Questions of privacy, borders, and nationhood are increasingly shaping the way we think about all things digital. Data Centers brings together essays and photographic documentation that analyze recent and ongoing developments. Taking Switzerland as an example, the book takes a look at the country's data centers, law firms, corporations, and government institutions that are involved in the creation, maintenance, and regulation of digital infrastructures. Beneath the official storyline- Switzerland's moderate climate, political stability, and relatively clean energy mix-the book uncovers a much more varied and sometimes contradictory set of narratives.

To understand the evolution of bank design, it is also necessary to grasp the fundamentals of America's banking and financial history. It goes hand-in-hand with the creation of bank architecture. While the worldwide evolution of architectural styles played a major factor in the way banks look, developments in the financial history of the nation - depressions, panics, government monetary and banking policy - also played a critical role. With more than 200 photographs and illustrations, this work studies the evolution of American bank architecture from 1781 (when America's first bank was founded) to new banks of the present day. It explores how and why the classically inspired structures that were built in late eighteenth century American, embodying strength and trust, evolved into basically anonymous building types.

Exploring the social and cultural hierarchies established in 18th-century France, this volume illustrates how the conceptual basis of the modern house and the physical layout of the modern city emerged from debates among theoretically innovative French architects of the 18th-century. Examining a broad range of topics from architecture and urbanism to gardening and funerary monuments, he shows how the work of these architects was informed by considerations of symbolic space. Richard Etlin asserts the 18th-century city was a place in which actual physical space was subjected to a complex mental layering of conceptual spaces. He focuses on the design theory of Boullee and Durand and charts their legacy through the architecture of Paul Philippe Cret, Frank Lloyd Wright, and Louis Kahn. He defines the distinctive features of neoclassicism and outlines the new grammar for classical architecture articulated by theorists and architects such as Laugier, Leroy, and Ledoux. After discussing the 18th-century "hotel", revolutionary space, and the transformation of the image of the cemetary, Etlin examines the space of absence as embodied in commemorative architecture from Boullee and Gilly to Cret, Wright, and Terragni. This book provides an accessible introduction to a century of architecture that transformed the classical forms of the Renaissance and Baroque periods into building types still familiar today.

Exploring nursery schools and childcare facilities from an architectural perspective, this publication provides a cultural-historical account of their development, defines design tasks, and formulates quality standards for playing-learning architecture and environments. This publication explores nursery schools and childcare facilities from an architectural perspective. The aim is to provide a cultural-historical account of the development of educational buildings for children, to define design tasks, and to formulate quality standards for play-learning architecture and environments.

This is the first book to examine the development of the town hall during the twentieth century and the way in which these civic buildings have responded to the dramatic political, social and architectural changes which took place during the period. Following an overview of the history of the town hall as a building type, it examines the key themes, variations and lessons which emerged during the twentieth century. This is followed by 20 case studies from around the world which include plans, sections and full-colour illustrations. Each of the case studies examines the town hall's procurement, the selection of its architect and the building design, and critically analyses its success and contribution to the type's development. The case studies include: Copenhagen Town Hall, Denmark, Martin Nyrop Stockholm City Hall, Sweden, Ragnar Ostberg Hilversum Town Hall, the Netherlands, Willem M. Dudok Walthamstow Town Hall, Britain, Philip Dalton Hepworth Oslo Town Hall, Norway, Arnstein Arneberg and Magnus Poulsson Casa del Fascio, Como, Italy, Guiseppe Terragni Aarhus Town Hall, Denmark, Arne Jacobsen with Eric Moller Saynatsalo Town Hall, Finland, Alvar Aalto Kurashiki City Hall, Japan, Kenzo Tange Toronto City Hall, Canada, Viljo Revell Boston City Hall, USA, Kallmann, McKinnell and Knowles Dallas City Hall, USA, IM Pei Mississauga City Hall, Canada, Ed Jones and Michael Kirkland Borgoricco Town Hall, Italy, Aldo Rossi Reykjavik City Hall, Iceland, Studio Granda Valdelaguna Town Hall, Spain, Victor Lopez Cotelo and Carlos Puente Fernandez The Hague City Hall, the Netherlands, Richard Meier Iragna Town Hall, Switzerland, Raffaele Cavadini Murcia City Hall, Spain, Jose Rafael Moneo London City Hall, UK, Norman Foster

This book brings together concepts from the building, environmental, behavioural and health sciences to provide an interdisciplinary understanding of office and workplace design. Today, with changes in the world of work and the relentless surge in technology, offices have emerged as the repositories of organizational symbolism, denoted by the spatial design of offices, physical settings and the built environment (architecture, urban locale). Drawing on Euclidian geometry that quantifies space as the distance between two or more points, a body of knowledge on office buildings, the concept of office and office space, and the interrelationships of spatial and behavioural attributes in office design are elucidated. Building and office work-related illnesses, namely sick building syndrome and ailments arising from the indoor environment, and the menace of musculoskeletal disorders are the alarming manifestations that critically affect employee satisfaction, morale and work outcomes. With a focus on office ergonomics, the book brings the discussion on the fundamentals of work design, with emphasis on computer workstation users. Strategic guidance of lighting systems and visual performance in workplaces are directed for better application of ergonomics and improvement in office indoor environment. It discusses the profiles of bioclimatic, indoor air quality, ventilation intervention, lighting and acoustic characteristics in office buildings. Emphasis has been given to the energy performance of buildings, and contemporary perspectives of building sustainability, such as green office building assessment schemes, and national and international building-related standards and codes. Intended for students and professionals from ergonomics, architecture, interior design, as well as construction engineers, health care professionals, and office planners, the book brings a unified overview of the health, safety and environment issues associated with the design of office buildings.

According to urban academic myth, the first restaurants emerged in the wake of the French Revolution. From the very beginning in the elegant salons of the latter days of the Ancien Regime, the design of restaurants has been closely related to ideas of how food should be presented and how it may be consumed in public. The appearance and atmosphere created by restaurant owners reflects culturally embedded ideals of comfort, sociability and the good life. As a product of the modern metropolis, the restaurant encapsulates and illustrates the profound change in how its patrons viewed themselves as individuals, how they used their cities and how they met friends or business partners over a meal. The architectural design of environments for the consumption of food necessarily involves an exploration and a manipulation of the human experience of space. It reflects ideas about public and private behaviour for which the restaurant offers a stage. Famous architects were commissioned to provide designs for restaurants in order to lure in an ever more demanding urban clientele. The interior designs of restaurants were often employed to present this particular aspect in consciously evoking an imagery of sophisticated modernity. This book presents the restaurant, its cultural and typological history as it evolved over time. In this unique combination it provides valuable knowledge for designers and students of design, and for everyone interested in the cultural history of the modern metropolis.

Monograph questioning What if research, science and architecture were merged? LAVA is an architecture studio founded by Tobias Wallisser, Chris Bosse, and Alexander Rieck with offices in Germany, Vietnam, and Australia. The German Pavilion for Expo 20 is an example of the eloquence with which LAVA responds to issues of the day. The three core themes of the book - Cities of the Future, Biodiversity, as well as Energy and Sustainability - are complemented by the subjects "Connecting Minds," meaning social and political architecture, "Digital Processes and Technologies," and "New Work" and explored together throughout the six chapters of this book. In addition to projects and their derivation, architectural and sociological thinkers elaborate on their ideas on these topics - creatively, speculatively, and thoughtfully. Themes: City - Energy - Biodiversity - Connecting - Work - Digital Processes Selected projects as case studies With contributions by Amy Frearson, Georg Vrachliotis, Giovanna Carnevali, Maria Aiolova, Gilles Retsin, Andre Wilkens, Marjan Colletti, and Raoul Bunschoten

Adapting Building for Changing Uses discusses the comprehensive refurbishment of buildings to enable them to be used for purposes different to those originally intended.
For those involved in the often risky business of conversion of buildings from one type of use to another, Adapting Building for Changing Uses provides secure guidance on which uses may be best suited to a particular location. This guidance is based on a unique decision tool, the "Use Comparator", which was developed through research carried out at UCL in the mid 1990's. The "Use Comparator" compares the physical and locational characteristics of a building with the characteristics best suited to various types of use. A total of 77 targeted types of use are evaluated, in contrast to the 17 uses normally considers by regulatory planners.
Adapting Building for Changing Uses also identifies the key problems experienced by building managers involved in assembling the coalition of Producers, Investors, Marketeers, Regulators and Users, which makes the key decisions in "Adaptive Reuse". The book explores the differing perceptions and attitudes of these key decision agents to matters such as cost, value, risk and robustness, and offers advice on how to avoid the potential for project failure that these differences present.

eBook available with sample pages: 0203223179

The Future of Museum and Gallery Design explores new research and practice in museum design. Placing a specific emphasis on social responsibility, in its broadest sense, the book emphasises the need for a greater understanding of the impact of museum design in the experiences of visitors, in the manifestation of the vision and values of museums and galleries, and in the shaping of civic spaces for culture in our shared social world. The chapters included in the book propose a number of innovative approaches to museum design and museum-design research. Collectively, contributors plead for more open and creative ways of making museums, and ask that museums recognize design as a resource to be harnessed towards a form of museum-making that is culturally located and makes a significant contribution to our personal, social, environmental, and economic sustainability. Such an approach demands new ways of conceptualizing museum and gallery design, new ways of acknowledging the potential of design, and new, experimental, and research-led approaches to the shaping of cultural institutions internationally. The Future of Museum and Gallery Design should be of great interest to academics and postgraduate students in the fields of museum studies, gallery studies, and heritage studies, as well as architecture and design, who are interested in understanding more about design as a resource in museums. It should also be of great interest to museum and design practitioners and museum leaders.

An exhibition centre is a central focus of a city's economic life, and in many cases a unique expression of its image. For this reason, as well as offering adequate space and infrastructure, it must make a strong, clearly recognizable architectural statement. Over the past couple of decades, new technology and globalization have transformed trade fairs: today they are not so much markets as forums for the exchange of information and contacts. This new volume in the Construction and Design Manual series spotlights twenty-two exemplary European buildings that have overcome the resulting architectural challenges. It also includes an overview of the cultural history of European trade fairs, and an interview on successful exhibitioncentre design with Volkwin Marg of gmp Architekten, one of the world's leading specialists in this area of architecture.

More than any other building type in the twentieth century, the hospital was connected to transformations in the health of populations and expectations of lifespan. From the scale of public health to the level of the individual, the architecture of the modern hospital has reshaped knowledge about health and disease and perceptions of bodily integrity and security. However, the rich and genuinely global architectural history of these hospitals is poorly understood and largely forgotten. This book explores the rapid evolution of hospital design in the twentieth century, analysing the ways in which architects and other specialists reimagined the modern hospital. It examines how the vast expansion of medical institutions over the course of the century was enabled by new approaches to architectural design and it highlights the emerging political conviction that physical health would become the cornerstone of human welfare.

The Access Audit Handbook is an invaluable tool for auditing the accessibility of buildings and services, and for writing reports in appropriate formats in the content of current legislation, funding requirements and best practice in building management. This book offers straightforward advice about undertaking access audits and the various report formats to best communicate recommendations. The practical guidance is supported by a range of up to date and informative case studies, and a new, authoritative worked example of a successful report based on a real-life access audit. An updated checklist for audits is included in the appendix at the back of the book. Also new to the second edition are updates to the legislation chapter - including guidance on the Equality Act, the Building Regulations Part M 2013, and BS8300 - and an additional section covering the current planning policy framework, community engagement and user involvement. Designed to complement the best-selling and recently updated Designing for Accessibility, the new Access Audit Handbook is an indispensable tool for all those involved in access reporting for buildings.

In 1833, the Select Committee for Public Walks was introduced so that 'the provision of parks would lead to a better use of Sundays and the replacement of the debasing pleasures.' Music was seen as an important moral influence and 'musical cultivation ... the safest and surest method of popular culture', and it was the eventual introduction of the bandstand which became a significant aspect of the reforming potential of public parks. However, the move from the bull baiting of 'Merrie England' to the ordered recreation provided by bandstands has never been fully comprehended. Likewise, the extent of changes in leisure and public entertainment and the impact of music at seaside resorts often revolved around the use of seaside bandstands, with the subsequent growth of coastal resorts. Music in public spaces, and the history and heritage of the bandstand has largely been ignored. Yet in their heyday, there were over 1,500 bandstands in the country, in public parks, on piers and seaside promenades attracting the likes of crowds of over 10,000 in the Arboretum in Lincoln, to regular weekday and weekend concerts in most of London's parks up until the beginning of the Second World War. Little is really known about them, from their evolution as 'orchestras' in the early Pleasure Gardens, the music played within them, to their intricate and ornate ironwork or art deco designs and the impact of the great foundries, their worldwide influence, to the great decline post Second World War and subsequent revival in the late 1990s. This book tells the story of these pavilions made for music, and their history, decline and revival.

The centre of Melbourne is filled with stories about the city's pasts. Like all of Australia's cities, it is a place that is dominated by markers of the settler-colonial past. Yet when it comes to its Indigenous pasts, the city is mostly a place of silence. Since the 1990s, however, Indigenous histories have been brought into central Melbourne's commemorative landscapes. Monuments, memorials, namings and artworks have all been used to mark the city's Indigenous pasts. These historical markers can be found in the everyday places of parks, roads, bridges and thoroughfares. Taken together, they are an incursion into the city's commemorative landscapes. Places of Reconciliation tells the story of the introduction of official commemorations of Indigenous peoples and histories into the heart of Melbourne since 2000. It explains how they came to be part of the city, and the ways in which they have challenged the erasure of its Indigenous histories. In telling this story, the book also examines the kind of places that have been made and unmade by these commemorations, and how we might understand them as public historical projects in the early decades of the twenty-first century.

This book develops new and innovative methods for understanding the cultural significance of places such as the World Heritage listed Sydney Opera House. By connecting participatory media, visual culture and social value, Cristina Garduno Freeman contributes to a fast-growing body of scholarship on digital heritage and the popular reception of architecture. In this, her first book, she opens up a fresh perspective on heritage, as well as the ways in which people relate to architecture via participation on social media. Social media sites such as YouTube, Pinterest, Wikipedia, Facebook and Flickr, as well as others, become places for people to express their connections with places, for example, the Sydney Opera House. Garduno Freeman analyses real-world examples, from souvenirs to opera-house-shaped cakes, and untangles the tangible and intangible ways in which the significance of heritage is created, disseminated and maintained. As people's encounters with World Heritage become increasingly mediated by the digital sphere there is a growing imperative for academics, professionals and policy-makers to understand the social value of significant places. This book is beneficial to academics, students and professionals of architecture.

Future Offices examines the evolving nature of the office as a spatial asset. Rapid changes in culture, technology, and society have upended longstanding notions of offices and the nature of work itself. While companies and capital around the globe have become increasingly consolidated, labour vis-à-vis technology has become increasingly decentralized. The office, traditionally a key spatial interlocutor between labour and capital is caught in an awkward position with typological considerations for architecture. What should the future office look like? What is the future role of the headquarters? What does the office’s changing role mean for urbanism? The works collected here provide frameworks for understanding the complex and multifaceted nature of contemporary work, manufacturing, and commerce, and they aspire to influence new ways of conceiving architecture at multiple scales. They speculate upon a future where offices acquire new facets as resources of space, knowledge, and production that participate in local and global economic and cultural contexts in new hybridised forms. At the heart of this is a recognition that the new ways in which companies integrate into in society should be reflected in architecture itself.

Zaha Hadid was a revolutionary architect. For years, she was widely acclaimed and won numerous prizes despite building practically nothing. Some even said her work was simply impossible to build. Yet, during the latter years of her life, Hadid's daring visions became a reality, bringing a new and unique architectural language to cities and structures such as the Port House in Antwerp, the Al Janoub Stadium near Doha, Qatar, and the spectacular new airport terminal in Beijing. By her untimely death in 2016, Hadid was firmly established among architecture's finest elite, working on projects in Europe, China, the Middle East, and the United States. She was the first female architect to win both the Pritzker Prize for architecture and the prestigious RIBA Royal Gold Medal, with her long-time Partner Patrik Schumacher now the leader of Zaha Hadid Architects and in charge of many new projects. Based on the massive TASCHEN monograph, this book is now available in an extensively updated and accessible edition covering Hadid's complete works, including ongoing projects. With abundant photographs, in-depth sketches, and Hadid's own drawings, the volume traces the evolution of her career, spanning not only her most pioneering buildings but also the furniture and interior designs that were integrated into her unique, and distinctly 21st-century, universe.

A celebration of Europe's coolest harbourside, clifftop and beach hotels, curated by an internationally renowned architecture and travel photographer. The featured hotels are right on the coast with uninterrupted views of the wide open ocean, and also include small, secret and stylish beachfront hideaways, all a barefoot stroll to the water, from Mallorca via England and Denmark to France, Italy and beyond.

Joseph Eichler was a pioneering developer who defied conventional wisdom by hiring progressive architects to design Modernist homes for the growing middle class of the 1950s. He was known for his innovations, including "built-ins" for streamlined kitchen work, for introducing a multipurpose room adjacent to the kitchen, and for the classic atrium that melded the indoors with the outdoors. For nearly twenty years, Eichler Homes built thousands of dwellings in California, acquiring national and international acclaim. Eichler: Modernism Rebuilds the American Dream examines Eichler's legacy as seen in his original homes and in the revival of the Modernist movement, which continues to grow today. The homes that Eichler built were modern in concept and expression, and yet comfortable for living. Eichler's work left a legacy of design integrity and set standards for housing developers that remain unparalleled in the history of American building. This book captures and illustrates that legacy with impressive detail, engaging history, firsthand recollections about Eichler and his vision, and 250 photographs of Eichler homes in their prime.

Paul Adamson, AIA, holds a Master of Architecture degree from Columbia University and has practiced in New York and San Francisco. He is currently a designer at the San Francisco firm of Hornberger + Worstell, Inc. He lives in Kensington, California.

Marty Arbunich is director-publisher of the Eichler Network, a Bay Area-based company devoted exclusively to supporting and preserving the architecture and lifestyle surrounding California's 11,000 Eichler homes. He lives in San Francisco.

Tegel Airport, opened in 1974 in West Berlin, was not only finished under budget and on time but today also remains an impressive work of art. For their design of the terminal, the architects chose the figure of a large hexagon with edges of 120 metres. A sophisticated use of space created an 'airport of short distances', with as little as 28 metres between the doors of the cars and the aircraft. Peter Ortner's photographs capture his uniquely personal view of the airport complex - the details so familiar to anyone who has travelled through or waited inside Tegel. Text in English and German.

Designing Schools explores the close connections between the design of school buildings and educational practices throughout the twentieth century to today. Through international cases studies that span the Americas, Europe, Africa and Australia, this volume examines historical innovations in school architecture and situates these within changing pedagogical ideas about the 'best' ways to educate children. It also investigates the challenges posed by new technologies and the digital age to the design and use of school places. Set around three interlinked themes - school buildings, school spaces and school cultures - this book argues that education is mediated or framed by the spaces in which it takes place, and that those spaces are in turn influenced by cultural, political and social concerns about teaching, learning and the child.

This much-anticipated new title forms part of the American Institute of Architect's esteemed Design for Aging Review program, a joint effort of the AIA Design for Aging Knowledge Community and LeadingAge, which also includes a juried exhibition and education programs. This book celebrates the 25th anniversary of this internationally renowned program and features a selected diverse range of projects. This volume showcases around 30 outstanding projects in the areas of architectural innovation and represents the best designs for senior citizens, including nursing homes, dementia care, assisted living, and continuing care retirement communities. Each project is presented with rich, full-colour photography, detailed plans, and statistics, illuminating the high level of research, planning and community involvement that goes into these advancements in living environments for seniors. This comprehensive review of architectural design trends in aged-care facilities will appeal to aged-care providers, developers, users, and advocates; architects; and interior, landscape, and other design professionals.