In Early Modern Europe the first readers of a book were not those who bought it. They were the scribes who copied the author's or translator's manuscript, the censors who licensed it, the publisher who decided to put this title in his catalogue, the copy editor who prepared the text for the press, divided it and added punctuation, the typesetters who composed the pages of the book, and the proof reader who corrected them. The author's hand cannot be separated from the printers' mind. This book is devoted to the process of publication of the works that framed their readers' representations of the past or of the world. Linking cultural history, textual criticism and bibliographical studies, dealing with canonical works - like Cervantes' "Don Quixote" or Shakespeare's plays - as well as lesser known texts, Roger Chartier identifies the fundamental discontinuities that transformed the circulation of the written word between the invention of printing and the definition, three centuries later, of what we call 'literature'.

This fascinating and inspiring biography of John H Haynes - the man behind Haynes Manuals - looks 'under the bonnet' at his extraordinary life, and his legacy to the motoring world. This is the story of how one man's vision and enthusiasm gave a small enterprise in rural Somerset a global footprint. The story begins with John's childhood in Ceylon and his school days - when as a young entrepreneur he sowed the seeds for what would become the iconic Haynes car-repair manuals - to his time as a young RAF officer, and then as the driving force behind the growth of the iconic Haynes brand and the Haynes International Motor Museum. This biography will appeal not only to motoring enthusiasts, but a wider audience who will be intrigued by the story of the Haynes family and the business dynamics - exploring the evolution of a global, yet truly British company and brand, led and overseen by John Haynes for 59 years.

Stefanie Trumper entwickelt das Modell der nachhaltigen Erinnerung, mit dem sich das Verhaltnis von Journalismus und Erinnerung theoretisch durchleuchten und operationalisieren lasst. Die Autorin zeigt, dass Erinnerungsfahigkeit eine wesentliche Voraussetzung fur die Konstruktion von Aktualitat ist und Erinnerung entsprechend ein Kriterium journalistischer Qualitat. In einer international vergleichenden Fallstudie wird das Modell erprobt. Im Fokus steht die gegenwartige Berichterstattung uber zwei Flutkatastrophen in den Niederlanden (1953) und in Norddeutschland (1962). Der Journalismus ordnet die Ereignisse auf komplexe Weise mittels retrospektiver und prospektiver Aktualisierungsstrategien in das Zeitgeschehen ein. Das Buch leistet einen wesentlichen Beitrag zur Analyse der Rolle von Journalismus im Hinblick auf erinnerungskulturelle Fragestellungen.

The field of electronic literature has a familiar catchphrase, "You can't do it on paper." But the field has in fact never gone paperless. Reaching back to early experiments with digital writing in the mainframe era and then moving through the personal computer and Internet revolutions, this book traces the changing forms of paper on which e-lit artists have drawn, including continuous paper, documentation, disk sleeves, packaging, and even artists' books. Paper Electronic Literature attests that digital literature's old media elements have much to teach us about the cultural and physical conditions in which we compute; the creativity that new media artists have shown in their dealings with old media; and the distinctively electronic issues that confront digital artists. Moving between avant-garde works and popular ones, fiction writing and poetry generation, Richard Hughes Gibson reveals the diverse ways in which paper has served as a component within electronic literature, particularly in facilitating interactive experiences for users. This important study develops a new critical paradigm for appreciating the multifaceted material innovation that has long marked digital literature.

'A masterpiece' - Daily Mail 'A fascinating and funny look at what really goes into the making of a book' Sunday Times 'Inject this straight into my veins!' Lucy Mangan 'Engaging, informative, and fascinating!' David Bellos, author of Is That a Fish in Your Ear? Once upon a time, a writer had an idea. They wrote it down. But what happened next? Join Rebecca Lee, professional word-improver, as she embarks on the fascinating journey to find out how a book gets from author's brain to finished copy. She'll learn the dark arts of ghostwriters, uncover the hidden beauty of typesetting and find out which words end up in books (and why). And along the way, her quest will be punctuated by a litany of little-known considerations that make a big impact: ellipses, indexes, hyphens, esoteric grammar and juicy errata slips. Whoops. From foot-and-note disease to the town of Index, Missouri - turn the page to discover how books get made and words get good. Or, at least, better.

In Blockchain Democracy, William Magnuson provides a breathtaking tour of the world of blockchain and bitcoin, from their origins in the online scribblings of a shadowy figure named Satoshi Nakamoto, to their furious rise and dramatic crash in the 2010s, to their ignominious connections to the dark web and online crime. Magnuson argues that blockchain's popularity stands as a testament both to the depth of distrust of government today, and also to the fervent and undying belief that technology and the world of cyberspace can provide an answer. He demonstrates how blockchain's failings provide broader lessons about what happens when technology runs up against the stubborn realities of law, markets, and human nature. This book should be read by anyone interested in understanding how technology is changing our democracy, and how democracy is changing our technology.

Der Band setzt sich mit den unterschiedlichen Erwartungshaltungen an Autoren und Regisseure historischer Dokumentation auseinander und entwickelt daraus einen Leitfaden fur die Praxis. Welche dramaturgischen Grundmuster bieten sich fur historische Dokumentationen an? Was ist ein angemessener Umgang mit Zeitzeugen im Spannungsfeld von subjektiver Wahrnehmung und historischer Wahrheit? Welche wissenschaftlichen Kriterien sind eher hinderlich, welche historischen Forschungsansatze koennen dagegen hilfreich sein? Anhand zahlreicher Beispiele erlautert der Autor, wie es gelingt, den unterschiedlichen Erwartungshaltungen zu entsprechen und dennoch den eigenen Gestaltungswillen nicht aus den Augen zu verlieren.

This is a major bibliographic research guide designed to assist scholars of South Asian history (India, Pakistan, and Nepal) in finding materials relevant to their research. It offers an annotated and indexed list of over 5,000 articles from 351 periodicals and 26 books of collected essays and encyclopedias. It lists 341 English and bilingual English-vernacular newspapers, and 251 vernacular papers published in South Asia, all with pertinent information. It also provides an extensive unified list of dissertations for degrees in modern South Asian history from South Asian, European, and American universities. About 3,100 of the entries are annotated. Originally published in 1968. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Complete Source Code and Program Listing for TeX Now, 35 years after the first edition, the leading worldwide experts on these systems have spent several months inspecting every page thoroughly. We now believe that every "i" has been properly dotted, every "t" has been properly crossed, and every bug has been properly exterminated. Donald E. Knuth, creator of the exciting TeX computer typesetting system, has made available in this volume the fully documented program listing for TeX. Readers who are already familiar with TeX and with its user's guide, The TeXbook, will find much of interest in the source code. Other readers interested in software development and in Knuth's programming style will find this a fascinating and instructive case study. Never before has a computer program of this size been spelled out so clearly and completely. Knuth presents all the algorithms and explains every detail of the TeX program, utilizing the WEB system of structured documentation that he developed as part of his TeX research project. TeX: The Program is the second in a five-volume series on Computers and Typesetting, all authored by Knuth. This series presents the results of nearly a decade of innovative research on the problems of preparing publications of high quality.

In this ambitious and multidisciplinary work, Round examines the relationship between Native Americans and printed books over a two-hundred-year period, uncovering the individual, communal, regional, and political contexts for Native peoples' use of the printed word. From the northeastern woodlands to the Great Plains, Round argues, alphabetic literacy and printed books mattered greatly in the emergent, transitional cultural formations of indigenous nations threatened by European imperialism.

What does it mean to author a piece of music? What transforms the performance scripts written down by musicians into authored books? In this fascinating cultural history of Western music's adaptation to print, Kate van Orden looks at how musical authorship first developed through the medium of printing. When music printing began in the sixteenth century, publication did not always involve the composer: printers used the names of famous composers to market books that might include little or none of their music. Publishing sacred music could be career-building for a composer, while some types of popular song proved too light to support a reputation in print, no matter how quickly they sold. Van Orden addresses the complexities that arose for music and musicians in the burgeoning cultures of print, concluding that authoring books of polyphony gained only uneven cultural traction across a century in which composers were still first and foremost performers.

This Element is a contribution to the ongoing debate on what it meant to publish a book in manuscript. It offers case-studies of three twelfth-century Anglo-Norman historians: William of Malmesbury, Henry of Huntingdon, and Geoffrey of Monmouth. It argues that the contemporary success and rapid attainment of canonical authority for their histories was in significant measure the result of successfully conducted publishing activities. These activities are analysed using the concept of a 'publishing circle'. This concept, it is suggested, may have wider utility in the study of authorial publishing in a manuscript culture. This Element is also available as Open Access.

Academic bookselling inhabits a landscape fundamentally impacted by legislative and political pressure, colonised by new textual forms and new publishing ventures, experiencing constant change. Capital Letters defines the academic bookshop, text, and market, examining change drivers in the UK, the USA and Asia. Drawing on current research, inclusive of commercial publishers and publishing interest groups, Capital Letters also includes quantitative and qualitative research data from academic booksellers. In evaluating the response of academic bookshops to the changing landscape, Capital Letters argues that academic booksellers can understand, shape, and lead a sustainable and equitable future for academic text within the marketplace.

Penguin Classics have built their reputation as one of the largest and most successful modern imprints for 'classic' texts on the notion of 'the general reader'. Following an interrogation of this idea, Leah Tether investigates the publication of medieval French literature on this list and shines a light on the drivers, motivations, negotiations and decision-making processes behind it. Focusing on the medieval French texts published between c.1956 and 2000, Tether demonstrates that, rather than Penguin's frequently cited 'general reader', a more academic market may have contributed to ensuring the success of these titles.

The Digital Humanities is a comprehensive introduction and practical guide to how humanists use the digital to conduct research, organize materials, analyze, and publish findings. It summarizes the turn toward the digital that is reinventing every aspect of the humanities among scholars, libraries, publishers, administrators, and the public. Beginning with some definitions and a brief historical survey of the humanities, the book examines how humanists work, what they study, and how humanists and their research have been impacted by the digital and how, in turn, they shape it. It surveys digital humanities tools and their functions, the digital humanists' environments, and the outcomes and reception of their work. The book pays particular attention to both theoretical underpinnings and practical considerations for embarking on digital humanities projects. It places the digital humanities firmly within the historical traditions of the humanities and in the contexts of current academic and scholarly life.

Es ist ein guter Brauch im Verlagsbuchhandel, aus Anlaf3 - deutenderer Jubilfien vonder Entwicklung des Unternehmens Bericht zu geben. DaB dies beim Springer-Verlag erst gelege- lich des 150. Jahrestags der Verlagsgrtindung geschieht, ist fiberwiegend zufallsbedingt. Die kleineren Verlagsjubilfien wurden als Fami/ienfeiern - gangen, denn Julius Springer hatte den Verlag an seinem 25. Geburtstag gegrfindet. Das 25j-ihrige Bestehen (1867) wurde in kleinem Kreise gefeiert; Marie Springer berichtet, sic habe - ren Mann zu seinem 50. Geburtstag einer kleinen gela- nen Gesellschaft seiner n ichsten buchhfindlerischen Freunde sowie des engeren Familienkreises tiberrascht, mit denen ein heiteres, von sch6nen Toasten gewtirztes Mittagsmahl ein- nommen wurde IMS: 79f. Auch der 50. Jahrestag hatte noch einen mehr famili iren Charakter: Es wurde des so frtih verst- benen Verlagsgriinders gedacht, und der filteste Sohn wiJrdigte den Vater in einer kleinen Ansprache (s. S. 80). Das Jubilfium wurde zum Anlag genommen, eine >Hauskasse