The burial grounds, graveyards and cemeteries of Fife contain many fascinating historical tales, often with interesting superstitions attached. All walks of life are represented - from the burial place of ancient kings, queens and saints in Scotland's ancient capital, Dunfermline, to the only known grave of a witch in Scotland, on the foreshore of the Firth of Forth. In this book local historian Charlotte Golledge takes readers on a tour through the history of Fife's burial grounds, graveyards and cemeteries. She explores the history of the royal burials at Dunfermline Abbey and the resting place of the bishops at St Andrews Cathedral, with the graves of Old Tom Morris and Young Tom Morris nearby who designed many of Scotland's iconic golf courses. Lesser-known locations include the secluded St Bridget's kirkyard in Dalgety Bay where bodysnatchers would row across the River Forth to claim freshly buried bodies for the anatomist's table, and the lovingly restored kirkyard at Tulliallan Old Kirk with its gravestones going back to the seventeenth century, many of which have been brought to the surface recently, showing the everyday trades of those interred, including nautical connections. Together, these are the tales of real people of Scotland told through their deaths and burials. This fascinating portrait of life and death in Fife over the centuries will appeal to both residents and visitors to this region of Scotland.

This is a book for people who are interested in statues . . . and for people who aren't. It explores those immortalised in marble and bronze - and what the rest of us think about them. As Roger Lytollis travels Britain he encounters a man at Liverpool's Beatles statue convinced that Rod Stewart was in the Fab Four. In Edinburgh he walks into a row over Greyfriars Bobby's nose and in Glasgow learns why the Duke of Wellington wears a traffic cone on his head. London brings a controversial nude statue and some hard truths about racism. Elsewhere, Roger sees people dancing with Eric Morecambe, finds a statue being the backdrop to a marriage proposal and, everywhere he goes, pigeons. Always pigeons . . . On a Pedestal is the first book to examine public statues around the nation. It looks at their emergence into our culture wars; the trend for portraying musicians, sports stars and comedians rather than monarchs, politicians and generals; the amazing tales of many of those commemorated on our streets. It also features interviews with sculptors, including Sir Antony Gormley, telling the stories behind some of our most popular modern statues. Part history book, part travelogue, On a Pedestal brings statues to life. Informative and entertaining, it's a book that - ultimately - is more about blood than bronze.

This book brings together 29 projects from the past ten years, completed and ongoing, designed by Paris-based h2o Architects. The presentation is arranged by thematic categories that stem from the firm's singular approach. The tasks vary greatly in type, scale and individual context: From a housing development in Paris to a hotel in Rio de Janeiro, from a temporary school pavilion and a timber construction for a vineyard to the rehabilitation of Paris's Museum of Modern Art in the eastern wing of Palais de Tokyo and other large public spaces. h2o Architectes' proposals are united by an approach that is always both radical and sensitive. Interviews conducted by architect and writer Fanny Leglise and essays by architect and anthropologist Miguel Mazeri and architect Bernard Tschumi shed light on various aspects of the firm's practice, vision and philosophy. The book also features poems by French writer and poet Frederic Forte, composed in situ at several of h2o Architectes' building sites. Photographs, renderings, and plans round out this first comprehensive monograph on one of France's leading up-and-coming architecture firms. Text in English and French.

An exploration of the abandoned tributaries of London's vast and vital transportation network through breathtaking images and unexpected stories Hidden London is a lavishly illustrated history of disused and repurposed London Underground spaces. It provides the first narrative of a previously secret and barely understood aspect of London's history. Behind locked doors and lost entrances lies a secret world of abandoned stations, redundant passageways, empty elevator shafts, and cavernous ventilation ducts. The Tube is an ever-expanding network that has left in its wake hidden places and spaces. Hidden London opens up the lost worlds of London's Underground and offers a fascinating analysis of why Underground spaces-including the deep-level shelter at Clapham South, the closed Aldwych station, the lost tunnels of Euston-have fallen into disuse and how they have been repurposed. With access to previously unseen archives, architectural drawings, and images, the authors create an authoritative account of London's hidden Underground story. This surprising and at times myth-breaking narrative interweaves spectacular, newly commissioned photography of disused stations and Underground structures today. Published in association with the London Transport Museum Exhibition Schedule: London Transport Museum (October 2019-October 2020)

In Cachan, a suburb south of Paris, Ateliers O-S Architectes was commissioned with transforming a local theatre building, originally built in the early twentieth century, into a thriving cultural centre. The commission went well beyond merely rebuilding and modernising an existing structure. Rather, the firm was tasked with creating an entirely new neighbourhood. Everything but the auditorium and stage of the old building was demolished and replaced with a more spacious, new complex including an additional hall, a new foyer and exhibition space, a restaurant, and new rooms for building and stage equipment. The neighbouring tennis court became a public park. Lever de Rideau presents the creation of Cachan's new Jacques Carat Theater. Designed to mimic a theatre programme, the book brings together short essays and interviews; portraits of key protagonists; a graphic short story; and ample illustrations, including plans and photographs by celebrated French photographer Cyrille Weiner, which show the building embedded in Cachan's urban fabric. Offering captivating behind-the-scenes insights, this unconventional book will be welcomed by readers interested in modern architecture and urban planning. Text in English and French.

The High Line, an innovative promenade created on a disused elevated railway in Manhattan, is one of the world's most iconic new urban landmarks. Since the opening of its first section in 2009, this unique greenway has exceeded all expectations in terms of attracting visitors, investment, and property development to Manhattan's West Side. Frequently celebrated as a monument to community-led activism, adaptive re-use of urban infrastructure, and innovative ecological design, the High Line is being used as a model for numerous urban redevelopment plans proliferating worldwide. Deconstructing the High Line is the first book to analyze the High Line from multiple perspectives, critically assessing its aesthetic, economic, ecological, symbolic, and social impacts. Including several essays by planners and architects directly involved in the High Line's design, this volume also brings together a diverse range of scholars from the fields of urban studies, geography, anthropology, sociology, and cultural studies. Together, they offer insights into the project's remarkable success, while also giving serious consideration to the critical charge that the High Line is "Disney World on the Hudson," a project that has merely greened, sanitized, and gentrified an urban neighborhood while displacing longstanding residents and businesses. Deconstructing the High Line is not just for New Yorkers, but for anyone interested in larger issues of public space, neoliberal redevelopment, creative design practice, and urban renewal.

In his new book, Michael J. Hogan, a leading historian of the American presidency, offers a new perspective on John Fitzgerald Kennedy, as seen not from his life and times but from his afterlife in American memory. The Afterlife of John Fitzgerald Kennedy considers how Kennedy constructed a popular image of himself, in effect, a brand, as he played the part of president on the White House stage. The cultural trauma brought on by his assassination further burnished that image and began the process of transporting Kennedy from history to memory. Hogan shows how Jacqueline Kennedy, as the chief guardian of her husband's memory, devoted herself to embedding the image of the slain president in the collective memory of the nation, evident in the many physical and literary monuments dedicated to his memory. Regardless of critics, most Americans continue to see Kennedy as his wife wanted him remembered: the charming war hero, the loving husband and father, and the peacemaker and progressive leader who inspired confidence and hope in the American people.

What we know of war is always mediated knowledge and feeling. We need lenses to filter out some of its blinding, terrifying light. These lenses are not fixed; they change over time, and Jay Winter's panoramic history of war and memory offers an unprecedented study of transformations in our imaginings of war, from 1914 to the present. He reveals the ways in which different creative arts have framed our meditations on war, from painting and sculpture to photography, film and poetry, and ultimately to silence, as a language of memory in its own right. He shows how these highly mediated images of war, in turn, circulate through language to constitute our 'cultural memory' of war. This is a major contribution to our understanding of the diverse ways in which men and women have wrestled with the intractable task of conveying what twentieth-century wars meant to them and mean to us.

Amidst the ruins of postwar Europe, and just as the Cold War dawned, many new memorials were dedicated to those Americans who had fought and fallen for freedom. Some of these monuments, plaques, stained-glass windows and other commemorative signposts were established by agents of the US government, partly in the service of transatlantic diplomacy; some were built by American veterans' groups mourning lost comrades; and some were provided by grateful and grieving European communities. As the war receded, Europe also became the site for other forms of American commemoration: from the sombre and solemn battlefield pilgrimages of veterans, to the political theatre of Presidents, to the production and consumption of commemorative souvenirs. With a specific focus on processes and practices in two distinct regions of Europe - Normandy and East Anglia - Sam Edwards tells a story of postwar Euro-American cultural contact, and of the acts of transatlantic commemoration that this bequeathed.

This is the seventeenth volume in the series the Public Sculpture of Britain, part of the PMSA National Recording Project, which will eventually cover the whole of the country. The introduction considers the ways in which the rural and urban landscapes of Sussex, from market town, rural village and country estate, to city, major seaside resort and new town development, are reflected in the county's public sculptures. The historical period covered ranges from the allegedly pre-historic (the Long Man of Wilmington) to the present day (the most recent entry is Maggi Hambling's The Resurrection Spirit, 2013). There is a high proportion of nineteenth- century sculptures, including significant works by John Flaxman, Michael Rysbrack, Frances Chantrey and John Edward Carew; the 'statuemania' that characterised the last part of this century is well illustrated by Thomas Brock's imposing statue celebrating Queen Victoria's Diamond Jubilee on Hove seafront. The achievements of major twentieth and twenty-first century sculptors are represented by Elisabeth Frink and William Pye among others. Many works from this period are the result of public art initiatives by local councils, often as part of more wide-ranging regeneration schemes for Sussex towns. The patronage of health authorities, influenced by new thinking about the calming and healing qualities of art in public places has also benefitted both local sculptors and those based elsewhere in the country. Each individual work is catalogued, with precise details of location, condition and history, including commissioning, opening ceremonies and re-siting. Most are individually illustrated in black and white. Biographies of local and less well-known sculptors, together with a selected bibliography are included at the end of the volume.

In this book, Eugene J. Johnson traces the invention of the opera house, a building type of world wide importance. Italy laid the foundation theater buildings in the West, in architectural spaces invented for the commedia dell'arte in the sixteenth century, and theaters built to present the new art form of opera in the seventeenth. Rulers lavished enormous funds on these structures. Often they were among the most expensive artistic undertakings of a given prince. They were part of an upsurge of theatrical invention in the performing arts. At the same time, the productions that took place within the opera house could threaten the social order, to the point where rulers would raze them. Johnson reconstructs the history of the opera house by bringing together evidence from a variety of disciplines, including music, art, theatre, and politics. Writing in an engaging manner, he sets the history of the opera house within its broader early modern social context.

This graduate and advanced undergraduate textbook systematically addresses all core topics in physical and engineering acoustics. Written by a well-known textbook author with 39 years of experience performing research, teaching, and mentoring in the field, it is specially designed to provide maximum support for learning. Presentation begins from a foundation that does not assume prior study of acoustics and advanced mathematics. Derivations are rigorous, thoroughly explained, and often innovative. Important concepts are discussed for their physical implications and their implementation. Many of the examples are mini case studies that address systems students will find to be interesting and motivating for continued study. Step-by-step explanations accompany example solutions. They address both the significance of the example and the strategy for approaching it. Wherever techniques arise that might be unfamiliar to the reader, they are explained in full. Volume I contains 186 homework exercises, accompanied by a detailed solutions manual for instructors. This text, along with its companion, Volume II: Applications, provides a knowledge base that will enable the reader to begin undertaking research and to work in core areas of acoustics.

This book explains how energy demand and energy consumption in new buildings can be predicted and how these aspects and the resulting CO2 emissions can be reduced. It is based upon the authors' extensive research into the design and energy optimization of office buildings in Chile. The authors first introduce a calculation procedure that can be used for the optimization of energy parameters in office buildings, and to predict how a changing climate may affect energy demand. The prediction of energy demand, consumption and CO2 emissions is demonstrated by solving simple equations using the example of Chilean buildings, and the findings are subsequently applied to buildings around the globe. An optimization process based on Artificial Neural Networks is discussed in detail, which predicts heating and cooling energy demands, energy consumption and CO2 emissions. Taken together, these processes will show readers how to reduce energy demand, consumption and CO2 emissions associated with office buildings in the future. Readers will gain an advanced understanding of energy use in buildings and how it can be reduced.

In spite of the ephemeral nature of performed drama, playwrights such as Marlowe, Jonson, Webster, Fletcher, and Shakespeare were deeply interested in the endurance of their theatrical work and in their own literary immortality. This book re-evaluates the relationship between these early modern dramatists and literary posterity by considering their work within the context of post-Reformation memorialization. Providing fresh analyses of plays by major dramatists, Brian Chalk considers how they depicted monuments and other funeral properties on stage in order to exploit and criticize the rich ambiguities of commemorative rituals. The book also discusses the print history of the plays featured. The subject will attract scholars and upper-level students of Renaissance drama, memory studies, early modern theatre, and print history.

Tents, bandstands, displays, places for sitting, listening, seeing and being seen... Pavilions have myriad forms and as many functions. For architects and designers, they offer unique opportunities to experiment with form, construction, material, structure, surface and texture, often as prototypes for larger buildings or as purely artistic pursuits. A pavilion's particular location also offers rich possibilities for interaction with the landscapes, streetscapes and peoplescapes around it. Pavilions can be temples to digital interaction or provide oases of surreal calm and isolation. This is a selection of the best examples produced in recent years. From the cutting- edge forms of Sou Fujimoto to Zaha Hadid's Chanel pavilion, from small structures created entirely out of farm waste to a mirrored carapace conceived by Olafur Eliasson, each pavilion featured provides a lesson in the extreme possibilities of built form and demonstrates that many of the biggest ideas in architecture start small.

The new agricultural school in Salez, in the St. Gallen Rhine valley region, has a slender, airy and light appearance. It is an extremely intelligently conceived low-tech construction made of timber. The design is by Andy Senn, who has led his architectural office in St. Gallen since 1998 and has produced an extraordinary, homogeneous oeuvre in the last 20 years. Text in English and German.

The task of designing a large aquarium pre sents architects with a multiplicity of challenges: the fundamental elements of interior design - light, colour, and surfaces - must be meshed with special requirements concerning building technology. This book takes a comprehensive look at the development of architecture and display methods for artificial underwater worlds. Based on analysis of more than 50 historical and contemporary buildings, the editors formulate ten parameters to serve as guidelines in the design of future buildings. The aim of this publication is to provide architects and their clients, zoologists and operators of large aquariums, with planning parameters and quality criteria to help them in designing a sustainable aquarium. This book is the sixth volume in a series of publications by the Institute for Zoo Architecture at Anhalt University of Applied Sciences in Dessau.

Writing Spaces examines and compares discourses of architecture, urbanism and the built environment between 1960 and 2000, a period in which economies and cultures in the world have become ever more interdependent; in which technologies have revolutionized production and communications and when the social and spatial organisation of built environments and cities has been massively transformed. As a response to these developments, social theory has been recast, arguing that space is the medium of social change and hence political struggle.

In his new book, Michael J. Hogan, a leading historian of the American presidency, offers a new perspective on John Fitzgerald Kennedy, as seen not from his life and times but from his afterlife in American memory. The Afterlife of John Fitzgerald Kennedy considers how Kennedy constructed a popular image of himself, in effect, a brand, as he played the part of president on the White House stage. The cultural trauma brought on by his assassination further burnished that image and began the process of transporting Kennedy from history to memory. Hogan shows how Jacqueline Kennedy, as the chief guardian of her husband's memory, devoted herself to embedding the image of the slain president in the collective memory of the nation, evident in the many physical and literary monuments dedicated to his memory. Regardless of critics, most Americans continue to see Kennedy as his wife wanted him remembered: the charming war hero, the loving husband and father, and the peacemaker and progressive leader who inspired confidence and hope in the American people.

The streets and public spaces of London are rich with statues and monuments commemorating the city's great figures and events - from Nelson's Column in Trafalgar Square and Sir Christopher Wren's Great Fire Monument to the charming Peter Pan statue in Kensington Gardens. Executed in stone, bronze and a range of other materials, London's statues and monuments include work by some of the world's greatest sculptors, such as Edwin Lutyens and Sir Christopher Wren. This newly revised book takes account of the many new statues erected between 2012 and 2017, including those of Mary Seacole at St Thomas' Hospital and Amy Winehouse in Camden, and is a fully illustrated guide to the works and their stories: sometimes surprising and occasionally controversial, but always fascinating.

The Singapore shophouse is an architectural gem - a particular building form that is unique to the island. This book traces its development from rudimentary shophouse through various incarnations of decorative style - Neoclassical, Chinese Baroque, Jubilee-style, Edwardian, Rococo, Tropical Modern - all the while commenting on the various influences that fuelled its evolution. Each individual feature of the shophouse is examined, as is its change from rudimentary out-of-China structure to sophisticated dwelling house. Numerous examples of shophouse interiors today complete the odyssey - showcasing Shophouse as Temple, Clan House, Home, Boutique Hotel, Shop, Restaurant Coffeeshop and more, we see how these heritage buildings continue to be relevant in the era of the skyscraper and shopping mall. This is the first qualitative study of neo Chinese architecture and how it was effectively adapted by successive colonial authorities throughout the 19th and 20th centuries so much so that its enduring qualities of form and function continues to resonate.

This book is about the currently evolving global standardization of corporate workplace models and the challenges this poses for their implementation in a local context. In recent years, multinational corporations were increasingly engaged in the development of standardized global workplace models. For their implementation and feasibility, it is decisive as how these standards fit the diverse regional workplace cultures. This topic was pursued in the course of a research project, comparing established workplaces in Germany, USA and Japan against global workplace standards of multinational corporations. The analysis confirmed the expected differences among local workplaces and on the other hand a predominant mainstream among global corporate workplace standards. Conspicuous however, are the fundamental differences between local models and corporate standards. For the implementation of global standards in local context, this implies multiple challenges on cultural, organizational and spatial level. The analysis findings provide information for assessing current projects and pinpointing optimization measures. The analysis framework further provides a tool to uncover and assess needs and restrictions for the development of future workplace models.

Zaha Hadid was a revolutionary architect. For years, she was widely acclaimed and won numerous prizes despite building practically nothing. Some even said her work was simply impossible to build. Yet, during the latter years of her life, Hadid's daring visions became a reality, bringing a new and unique architectural language to cities and structures such as the Port House in Antwerp, the Al Janoub Stadium near Doha, Qatar, and the spectacular new airport terminal in Beijing. By her untimely death in 2016, Hadid was firmly established among architecture's finest elite, working on projects in Europe, China, the Middle East, and the United States. She was the first female architect to win both the Pritzker Prize for architecture and the prestigious RIBA Royal Gold Medal, with her long-time Partner Patrik Schumacher now the leader of Zaha Hadid Architects and in charge of many new projects. Based on the massive TASCHEN monograph, this book is now available in an extensively updated and accessible edition covering Hadid's complete works, including ongoing projects. With abundant photographs, in-depth sketches, and Hadid's own drawings, the volume traces the evolution of her career, spanning not only her most pioneering buildings but also the furniture and interior designs that were integrated into her unique, and distinctly 21st-century, universe.