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Books > Arts & Architecture > Architecture > Public buildings: civic, commercial, industrial, etc
How climate influenced the design strategies of modernist architects Modern Architecture and Climate explores how leading architects of the twentieth century incorporated climate-mediating strategies into their designs, and shows how regional approaches to climate adaptability were essential to the development of modern architecture. Focusing on the period surrounding World War II-before fossil-fuel powered air-conditioning became widely available-Daniel Barber brings to light a vibrant and dynamic architectural discussion involving design, materials, and shading systems as means of interior climate control. He looks at projects by well-known architects such as Richard Neutra, Le Corbusier, Lucio Costa, Mies van der Rohe, and Skidmore, Owings, and Merrill, and the work of climate-focused architects such as MMM Roberto, Olgyay and Olgyay, and Cliff May. Drawing on the editorial projects of James Marston Fitch, Elizabeth Gordon, and others, he demonstrates how images and diagrams produced by architects helped conceptualize climate knowledge, alongside the work of meteorologists, physicists, engineers, and social scientists. Barber describes how this novel type of environmental media catalyzed new ways of thinking about climate and architectural design. Extensively illustrated with archival material, Modern Architecture and Climate provides global perspectives on modern architecture and its evolving relationship with a changing climate, showcasing designs from Latin America, Europe, the United States, the Middle East, and Africa. This timely and important book reconciles the cultural dynamism of architecture with the material realities of ever-increasing carbon emissions from the mechanical cooling systems of buildings and offers a historical foundation for today's zero-carbon design.
Designing UNESCO: Art, Architecture and International Politics at Mid-Century represents the first full-length monograph on the genesis, construction and reception of the Paris headquarters of the United Nations' Educational, Scientific and Cultural Organization (UNESCO). The book traces the long and complex birth of UNESCO's permanent seat from its conception in 1950 to its inauguration in 1958, showing how its history constitutes a unique nexus of modernist practices in twentieth-century international politics, art, architecture and criticism. Drawing on a wide range of unpublished archival material and examining critical reception of the building in the local and international press, Christopher Pearson's analysis operates on formal, structural and theoretical levels, revealing many of the largely unspoken assumptions of modern architecture at mid-century and elucidating the conflicted relation between art and science in the post-war period. The volume also throws new light on many of the major architects and artists of the period, among them Breuer, Gropius, Le Corbusier and Eero Saarinen, as well as Picasso, Moore, MirA(3), Arp, Calder and Noguchi. Designing UNESCO is a compelling and original account of one of the most important, yet under-appreciated, buildings of twentieth-century modernism.
A nation's construction industry is essentially home grown, a derivative of its culture, history, geography and economic circumstances with every building or road a unique product, always a prototype, unlike the honed prototypes set up for efficient production runs of other industries. In terms of what was built and the standards achieved, Construction Industry Advance and Change: Progress in Eight Asian Economies since 1995 describes construction industry progress between 1995 and 2019 in Hong Kong , India, Indonesia, Japan, Malaysia, South Korea, Sri Lanka and Vietnam. The 25-year accounts provide insight into the nature of these individual construction industries, their shared characteristics, and their differing priorities. The book will add knowledge and contextual reference for construction industry professionals, public policy makers and academic researchers studying the industry. New students in construction industry management courses, will find the information and context needed to appreciate the nature of construction industries and the factors affecting industry output performance.
Presenting a critical and theoretical dimension to retail
design, Boutiques and Other Retail Spaces links the ideas behind it
to real practice in this innovative and important contribution to
architectural/interior theory literature. Retail structure has been subject to a dramatic and ongoing
transformation over the past thirty years, materializing in the
emergence of large-scale out-of-town shopping centres and new
specialized shops in city centres. These specialized boutiques are
highly designed, involving well-known architectural firms such as
OMA/Rem Koolhaas, David Chipperfield, Herzog + de Meuron amongst
others. With case studies and over 100 black and white images, Vernet and de Wit set forth original and well-grounded theory to accompany this popular and lucrative area of work.
The book goes beyond the assembly line to examine the physical environment of the industrial landscape. What machines are used to make cars and computer chips? Who are the people who make the products? When did robots replace humans on the assembly line? Why are factories configured the way they are? The Factory: A Social History of Work and Technology answers these questions and more, offering readers a behind-the-scenes look into the wonders of mass production. The book traces the history of the factory from the first small cottage workshop through the Industrial Revolution to the large, clean room it is today. It also examines the people behind the machines and how their roles have been defined by the design of factory buildings. Lastly, it illustrates the broader world of industrialization in relation to the effects it has had on workers and the consumer society that feeds it. Appeals to readers interested in world history, industrial tourism, and the robotics industry Explains the significance of the factory to American history and culture Tells the story of American factory work through spaces and objects Details how factory buildings have evolved over the years
Following on from the best selling Healthy Living Centres, this new edition explores the process of planning and designing buildings for frontline medical practice. Incorporating the theory that good design means healthy living the author shows the beneficial effects that a good brief can bring to the staff, patients and visitors of health care facilities and gives a practical guide to achieving this. After reviewing the historical approach to primary health care and outlining key current and projected developments, the book goes on to reveal the network of relationships that influence the design of the new generation of frontline medical practices. Purves sets new standards and procedures for uncovering and resolving the inherent conflicts of the design process, and shows how investment in effective architecture is beneficial to all users. International case studies including examples from the US, Japan and South Africa provide technical detail and show what a good design can achieve * Comprehensive technical coverage of primary health care planning and design * Exploration of the design process, focusing on the relationship between the architectural and medical profession * Highly illustrated, including 8 colour plate sections
Frank Furness (1839-1912) has remained a curiosity to architectural historians and critics, somewhere between an icon and an enigma, whose importance and impact have yet to be properly evaluated or appreciated. To some, his work pushed pattern and proportion to extremes, undermining or forcing together the historic styles he referenced in such eclectic buildings as the Pennsylvania Academy of the Fine Arts and the University of Pennsylvania Library. To others, he was merely a regional mannerist creating an eccentric personal style that had little resonance and modest influence on the future of architecture. By placing Furness in the industrial culture that supported his work, George Thomas finds a cutting-edge revolutionary who launched the beginnings of modern design, played a key part in its evolution, and whose strategies continue to affect the built world. In his sweeping reassessment of Furness as an architect of the machine age, Thomas grounds him in Philadelphia, a city led by engineers, industrialists, and businessmen who commissioned the buildings that extended modern design to Chicago, Glasgow, and Berlin. Thomas examines the multiple facets of Victorian Philadelphia's modernity, looking to its eager embrace of innovations in engineering, transportation, technology, and building, and argues that Furness, working for a particular cohort of clients, played a central role in shaping this context. His analyses of the innovative planning, formal, and structural qualities of Furness's major buildings identifies their designs as initiators of a narrative that leads to such more obviously modern figures as Louis Sullivan, William Price, Frank Lloyd Wright and eventually, the architects of the Bauhaus. Misunderstood and reviled in the traditional architectural centers of New York and Boston, Furness's projects, commissioned by the progressive industrialists of the new machine age, intentionally broke with the historical styles of the past to work in a modern way-from utilizing principles based on logistical planning to incorporating the new materials of the industrial age. Lavishly illustrated, the book includes more than eighty black-and-white and thirty color photographs that highlight the richness of his work and the originality of his design spanning more than forty years.
The name Farsons is as synonymous with Malta as Guinness is with Ireland. Louis Farrugia's visionary decision to conduct a European architectural competition has resulted in a stunningly beautiful and brilliant transformation of the 1951 Art Deco Farsons Old Brewhouse buildings. The gardens-courtyards-campus masterplan and architecture has been designed by the internationally renowned architects - ritchie*studio - led by Ian Ritchie, and realised in collaboration with Alex Torpiano's engineering-focused Maltese practice TBA Periti, and environmental physicist Doug King. Inspired by Maltese palace gardens and the coloured architectural elements of the island's vernacular buildings, and designed with respect for the force of the Mediterranean sun, this utterly contemporary mixed-use commercial architecture is a masterpiece of form, light and shade, sustainability and environmental engineering. Richard England, the celebrated Maltese architect wrote: "It is perhaps the finest building our island has seen over many a decade. It proves that real estate development can be produced enriched with what Vitruvius termed 'Venustas'. Rarely has Malta seen architecture of this excellence."
Building Community in Buildings takes us on a fascinating journey through workplaces large and small, old and new, traditional and contemporary, to explore the dynamic relationships between people and the structures in which they work. Noting that a child born today will spend 90 percent of his or her life inside, Jana Kemp and Ken Baker integrate insights from management and building design to reveal new understandings about workplace productivity and performance. Showcasing dozens of examples-from office buildings to libraries to hospitals-the authors highlight innovative practies that utilize space to promote creativity and collaboration, improve morale and motivation, and ensure employee health and safety. Featuring over a dozen photographs, practical recommendations, and the tools to conduct a workplace design survey in your own organization, Building Community in Buildings ultimately demonstrates that by investing in spaces that support people needs, companies will strengthen bottom-line results. Building Community in Buildings takes us on a fascinating journey through workplaces large and small, old and new, traditional and contemporary, to explore the dynamic relationships between people and the structures in which they work. Consider that in the 1950s, average North Americans spent approximately 50 percent of their time in buildings, compared to a child born today, who will spend 90 percent of his or her life inside. Clearly and increasingly, our social and cultural relationships are deeply influenced by the physical spaces in which they are created. Jana Kemp and Ken Baker integrate insights from management and building design to reveal new understandings about workplace productivity and performance. Showcasing dozens of examples-from the redesign of the Hood River Library in Oregon (with input from front-line employees) to the creation of open, naturally-lit spaces in Lockheed Building 157 (increasing employee productivity by 15%), the authors highlight innovative practices that utilize space to promote creativity and collaboration, improve morale and motivation, and ensure employee health and safety. They also explore the pros and cons of virtual workplaces, in which people are connected electronically but not physically, and trace the impact and influences of such trends as the green building movement. Featuring over a dozen photographs, practical recommendations, and the tools to conduct a workplace design survey in your own organization, Building Community in Buildings ultimately demonstrates that by investing in spaces that support people needs, companies will strengthen bottom-line results.
In this innovative study, Gita V. Pai traces the history of the Pudu Mandapam (Tamil, 'new hall') – a Hindu temple structure in Madurai – through the rise and fall of empires in south India from the seventeenth century to the present. This wide-ranging work illustrates how south Indian temples became entangled in broader conflicts over sovereignty, from early modern Nayaka kings, to British colonial rule, to the post-independence government today. Drawing from methodologies in anthropology, religious studies, and art and architectural history, the author argues that the small temple site provides profound insight into the relationship between aesthetics, sovereignty, and religion in modern South Asia.
Through a detailed study of the principal spaces of Italian cities, this book explores the relationship between political systems and their methods of representation in architecture. Illustrated by contemporary photographs and analytical drawings, it examines significant piazzas and situates these examples in their social and political contexts, highlighting the urban evidence of shifts between autocratic and democratic forms of government through history. The ideological role of political architecture is analyzed through the work of various theorists including ancient sources, Renaissance thinkers and modern critics. The complex evolution of individual spaces over time is represented by their physical layering from ancient times to the present day. Other examples connect the development of different characteristic types of Italian urban form in chronological sequence, categorized by art historical and political periods.
During the building of the Aswan High Dam between 1960 and 1970, the Nubian Rescue Campaign, operating under the auspices of UNESCO, was an international effort to rescue those of the Nubian monuments which would be submerged once the dam was completed. The most famous monument to be thus rescued and reconstructed is the Great Temple of Ramesses II at Abu Simbel, but altogther four areas in Nubia around Lake Nasser now contain ancient monuments that were reconstructed and moved from their original positions: Abu Simbel, New Amada, New Wadi al-Sebua, and New Kalabsha. These impressive sites are becoming increasingly popular with international visitors. Dr. Jocelyn Gohary opens this compact and attractive guide, the first of its kind, with an introduction to the history and culture of Nubia during the pharaonic period. She then describes each monument in detail, providing a simple plan for each and highlighting its history, religion, and art. Also included are brief descriptions of the four temples that were transported and re-erected abroad -- the most notable being the Temple of Dendur in the Metropolitan Museum in New York.
Shopping centers have become the most common of shopping environments and have influenced the make-up of cities around the world. However, in recent years, the enclosed "mall" has evolved and diversified with new types of retail environments that were developed to better suit their locale and meet public expectation. This design guide has over 600 illustrations that present the core values and considerations that make a successful retail center: location, catchment user needs, as well as access and layout. Covering everything from site master planning to the essentials of public facilities and the technical systems, this is essential reading for architects of contemporary shopping centers. A series of international examples showcasing different types of shopping environments are included to cover the wide range of designs that have occurred in recent years. From the "out of town" mall to retail parks and mixed use town center developments, the best of contemporary design is illustrated to provide both practical information and inspiration.
The Barbican Centre in the City of London is the largest multi-disciplinary arts centre in Europe. Designed by Chamberlin, Powell & Bon as part of the Barbican Estate and to provide homes for both the London Symphony Orchestra and the Royal Shakespeare Company, the building is internationally renowned not only as an example of radical, visionary architecture in the Modernist tradition, but also for its outstanding programme of more than 2,000 cultural events each year: plays, concerts, films, exhibitions and more. A new title in the Pocket Photo Books series of immersive visual guides to the experience of place, this compact album of more than one hundred photographs by Harry Cory Wright presents the dramatic spaces, rich textures and carefully selected materials of the Barbican Centre in all their detail. From the flowing, multi-level space of the foyer and the calm wooden-panelled concert hall to the surprising intimacy of the theatre and the soaring jungle of the conservatory, the Barbican Centre offers the visitor an extraordinary variety of experiences within a single building. This book captures their full range, providing exceptional insights into one of the most significant and exciting modern buildings in Britain and a thriving cultural hub in the heart of London.
We are living in a new urban age, and its most tangible expression is the “supertall”: megastructures that are dramatically bigger, higher and more ambitious than any in history. Cities around the world are racing to build the first mile-high building, stretching the limits of engineering and design as never before. In this fascinating work of urban history and design, TED resident Stefan Al—himself an experienced architect—explores the factors that have led to this worldwide boom. He reveals the marvellous and under-appreciated feats of engineering that make today’s supertalls a reality, from double-decker elevators that silently move up to 50 miles per hour to the sophisticated blend of polymers and steel fibres that enables concrete to withstand 8,000 tons of pressure per square meter. Taking readers behind the scenes of the building and design of remarkable megastructures, both from the past (the Empire State Building, St. Paul’s Cathedral, the Eiffel Tower) and the present (Dubai’s Burj Khalifa, London’s Shard, Shanghai Tower), Al demonstrates the impact of these innovations. Yet while the supertall is undoubtedly a testament to great technological victories, it can come at an environmental and social cost. Focusing on four global cities—London, New York, Hong Kong and Singapore—Al examines the risks of wealth inequality, carbon emissions and contagion that stem from supertalls. And he uncovers the latest innovations in sustainable building, from skyscrapers made of wood to tree-covered buildings, that promise to yield a better urban future. Featuring more than thirty architectural drawings, Supertall is both a fascinating exploration of our greatest accomplishments and a powerful argument for a more equitable way forward.
England and Wales have long been captivated by the lighthouse, with many of the towers built at the countries' extremities seen as iconic structures. Lighthouses have seized the imagination for centuries, and have cut striking figures wherever they stand. Newly revised and wholly redesigned, Lighthouses of England and Wales is a complete guide to the lighthouses of England, Wales and the Channel Islands in one spectacular volume. Alongside stunning photographs are pocket histories and statistics for each lighthouse, tower and aid to navigation - large or small - as well as details of how to visit them. Whether you are a lighthouse aficionado, coastal walker, or just someone with an eye for a beautiful view, this is a book not to be missed.
Hoeweler + Yoon Architecture, founded in 2001 and based in Boston, gained early praise for ephemeral and interactive public projects and is recognised today for striking works that combine conceptual speculation and technological sophistication. The firm's impressive body of work has expanded the scope of design beyond traditional disciplinary boundaries and has won them numerous national and international awards. Verify in Field is Hoeweler + Yoon Architecture's second book. Its title derives from a notational convention on architectural drawings to indicate that the information is subject to unknown conditions in the field. The book highlights verification as an intergral part of the design process and demonstrates it as a productive tool to test ideas and act on the world. For both disciplinary and contractual reasons, the instruments of design - drawings, models, and prototypes - operate on the world at a distance. Techniques of prototyping, measurement, feedback, negotiation, and intervention inform the diverse output of the studio. Verify in Field features recent designs by Hoeweler + Yoon architecture, including such projects as the Memorial to Enslaved Laborers at the University of Virginia; a floating outdoor classroom in Philadelphia; the MIT Museum; and a pedestrian bridge in Shanghai's Expo Park. The book also examines the discipline's pressing questions, as they relate to verification, uncertainty, and design agency, in a series of essays by Eric Hoeweler and J. Meejin Yoon on topics that include means and methods, the public realm, energy and environments, the construction detail, and social media. These themes are echoed in conversations with collaborators, historians, and theorists: Adam Greenfield, Nader Tehrani, Kate Orff, Daniel Barber, and Ana Miljacki.
Illustrating actual building design solutions that have been created to improve accessibility for disabled patrons and performers, the 'Journey Sequence' outlines the best examples of design innovation produced in response to new and upcoming legislation. A knowledge of how to design for the disabled can be crucial in
winning contracts and having designs accepted. This book shows how
the practical implications have already been successfully
approached.
The Natural History Museum is home to many rare and exceptional natural wonders - but the magnificent Museum building is itself one of London's most iconic attractions. Envisioned by Alfred Waterhouse as a cathedral of nature, the building he created is one of Britain's most striking examples of Romanesque architecture and is considered a work of art in its own right. This picture-led exploration of the building celebrates Waterhouse's unique architectural accomplishment and showcases many of the artistic gems it houses; not least it's incredibly detailed engravings, sculptures and painted ceiling.
Rouge Lointain is first and foremost a book of photographs that is in line with the resolutely contemporary trend of preserving traces of places and activities that are in danger of disappearing. Through the images of its superb machinery that has now disappeared and its deserted architecture, it is the memory of an Italian-style theatre that lives on today. Through them it is also the work of those who worked there in the shadows and without whom the show could not have existed as we imagine. Fascinated by the beauty of its frames, the dilapidated materials, the magic of these mechanisms made of ropes, pulleys, capstans and narrow footbridges on three antique masts, Andre Soupart invites us to wander on the grill, under the stage and backstage and to discover a universe unknown to the spectators. Text in English and French.
Drawing on the authors’ experience gained from library projects around the world, this book charts a readable path through everything from the planning of a new library, to major refurbishment, or the remodelling of a current library. It clearly explains the library design language and processes needed by professionals overseeing any project, and covers essential aspects including ensuring cost-effectiveness, eco-efficiencies, improved service and community impact meet the organisation’s objectives. Fully revised and updated, this new edition includes coverage of: the need for flexible and adaptable library spaces the environmental impact of building design, construction and use the trend towards multi-use, multi-purpose buildings to serve community, cultural and educational needs a customer-centred approach to service delivery heightened focus on health and wellbeing for all stakeholders the impact of the COVID-19 pandemic and customer access needs on the design and layout of a library the rapid growth of digital services. International and cross-sectoral in scope, this book is an essential guide for library professionals or architects involved in library building, remodelling or development. It will also be a valuable reference for students of both library and architectural design.
In recognizing its 40th anniversary, Archigraphia Redux pays tribute to Archigraphia: Architectural and Environmental Graphics (Graphis, 1976) by Walter Herdeg (1908-1995), founder and editor of Graphis Magazine, and looks ahead to celebrate the breadth of architectural and environmental graphic design in the 21st century. Today's graphic designers are charged with furthering the story of a building or space and having that story connect with a diverse and varied audience. Whether as simple as a building sign for a corporation or commercial tenant or as extensive as a wayfinding sign system, environmental graphics reinforce a sense of place and allow us to respond to the built environment in a much more immediate, emotional, and memorable way than ever before. The built environment that we experience in our everyday lives continually relies upon graphic design to communicate information and identity, shape our overall perception and memory of a sense of place, and ultimately enliven, enrich, and humanize our lives. This new volume, features the same six chapters as the original--Pictograms and Symbols, Vehicular Sign Systems, Visual Guidance and Wayfinding Systems, Building Facades and Storefronts, Supergraphics and Animated Surfaces, and Transportation and Vehicle Graphics. A new seventh chapter covers New Approaches and Digital Technologies. Each chapter includes an introductory essay by authorities on each subject covered--Tom Geismar (United States), Ronald Shakespear (Argentina), Alex Wood (United Kingdom), Masaaki Hiromura (Japan), Paula Scher (United States), Peter Knapp (United Kingdom), and Nik Hafermaas (United States). Over 150 designers, architects, interior designers, landscape architects, and artists from over 40 countries are represented throughout the book. |
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