Lawrence French 88 is a comprehensive range of etching inks from TN Lawrence & Son. This superbly crafted, highly pigmented ink is perfect for a wide range of intaglio printmaking techniques such as engraving, etching, drypoint, mezzotint, and aquatint. Each colour in this range is formulated with the finest linseed oil and adheres to traditional methods to ensure vividness and longevity.

Rated 6 or higher on the International Blue Wool Scale for lightfastness, these inks preserve the brilliance and detail of your etchings over time. The smooth consistency makes them ideal for printing intricate lines and finely detailed designs, ensuring optimal results in every application.

Available in convenient sizes of 75ml and 150ml tubes, as well as 500g and 1kg tins, Lawrence French 88 Etching Ink provides professional quality performance for artists seeking precision and reliability in their printmaking practice.

Please note, that the tins are supplied by weight and not volume. Different colours will weigh different amounts so some tins may appear fuller than others.

Lawrence French 88 is a comprehensive range of etching inks from TN Lawrence & Son. This superbly crafted, highly pigmented ink is perfect for a wide range of intaglio printmaking techniques such as engraving, etching, drypoint, mezzotint, and aquatint. Each colour in this range is formulated with the finest linseed oil and adheres to traditional methods to ensure vividness and longevity.

Rated 6 or higher on the International Blue Wool Scale for lightfastness, these inks preserve the brilliance and detail of your etchings over time. The smooth consistency makes them ideal for printing intricate lines and finely detailed designs, ensuring optimal results in every application.

Available in convenient sizes of 75ml and 150ml tubes, as well as 500g and 1kg tins, Lawrence French 88 Etching Ink provides professional quality performance for artists seeking precision and reliability in their printmaking practice.

Please note, that the tins are supplied by weight and not volume. Different colours will weigh different amounts so some tins may appear fuller than others.

Lawrence French 88 is a comprehensive range of etching inks from TN Lawrence & Son. This superbly crafted, highly pigmented ink is perfect for a wide range of intaglio printmaking techniques such as engraving, etching, drypoint, mezzotint, and aquatint. Each colour in this range is formulated with the finest linseed oil and adheres to traditional methods to ensure vividness and longevity.

Rated 6 or higher on the International Blue Wool Scale for lightfastness, these inks preserve the brilliance and detail of your etchings over time. The smooth consistency makes them ideal for printing intricate lines and finely detailed designs, ensuring optimal results in every application.

Available in convenient sizes of 75ml and 150ml tubes, as well as 500g and 1kg tins, Lawrence French 88 Etching Ink provides professional quality performance for artists seeking precision and reliability in their printmaking practice.

Please note, that the tins are supplied by weight and not volume. Different colours will weigh different amounts so some tins may appear fuller than others.

Lawrence French 88 is a comprehensive range of etching inks from TN Lawrence & Son. This superbly crafted, highly pigmented ink is perfect for a wide range of intaglio printmaking techniques such as engraving, etching, drypoint, mezzotint, and aquatint. Each colour in this range is formulated with the finest linseed oil and adheres to traditional methods to ensure vividness and longevity.

Rated 6 or higher on the International Blue Wool Scale for lightfastness, these inks preserve the brilliance and detail of your etchings over time. The smooth consistency makes them ideal for printing intricate lines and finely detailed designs, ensuring optimal results in every application.

Available in convenient sizes of 75ml and 150ml tubes, as well as 500g and 1kg tins, Lawrence French 88 Etching Ink provides professional quality performance for artists seeking precision and reliability in their printmaking practice.

Please note, that the tins are supplied by weight and not volume. Different colours will weigh different amounts so some tins may appear fuller than others.

Lawrence French 88 is a comprehensive range of etching inks from TN Lawrence & Son. This superbly crafted, highly pigmented ink is perfect for a wide range of intaglio printmaking techniques such as engraving, etching, drypoint, mezzotint, and aquatint. Each colour in this range is formulated with the finest linseed oil and adheres to traditional methods to ensure vividness and longevity.

Rated 6 or higher on the International Blue Wool Scale for lightfastness, these inks preserve the brilliance and detail of your etchings over time. The smooth consistency makes them ideal for printing intricate lines and finely detailed designs, ensuring optimal results in every application.

Available in convenient sizes of 75ml and 150ml tubes, as well as 500g and 1kg tins, Lawrence French 88 Etching Ink provides professional quality performance for artists seeking precision and reliability in their printmaking practice.

Please note, that the tins are supplied by weight and not volume. Different colours will weigh different amounts so some tins may appear fuller than others.

Lawrence French 88 is a comprehensive range of etching inks from TN Lawrence & Son. This superbly crafted, highly pigmented ink is perfect for a wide range of intaglio printmaking techniques such as engraving, etching, drypoint, mezzotint, and aquatint. Each colour in this range is formulated with the finest linseed oil and adheres to traditional methods to ensure vividness and longevity.

Rated 6 or higher on the International Blue Wool Scale for lightfastness, these inks preserve the brilliance and detail of your etchings over time. The smooth consistency makes them ideal for printing intricate lines and finely detailed designs, ensuring optimal results in every application.

Available in convenient sizes of 75ml and 150ml tubes, as well as 500g and 1kg tins, Lawrence French 88 Etching Ink provides professional quality performance for artists seeking precision and reliability in their printmaking practice.

Please note, that the tins are supplied by weight and not volume. Different colours will weigh different amounts so some tins may appear fuller than others.

Lawrence pure beeswax in lump form. Beeswax is an ingredient in stop-outs and etching grounds. Due to its resistance to acid it is the preferred wax for printmakers and is an important raw material in the studio.

Lawrence Artist Quality Rollers are instantly recognisable around the world. Assembled in the UK using high quality UK manufactured components, these rollers have handles that have not changed in design for generations. The distinctive emerald green durethene and the full-thickness rubber add softness and weight to make inking up easy. With care, these rollers will last you a very long time and the wood and metal parts are durable and recyclable.

Lawrence artist quality roller frames are made from brass, a corrosion-resistant material, and designed with an integral stand when inverted during use. The turned beech wood handles, which are comfortable to hold, also have a small depression in the end to facilitate a screw eye or hook for hanging up.

Durathene is a special type of durable polyurethane that is less prone to degradation. It has an ultra-smooth surface and is nice and soft at 25-30 shore. The traditional soft rubber rollers have a full-thickness coating of rubber making them soft at 30 shore. Both types of material are perfect for relief printing techniques. The softness and weight combination assists with inking up and capturing the smallest of details.

Both materials are available in two diameters 50mm and 64mm and a large choice of lengths, with the largest roller, 64mm x 45cm having two handles due to its weight. The total inking areas can be calculated, for the 50mm diameter your inking area will be 15.5cm x roller width and for the 64mm diameter your inking area will be 20cm x roller width.

Replacement Rollers are available for the Artist Quality Durathene and the Artist Quality Rubber roller frames.

Cleaning: we advise that you only use vegetable or baby oil on your durathene rollers. Do not use harsh chemical cleaners such as turps, this will break down the roll. Do not use powder to keep the roller dry.

World renowned Swiss-made wood carving tools from Pfeil. All tools are forged from steel that is manufactured especially for them, and this special steel guarantees excellent elasticity and the best edge retention with extreme hardness.

The alloyed steel blade has a square tang which sits in an innovative octagonal-shaped handle, increasing stability and control. These tools have been sharpened and ground off so they are ready for use. These medium-sized tools are ideal for smaller hands and beginners tackling basic projects. Much consideration is given to the impact of manufacture on the environment. The handles are made from native wood and are treated with solvent free vegetable oil.

This is a short bent shallow U gouge with 7mm wide cutting edge. Ideal for cutting deep recesses. Pfeil's intermediate chisel range.

Lawrence Copper Sulphate Crystals for mixing up etchant for zinc, steel, and aluminium plates. Not for use with copper or brass. Copper Sulphate can also be used to create a saline sulphate etch by adding household cooking salt. This solution then becomes more active and helps avoid sediments building up inside your lines.

Ensure appropriate protective clothing is worn to avoid inhalation and contact with skin and eyes.

The water-based, high-quality aqua-Linoprint colours contain natural binders such as gum Arabic as well as organic/inorganic pigments. They are easy to apply due to optimum open-times and result in even, sharp prints with fast drying times (wipe-resistant after approx. 15 minutes).

All colours offer maximum light fastness (4 and 5 stars) and an excellent intensity (especially black). The formulation for the colours in tubes and jars is the same. Due to its fluid consistency all aqua-Linoprint colours can easily be applied to different surfaces such as paper, felt, cardboard and suitable also for wood engraving and printing with various materials.

The smooth colours are of pleasant odour and can be overprinted with other colours. They are intermixable, ready to use and can be diluted with water.

The water-based, high-quality aqua-Linoprint colours contain natural binders such as gum Arabic as well as organic/inorganic pigments. They are easy to apply due to optimum open-times and result in even, sharp prints with fast drying times (wipe-resistant after approx. 15 minutes).

All colours offer maximum light fastness (4 and 5 stars) and an excellent intensity (especially black). The formulation for the colours in tubes and jars is the same. Due to its fluid consistency all aqua-Linoprint colours can easily be applied to different surfaces such as paper, felt, cardboard and suitable also for wood engraving and printing with various materials.

The smooth colours are of pleasant odour and can be overprinted with other colours. They are intermixable, ready to use and can be diluted with water.

White spirit-based slower drying alternative to SOV.

The water-based, high-quality aqua-Linoprint colours contain natural binders such as gum Arabic as well as organic/inorganic pigments. They are easy to apply due to optimum open-times and result in even, sharp prints with fast drying times (wipe-resistant after approx. 15 minutes).

All colours offer maximum light fastness (4 and 5 stars) and an excellent intensity (especially black). The formulation for the colours in tubes and jars is the same. Due to its fluid consistency all aqua-Linoprint colours can easily be applied to different surfaces such as paper, felt, cardboard and suitable also for wood engraving and printing with various materials.

The smooth colours are of pleasant odour and can be overprinted with other colours. They are intermixable, ready to use and can be diluted with water.

High-quality Swiss made carving tools suitable for either lino or wood cutting. Each tool is made from chrome vanadium steel, precisely forged, sharpened and polished for excellent results. Palm-handles are made of hardwood from ecologically managed Swiss forests. Full bolster and square tang for optimal stability. Internal steel ferrule under bolster prevents handle from splitting. Tools are hardened to edge of bevel. Blades electronically hardened to exacting tolerances.70mm blade length, 125mm overall length. Blade - 5mm.pdf=pfeil-19.pdf More Information

Lawrence French 88 is a comprehensive range of etching inks from TN Lawrence & Son. This superbly crafted, highly pigmented ink is perfect for a wide range of intaglio printmaking techniques such as engraving, etching, drypoint, mezzotint, and aquatint. Each colour in this range is formulated with the finest linseed oil and adheres to traditional methods to ensure vividness and longevity.

Rated 6 or higher on the International Blue Wool Scale for lightfastness, these inks preserve the brilliance and detail of your etchings over time. The smooth consistency makes them ideal for printing intricate lines and finely detailed designs, ensuring optimal results in every application.

Available in convenient sizes of 75ml and 150ml tubes, as well as 500g and 1kg tins, Lawrence French 88 Etching Ink provides professional quality performance for artists seeking precision and reliability in their printmaking practice.

Please note, that the tins are supplied by weight and not volume. Different colours will weigh different amounts so some tins may appear fuller than others.

Mix acrylic colour 50% to provide consistency suitable for screen printing. Excellent adhesion and flexibility. Waterbased and non-toxic. Suitable for painting or printing onto fabric. Iron fixable. Conforms to USA Standard ASTM D-4238pdf=Textile_Medium.pdf Material Safety Data Sheet

Bespoke stand with extra shelf for the Art Equipment press RKEP3318. This stand is available with self levelling feet, useful if your studio has an uneven floor.

This innovative range of oil-based inks can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. Ideal for printmakers interested in a safe and non-toxic alternative. Caligo 'safe wash' inks are available for both relief and intaglio printing. Contains a small percentage of driers (less than 1%).Caligo Safe Wash Relief Inks are suitable for all types of relief printing, for example, linocut, woodcut, wood engraving, photopolymer and letterpress. Safe Wash Inks are oil-based, this means you can still use many of the modifiers used with traditional inks. For example you can use Magnesium Carbonate / Talc, Cobalt / Manganese Driers, or Caligo Wiping Compound / Tack Reducer etc. We also stock Caligo Safe Wash Oil - a washable oil that you can add to any ink from the Safe Wash range when you need to thin your ink a little.

Copperplate oils are the base carrier or vehicle for traditional printing inks to which pigment is added before grinding to the appropriate consistancy for the various printmaking techniques. Also known as boiled or burnt linseed oil, referring to their traditional method of modification, they are today created in a heated high pressure vessel. The process adds viscosisty and tack to the linseed oil in increasing degrees ranging from weak to strong as heating time is increased. As a rough guide the weaker (thin) to medium oil being the base for intaglio inks and the medium to strong (thick) oil the base for relief and lithographic inks. You can soften and loosen an ink by adding weak thinner oil and increase tack and viscosity by adding stronger thicker oil. pdf=SDS_Cornelissen_Copperplate_Ink_Oil.pdf Cornelissen Copperplate Ink Oil Safety Data Sheet.

Lawrence Original Linseed Oil Relief Ink is crafted from high quality linseed oils and vibrant, lightfast pigments. This formulation offers both superior pigmentation and an ideal viscosity, providing a smooth structure for your relief prints.

Lawrence linseed oil relief inks are one of Lawrence's most popular ranges; the formulas used to create them have been used for hundreds of years.

The subtle aroma of linseed oil enhances the traditional printmaking experience while preserving the brilliance of your work for years to come. All inks are rated 6 or higher on the International Blue Wool Scale for exceptional lightfastness.

This versatile range includes metallic options such as silver and gold, alongside a transparent base for nuanced printing effects. Suitable for all types of relief printing plates, these inks can be cleaned with ease using vegetable oil, followed by a low-odour or plant-based solvent for the final wipe.

Founded in 1859, TN Lawrence & Son has been a trusted name in fine art materials, delivering unparalleled quality to printmakers worldwide.

Akua Intaglio Ink was originally formulated for intaglio printmaking, however this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. It is a soy based ink which is made with high quality lightfast pigments. The inks have a thick consistency with minimal water content and contain no toxic driers - this means a longer working time. The ink cleans up easily with a dry rag followed by soap and water. Inexpensive liquid dish detergent can be used. Never use toxic solvents. Prints can be re-soaked immediately after printing if handled carefully. Once the print is dry, Akua Intaglio is permanent. Ink will never skin or harden in the jar or the ink slab, meaning minimal ink is wasted. Wiping the plate with Akua Intaglio is easier than wiping oil-based ink, meaning you need to spend less time cleaning up.

Economical zinc plate for etching, unpolished, and unbacked. The plate is 0.8mm thick which makes it good for use with small tabletop presses. The zinc has a fine milled finish, ready to polish and degrease for use with traditional resists and grounds.

Great for use with B.I.G. etching grounds or with acrylic grounds. These etching plates are also suitable for non-etched intaglio techniques such as drypoint and engraving.

The back of the plate will require the application of an acid-resistant stop out.

Square Gravers are used by wood engravers and copper engravers. The face of the tool is square-shaped and will cut a line as deep as it is wide. This is a fine Square Graver (#1).Copper engravers use Square Gravers to create incisions on the surface of metal plates, which will hold ink during the printing process. The lines thus show up as black in the final print.

This tool was made from high carbon tool steel in the United States by E.C. Lyons. It is supplied factory-sharp, but it has not been honed to a fine edge.

Please note, engraving tools are known by different names in the U.K. and the United States. Square Gravers are known as 'Square Burins' in the U.S.A.

Lawrence Original Linseed Oil Relief Ink is crafted from high quality linseed oils and vibrant, lightfast pigments. This formulation offers both superior pigmentation and an ideal viscosity, providing a smooth structure for your relief prints.

Lawrence linseed oil relief inks are one of Lawrence's most popular ranges; the formulas used to create them have been used for hundreds of years.

The subtle aroma of linseed oil enhances the traditional printmaking experience while preserving the brilliance of your work for years to come. All inks are rated 6 or higher on the International Blue Wool Scale for exceptional lightfastness.

This versatile range includes metallic options such as silver and gold, alongside a transparent base for nuanced printing effects. Suitable for all types of relief printing plates, these inks can be cleaned with ease using vegetable oil, followed by a low-odour or plant-based solvent for the final wipe.

Founded in 1859, TN Lawrence & Son has been a trusted name in fine art materials, delivering unparalleled quality to printmakers worldwide.