When Charles Henry Cooper (1808 66) undertook to revise the text of the 1841 Memorials of Cambridge, illustrated by the engraver John Le Keux (1783 1846), he was under the impression that 'only a slight amount of labour' would be imposed on him. However, this three-volume work was altered and modified so extensively that it may be considered as entirely re-written. Containing over 250 photographs, engravings and etchings, Volumes 1 and 2 of the work are a comprehensive guide to the Cambridge colleges, while Volume 3 is almost entirely concerned with the history of other landmarks throughout the city, such as the Fitzwilliam Museum, the Guildhall and the Botanic Garden. It was published in 1860, just six years before Cooper's death, and stands as a detailed and fully illustrated guide to Cambridge at that time. Volume 1, dealing with the colleges in order of their foundation, covers Peterhouse to Jesus.

The story of the lighthouse is as fascinating and diverse as the design of the buildings themselves. Roman and medieval attempts to help seafarers navigate, using beacons and other seamarks, preceded elegant Georgian lights, followed in the nineteenth century by huge rock-based lighthouses such as Eddystone, which were great feats of Victorian civil engineering. This book relates the story of their construction, often undertaken in desparately dangerous and stormy conditions, looks at the lives of their keepers, and considers how automation has changed the modern lighthouse. A gazetteer gives brief details of over 160 lights around the coasts of Great Britain and Ireland.

First published in 1940, this was the first comprehensive book about British alabaster tombs. Originating from an article by the same writer in the Archaeological Journal for 1923, it provides a detailed account of the surviving alabaster monuments, from the earliest examples of around 1330 through to those created at the time of the Reformation. The text contains 305 photographic images of alabaster tombs taken from around the country, together with a list of effigies explaining their relative origins and significance. This is a highly rigorous study that will be of value to anyone with an interest in religious art and British history.

The publication The Architecture of Deception / Confinement / Transformation accompanies the eponymously titled exhibition trilogy at BNKR - current reflections on art and architecture in Munich and showcases 18 diverse artistic standpoints at the intersection of art and architecture. Each chapter directly corresponds to the evolving history of the exhibition space, which was originally constructed as a camouflaged air-raid bunker during the Second World War, then used as a postwar internment camp, and finally transformed into its current state as a mixed-use residential and office building. The Architecture of Deception explores notions of illusion and deception, the creation of new realities, truth versus fiction; Confinement explores notions of shelters and safety, captivity and freedom, 'outside' versus 'inside'; Transformation explores notions of gentrification, decay and definition of living spaces. With contributions by the editors, David Adjaye and Nikolaus Hirsch, Isabelle Doucet, and Madeleine Freund. Artists: The Architecture of Deception: Hans Op de Beeck, Emmanuelle Laine, Bettina Pousttchi, Gregor Sailer, Cortis & Sonderegger, The Swan Collective; The Architecture of Confinement: Ramzi Ben Sliman, Mona Hatoum, Nadia Kaabi-Linke, Annika Kahrs, OEzgur Kar, Joanna Piotrovska; The Architecture of Transformation: Dana Awartani, Olivier Goethals, Eva Nielsen, Jeremy Shaw, Hannah Weinberger, Andrea Zittel.

The Greek military victories at Marathon, Salamis, and Plataia during the Persian Wars profoundly shaped fifth-century politics and culture. By long tradition, the victors commemorated their deliverance by dedicating thank-offerings in the sanctuaries of their gods, and the Athenians erected no fewer than ten new temples and other buildings. Because these buildings were all at some stage of construction during the political ascendency of Perikles, in the third quarter of the fifth century, modern writers refer to them collectively as the Periklean building program. In Trophies of Victory, T. Leslie Shear, Jr., who directed archaeological excavations at the Athenian Agora for more than twenty-five years, provides the first comprehensive account of the Periklean buildings as a group. This richly illustrated book examines each building in detail, including its archaeological reconstruction, architectural design, sculptural decoration, chronology, and construction history. Shear emphasizes the Parthenon's revolutionary features and how they influenced smaller contemporary temples. He examines inscriptions that show how every aspect of public works was strictly controlled by the Athenian Assembly. In the case of the buildings on the Acropolis and the Telesterion at Eleusis, he looks at accounts of their overseers, which illuminate the administration, financing, and organization of public works. Throughout, the book provides new details about how the Periklean buildings proclaimed Athenian military prowess, aggrandized the city's cults and festivals, and laid claim to its religious and cultural primacy in the Greek world.

In this book, Brenda Longfellow examines one of the features of Roman Imperial cities, the monumental civic fountain. Built in cities throughout the Roman Empire during the first through third centuries AD, these fountains were imposing in size, frequently adorned with grand sculptures, and often placed in highly trafficked areas. Over twenty-five of these urban complexes can be associated with emperors. Dr Longfellow situates each of these examples within its urban environment and investigates the edifice as a product of an individual patron and a particular historical and geographical context. She also considers the role of civic patronage in fostering a dialogue between imperial and provincial elites with the local urban environment. Tracing the development of the genre across the empire, she illuminates the motives and ideologies of imperial and local benefactors in Rome and the provinces and explores the complex interplay of imperial power, patronage, and the local urban environment.

"...bombings, German sappers, restorers and rebuilders have totally wiped my modern works. Only the buildings which represent the bureaucratic side of my job as public officer forced to obey, have survived." (from a letter to B.Zevi 9/1974). The Heating plant of the railway station of Florence is a piece of a jigsaw puzzle which miraculously survived to restorers and rebuilders who could have erased any trace of it. This survived fragment, tells either the story of architecture between monumentalism, rationalism and futurism or the complex personality of its architect.

This book brings together in English translation for the first time the two editions of Sir Syed Ahmed Khan's classic account of the monuments and environs of the pre-colonial city of Delhi, titled in Urdu Asar-us-Sanadid (The Remnants of Ancient Heroes). The translator provides a commentary in the form of annotations and appendices that demonstrates the historical development of the text between 1847 and 1854, also reflecting the life of its subject, Delhi, which was to be irreversibly transformed by the cataclysmic events of 1857. The volume includes sketches based on the lithographs in the first Urdu edition. The translation fills a crucial lacuna in the historical archive for nineteenth-century Delhi and will be a valuable resource for urban historians and students of Delhi's monumental history.

Hailed as 'one of the most important contributions to the social and intellectual history of England which has ever been made by a Cambridge man', Robert Willis monumental architectural history of the University of Cambridge is here reprinted. Its unique collection of over three hundred plans, antique and specially commissioned engravings is alone sufficient to make this an indispensable work of reference on Cambridge architecture before the onset of the modern age. This selection from the Architectural History presents in a single volume the complete text relating to Peterhouse and features a new introduction by David Watkin, Professor Emeritus in the History of Architecture at the Department of Art History at Cambridge University.

Hailed as 'one of the most important contributions to the social and intellectual history of England which has ever been made by a Cambridge man', Robert Willis' monumental architectural history of the University of Cambridge is here reprinted. Its unique collection of over three hundred plans, antique and specially commissioned engravings is alone sufficient to make this an indispensable work of reference on Cambridge architecture before the onset of the modern age. This selection from the Architectural History presents in a single volume the complete text relating to St John's College and features a new introduction by David Watkin, Professor Emeritus in the History of Architecture at the Department of Art History at Cambridge University.

Hailed as 'one of the most important contributions to the social and intellectual history of England which has ever been made by a Cambridge man', Robert Willis's monumental architectural history of the University of Cambridge is here reprinted. Its unique collection of over three hundred plans, antique and specially commissioned engravings is alone sufficient to make this an indispensable work of reference on Cambridge architecture before the onset of the modern age. This selection from the Architectural History presents in a single volume the complete text relating to King's College and Eton College and features a new introduction by David Watkin, Professor Emeritus in the History of Architecture at the Department of Art History at Cambridge University.

Robert Willis' monumental architectural history of the University of Cambridge, first published in 1886 in a revised and extended edition by his nephew J. W. Clark, was hailed as 'one of the most important contributions to the social and intellectual history of England which has ever been made by a Cambridge man.' These fully illustrated volumes are here reprinted in their entirety, with a modern introduction by Professor David Watkin. Although Willis and Clark has always been recognised by those interested generally in the conservation of buildings and in the historic development of architectural style and taste, its unique collection of over three hundred plans, antique and specially commissioned engravings is alone sufficient to make this an indispensable work of reference on Cambridge architecture before the onset of the modern age.

In Bathing in the Roman World, Fikret Yegul examines the social and cultural aspects of one of the key Roman institutions. Guiding the reader through the customs, rituals, and activities associated with public bathing, Yegul traces the origins and development of baths and bathing customs and analyzes the sophisticated technology and architecture of bath complexes, which were among the most imposing of all Roman building types. He also examines the reception of bathing throughout the classical world and the transformation of bathing culture across three continents in Byzantine and Christian societies. The volume concludes with an epilogue on bathing and cleanliness in post-classical Europe, revealing the changes and continuities in culture that have made public bathing a viable phenomenon even in the modern era. Richly illustrated and written in an accessible manner, this book is geared to undergraduates for use in courses on Roman architecture, archaeology, civilization, and social and cultural history.

Hailed as 'one of the most important contributions to the social and intellectual history of England which has ever been made by a Cambridge man', Robert Willis' monumental architectural history of the University of Cambridge is here reprinted. Its unique collection of over three hundred plans, antique and specially commissioned engravings is alone sufficient to make this an indispensable work of reference on Cambridge architecture before the onset of the modern age. This selection from the Architectural History presents in a single volume the complete text relating to Trinity College and features a new introduction by David Watkin, Professor Emeritus in the History of Architecture at the Department of Art History at Cambridge University.

This Construction and Design Manual showcases all aspects of planning hospitals, medical practices, and pharmacies. Around 50 projects are presented in their entirety, accompanied by large photographs, true to scale floor plans, and coloured diagrams. The volume also features scientific contributions concerning methods of planning and questions of design. Additional essays on architectural history and typological classifications make this book, spanning over 400 pages, an indispensable reference work for everyone with an interest in hospital architecture and healthcare design. Construction data, planning parameters, and regulations for hospitals and medical facilities True to scale floor plans for different building types and scientific comments Essential for healthcare design, architecture, and medical administration

Accessible architecture is about much more than wide doorways and low-placed light switches. Accessibility means independent and self-reliant living and mobility for people of all ages and in any situation in life. Enabling this requires a clear awareness of the related concepts and principles that need to be adopted into the planning at an early stage. This manual presents both public buildings and orientation systems in the fields of culture, transport, and education, as well as examples from the worlds of work and health. Informative essays provide an insight into the theory of signage, while selected projects are described from the perspective of Design for All. Large-scale images and drawings illustrate ten design parameters Best-of collection of the practical handbooks on accessible architecture and wayfinding Incorporate two areas of design to ease our daily life

Cardiff's civic centre in Cathays Park, described as the finest civic centre in the British Isles, is an impressive planned group of public buildings, begun largely with wealth created by the coal industry in the south Wales coalfield. This book covers the Cardiff site's earlier evolution as a private park in the nineteenth century by the fabulously rich Bute family, and the borough's battles to obtain land for public buildings and the park's development in the twentieth century, to become Britain's finest civic centre. All the buildings, memorials and statues in the park are fully described and illustrated in this book which includes maps, plans and photographs. The History and Architecture of Cardiff Civic Centre is the first in the series Architecture of Wales, published in partnership with the Royal Society of Architects in Wales.

Black Plaques are not to be found proudly mounted on a wall - and for good reason. What with their commemoration of a brutal execution outside Westminster Abbey, the selling of sex toys in St James's Park and an intruder at Buckingham Palace with Royal undergarments stuffed down his trousers, this is not sort of historical subject matter that authorities choose to grace a building's facade or depict on a visitor information board. In fact, many might hope that such indecorous and inconvenient episodes remain quietly overlooked. But this book jogs such artful lapses of memory and at more than one hundred locations across London, Black Plaques lift the carefully placed rug to discover an unsightly, but strangely beckoning, stain.

In this innovative volume, Jerry D. Moore discusses public architecture in the context of the cultural, political and religious life of the pre-hispanic Andes. Archaeologists have invested enormous effort in excavating and documenting prehistoric buildings, but analytical approaches to architecture remain as yet undeveloped. Architecture and Power in the Ancient Andes uses new analytical methods to approach architecture and its relationship to Andean society, exploring three themes in particular: the architecture of monuments, the architecture of ritual, and the architecture of social control. It provides both a methodology for the study of public architecture and an example of how that methodology can be applied. Jerry D. Moore's clear and richly illustrated discussion represents an original perspective on architecture and its role in ritual, ideology, and power in the ancient world.

Visiting a museum is an experience that normally sets our concentration on the artworks or on its architecture. That is correct, however there is an invisible factor called "narrative structure" that deals with the construction of different routes to walk an exhibition and to unveil the space of museum. This specific discipline is the argument of the first book in a series dedicated to theoretical research.