The first survey of the many redesigned and imitation historical landmarks and objects that dot the globe "John Darlington shows . . . it is not just written history that is malleable; it is also history on the ground, heritage in brick and stone, wood and metal."-Simon Jenkins, Times Literary Supplement What happens when the past-or, more specifically, a piece of cultural heritage-is fabricated? From 50 replica Eiffel Towers located around the world to Saddam Hussein's reconstructions of ancient cities, examples of forged heritage are widespread. Some are easy to dismiss as blatant frauds (the Piltdown Man), while others adhere to honest copying or respectful homage (the Parthenon in Nashville, Tennessee). This compelling book examines copies of historic buildings, faux archaeological sites, and other false artifacts, using them to explore the ethics and consequences of reconstructing the past; it also tackles the issues involved with faithful, "above-board" re-creations of ancient landmarks. John Darlington probes questions of historical authenticity, seeking the lessons that lurk when history is twisted to tell an untrue story. Amplified by stunning images, the narrative underscores how the issue of duplicating heritage is both intriguing and incredibly complex, especially in the twenty-first century-as communication and technology flourish, so too do our opportunities to be deceived.

To Office construction is one of the largest building tasks today. Corporate Offices in India is a compilation which features 20 offices across India covering major corporate houses. Architects and designers face the challenge of creating buildings and space that are functional yet stylish. This title presents 20 of India's most interesting corporate office, with a variety of combinations with companies ranging from entertainment, banks, energy to diversified categories. Striking photos and descriptive captions convey innovative design solutions that give new definitions to workplaces.

It is interdisciplinary teams with complex compositions that develop and realise exhibitions. Groenlandbasel directs a network of specialists and with Spaces and Stories enables an insight into the cooperation and the dedicated efforts of a wide range of involved parties. Exhibition thinkers and exhibition makers express themselves alongside each other in essays, shorter highlights and interviews. The texts are accompanied by a diverse selection of projects by Groenlandbasel: museum developments, special and permanent exhibitions, architecture, as well as indoor and outdoor installations. With text contributions from: Dominic Huber, Director Rimini Protokoll, Zurich; Nina Gorgus, Curator Historical Museum Frankfurt; Ramon De Marco, Sound Designer Idee und Klang, Basel; Daniel Tyradellis, freelance curator, Berlin; Beat Hachler, Director Alpine Museum of Switzerland, Bern; Sibylle Lichtensteiger, Director Stapferhaus Lenzburg. Text in English and German.

Every year, more than ten million visitors from around the world visit the Louvre s 68,000 square meters of gallery space containing more than 35,000 works of art. The Louvre is widely considered the most innovative of the world s preeminent museums. This gorgeous tome is a celebration of an enduring institution and the magnificent works of art that it houses. Rather than showing only isolated images of the artworks themselves, this book shows many of the pieces in the context of the beautiful galleries and spaces where they live, to give the reader an experience similar to being at the Louvre. The Louvre explores the eight centuries of fascinating history surrounding the museum, which began in the Middle Ages as a fortress, then became a royal residence which continued to enlarge, expand, and develop over the centuries with the most brilliant architects and painters being called to work on this architectural masterpiece. In 1793, the Louvre confirmed its role as a temple of the arts when it was made the first national museum open to the public. From then on, its collections continued to grow from its roots in the old royal collection, benefiting from acquisitions, archaeological discoveries, donations, and bequests. Centuries of growth, evolution, and transformation culminated in the 1980s with the Grand Louvre project symbolized by I.M. Pei s world-famous and critically acclaimed modernist pyramid.

This book aims to help architects, design teams and University clients (estates departments, and academics) in their pursuit of practical and innovative solutions for the creation of enabling higher education learning environments. It includes abundant examples of solutions to design problems and advice on best practice. This book argues that investment in the higher education sector is a driver for intellectual, social and economic development, offering opportunities for positive impacts for the physical environment on the character and performance of higher education. The editor believes that good outcomes result from good design, which should address elements such as learning from best current practice, the importance of clear briefing, good environmental performance, the positive social impacts and, also, the importance of ensuring a beautiful outcome. It has chapters contributed from leading-edge practices, including case studies with highly illustrated project examples. All this is underpinned by an understanding of the practicalities of working in the sector as well as the socio-political and economic context and trends shaping future practice.

This Design and Development Guide is an essential book for those who are involved in the initiation, planning, design and building of facilities for the various performing arts, from local to metropolitan locations. It includes the stages in the development, decisions to be taken, information requirements, feasibility and advice necessary in the design and development of a new or adapted building.
Part one of this guide provides the background information about the organisation of the performing arts, the prevailing issues, the client and various building types. In the second part, the author deals with the components of design and development, identifying the roles of the client, advisors and consultants, the stages to be achieved, including client's proposal feasibility, the process of briefing, design and building and eventually hand-over and opening night, with a consideration of the building use. Studies include the assessment of demand, site requirements, initial brief, building design and financial viability. Information requirements, as design standards, for the auditorium and platform/stage, and the support facilities, are included. Separate studies focus on the adaptation of existing buildings and provision for children and young persons.
THE CONTENT COVERS A WIDE RANGE OF PERFORMING ARTS (CLASSICAL MUSIC, POP/ROCK, JAZZ, MUSICALS, DANCE, DRAMA) AND PROVIDES INFORMATION ON EACH AS AN ART FROM AND NECESSITIES TO HOUSE PERFORMANCES.
* Comprehensive view of design and development including assessment of demand, site requirement, initial brief, building design and financial viability
* Coverage includes all categories including classical music, pop/ rock, jazz, musicals, dance and drama
* Links information to the design process and sequence of decision-making

Published in association with English Heritage, this fact-filled gift book is the perfect tribute to this iconic historical landmark, the best-known prehistoric monument in the world. With a history spanning 4,500 years, the mystery that surrounds Stonehenge is still as forceful as ever. Many different theories have been put forward about who built it, when and why. Was it a place for studying the movements of the sun and moon? Was it a sacred meeting place? Was it a place of healing? The Neolithic stones attract over a million visitors a year and whatever their meaning for people today, Stonehenge is undoubtedly a spiritual and uplifting ancient landscape. In this small book full of wonders devoted to the enigmatic stones, you'll find all the facts and figures you need to know: when the henge was built and why, who built it and why it was built where it was. You'll learn about life in Neolithic times, what the Romans did for Stonehenge, famous visitors over the centuries - both real and fictional, along with tales of the stones in popular culture - from psychedelic rock music to feature films.

This book focuses on difficulties and opportunities in revitalization of old, derelict or abandoned buildings into a library and investigates the transformation of buildings which originally had a different purpose. The publication shows worldwide best practice examples from different types of libraries in historic environments, both urban and rural, while maintaining a focus on sustainability concerning the architecture and interior design.

While some architects have a signature style, Renzo Piano seeks to apply coherent ideas to extraordinarily different projects. His buildings impress as much for their individual impact as for their diversity of scale, material, and form. Piano rose to international prominence with his codesign of the Pompidou Center in Paris, described by The New York Times as a building that "turned the architecture world upside down." Since then, he has continued to craft many high-profile cultural spaces, including the Modern Wing of the Art Institute of Chicago; the Morgan Library Renovation and Expansion in New York; and, most recently, the Whitney Museum of American Art, an asymmetric nine-story structure in Manhattan's Meatpacking District with both indoor and outdoor galleries. In New York and London, the Renzo touch has also transformed the skyline with the towers of the New York Times Building and the Shard, the tallest building in the European Union. This essential introduction travels from Osaka, Japan, to Bern, Switzerland, and through many cities, structures, and islands in between, to explore the staggering scope of the Renzo Piano repertoire. From the "inside-out" Pompidou to the airy shells of the Tjibaou Cultural Center in Noumea, New Caledonia, this is a thrilling journey through the beauty of architecture, where, in Piano's own words, "each time, it is like life starting all over again." About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

This book highlights human behaviour and architectural considerations for prescriptive code requirements for emergency exits in heritage cultural centers. Closed circuit television camera (CCTV) footage from a Canadian heritage cultural centre was analyzed from three separate unannounced evacuations, where recommendations based on the first two evacuations were implemented for the third. This study aims to (1) develop a baseline for the behaviour and actions of people during the pre-movement and movement stages of emergency egress and evacuation situations and (2) collect behavioural and movement data to aid the fire safety community with the decision process for egress and evacuation strategies and (3) interrogate and highlight architectural barriers in heritage structures with respect to emergency evacuation. The discussion of findings includes occupant behaviour, architectural implications and evacuation modelling and considers the often-conflicting intersection between architectural conservation and fire safety.

Although airports are now best known for interminable waits at check-in counters, liquid restrictions for carry-on luggage, and humiliating shoe-removal rituals at security, they were once the backdrops for jet-setters who strutted, martinis in hand, through curvilinear terminals designed by Eero Saarinen. In the critically acclaimed Naked Airport, Alastair Gordon traces the cultural history of this defining institution from its origins in muddy fields to its frontline position in the struggle against international terrorism.From global politics to action movies to the daily commute, Gordon shows how the airport has changed our sense of time, distance, and style, and ultimately the way cities are built and business is done. He introduces the people who shaped and were shaped by this place of sudden transition: pilots like Charles Lindbergh, architects like Le Corbusier, and political figures like Fiorello LaGuardia and Adolf Hitler. "Naked Airport" is a profoundly original history of a long-neglected yet central component of modern life.

In recognizing its 40th anniversary, Archigraphia Redux pays tribute to Archigraphia: Architectural and Environmental Graphics (Graphis, 1976) by Walter Herdeg (1908-1995), founder and editor of Graphis Magazine, and looks ahead to celebrate the breadth of architectural and environmental graphic design in the 21st century. Today's graphic designers are charged with furthering the story of a building or space and having that story connect with a diverse and varied audience. Whether as simple as a building sign for a corporation or commercial tenant or as extensive as a wayfinding sign system, environmental graphics reinforce a sense of place and allow us to respond to the built environment in a much more immediate, emotional, and memorable way than ever before. The built environment that we experience in our everyday lives continually relies upon graphic design to communicate information and identity, shape our overall perception and memory of a sense of place, and ultimately enliven, enrich, and humanize our lives. This new volume, features the same six chapters as the original--Pictograms and Symbols, Vehicular Sign Systems, Visual Guidance and Wayfinding Systems, Building Facades and Storefronts, Supergraphics and Animated Surfaces, and Transportation and Vehicle Graphics. A new seventh chapter covers New Approaches and Digital Technologies. Each chapter includes an introductory essay by authorities on each subject covered--Tom Geismar (United States), Ronald Shakespear (Argentina), Alex Wood (United Kingdom), Masaaki Hiromura (Japan), Paula Scher (United States), Peter Knapp (United Kingdom), and Nik Hafermaas (United States). Over 150 designers, architects, interior designers, landscape architects, and artists from over 40 countries are represented throughout the book.

This book brings together in English translation for the first time the two editions of Sir Syed Ahmed Khan's classic account of the monuments and environs of the pre-colonial city of Delhi, titled in Urdu Asar-us-Sanadid (The Remnants of Ancient Heroes). The translator provides a commentary in the form of annotations and appendices that demonstrates the historical development of the text between 1847 and 1854, also reflecting the life of its subject, Delhi, which was to be irreversibly transformed by the cataclysmic events of 1857. The volume includes sketches based on the lithographs in the first Urdu edition. The translation fills a crucial lacuna in the historical archive for nineteenth-century Delhi and will be a valuable resource for urban historians and students of Delhi's monumental history.

ETH Zurich's new building LEE is an extraordinary project from both an urban planning and an architectural design perspective. Located on a slope above the heart of town, it sits very prominently close to the historic main buildings of ETH Zurich and the University of Zurich that form the "Crown of the Town". In terms of construction, Zurich-based architect Fawad Kazi has been breaking new ground. Accordingly, this new monograph is structured in three sections focusing on these three aspects: integration into urban context; design and construction and materialisation of the precast concrete structure; and a comprehensive documentation of the entire building with images and plans. Topical essays look at specific aspects of the project. Contributions by the architect, the engineers, and by their client round out the book, which offers a comprehensive insight into the creation of a building appearing at once plain and highly complex.

Hamburg's new landmark, the Elbphilharmonie, with its unique architecture and acoustics, is not only a magnet for locals and tourists, but also for artists of all genres and from all over the world. Peter Hundert was allowed to accompany and portray the "heroes" of the Elbphilharmonie for over a year - artists, technicians, visitors. His pictures and original sounds from well over a hundred shows, rehearsals and sound checks are authentic testimonies to unadulterated emotions, intimate moments of highest concentration, deep contemplation, pure joy - and at the same time an exclusive look behind the scenes. They are inspiring glimpses of the people who fill this extraordinary concert hall with life and at the same time enter into a very personal dialogue with this special place.

In 1999 the Xunta de Galicia called an International Architecture Competition to build the City of Culture of Galicia on Mount Gaias in Santiago de Compostela. Twelve proposals by renowned national and international architects' studios were initially submitted to this competition for ideas. The architects who submitted their ideas for defining the architectural complex and its uses were Ricardo Bofill, Peter Eisenman, Manuel Gallego Jorreto, Annette Gigon and Mike Guyer, Steve Holl, Rem Koolhaas, Daniel Libeskind, Juan Navarro Baldeweg, Jean Nouvel, Dominique Perrault, Cesar Portela, and Santiago Calatrava (who later withdrew his project). Out of all these ideas, the final project to be selected for development was the design by Eisenman Architects, as - to quote the Jury - it was, "unique both in concept and plasticity, and exceptionally in tune with the site's location." Located in Santiago de Compostela, a historic city that is an emblem of the European cultural tradition and was declared a World Heritage Site by UNESCO in 1985, the City of Culture of Galicia stands on top of Mount Gaias, a formidable architectural landmark for the new century. Conceived as a large-scale cultural hub devoted to hosting the best of cultural expressions of Galicia, Spain, Europe, Latin America and the World, this new "city" will contribute with its inclusive and pluralistic approach to meeting the challenges of the information and knowledge society. Its unique buildings, connected up by streets and plazas equipped with state-of-the-art technology, create a space of excellence for reflection, debate and actions oriented towards the preservation of heritage and memory, towards study, research, experimentation, production and dissemination in the field of literature and thinking, music, drama, dance, film, the visual arts, audiovisual creation and communication. This book invites readers to stroll around a new city where past, present, and future cultures coexist: "A new cultural Babylon will open its doors to readers."

This book introduces the reader to the statues, busts, and memorial plaques of scientists, explorers, medicine men and women, and inventors found in the bustling capital of the United Kingdom, London. The former capital of the British Empire, London remains a world center of trade, navigation, finance and many more. It is also a hub of science, the seat of the Royal Society, Royal Institution, Science Museum, British Museum, Natural History Museum, and of great institutions of higher education. The historical figures depicted in these memorials are responsible for creating great institutions, milestone discoveries, contributions to the scientific and technological revolutions, fighting against epidemics, advancing medicine, and contributing to the progress seen during the past four hundred years. This is a guidebook for the visitor and the Londoner alike. It presents memorials that everybody is familiar with and others that the authors discovered during their years of painstaking research. The 750 images and the text, interlarded with anecdotes, is both informative and entertaining.

This pioneering study harnesses virtual reality to uncover the history of five venues that have been 'lost' to us: London's 1590s Rose Theatre; Bergen's mid-nineteenth-century Komediehuset; Adelaide's Queen's Theatre of 1841; circus tents hosting Cantonese opera performances in Australia's goldfields in the 1850s; and the Stardust showroom in 1950s Las Vegas. Shaping some of the most enduring genres of world theatre and cultural production, each venue marks a significant cultural transformation, charted here through detailed discussion of theatrical praxis and socio-political history. Using virtual models as performance laboratories for research, Visualising Lost Theatres recreates the immersive feel of venues and reveals performance logistics for actors and audiences. Proposing a new methodology for using visualisations as a tool in theatre history, and providing 3D visualisations for the reader to consult alongside the text, this is a landmark contribution to the digital humanities.

This innovative study of memorial architecture investigates how design can translate memories of human loss into tangible structures, creating spaces for remembering. Using approaches from history, psychology, anthropology and sociology, Sabina Tanovic explores purposes behind creating contemporary memorials in a given location, their translation into architectural concepts, their materialisation in the face of social and political challenges, and their influence on the transmission of memory. Covering the period from the First World War to the present, she looks at memorials such as the Holocaust museums in Mechelen and Drancy, as well as memorials for the victims of terrorist attacks, to unravel the private and public role of memorial architecture and the possibilities of architecture as a form of agency in remembering and dealing with a difficult past. The result is a distinctive contribution to the literature on history and memory, and on architecture as a link to the past.

The Bauhaus Building in Dessau, designed by Walter Gropius in 1926, represents a "built manifesto of Bauhaus ideas" and is one of modernism's most important buildings. Together with the associated Masters' Houses (Meisterhauser), the Houses with Balcony Access (Laubenganghauser) in Dessau, and Bauhaus buildings in Weimar and Bernau, it is included in UNESCO's World Heritage List. The book focuses on strategies for preserving the Bauhaus Building. It presents the building-and its eventful history-from its construction to its destruction, rebuilding, and restoration. Using texts, photographs, and numerous blueprints, the book provides a detailed exploration of specific aspects of the architecture-such as the building's outer shell, materials, construction, color scheme, and surfaces-and the long-term preservation concept for the site. In doing so, it proposes structural measures aimed at adapting the building to today's challenges and at conserving the building with its historic and artistic characteristics. Archaeology of Modernism. Preservation Bauhaus Dessau is the revised and expanded edition of Archaeology of Modernism. Renovation Bauhaus Dessau, which was published by JOVIS as Volume 23 of the EDITION BAUHAUS series in 2006. This new edition is presented as Volume 58.

From ancient stadium construction to a design object of the twenty-first century, sports arenas have long been turned into places hosting a global media spectacle. For a few hours or days, colossuses made of steel and concrete transform into colourful festival locations. Since the first ancient stadium in Greek Olympia, the typology of stadium construction has undergone a profound transformation: due to changes in requirements and demand, an urban entertainment centre has emerged from the simple running track in the countryside. Through selected examples of projects, this volume from the Construction and Design Manual series illustrates the development of stadiums in relation to building typologies. It provides a basic manual of stadium design using basic planning parameters. Examined are, amongst others, Olympic stadiums, football stadiums, velodromes and ice arenas. Drawings, detailed plans and large- format photos facilitate an understanding of the carefully selected examples and are used to analyse stadium construction in terms of its history, planning and architecture.

The life of Antoni Gaudi (1852-1926) was full of complexity and contradictions. As a young man he joined the Catalonian nationalist movement and was critical of the church; toward the end of his life he devoted himself completely to the construction of one single spectacular church, La Sagrada Familia. In his youth, he courted a glamorous social life and the demeanor of a dandy. By the time of his death in a tram accident on the streets of Barcelona his clothes were so shabby passersby assumed he was a beggar. Gaudi's incomparable architecture channels much of this multifaceted intricacy. From the shimmering textures and skeletal forms of Casa Batllo to the Hispano-Arabic matrix of Casa Vicens, his work merged the influences of Orientalism, natural forms, new materials, and religious faith into a unique Modernista aesthetic. Today, his unique aesthetic enjoys global popularity and acclaim. His magnum opus, the Sagrada Familia, is the most-visited monument in Spain, and seven of his works are UNESCO World Heritage Sites. Through brand-new photography, plans and drawings by Gaudi himself, historical photos, as well as an appendix detailing all his works-from buildings to furniture, decor to unfinished projects-this book presents Gaudi's universe like never before. Like a personal tour through Barcelona, we discover how the "Dante of architecture" was a builder in the truest sense of the word, crafting extraordinary constructions out of minute and mesmerizing details, and transforming fantastical visions into realities on the city streets.