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Arts & Crafts > Fine Art Supplies > Printmaking
This set includes 6 different lino cutters which produce a variety of cuts and carving styles. The safety cutter and hand guard ensure safe working for young or less experienced users. Recommended age: 10+ with adult supervision. Contents Include: 5 x Lino Cutters (blade styles 1 to 5) 1 x Safety Lino Cutter Style A 1 x Lino Cutter Handle 1 x Aluminium Ferrule 2 x Grey Lino Blocks 7" x 5" / 178mm x 127mm 2 x Softcut Lino Blocks 6" x 4" / 150mm x 100mm 1 x Practice Piece Of Lino 1 x Brayer Ink Roller 4" / 100mm wide 1 x Ink Tray 9.4" x 7.87" / 240mm x 200mm 1 x Safety Hand Guard 1 x Baren Cap 1 x Baren Base 1 x 100ml Tube Of Water Based Block Printing Ink 2 x 45mm Softcut Self Adhesive Circular Printing Stamps 1 disc holder Instruction Leaflet
This innovative range of oil-based inks can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. Ideal for printmakers interested in a safe and non-toxic alternative. Caligo 'safe wash' inks are available for both relief and intaglio printing. Contains a small percentage of driers (less than 1%).Caligo Safe Wash Relief Inks are suitable for all types of relief printing, for example, linocut, woodcut, wood engraving, photopolymer and letterpress. Safe Wash Inks are oil-based, this means you can still use many of the modifiers used with traditional inks. For example you can use Magnesium Carbonate / Talc, Cobalt / Manganese Driers, or Caligo Wiping Compound / Tack Reducer etc. We also stock Caligo Safe Wash Oil - a washable oil that you can add to any ink from the Safe Wash range when you need to thin your ink a little.
The Essdee Soft Lino Roller is designed for use in relief printmaking, and is an effective tool for inking lino sheets and softer surfaces such as Speedball Speedy Carve Blocks.Developed for relief printing, this softer 40 shore synthetic rubber roller is resistant to printers chemicals and not affected by exposure to daylight. Designed to give a more compliant coverage than hard rubber material, it is more forgiving on uneven surfaces. It is a favourite with certain printing methods but needs extra care in storage to prevent indentation to its soft surface.
This heavyweight roller is perfectly smooth allowing for a greater quantity of ink to be held and in doing so also means a greater amount of coverage. A wet roller can simply be turned over and the handle doubles as a stand for cleaner working. Made from a hand-ground concentric EPDM rubber surface, which means it is flexible yet resistant to weathering. The EDPM rubber is of medium hardness and gives excellent pickup and deposit of all types of ink. This tool is the choice for the artisan printmaker with good recovery to indentation, and resistance to common printing chemicals. Perfect for printmaking, wood engraving and woodcut.
These grey sheets / blocks of lino are especially made for "linocut" relief printmaking. They are 3.2mm thick, have a fabric backing, and are available in a range of sizes and packs. The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.
Gelli Arts Gel Printing Plates have the appearance and feel of gelatine, but are durable, reusable and can be stored at room temperature. Gel Printing Plates are easy to clean and are always ready for printing. When monoprinting on a Gelli plate the technique is simple and the gratification is immediate. pdf=Gelli_Instructions.pdf Gelli Plates Instructions and Care youtube=TjViUs3ftRU
This innovative range of oil-based inks can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. Ideal for printmakers interested in a safe and non-toxic alternative. Caligo 'safe wash' inks are available for both relief and intaglio printing. Contains a small percentage of driers (less than 1%).Caligo Safe Wash Relief Inks are suitable for all types of relief printing, for example, linocut, woodcut, wood engraving, photopolymer and letterpress. Safe Wash Inks are oil-based, this means you can still use many of the modifiers used with traditional inks. For example you can use Magnesium Carbonate / Talc, Cobalt / Manganese Driers, or Caligo Wiping Compound / Tack Reducer etc. We also stock Caligo Safe Wash Oil - a washable oil that you can add to any ink from the Safe Wash range when you need to thin your ink a little.
These grey sheets / blocks of lino are especially made for "linocut" relief printmaking. They are 3.2mm thick, have a fabric backing, and are available in a range of sizes and packs. The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.
High quality relief carving tools designed for lino and wood cutting. Suitable for students and professionals alike.Each tempered steel blade is manually sharpened and firmly attached to the handle. The black lacquered wooden handle has a long domed shape perfect for precision use.
White varnished steel prints rack with revolving wheels. Not designed for repeated assembly and dis-assembly.Width: 86cmHeight: 85cm Depth: 43cmTakes: A1 & A29.5 kilos with packaging.
Fine woven wool flannel blanket 2.4mm/1/16thin thick. The woven blanket is more durable and will hold it's shape for longer than a compressed felt. The fronting blanket is designed to lie next to the paper when printing and will soak up water and size from the paper. To protect your blanket please ensure you bevel your metal plates if they are 1mm or thicker. Regular cold/delicate wash with a wool detergent will ensure years of use.
Fluffy swanskin blanket is highly compressible with the ability to bounce back into shape. In addition this highest quality blanket has a woven core so retains its shape for years. Regular cold/delicate wash with a wool detergent will ensure years of use. 1/4in/7mm thick.
Fine woven wool flannel blanket 2.4mm/1/16thin thick. The woven blanket is more durable and will hold it's shape for longer than a compressed felt. The fronting blanket is designed to lie next to the paper when printing and will soak up water and size from the paper. To protect your blanket please ensure you bevel your metal plates if they are 1mm or thicker. Regular cold/delicate wash with a wool detergent will ensure years of use.
Fluffy swanskin blanket is highly compressible with the ability to bounce back into shape. In addition this highest quality blanket has a woven core so retains its shape for years. Regular cold/delicate wash with a wool detergent will ensure years of use. 1/4in/7mm thick.
Fine woven wool flannel blanket 2.4mm/1/16thin thick. The woven blanket is more durable and will hold it's shape for longer than a compressed felt. The fronting blanket is designed to lie next to the paper when printing and will soak up water and size from the paper. To protect your blanket please ensure you bevel your metal plates if they are 1mm or thicker. Regular cold/delicate wash with a wool detergent will ensure years of use.
Fine woven wool flannel blanket 2.4mm/1/16thin thick. The woven blanket is more durable and will hold it's shape for longer than a compressed felt. The fronting blanket is designed to lie next to the paper when printing and will soak up water and size from the paper. To protect your blanket please ensure you bevel your metal plates if they are 1mm or thicker. Regular cold/delicate wash with a wool detergent will ensure years of use.
Fluffy swanskin blanket is highly compressible with the ability to bounce back into shape. In addition this highest quality blanket has a woven core so retains its shape for years. Regular cold/delicate wash with a wool detergent will ensure years of use. 1/4in/7mm thick.
Fluffy swanskin blanket is highly compressible with the ability to bounce back into shape. In addition this highest quality blanket has a woven core so retains its shape for years. Regular cold/delicate wash with a wool detergent will ensure years of use. 1/4in/7mm thick.
Fluffy swanskin blanket is highly compressible with the ability to bounce back into shape. In addition this highest quality blanket has a woven core so retains its shape for years. Regular cold/delicate wash with a wool detergent will ensure years of use. 1/4in/7mm thick.
This innovative range of oil-based inks can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. Ideal for printmakers interested in a safe and non-toxic alternative. Caligo 'safe wash' inks are available for both relief and intaglio printing. Contains a small percentage of driers (less than 1%).Caligo Safe Wash Relief Inks are suitable for all types of relief printing, for example, linocut, woodcut, wood engraving, photopolymer and letterpress. Safe Wash Inks are oil-based, this means you can still use many of the modifiers used with traditional inks. For example you can use Magnesium Carbonate / Talc, Cobalt / Manganese Driers, or Caligo Wiping Compound / Tack Reducer etc. We also stock Caligo Safe Wash Oil - a washable oil that you can add to any ink from the Safe Wash range when you need to thin your ink a little.
A medium, 1000 grit multiform synthetic waterstone from Japan. On one edge the curved radius changes from 13mm to 3mm over its length. The opposite edge is tapered at an angle of about 40° making it ideal for sharpening the inside of V tools. The overall design allows the sharpening of a wide variety of tools from flat and wide to small narrow gouges and all V tools. The 1000 grit can be described as a medium stone and is used to sharpen to an almost perfect cutting edge. The 4000 grit or fine stone is used for the final hone and polish and will leave the tool ready for use. Before use the stones will need to be soaked in water for 10 to 15 minutes. After use the stones are best air dried and wrapped in a soft cloth for storage.
Gamblin Relief Inks are formulated for all relief techniques including woodblock, linocut, monotype, and Solarplate. They contain the right amount of stiffness and tack to hold fine detail, yet spread evenly on the block or plate. These soft inks should be rolled in a thin layer over the block or plate, their high pigment load will ensure a transfer of intense colour onto the paper. The palette of ten colours is designed to give artists pure pigmented colours straight from the jar, along with a wide range of colour mixing capabilities.
Caligo Safe Wash Relief Inks are suitable for all types of relief printing, for example, linocut, woodcut, wood engraving, photopolymer and letterpress. Safe Wash Inks are oil-based, this means you can still use many of the modifiers used with traditional inks. For example you can use Magnesium Carbonate / Talc, Cobalt / Manganese Driers, or Caligo Wiping Compound / Tack Reducer etc.
The smooth surface and soft texture of the SoftCut lino sheets makes cutting easy: blades will glide through with minimal effort. SoftCut prints well onto a range of surfaces including paper, card and fabric. It can even print onto curved surfaces due to its flexibility. The surface of the lino is cut away using special lino cutters or a knife to form the basis of the lino print. The block is inked up with a roller (known as a brayer) and this creates a positive image when printed onto paper or fabric. The printing process can be done by hand or with a press. You can use water-based lino ink, oil-based lino ink, or a block printing medium mixed with paint.
This new-generation acid resist has been specially designed as part of the acrylic-resist etching system. The lines and marks which can be generated by using the Lascaux Hard resist are comparable to those offered by traditional hard grounds. It is painted on the plate in a thin even layer which when dry can be drawn into with etching tools. As the waxy resist allows free movement of the etching needle, delicate line drawings can be made. The resist may be used in its clear form or coloured after application. Broader open marks can also be created in the layer of resist. Lascaux Hard resist is water-soluble, ready to use, nontoxic and suitable for use on copper, brass, zinc, steel and aluminium. Plates should be correctly prepared, whether unbitten or previously etched (e.g. aquatint, deep open bite). The resist is highly acid resistant and durable. It is compatible with the other Lascaux resists and photopolymer resists such as Photec. Lascaux Hard resist may also be used to create a variety of effects on collagraph plates |
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