In 1986, the New York Times called William Zeckendorf Jr. "Manhattan's most active real-estate developer," a judgment borne out by Zeckendorf's fascinating memoir. The second generation of a legendary family of developers, "Bill" Zeckendorf was a developer with a social conscience, not only putting up buildings but opening neglected parts of the city and transforming whole communities. Among the projects Zeckendorf chronicles in detail-and with rich documentary illustrations-are the Columbia, which set off a building boom on the Upper West Side; the four-acre Worldwide Plaza, a landmark in West Midtown; Queens West, the first residential project on the waterfront in Queens; the enormous Ronald Reagan Office Building and International Trade Center in Washington, D.C.; and numerous projects in Santa Fe, his beloved second home.

The new MEETT Toulouse exhibition and convention centre in the French city of Toulouse once again demonstrates how a seemingly dull, functional task results in striking and refined architecture if the Rotterdam-based Office for Metropolitan Architecture OMA and its mastermind Rem Koolhaas take care of it. The vast structure, covering ca 618 by 246 yards of ground, makes for a spectacular spatial experience in its main exhibition hall that offers 484,376 square feet of column-free floor space. OMA also took an unusual path with regard to the configuration and transport connection of the entire complex. Rather than sealing even more ground with tarmac for endless car parks, it concentrated them into a compact multi-storey parking garage at the heart of the complex that also serves as a general traffic hub for MEETT Toulouse. The book offers impressions of MEETT Toulouse's enormous dimensions and the vast spaces it provides through images taken by French photographer Marco Cappelletti. The volume is rounded out with selected plans and concise texts on the particulars of the project.

This new monograph celebrates the creative accomplishments of one of the world's most influential architects, Cesar Pelli. The book surveys this extraordinary body of work in terms of the AIA's Gold Medalist's design, architecture, and planning, tracing Pelli's motivation as a leading designer and teacher, and the evolution of his work over the span of half a century. More than 50 projects from around the globe - museums, theaters, offices, laboratories, airports, cultural centers, civic works, master plans - are presented in rich full colour with insights from Pelli that delve into the design and construction of these landmarks from a practice that has thrived for nearly 40 years.

Calling him a "creator of timeless buildings," the Pritzker Jury further praised Ito for "infusing his designs with a spiritual dimension and for the poetics that transcend all his works." Among those works, the Jury singled out his Sendai Mediatheque, whose innovative use of structural tubes "permitted new interior spatial qualities."

The book Sendai Mediatheque presents the process of design and construction of Ito's prototype during the six years between the building's initial design through to its completion in 2001. The Mediatheque aspires to integrate real and virtual worlds - or, in Ito's words, "the primitive body of natural flow and the virtual body of electronic flow." Long after its completion, the Mediatheque is still evolving as an evolutionary building that combines the virtual and real into one design objective.

At the northern edge of the World's Fair Park in Knoxville, Tennessee, a striking set of thirty-two granite pylons stands as a monument to the tradition of military service in East Tennessee. The East Tennessee Veterans Memorialexplores the creation and significance of this commemorative monument, providing a window into the lives and courageous actions of the more than 6,200 men and women whose names are inscribed on the sobering markers. In this book, author John Romeiser, with the assistance of Jack McCall, showcases the stories of over 300 service members and their families, documented with public records, obituaries, and family recollections. In these pages, readers will find the accounts of each of East Tennessee's 14 Medal of Honour recipients, along with tales of a variety of other veterans from World War I to the present, people whose lives and deaths together form a microcosm of the armed forces. Richly illustrated with historical photographs, this ambitious undertaking delivers not only a compelling history of individual lives but also a broader sense of military history in the region and a contribution to the scholarship on the value of monuments as a means to honour the past.

Until the year 2000, Toni was a dairy factory, and its signature yoghurt packed in small brown glass jars, was one of Switzerland's best-known food staples. After production had been relocated to another part of Switzerland the vast plant, situated in Zurich's up-and-coming former industrial neighbourhood, was soon occupied by clubs and trendy restaurants as well as by many artists setting-up their studios here. Between 2011 and 2014 it was converted into the new home of Zurich University of the Arts ZHdK. The design by Swiss architects EM2N kept the building's basic structure and offers up-to-date educational facilities. The entire complex, comprising also a museum, restaurants, a music club as well as 100 apartments, is open to the urban environment. This new book documents the history and metamorphosis of the Toni plant. Richly illustrated with photographs, plans, and graphic art, it shows the premises industrial past, the complex reconstruction process, and its new function as a place where all the different mentalities and ways to study, to teach, and to work in the field of art coexist.

The Palais de Tokyo, built for the 1937 International Exhibition of Arts and Technology, is an icon of French Art Deco architecture. Located prominently on the northern bank of the Seine near the Eiffel Tower, the vast complex today is a hotspot of modern and contemporary art in the French capital. Opened as part of the 1937 International Exhibition, the Musee d'Art moderne de la Ville de Paris (MAM) has always had its home in the eastern wing of Palais de Tokyo. After a major refurbishment directed by Paris-based h2o architectes, it was re-inaugurated in October 2019. This book documents the creation of the new MAM. Alongside brief essays and a conversation with h2o architectes founding partners Jean-Jacques Hubert and Antoine Santiard, it features plans and visualisations as well as historic photographs. The construction process is illustrated through a photo essay by artist Laetitia Badaut Haussmann and reportages by photographer Myr Muratet and architect-photographer Stephane Chalmeau. Text in English and French.

This Construction and Design Manual showcases all aspects of planning hospitals, medical practices, and pharmacies. Around 50 projects are presented in their entirety, accompanied by large photographs, true to scale floor plans, and coloured diagrams. The volume also features scientific contributions concerning methods of planning and questions of design. Additional essays on architectural history and typological classifications make this book, spanning over 400 pages, an indispensable reference work for everyone with an interest in hospital architecture and healthcare design. Construction data, planning parameters, and regulations for hospitals and medical facilities True to scale floor plans for different building types and scientific comments Essential for healthcare design, architecture, and medical administration

From Wounded Knee to the Edmund Pettus Bridge, and from the Upper Big Branch mine disaster to the Trail of Tears, Marked, Unmarked, Remembered presents photographs of significant sites from US history, posing unsettling questions about the contested memory of traumatic episodes from the nation's past. Focusing especially on landscapes related to African American, Native American, and labor history, Marked, Unmarked, Remembered reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory. These powerful photographs by award-winning photojournalist Andrew Lichtenstein are interspersed with short essays by some of the leading historians of the United States. The book is introduced with substantive meditations on meaning and landscape by Alex Lichtenstein, editor of the American Historical Review, and Edward T. Linenthal, former editor of the Journal of American History. Individually, these images convey American history in new and sometimes startling ways. Taken as a whole, the volume amounts to a starkly visual reckoning with the challenges of commemorating a violent and conflictual history of subjugation and resistance that we forget at our peril.

As much of a barometer of design as its successful predecessors, Night Fever 5 is a global overview of the prevailing trends in hospitality design. The luxurious volume consists of three chapters; the first covers bars and clubs, the second features restaurants, and the third is devoted to hotel interiors. This book offers readers 130 fresh and exciting projects featured on a total of 600 pages. Interiors are featured on 2 to 8 pages that are filled with photos, drawings, sketches, floor plans and of course a description of the design. For each project the text explains how the designers fulfilled their client's wishes, how they incorporated the client's identity, how the concept developed, what materials were used and how the design was executed. Projects are selected based on their original concept, creativity, innovative approach or the project's unmistakable wow-factor. An extensive index at the back of the book describes each featured design studio including their contact details and the addresses of each venue they have designed.

Although a regional book, the subject is demolition/gentrification; how cities are changing. This is relevant across North America. Of interest to readers of urban design and urban planning illustrates what is valued, what is destroyed/discarded photographs of commonplace settings rather than celebratory or conventionally beautiful images topical as public opinion shifts with respect to historical buildings and monuments.

Of all of the Brazilian modernist Oscar Niemeyer's many built works, his Algerian projects are among the least well known. Beginning in 1968, Algeria's President Houari Boumediene commissioned Niemeyer to build two universities and an Olympic sports hall, as well as a series of large-scale, never-realized projects across Algeria, in an attempt to forge a modernist, independent nation. In 2013, Jason Oddy produced an in-depth photographic survey of these buildings as they exist in Algeria today. The Revolution Will Be Stopped Halfway collects those images alongside archival documents and Oddy's further research into Niemeyer's Algerian work in order to explore the revolutionary politics that inspired and formed these buildings.

View the Table of Contents. Read the Introduction.

a[Duranteas] guidebook is a perfect walking-tour accompaniment to help New Yorkers and visitors find, identify and better appreciate statues famous and obscure (honoring, among others, the afather of gynecologya and the general who had an unremarkable military and business career but composed taps, the bugle call). . . . Durante winsomely places 54 monuments in historical and artistic perspective. We learn that a trumpet is an allegory for announcing fame, that the monument to Admiral Farragut in Madison Square Park altered the course of American sculpture, that the figure with the winged hat atop Grand Central Terminal is Mercury and that the statue of Atlas at Rockefeller Center was reviled when it was unveiled in 1937 because it supposedly resembled Mussolini. Letas hope Ms. Durante follows up in the other four boroughs.a
--"The New York Times"

aOutdoor Monuments of Manhattan is a primer on getting to know our city's monuments. . . . Each entry has a uniform structure. It contains a photo, vital stats (year dedicated, size, materials), an aAbout the Sculpturea section, and an aAbout the Subjecta section, as well as a carefully chosen boxed quotation culled from an old book or newspaper that pertains to the subject. . . . Outdoor Monuments of Manhattan is well written, well researched, well thought-out, funny, and often refreshingly original, and will help any interested New Yorker know about the wondrous monuments that dot the city.a
--"New York Sun"

aAnyone whose curiosity has ever been piqued by the peculiar mixture of historical statues that ornament the grounds of Central Park will find Outdoor Monuments byDianne Durante a satisfying read. . . . The entries provide background on each workas origin, explaining, for example, how a statue of the medieval Polish king Jagiello came to be in New York alongside more predictable allegorical and American patriotic figures. A brief history of the subject is also provided, including enough lively anecdotes and obscure facts to entice all readers.a
--"Sculpture Magazine"

a[Durante] tackles her task in the manner of a walking tour. . . . The language of the book is friendly and chatty, as if the author were in front of you, conducting an on-site lecture. . . . The purpose of the book is to encourage people to go and see the wealth of outdoor sculpture in Manhattan, and the book treats this purpose with the enthusiasm the subjects deserve.a
--"The Art Book"

Stop, look, and discover--the streets and parks of Manhattan are filled with beautiful historic monuments that will entertain, stimulate, and inspire you. Among the 54 monuments in this volume are major figures in American history: Washington, Lincoln, Lafayette, Horace Greeley, and Gertrude Stein; more obscure figures: Daniel Butterfield, J. Marion Sims, and King Jagiello; as well as the icons of New York: Atlas, Prometheus, and the Firemen's Memorial. The monuments represent the work of some of America's best sculptors: Augustus Saint Gaudens' Farragut and Sherman, Daniel Chester French's Four Continents, and Anna Hyatt Huntington's Jose Marti and Joan of Arc.

Each monument, illustrated with black-and-white photographs, is located on a map of Manhattan and includes easy-to-follow directions. All the sculptures are considered both as historical mementos and as art. We learn offurious General Sherman court-martialing a civilian journalist, and also of exasperated Saint Gaudens' proposing a hook-and-spring device for improving his assistants' artistic acuity as they help model Sherman. We discover how Lincoln dealt with a vociferous Confederate politician from Ohio, and why the Lincoln in Union Square doesn't rank as a top-notch Lincoln portrait. Sidebars reveal other aspects of the figure or event commemorated, using personal quotes, poems, excerpts from nineteenth-century periodicals ("New York Times," "Harper's Weekly"), and writers ranging from Aeschylus, Washington Irving, and Frederic-Auguste Bartholdi to Mark Twain and Henryk Sienkiewicz.

As a historical account, Outdoor Monuments of Manhattan: A Historical Guide is a fascinating look at figures and events that changed New York, the United States and the world. As an aesthetic handbook it provides a compact method for studying sculpture, inspired by Ayn Rand's writings on art. For residents and tourists, and historians and students, who want to spend more time viewing and appreciating sculpture and New York history, this is the start of a unique voyage of discovery.

The baking industry has seen a developing momentum in recent years. The competition is stiff; it's not just the quality of the food that attracts customers, so it's often necessary to ensure the design of the bakery itself is both creative and eye catching, while still being functional. A well-designed store can not only increase sales, but also help develop a brand identity. This book includes fifty bakery designs from all over the world. The designers responsible exhaustively examine their projects in order to illustrate the design process.

In this his newest book, Peter MacCallum has assembled collections of his documentary photographs of the last decade that examine the particularities of the vernacular spaces of human labour, commerce, and habitation. Conceived as series, these documentary photographs juxtapose the miscellany of the commercial architecture of Toronto's Yonge Street with the uniform elegance of rue du Faubourg Saint-Denis in Paris; an aging zinc foundry in Montreal with a venerable independent garage in Toronto; the functional Theatre Passe Muraille in Toronto with the tiny, lushly decorated Theatre du Tambour Royal in Paris. Shifting from the industrial to the moumental to the domestic, MacCallum's roving eye lands upon the gritty morphology of the coal-fired Lakeview Generating Station, the restoration of Walter Alward's great limestone monument at Vimy Ridge, and the classical Greek spirit expressed in the front porches of ordinary Toronto houses dating from the early decades of the 20th century. The result is an engrossing collection of photographs that reveal a disarming beauty in sites that both embody and encompass a rich history of industry, commerce, and human habitation.

Ruhrchemie AG, a chemical company based in Oberhausen (Germany) has, since its founding in 1928, consistently maintained a photographic archive of the company's history. In addition to numerous professional and amateur photographers, whose pictures were shown in company magazines and brochures, Ruhrchemie commissioned photographs from luminaries of the profession such as Albert Renger-Patzsch and Robert H usser. This book of photographs presents a selection from the wide range of images in the collection, including factory architecture, industrial landscapes, and employees. Renger-Patzsch's cool approach, which aimed for objectivity, was ideally suited to the representation of both industrial architecture and engineering structures. In contrast to Renger-Patzsch's images, which are mostly devoid of human beings, H usser photographed the workers in the workplace. Apart from his trademark black and white photos, more than one hundred color slides have been preserved in the company's archive. Many of these are published here for the first time. Text in English and German. Contents: A directed view. Industrial photography for the Ruhrchemie AG in Oberhausen; Asrchitectures, Processes, Products; Chemical Images. The Ruhrchemie in photographic records. Photographers: Albert Renger-Patzsch / Karl Hugo Schm lz / Ludwig Windstosser / Bernd and Hilla Becher / Rudolf Holtappel / Robert H usser / Joachim Schumacher / Hermann Dornhege / Christian Diehl.

James D. Dilts has written the first comprehensive study of the broad range of structures built in North America for the railroads during their heyday, from high-rise office buildings to beautiful resort hotels to lowly roundhouses and shops. Dilts delves into the personalities of the people who conceived these structures and examines the creative uses that have been found for many of them today. The railroads popularized such vogues in architecture as the Italianate style in the United States and the chateau style in Canada and pioneered the use of new materials (for example, steel) and methods of construction. Included are more than a hundred of the finest examples of fourteen different building types. The World the Trains Made will appeal to railroad and architecture buffs, preservationists considering the adaptive reuse of historic structures, and anyone concerned about our transportation priorities in the age of climate change-particularly with regard to environmentally friendly railroads.

Collaborating with leading architects like Zaha Hadid, Foreign Office Architects, Norman Foster, and Will Alsop, Adams Kara Taylor have become the engineers of choice for projects that redefine the conventional boundaries between structural engineering and architecture. Their holistic approach expands structural thinking to include technical solutions, aesthetics, and advanced research to adapt both diverse architectures and design methodologies. Organized into a series of synthetic themes - complexity, trans-scalarity, modelling, process - this book presents a cross-section of diverse projects and methods as a manual for new relations between radical engineering and design. Contributors include Alejandro Zaera-Polo, Simon Allford, Patrik Schumacher, Tim Anstey, Mohsen Mostafavi, and Michael Speaks.

Landscapes are forged by many forces and are dynamic, not static. Yet most landscape designs are designed as static; that is, they are designed not to change substantially for 20-50 years. As cities become the dominant living space for humans, allowing non-human forces to contribute to our designs as landscape architects will make for more resilient landscapes and a healthier planet. Making these dynamic landscapes with our non-human partners will require a new landscape aesthetic, changing the public perception of "landscape," and changing maintenance practices. Dynamic Geographies seeks to address these perceptions with a series of our projects as examples. The book is divided into three segments of overlapping geographies: Invisible geographies, Layered geographies, and Unleashing geographies.

How should Germany commemorate the mass murder of Jews once committed in its name? In 1997, James E. Young was invited to join a German commission appointed to find an appropriate design for a national memorial in Berlin to the European Jews killed in World War II. As the only foreigner and only Jew on the panel, Young gained a unique perspective on Germany's fraught efforts to memorialize the Holocaust. In this book, he tells for the first time the inside story of Germany's national Holocaust memorial and his own role in it. In exploring Germany's memorial crisis, Young also asks the more general question of how a generation of contemporary artists can remember an event like the Holocaust, which it never knew directly. Young examines the works of a number of vanguard artists in America and Europe-including Art Spiegelman, Shimon Attie, David Levinthal, and Rachel Whiteread-all born after the Holocaust but indelibly shaped by its memory as passed down through memoirs, film, photographs, and museums. In the context of the moral and aesthetic questions raised by these avant-garde projects, Young offers fascinating insights into the controversy surrounding Berlin's newly opened Jewish museum, designed by Daniel Libeskind, as well as Germany's soon-to-be-built national Holocaust memorial, designed by Peter Eisenman. Illustrated with striking images in color and black-and-white, At Memory's Edge is the first book in any language to chronicle these projects and to show how we remember the Holocaust in the after-images of its history.

In 2003, Columbia University began planning an expansion into neighboring Manhattanville, the site of the soon-to-open campus designed by the Renzo Piano Building Workshop and Skidmore, Owings & Merrill. The story of the project is a complex one-a university bursting at the seams, the changing imperatives of research facilities, large-scale investment in underground infrastructures, a controversial use of eminent domain, the commissioning of celebrated architects, and a remarkable campaign of community engagement all combining to reshape the public face of a venerable institution. Bringing together conversations with the architects and planners designing the Manhattanville campus, the educators who will inhabit its buildings, and essays from urban and architectural historians, this book both documents the making of Manhattanville and engages the contested history of public planning and the private university. Featuring contributions from Amale Andraos, Carol Becker, Elizabeth Diller, Steven Gregory, Maxine Griffith, Tom Jessell, Robert Kasdin, Laura Kurgan, Reinhold Martin, Lois Mazzitelli, Philip Palmgren, Charles Renfro, Marilyn Taylor, and Anthony Vaccione.