A Distinguished and Bestselling Historian and Army Veteran Revisits the Culture War that Raged around the Selection of Maya Lin's Design for the Vietnam Memorial A Rift in the Earth tells the remarkable story of the ferocious "art war" that raged between 1979 and 1984 over what kind of memorial should be built to honor the men and women who died in the Vietnam War. The story intertwines art, politics, historical memory, patriotism, racism, and a fascinating set of characters, from those who fought in the conflict and those who resisted it to politicians at the highest level. At its center are two enduring figures: Maya Lin, a young, Asian-American architecture student at Yale whose abstract design won the international competition but triggered a fierce backlash among powerful figures; and Frederick Hart, an innovative sculptor of humble origins on the cusp of stardom. James Reston, Jr., a veteran who lost a close friend in the war and has written incisively about the conflict's bitter aftermath, explores how the debate reignited passions around Vietnam long after the war's end and raised questions about how best to honor those who fought and sacrificed in an ill-advised war. Richly illustrated with photographs from the era and design entries from the memorial competition, A Rift in the Earth is timed to appear alongside Ken Burns's eagerly anticipated PBS documentary, The Vietnam War. "The memorial appears as a rift in the earth, a long polished black stone wall, emerging from and receding into the earth." Maya Lin "I see the wall as a kind of ocean, a sea of sacrifice. . . . I place these figures upon the shore of that sea." Frederick Hart

In this book, Brenda Longfellow examines one of the features of Roman Imperial cities, the monumental civic fountain. Built in cities throughout the Roman Empire during the first through third centuries AD, these fountains were imposing in size, frequently adorned with grand sculptures, and often placed in highly trafficked areas. Over twenty-five of these urban complexes can be associated with emperors. Dr. Longfellow situates each of these examples within its urban environment and investigates the edifice as a product of an individual patron and a particular historical and geographical context. She also considers the role of civic patronage in fostering a dialogue between imperial and provincial elites with the local urban environment. Tracing the development of the genre across the empire, she illuminates the motives and ideologies of imperial and local benefactors in Rome and the provinces and explores the complex interplay of imperial power, patronage, and the local urban environment.

Essential information for the design of college and university facilities

"Building Type Basics for College and University Facilities, Second Edition" is your one-stop reference for the essential information you need to confidently begin the planning process and successfully complete the design of college and university buildings, large or small, on time and within budget. Award-winning architect and planner David J. Neuman and a roster of industry-leading contributors share their firsthand knowledge to guide you through all aspects of planning higher education facilities, including learning centers, academic buildings and professional schools, scientific research facilities, housing, athletics and recreation facilities, social and support facilities, and cultural centers. The book combines up-to-date coverage of essential issues related to campus planning, programming, and building design guidelines with detailed project examples.

This new edition offers: Numerous photographs, diagrams, plans, and sectionsUpdated project examples, including several buildings completed in the last decadeUp-to-date coverage of sustainability and technology issuesA new chapter on historic preservation, rehabilitation, and adaptive use of existing buildingsNew material on the influence of interdepartmental collaboration and renewed communication on the built environment for campuses

This conveniently organized quick reference is an invaluable guide for busy, dedicated professionals who want to get educated quickly as they embark on a new project. Like every Building Type Basics book, it provides authoritative, up-to-date information instantly and saves professionals countless hours of research.

Finalist: George Washington Prize George Washington was an affluent slave owner who believed that republicanism and social hierarchy were vital to the young country's survival. And yet, he remains largely free of the "elitist" label affixed to his contemporaries, as Washington evolved in public memory during the nineteenth century into a man of the common people, the father of democracy. This memory, we learn in The Property of the Nation, was a deliberately constructed image, shaped and reshaped over time, generally in service of one cause or another. Matthew R. Costello traces this process through the story of Washington's tomb, whose history and popularity reflect the building of a memory of America's first president-of, by, and for the American people. Washington's resting place at his beloved Mount Vernon estate was at times as contested as his iconic image; and in Costello's telling, the many attempts to move the first president's bodily remains offer greater insight to the issue of memory and hero worship in early America. While describing the efforts of politicians, business owners, artists, and storytellers to define, influence, and profit from the memory of Washington at Mount Vernon, this book's main focus is the memory-making process that took place among American citizens. As public access to the tomb increased over time, more and more ordinary Americans were drawn to Mount Vernon, and their participation in this nationalistic ritual helped further democratize Washington in the popular imagination. Shifting our attention from official days of commemoration and publicly orchestrated events to spontaneous visits by citizens, Costello's book clearly demonstrates in compelling detail how the memory of George Washington slowly but surely became The Property of the Nation.

From New England to the Deep South, photographers Susan Daley and Steve Gross have captured more than 100 forgotten buildings along America's old auto routes. Isolated in full-color and black-and-white portraits, the roadside cafes, feed stores, grange halls, juke joints, and general stores are a poignant reminder of the ingenuity of local building practices and working-class culture during the years between the Civil War and the Great Depression. With their humble beauty and distinctive character, these once-useful structures infuse the American landscape with a strong sense of place. This collection of buildings preserves a sampling of our country's architecture heritage and encourages travelers to slow down and notice the details.

Experimental Zone documents a remarkable experiment in spatial research at the interdisciplinary laboratory Image Knowledge Gestaltung at the Humboldt University of Berlin. Every two months, for four years, researchers reconfigured a 350-square meter workspace for forty scientists. The design-based collaborative experiment's focus was on the interrelation of space and knowledge production: What spatial qualities are required by interdisciplinary teams for their research work? With some 300 striking and straightforward graphics, Experimental Zone presents the findings of the experiment. It highlights the spatial conditions under which individual and collaborative research unfold, overlap, or merge and reveals the characteristics of an architecture that fosters interdisciplinary. The experiment's innovative interdisciplinary approach is also reflected in the book's design, with each of the five chapters and the comprehensive visual material reflecting publishing traditions in design, architecture, and the humanities.

Go behind the scenes of generations of the British royal family, exploring both the glamour and domestic life inside the spectacular 300-year-old Kensington Palace Kensington Palace is renowned for its architecture, splendid interiors, internationally important collections, and, of course, its royal residents. This lavish book thoroughly explores Kensington's physical beauty and its history, presenting new material drawn from archives, newspapers, personal letters, images, and careful analysis of the building itself. Originally a fashionable Jacobean villa, Kensington was dramatically rebuilt in 1689 by Christopher Wren for the newly crowned monarchs, William III and Mary II. The palace became the favored London home of five sovereigns, yet also survived fires, partial collapse, bombings, and periods of neglect. Queen Victoria recognized the national significance of her birthplace and childhood home, turning the palace into her own memorial as well as a home for members of her extended family and their descendants. With over 450 illustrations, including specially commissioned reconstructions and historic plans, this volume explores the personal tastes and fashions of the British monarchy over the course of 300 years and provides insight into the 20th- and 21st-century royal family's domestic life. Published in association with the Paul Mellon Centre for Studies in British Art

`I can think of no other edifice constructed by man as altruistic as a lighthouse. They were built only to serve.' George Bernard Shaw Since ancient times, long before GPS, radio transmission or radar, lighthouses have served as beacons helping ships to navigate Ireland's sometimes treacherous waters. The earliest lights were simply bonfires built on hillsides; in the fifth century, St Dubhan established a brazier of burning wood or turf on the headland of Hy Kinsellagh (now known as Hook Head). Today, despite technological advances, these coastal icons continue to serve as crucial navigational aids for the maritime traffic of our island nation, from the smallest leisure crafts to cargo ships and trawlers. By day, they mark the way with their instantly recognisable appearances; at night, by the character of their signals. One flash every two seconds tells a sailor that they are near Valentia Island off the coast of Kerry. Four flashes every twenty seconds means that they are further north, approaching Loop Head in County Clare. As well as representing a unique part of our maritime history and built heritage, lighthouses are a powerful symbol of strength and resilience in times of darkness. This evokes an irresistible fascination with them in many people. Artist Roger O'Reilly grew up near the Boyne Estuary lighthouse in County Meath and ever since has associated a sense of peace and reassurance with the warm glow of lighthouse beacons. He has spent two years criss-crossing the country to draw dramatic portraits of these sentinels of our shores. Gathered in this extraordinary collection, each beloved landmark is accompanied by a wealth of practical and insightful information: history, location, elevation, signal and range. This spectacularly illustrated celebration of these architectural gems will be treasured by anyone who finds comfort, intrigue or excitement in the glimmer of a lighthouse through the darkness.

While some architects have a signature style, Renzo Piano seeks to apply coherent ideas to extraordinarily different projects. His buildings impress as much for their individual impact as for their diversity of scale, material, and form. Piano rose to international prominence with his codesign of the Pompidou Center in Paris, described by The New York Times as a building that "turned the architecture world upside down." Since then, he has continued to craft many high-profile cultural spaces, including the Modern Wing of the Art Institute of Chicago; the Morgan Library Renovation and Expansion in New York; and, most recently, the Whitney Museum of American Art, an asymmetric nine-story structure in Manhattan's Meatpacking District with both indoor and outdoor galleries. In New York and London, the Renzo touch has also transformed the skyline with the towers of the New York Times Building and the Shard, the tallest building in the European Union. This essential introduction travels from Osaka, Japan, to Bern, Switzerland, and through many cities, structures, and islands in between, to explore the staggering scope of the Renzo Piano repertoire. From the "inside-out" Pompidou to the airy shells of the Tjibaou Cultural Center in Noumea, New Caledonia, this is a thrilling journey through the beauty of architecture, where, in Piano's own words, "each time, it is like life starting all over again." About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

When Charles Henry Cooper (1808 66) undertook to revise the text of the 1841 Memorials of Cambridge, illustrated by the engraver John Le Keux (1783 1846), he was under the impression that 'only a slight amount of labour' would be imposed on him. However, this three-volume work was altered and modified so extensively that it may be considered as entirely re-written. Containing over 250 photographs, engravings and etchings, Volumes 1 and 2 of the work are a comprehensive guide to the Cambridge colleges, while Volume 3 is almost entirely concerned with the history of other landmarks throughout the city, such as the Fitzwilliam Museum, the Guildhall and the Botanic Garden. It was published in 1860, just six years before Cooper's death, and stands as a detailed and fully illustrated guide to Cambridge at that time. Volume 1, dealing with the colleges in order of their foundation, covers Peterhouse to Jesus.

When Charles Henry Cooper (1808 66) undertook to revise the text of the 1841 Memorials of Cambridge, illustrated by the engraver John Le Keux (1783 1846), he was under the impression that 'only a slight amount of labour' would be imposed on him. However, this three-volume work was altered and modified so extensively that it may be considered as entirely re-written. Containing over 250 photographs, engravings and etchings, Volumes 1 and 2 of the work are a comprehensive guide to the Cambridge colleges, while Volume 3 is almost entirely concerned with the history of other landmarks throughout the city, such as the Fitzwilliam Museum, the Guildhall and the Botanic Garden. It was published in 1860, just six years before Cooper's death, and stands as a detailed and fully illustrated guide to Cambridge at that time. Volume 2, dealing with the colleges in order of their foundation, covers Christ's to Emmanuel.

When Charles Henry Cooper (1808 66) undertook to revise the text of the 1841 Memorials of Cambridge, illustrated by the engraver John Le Keux (1783 1846), he was under the impression that 'only a slight amount of labour' would be imposed on him. However, this three-volume work was altered and modified so extensively that it may be considered as entirely re-written. Containing over 250 photographs, engravings and etchings, Volumes 1 and 2 of the work are a comprehensive guide to the Cambridge colleges, while Volume 3 is almost entirely concerned with the history of other landmarks throughout the city, such as the Fitzwilliam Museum, the Guildhall and the Botanic Garden. It was published in 1860, just six years before Cooper's death, and stands as a detailed and fully illustrated guide to Cambridge at that time. Volume 3 covers Sidney Sussex and Downing, the university offices, churches and other important buildings.

First published in 1940, this was the first comprehensive book about British alabaster tombs. Originating from an article by the same writer in the Archaeological Journal for 1923, it provides a detailed account of the surviving alabaster monuments, from the earliest examples of around 1330 through to those created at the time of the Reformation. The text contains 305 photographic images of alabaster tombs taken from around the country, together with a list of effigies explaining their relative origins and significance. This is a highly rigorous study that will be of value to anyone with an interest in religious art and British history.

The Greek military victories at Marathon, Salamis, and Plataia during the Persian Wars profoundly shaped fifth-century politics and culture. By long tradition, the victors commemorated their deliverance by dedicating thank-offerings in the sanctuaries of their gods, and the Athenians erected no fewer than ten new temples and other buildings. Because these buildings were all at some stage of construction during the political ascendency of Perikles, in the third quarter of the fifth century, modern writers refer to them collectively as the Periklean building program. In Trophies of Victory, T. Leslie Shear, Jr., who directed archaeological excavations at the Athenian Agora for more than twenty-five years, provides the first comprehensive account of the Periklean buildings as a group. This richly illustrated book examines each building in detail, including its archaeological reconstruction, architectural design, sculptural decoration, chronology, and construction history. Shear emphasizes the Parthenon's revolutionary features and how they influenced smaller contemporary temples. He examines inscriptions that show how every aspect of public works was strictly controlled by the Athenian Assembly. In the case of the buildings on the Acropolis and the Telesterion at Eleusis, he looks at accounts of their overseers, which illuminate the administration, financing, and organization of public works. Throughout, the book provides new details about how the Periklean buildings proclaimed Athenian military prowess, aggrandized the city's cults and festivals, and laid claim to its religious and cultural primacy in the Greek world.

The Olympic Stadium in Montreal, the Parc des Princes stadium in Paris and the Officers Club in Abu Dhabi are just a few of Roger Taillibert's most iconic buildings. Here, Taillibert reminisces about his experiences, and the places and people that have influenced his work: Le Corbusier, Gropius, Frank Lloyd Wright and (in particular) Alvar Aalto.

International airports have become an inherent part of many urban regions and key transport infrastructures for metropolitan economies. Yet they are also a source of tensions, often associated with the contrasting impacts of their operation. Taking the example of Charles de Gaulle airport (CDG) in Paris, the author analyzes the factors influencing urban development and the related spatial strategies. Step by step, she traces the history of the airport, examines prominent conflicts and their management by planners, and derives broader lessons. Intended for town planners, policy makers, and urban designers, the book makes an important contribution to understanding the challenges and assessing the effectiveness of planning approaches for airport regions.

Ruhrchemie AG, a chemical company based in Oberhausen (Germany) has, since its founding in 1928, consistently maintained a photographic archive of the company's history. In addition to numerous professional and amateur photographers, whose pictures were shown in company magazines and brochures, Ruhrchemie commissioned photographs from luminaries of the profession such as Albert Renger-Patzsch and Robert H usser. This book of photographs presents a selection from the wide range of images in the collection, including factory architecture, industrial landscapes, and employees. Renger-Patzsch's cool approach, which aimed for objectivity, was ideally suited to the representation of both industrial architecture and engineering structures. In contrast to Renger-Patzsch's images, which are mostly devoid of human beings, H usser photographed the workers in the workplace. Apart from his trademark black and white photos, more than one hundred color slides have been preserved in the company's archive. Many of these are published here for the first time. Text in English and German. Contents: A directed view. Industrial photography for the Ruhrchemie AG in Oberhausen; Asrchitectures, Processes, Products; Chemical Images. The Ruhrchemie in photographic records. Photographers: Albert Renger-Patzsch / Karl Hugo Schm lz / Ludwig Windstosser / Bernd and Hilla Becher / Rudolf Holtappel / Robert H usser / Joachim Schumacher / Hermann Dornhege / Christian Diehl.

In Bathing in the Roman World, Fikret Yegul examines the social and cultural aspects of one of the key Roman institutions. Guiding the reader through the customs, rituals, and activities associated with public bathing, Yegul traces the origins and development of baths and bathing customs and analyzes the sophisticated technology and architecture of bath complexes, which were among the most imposing of all Roman building types. He also examines the reception of bathing throughout the classical world and the transformation of bathing culture across three continents in Byzantine and Christian societies. The volume concludes with an epilogue on bathing and cleanliness in post-classical Europe, revealing the changes and continuities in culture that have made public bathing a viable phenomenon even in the modern era. Richly illustrated and written in an accessible manner, this book is geared to undergraduates for use in courses on Roman architecture, archaeology, civilization, and social and cultural history.

The Jules Bordet Institute is one of the largest integrated cancer centers in Europe. Located at the heart of the Erasme campus in Anderlecht, Belgium, the university hospital's structure evolved from the objective to establish smooth connections with its environment. The building's luminous patios and extensive timber cladding rhythmize the collaborative design by Brunet Saunier Architecture, Archi 2000, and TPF Engineering, emanating in an interplay of natural shades and lights and a welcoming atmosphere. Through texts, photographs, and plans, Institut Jules Bordet Instituut retraces the different stages of the project. From the initial medical vision to the arrival of the first patients, the publication outlines the architectural approach to intensifying the relationship between medical practice and research, integrating technological changes, and improving the comfort of its patients.

Hailed as 'one of the most important contributions to the social and intellectual history of England which has ever been made by a Cambridge man', Robert Willis' monumental architectural history of the University of Cambridge is here reprinted. Its unique collection of over three hundred plans, antique and specially commissioned engravings is alone sufficient to make this an indispensable work of reference on Cambridge architecture before the onset of the modern age. This selection from the Architectural History presents in a single volume the complete text relating to St John's College and features a new introduction by David Watkin, Professor Emeritus in the History of Architecture at the Department of Art History at Cambridge University.

Robert Willis' monumental architectural history of the University of Cambridge, first published in 1886 in a revised and extended edition by his nephew J. W. Clark, was hailed as 'one of the most important contributions to the social and intellectual history of England which has ever been made by a Cambridge man.' These fully illustrated volumes are here reprinted in their entirety, with a modern introduction by Professor David Watkin. Although Willis and Clark has always been recognised by those interested generally in the conservation of buildings and in the historic development of architectural style and taste, its unique collection of over three hundred plans, antique and specially commissioned engravings is alone sufficient to make this an indispensable work of reference on Cambridge architecture before the onset of the modern age.