Block Printing Inks will dry to the touch overnight depending on your climate and they do not require any setting with heat. It is recommended you wait 4-7 days before washing your fabrics after printing.

Speedball’s Fabric Block Printing Inks are an oil-based range of bold, permanent colours designed to be with washed up with soap and water. They are an opaque ink with excellent coverage and by adding Speedball’s Fabric Block Printing Transparent Extender you can create transparent colours while maintain the inks viscosity.These inks are designed to print onto smooth fabrics that do not possess a heavy texture or stretch such as cotton, linen, broadcloth or denim. Nylon and canvas are not recommended. Your printing block can be lino, wood or any similar surface and soft rubber rollers or brayers are ideally suited for inking the block.Speedball’s Fabric Block Printing Inks will dry to the touch overnight depending on your climate and they do not require any setting with heat. It is recommended you wait 4-7 days before washing your fabrics after printing.

Created from pigments ground and milled to the perfect consistency for block/relief printing, Speedball Watersoluble Block Printing Inks print in bold colour and dry to a rich, satin finish. They possess excellent tack ensuring even coverage and consistently spectacular results.

Great for printing with linoleum, wood or soft block surfaces, flexible printing plates or polyfoam. Available in 16 brilliant colours, 5 metallics and 6 fluorescents. All colours clean up easily with soap and water and are safe to use in the classroom. Lightfastness varies from fair to excellent, except for the fluorescents, which have poor lightfastness.

Whether you want to create a unique signature on your artworks or want to create small artworks for gift tags, cards or notebooks, the Carve A Stamp Kit from Essdee features the essentials tools and materials needed to create your own stamp. The kit includes five blank stamps, two carving tools (1x V Shape fine tool, 1x V shaper wider tool) a handle and an ink pad as well as easy to follow instructions and an ideas sheet.

Speedball’s Fabric Block Printing Inks are an oil-based range of bold, permanent colours designed to be with washed up with soap and water. They are an opaque ink with excellent coverage and by adding Speedball’s Fabric Block Printing Transparent Extender you can create transparent colours while maintain the inks viscosity.These inks are designed to print onto smooth fabrics that do not possess a heavy texture or stretch such as cotton, linen, broadcloth or denim. Nylon and canvas are not recommended. Your printing block can be lino, wood or any similar surface and soft rubber rollers or brayers are ideally suited for inking the block.Speedball’s Fabric Block Printing Inks will dry to the touch overnight depending on your climate and they do not require any setting with heat. It is recommended you wait 4-7 days before washing your fabrics after printing.

Made with heavy-duty, durable and rust resistant aluminium, Speedball Hinge Clamps enable you to convert any table into a screen-printing press. The clamps feature two large holes which screw directly into the workbench and large thumb screws to secure frame into place for accurate registration when printing.

The water-based, high-quality aqua-Linoprint colours contain natural binders such as gum Arabic as well as organic/inorganic pigments. They are easy to apply due to optimum open-times and result in even, sharp prints with fast drying times (wipe-resistant after approx. 15 minutes).

All colours offer maximum light fastness (4 and 5 stars) and an excellent intensity (especially black). The formulation for the colours in tubes and jars is the same. Due to its fluid consistency all aqua-Linoprint colours can easily be applied to different surfaces such as paper, felt, cardboard and suitable also for wood engraving and printing with various materials.

The smooth colours are of pleasant odour and can be overprinted with other colours. They are intermixable, ready to use and can be diluted with water.

For printmakers interested in non-toxic printmaking, Caligo are pleased to offer a new and innovative range of oil-based inks that can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. They call these inks ‘safe wash’ and they are available for both relief and intaglio printing.Caligo Safe Wash Etching inks are suitable for all types of intaglio printing, for example, etching, aquatint, line engraving etc.This range does not contain any driers. If you want faster drying rates, you can add a small amount of cobalt or manganese driers.

Gamblin Etching Inks were formulated at the request of professional printmakers in the Pacific Northwest who wanted strong reliable inks for edition printing. The palette of pure intense pigments offers a broad range of colour mixing potential.Five black inks and Graphite were formulated to meet the demands of printmakers who want deep rich black inks with good working characteristics. Colour: Natural hydrated iron oxide (PY 43)Colour Description: Clay and silica coloured with various kinds of iron oxides, ochre has been used in art-making media since earliest history. Muted earthy yellow brown with good hiding power and muted tint.

Gamblin Etching Inks were formulated at the request of professional printmakers in the Pacific Northwest who wanted strong reliable inks for edition printing. The palette of pure intense pigments offers a broad range of colour mixing potential. Five black inks and Graphite were formulated to meet the demands of printmakers who want deep rich black inks with good working characteristics. Colour: Ferri-ammonium ferrocyanide (PB 27:1) Colour Description: First synthetic color of the Industrial Revolution, discovered by accident in 1704 while a chemist was trying to formulate artificial crimson. Warm blue with more muted tint than Phthalo Blue. It has a high tinting strength, is lightfast, and is especially beautiful in its transparency.

Gamblin Etching Inks were formulated at the request of professional printmakers in the Pacific Northwest who wanted strong reliable inks for edition printing. The palette of pure intense pigments offers a broad range of colour mixing potential. Five black inks and Graphite were formulated to meet the demands of printmakers who want deep rich black inks with good working characteristics. Colour: Chlorinated copper phthalocyanine (PG 7) Colour Description: A dark bluish green more closely resembles Verdigris than Viridian. First manufactured in 1927, Phthalo Green has a very high tinting strength and transparency.

Gamblin Tack Reducer is a transparent gel made from a very light drying oil. It is added to oil-based inks to lessen their tack. Used in small amounts its transparency will not reduce the intensity of your ink's colour. It can be used in the same way as an easy-wipe compound.

Gamblin Relief Inks are formulated for all relief techniques including woodblock, linocut, monotype, and Solarplate. They contain the right amount of stiffness and tack to hold fine detail, yet spread evenly on the block or plate. These soft inks should be rolled in a thin layer over the block or plate, their high pigment load will ensure a transfer of intense colour onto the paper. The palette of ten colours is designed to give artists pure pigmented colours straight from the jar, along with a wide range of colour mixing capabilities.

In addition, Gamblin relief inks are designed to suit the specific requirements needed for monotype printing. Their unique softer body and high pigment load allow them to be rolled out in thinner applications with greater colour intensity, particularly as you print multiple layers of colour.

You can also mix Gamblin relief ink with Gamblin oils to create an even wider range of colour. When mixing oil paint with relief ink, it may be necessary to add plate oil and/or tack reducer as the oil paint and ink have different viscosities. Using plate oils, as opposed to linseed oils, will not adversely affect the paper fibres over time.

Gamblin Relief Inks are formulated for all relief techniques including woodblock, linocut, monotype, and Solarplate. They contain the right amount of stiffness and tack to hold fine detail, yet spread evenly on the block or plate. These soft inks should be rolled in a thin layer over the block or plate, their high pigment load will ensure a transfer of intense colour onto the paper. The palette of ten colours is designed to give artists pure pigmented colours straight from the jar, along with a wide range of colour mixing capabilities.

In addition, Gamblin relief inks are designed to suit the specific requirements needed for monotype printing. Their unique softer body and high pigment load allow them to be rolled out in thinner applications with greater colour intensity, particularly as you print multiple layers of colour.

You can also mix Gamblin relief ink with Gamblin oils to create an even wider range of colour. When mixing oil paint with relief ink, it may be necessary to add plate oil and/or tack reducer as the oil paint and ink have different viscosities. Using plate oils, as opposed to linseed oils, will not adversely affect the paper fibres over time.

Gamblin Relief Inks are formulated for all relief techniques including woodblock, linocut, monotype, and Solarplate. They contain the right amount of stiffness and tack to hold fine detail, yet spread evenly on the block or plate. These soft inks should be rolled in a thin layer over the block or plate, their high pigment load will ensure a transfer of intense colour onto the paper. The palette of ten colours is designed to give artists pure pigmented colours straight from the jar, along with a wide range of colour mixing capabilities.

In addition, Gamblin relief inks are designed to suit the specific requirements needed for monotype printing. Their unique softer body and high pigment load allow them to be rolled out in thinner applications with greater colour intensity, particularly as you print multiple layers of colour.

You can also mix Gamblin relief ink with Gamblin oils to create an even wider range of colour. When mixing oil paint with relief ink, it may be necessary to add plate oil and/or tack reducer as the oil paint and ink have different viscosities. Using plate oils, as opposed to linseed oils, will not adversely affect the paper fibres over time.

Gamblin Relief Inks are formulated for all relief techniques including woodblock, linocut, monotype, and Solarplate. They contain the right amount of stiffness and tack to hold fine detail, yet spread evenly on the block or plate. These soft inks should be rolled in a thin layer over the block or plate, their high pigment load will ensure a transfer of intense colour onto the paper. The palette of ten colours is designed to give artists pure pigmented colours straight from the jar, along with a wide range of colour mixing capabilities.

In addition, Gamblin relief inks are designed to suit the specific requirements needed for monotype printing. Their unique softer body and high pigment load allow them to be rolled out in thinner applications with greater colour intensity, particularly as you print multiple layers of colour.

You can also mix Gamblin relief ink with Gamblin oils to create an even wider range of colour. When mixing oil paint with relief ink, it may be necessary to add plate oil and/or tack reducer as the oil paint and ink have different viscosities. Using plate oils, as opposed to linseed oils, will not adversely affect the paper fibres over time.

Gamblin Relief Inks are formulated for all relief techniques including woodblock, linocut, monotype, and Solarplate. They contain the right amount of stiffness and tack to hold fine detail, yet spread evenly on the block or plate. These soft inks should be rolled in a thin layer over the block or plate, their high pigment load will ensure a transfer of intense colour onto the paper. The palette of ten colours is designed to give artists pure pigmented colours straight from the jar, along with a wide range of colour mixing capabilities.

In addition, Gamblin relief inks are designed to suit the specific requirements needed for monotype printing. Their unique softer body and high pigment load allow them to be rolled out in thinner applications with greater colour intensity, particularly as you print multiple layers of colour.

You can also mix Gamblin relief ink with Gamblin oils to create an even wider range of colour. When mixing oil paint with relief ink, it may be necessary to add plate oil and/or tack reducer as the oil paint and ink have different viscosities. Using plate oils, as opposed to linseed oils, will not adversely affect the paper fibres over time.

Gamblin Relief Inks are formulated for all relief techniques including woodblock, linocut, monotype, and Solarplate. They contain the right amount of stiffness and tack to hold fine detail, yet spread evenly on the block or plate. These soft inks should be rolled in a thin layer over the block or plate, their high pigment load will ensure a transfer of intense colour onto the paper. The palette of ten colours is designed to give artists pure pigmented colours straight from the jar, along with a wide range of colour mixing capabilities.

In addition, Gamblin relief inks are designed to suit the specific requirements needed for monotype printing. Their unique softer body and high pigment load allow them to be rolled out in thinner applications with greater colour intensity, particularly as you print multiple layers of colour.

You can also mix Gamblin relief ink with Gamblin oils to create an even wider range of colour. When mixing oil paint with relief ink, it may be necessary to add plate oil and/or tack reducer as the oil paint and ink have different viscosities. Using plate oils, as opposed to linseed oils, will not adversely affect the paper fibres over time.

Gamblin Relief Inks are formulated for all relief techniques including woodblock, linocut, monotype, and Solarplate. They contain the right amount of stiffness and tack to hold fine detail, yet spread evenly on the block or plate. These soft inks should be rolled in a thin layer over the block or plate, their high pigment load will ensure a transfer of intense colour onto the paper. The palette of ten colours is designed to give artists pure pigmented colours straight from the jar, along with a wide range of colour mixing capabilities.

In addition, Gamblin relief inks are designed to suit the specific requirements needed for monotype printing. Their unique softer body and high pigment load allow them to be rolled out in thinner applications with greater colour intensity, particularly as you print multiple layers of colour.

You can also mix Gamblin relief ink with Gamblin oils to create an even wider range of colour. When mixing oil paint with relief ink, it may be necessary to add plate oil and/or tack reducer as the oil paint and ink have different viscosities. Using plate oils, as opposed to linseed oils, will not adversely affect the paper fibres over time.