Featuring high carbon steel blades, this Flexcut Mini-Palm four piece set is perfect for minature carving. Those who enjoy carving fine detail will find this tools invaluable. Ranging in size from 1/8-inch down to 1/16-inch, the wooden handles fit comfortably in the palm. Comes in a handy wooden storage box. Includes: FR600 #3 x 1/8", FR601 #5 x 1/8", FR602 #11 x 1/16", FR603 70 deg. x 1/8".

The smooth surface and soft texture of the SoftCut lino sheets makes cutting easy: blades will glide through with minimal effort. SoftCut prints well onto a range of surfaces including paper, card and fabric. It can even print onto curved surfaces due to its flexibility. The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.

High-quality Swiss made carving tools suitable for either lino or wood cutting. Each tool is made from chrome vanadium steel, precisely forged, sharpened and polished for excellent results. Palm-handles are made of hardwood from ecologically managed Swiss forests. Full bolster and square tang for optimal stability. Internal steel ferrule under bolster prevents handle from splitting. Tools are hardened to edge of bevel. Blades electronically hardened to exacting tolerances.70mm blade length, 125mm overall length. Blade size - 4.pdf=pfeil-19.pdf More Information

These grey sheets / blocks of lino are especially made for "linocut" relief printmaking. They are 3.2mm thick, have a fabric backing, and are available in a range of sizes and packs. The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.

This innovative range of oil-based inks can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. Ideal for printmakers interested in a safe and non-toxic alternative. Caligo 'safe wash' inks are available for both relief and intaglio printing. Contains a small percentage of driers (less than 1%).Caligo Safe Wash Relief Inks are suitable for all types of relief printing, for example, linocut, woodcut, wood engraving, photopolymer and letterpress. Safe Wash Inks are oil-based, this means you can still use many of the modifiers used with traditional inks. For example you can use Magnesium Carbonate / Talc, Cobalt / Manganese Driers, or Caligo Wiping Compound / Tack Reducer etc. We also stock Caligo Safe Wash Oil - a washable oil that you can add to any ink from the Safe Wash range when you need to thin your ink a little.

Wood engravers use Tint Tools to create incisions on the surface of woodblocks. As woodblocks are inked with a roller, these recessed incisions do not receive ink. They therefore show up white in the final print.This is a medium-fine Tint Tool (#3), designed for cutting straight lines of a constant width. The trade engravers of the Nineteenth century referred to a series of parallel lines as a 'tint'. They used tints to depict colour and form; by varying the width and spacing of the lines that made up their tints, they were able to attain a sophisticated range of mid-tones, between the white of the paper and the black of the ink.This tool is not designed to cut curves; use a Graver or (preferably) a Spitsticker for that. The shank of the tool may be damaged if you force it to make corners.This tool was made from high carbon tool steel in the United States by E.C. Lyons. It is supplied factory-sharp, but it has not been honed to a fine edge. Please note, engraving tools are known by different names in the UK and the United States. Tint Tools are known as 'Angle Tints' or 'Angle Tint Tools' in the US.

Wood engravers use Square Scorpers to create incisions on the surface of woodblocks. As woodblocks are inked with a roller, these incisions do not receive ink, and therefore show up white in the final print. Because the tip of a Scorper is flat, rather than pointed (as Spitstickers and Gravers are), scorpers of larger sizes are used to clear large areas of woodblocks (often round the edge of the design, or at the corners of a block) so that they will not print.This is a medium Square Scorper (#42). It has strait sides, which means that it will cut a thick, bold line of a constant width. Because the tip of the cutting face is completely flat, lines cut with this tool will begin and end abruptly, with a square edge. They will not swell or taper, like lines made with a spitsticker or a graver might; nor will they be rounded at the ends, like cuts made with a Round Scorper.This tool was made from high carbon tool steel in the United States by E.C. Lyons. It is supplied factory-sharp, but it has not been honed to a fine edge. Please note, engraving tools are known by different names in the U.K. and the United States. Square Scorpers are known as 'Flat Gravers' in the U.S.A.

Square Gravers are used by wood engravers and copper engravers. The face of the tool is square-shaped and will cut a line as deep as it is wide. This is a fine Square Graver (#1).Copper engravers use Square Gravers to create incisions on the surface of metal plates, which will hold ink during the printing process. The lines thus show up as black in the final print.

This tool was made from high carbon tool steel in the United States by E.C. Lyons. It is supplied factory-sharp, but it has not been honed to a fine edge.

Please note, engraving tools are known by different names in the U.K. and the United States. Square Gravers are known as 'Square Burins' in the U.S.A.

Diamond point etching no. 1. For fine drypoint work.

This innovative range of oil-based inks can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. Ideal for printmakers interested in a safe and non-toxic alternative. Caligo 'safe wash' inks are available for both relief and intaglio printing. Contains a small percentage of driers (less than 1%).Caligo Safe Wash Relief Inks are suitable for all types of relief printing, for example, linocut, woodcut, wood engraving, photopolymer and letterpress. Safe Wash Inks are oil-based, this means you can still use many of the modifiers used with traditional inks. For example you can use Magnesium Carbonate / Talc, Cobalt / Manganese Driers, or Caligo Wiping Compound / Tack Reducer etc. We also stock Caligo Safe Wash Oil - a washable oil that you can add to any ink from the Safe Wash range when you need to thin your ink a little.

This innovative range of oil-based inks can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. Ideal for printmakers interested in a safe and non-toxic alternative. Caligo 'safe wash' inks are available for both relief and intaglio printing. Contains a small percentage of driers (less than 1%).Caligo Safe Wash Relief Inks are suitable for all types of relief printing, for example, linocut, woodcut, wood engraving, photopolymer and letterpress. Safe Wash Inks are oil-based, this means you can still use many of the modifiers used with traditional inks. For example you can use Magnesium Carbonate / Talc, Cobalt / Manganese Driers, or Caligo Wiping Compound / Tack Reducer etc. We also stock Caligo Safe Wash Oil - a washable oil that you can add to any ink from the Safe Wash range when you need to thin your ink a little.

Jackson's Polished Copper Etching Plate, made with 0.9mm polished copper plate for etching. The polished surface is protected with a plastic film so simply requires degreasing before applying ground.The back of the plate will require the application of an acid resistant stop out. Copper is a harder metal than zinc and plates will withstand more printing. It is also idealy suited to non-etching intaglio techniques such as drypoint and engraving and mezzotint.

For printmakers interested in non-toxic printmaking, Caligo are pleased to offer a new and innovative range of oil-based inks that can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. They call these inks ‘safe wash’ and they are available for both relief and intaglio printing.Caligo Safe Wash Etching inks are suitable for all types of intaglio printing, for example, etching, aquatint, line engraving etc.This range does not contain any driers. If you want faster drying rates, you can add a small amount of cobalt or manganese driers.

For printmakers interested in non-toxic printmaking, Caligo are pleased to offer a new and innovative range of oil-based inks that can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. They call these inks ‘safe wash’ and they are available for both relief and intaglio printing.Caligo Safe Wash Etching inks are suitable for all types of intaglio printing, for example, etching, aquatint, line engraving etc.This range does not contain any driers. If you want faster drying rates, you can add a small amount of cobalt or manganese driers.

This innovative range of oil-based inks can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. Ideal for printmakers interested in a safe and non-toxic alternative. Caligo 'safe wash' inks are available for both relief and intaglio printing. Contains a small percentage of driers (less than 1%).

Caligo Safe Wash Relief Inks are suitable for all types of relief printing, for example, linocut, woodcut, wood engraving, photopolymer and letterpress.

Safe Wash Inks are oil-based, this means you can still use many of the modifiers used with traditional inks. For example you can use Magnesium Carbonate / Talc, Cobalt / Manganese Driers, or Caligo Wiping Compound / Tack Reducer etc.

Gelli Arts Gel Printing Plates have the appearance and feel of gelatine, but are durable, reusable and can be stored at room temperature. Gel Printing Plates are easy to clean and are always ready for printing. When monoprinting on a Gelli plate the technique is simple and the gratification is immediate. pdf=Gelli_Instructions.pdf Gelli Plates Instructions and Care youtube=TjViUs3ftRU

The smooth surface and soft texture of the SoftCut lino sheets makes cutting easy: blades will glide through with minimal effort. SoftCut prints well onto a range of surfaces including paper, card and fabric. It can even print onto curved surfaces due to its flexibility. The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.

Speedball’s Fabric Block Printing Inks are an oil-based range of bold, permanent colours designed to be with washed up with soap and water. They are an opaque ink with excellent coverage and by adding Speedball’s Fabric Block Printing Transparent Extender you can create transparent colours while maintain the inks viscosity.These inks are designed to print onto smooth fabrics that do not possess a heavy texture or stretch such as cotton, linen, broadcloth or denim. Nylon and canvas are not recommended. Your printing block can be lino, wood or any similar surface and soft rubber rollers or brayers are ideally suited for inking the block.Speedball’s Fabric Block Printing Inks will dry to the touch overnight depending on your climate and they do not require any setting with heat. It is recommended you wait 4-7 days before washing your fabrics after printing.

The Lawrence Dabber is a traditional tool for inking an etching plate or applying grounds. The dabber is made of leather and has a wooden handle. Dab the leather pad onto the ground or ink to transfer it to the plate. This process is especially useful for very deeply bitten plates. Available in 2.5in diameter and 3in diameter.

Made from soft, natural latex gum rubber with a precision-ground finish, Speedball Soft Rubber Brayers are ideal for use with linoleum, vinyl, or wood blocks.  The heavy-duty steel frame provides enhanced durability, and the flexibility of the 40/42 durometer rubber ensures for even ink distribution especially over uneven surfaces. The roller diameter is 30mm and the widths range from 1.5in/38mm to 6in/150mm.  Designed for use with water based and oil based inks. Care should be taken with the rubber rollers when cleaning and storing.  Lightly dust with talc to avoid the surface becoming sticky and ensure the surface of the roller is not pressing against anything when put away.

For printmakers interested in non-toxic printmaking, Caligo are pleased to offer a new and innovative range of oil-based inks that can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. They call these inks ‘safe wash’ and they are available for both relief and intaglio printing.Caligo Safe Wash Etching inks are suitable for all types of intaglio printing, for example, etching, aquatint, line engraving etc.This range does not contain any driers. If you want faster drying rates, you can add a small amount of cobalt or manganese driers.

This heavyweight roller is perfectly smooth allowing for a greater quantity of ink to be held and in doing so also means a greater amount of coverage.  A wet roller can simply be turned over and the handle doubles as a stand for cleaner working. Made from a hand-ground concentric EPDM rubber surface, which means it is flexible yet resistant to weathering. The EDPM rubber is of medium hardness and gives excellent pickup and deposit of all types of ink. This tool is the choice for the artisan printmaker with good recovery to indentation, and resistance to common printing chemicals. Perfect for printmaking, wood engraving and woodcut.

This Junior Double Rubber Etching Tool has a thick rubber coating for extra comfort and cushioning when cutting. The two tips are made of hard steel and have a hand polished finish.

This heavyweight roller is perfectly smooth allowing for a greater quantity of ink to be held and in doing so also means a greater amount of coverage.  A wet roller can simply be turned over and the handle doubles as a stand for cleaner working. Made from a hand-ground concentric EPDM rubber surface, which means it is flexible yet resistant to weathering. The EDPM rubber is of medium hardness and gives excellent pickup and deposit of all types of ink. This tool is the choice for the artisan printmaker with good recovery to indentation, and resistance to common printing chemicals. Perfect for printmaking, wood engraving and woodcut.

This innovative range of oil-based inks can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. Ideal for printmakers interested in a safe and non-toxic alternative. Caligo 'safe wash' inks are available for both relief and intaglio printing. Contains a small percentage of driers (less than 1%).Caligo Safe Wash Relief Inks are suitable for all types of relief printing, for example, linocut, woodcut, wood engraving, photopolymer and letterpress. Safe Wash Inks are oil-based, this means you can still use many of the modifiers used with traditional inks. For example you can use Magnesium Carbonate / Talc, Cobalt / Manganese Driers, or Caligo Wiping Compound / Tack Reducer etc. We also stock Caligo Safe Wash Oil - a washable oil that you can add to any ink from the Safe Wash range when you need to thin your ink a little.