This collection is published on the occasion of the 250th anniversary of Walter de Gruyter Publishers. The de Gruyter archives of letters, a collection of valuable correspondence with authors, was arranged and enlarged by Otto Neuendorff, who died in 1989. Anne-Katrin Ziesak revised the work and Maria Berger compiled the index. The documents and their contents are described, together with biographical information on each author. The work is in alphabetical order, according to the names of the letter writers. Institutions were treated according to the rules of alphabetic cataloguing. Additional biographical information on the authors - as far as they could be identified - is given. In cases where the dating was unclear, the assumed dates are in brackets, followed by the number and dates of documents as well as their contents. Information about the dates and the recipients is also provided, followed by a short description of the contents. In conclusion, the signature and source of each documents is given. The index includes a list of the persons and the institutions involved and the works, all this material being cross-referenced.

Just how many-sided the life and works of Daniel Chodowiecki were becomes apparent when we look at his various professions. He was a decorator, genre painter, illustrator, engraver, craftsman, entrepreneur and art expert. Historically oriented art and literature scholars have regarded this as an invitation to approach Chodwiecki from a variety of different angles, for here is a man who patently led an 'interdisciplinary' life and who thus deserves to be read and appreciated from an interdisciplinary perspective. Precisely this is what the present volume sets out to do.

This study is the first to undertake a detailed appreciation of the much-lauded printing language employed at GA1/4nther Zainer's Augsburg printing shop. The new findings are the result of an unprecedented excerpting method that takes account of the hitherto neglected role played by the sequence of different typesetters. A comparison with other contemporaneous written idioms in Augsburg gives even greater definition to the account of the early stages of the printing idiom in Augsburg. This approach provides a potential model for similar investigations at other printing locations.

A comprehensive analysis of the illustrated publishing industry in Britain between the two World Wars and in the decade following World War II, with detailed histories of the Phaidon and Thames & Hudson publishing houses -- Illustrated with early book covers and never-before-published archive photographs of the founders of the great illustrated publishing houses -- A contribution not only to the history of wartime publishing, but also to German and Austrian exile studies."

Described by the TLS as 'a formidable bibliographical achievement ... destined to become a key reference work for Shakespeareans', Shakespeare in Print is now issued in a revised and expanded edition offering a wealth of new material, including a chapter which maps the history of digital editions from the earliest computer-generated texts to the very latest digital resources. Murphy's narrative offers a masterful overview of the history of Shakespeare publishing and editing, teasing out the greater cultural significance of the ways in which the plays and poems have been disseminated and received over the centuries from Shakespeare's time to our own. The opening chapters have been completely rewritten to offer close engagement with the careers of the network of publishers and printers who first brought Shakespeare to print, additional material has been added to all chapters, and the chronological appendix has been updated and expanded.

This rich collection of essays by an international group of scholars explores commentaries in many different languages on ancient Latin and Greek texts. The commentaries discussed range from the ancient world to the twentieth century. Together, the chapters contribute to the dialogue between two vibrant and developing fields of study: the history of scholarship and the history of the book. The volume pays particular attention to individual commentaries, national traditions of commentary, the part played by commentaries in the reception of classical texts, and the role of printing and publishing. The material form of commentaries is also considered-including how they are advertised and their accompanying illustrations-as well as their role in education. Both academic texts and books written for schools are surveyed.

Music Publishing covers the basics of how a composition is copyrighted, published, and promoted. Publishing in the music business goes far beyond the physical sheet--it includes live performance and mechanical (recording) rights, and income streams from licensing deals of various kinds. A single song can generate over thirty different royalty streams, and a writer must know how these royalties are calculated and who controls the flow of the money.

Taking a practical approach, the authors -- one a successful music publisher and attorney, the other a songwriter and music business professor -- explain in simple terms the basic concept of copyright law as it pertains to compositions. Throughout, they give practical examples from "real world" situations that illuminate both potential pitfalls and possible upsides for the working composers.

Im ersten Teilband dieser Verlagsgeschichte wird die Entwicklung des Springer-Verlags von seiner GrA1/4ndung bis zum Jahr 1945 nachgezeichnet. Julius Springer grA1/4ndete am 10. Mai 1842 in Berlin eine Buchhandlung und nahm gleichzeitig auch seine verlegerische TAtigkeit mit der VerAffentlichung politischer Tagesschriften auf. Nach der Revolution von 1848, an der er aktiv beteiligt war, erweiterte er sein Programm um Jugend- und SchulbA1/4cher, wandte sich der Forstwissenschaft und der Pharmazie zu, verlegte einige bedeutende Autoren der deutschen Literatur wie Gotthelf und Fontane und pflegte von Anbeginn auch die Rechts- und Wirtschaftswissenschaften. Seine SAhne bauten einen Technik- und Medizinverlag auf und nahmen bald auch die exakten Naturwissenschaften in ihr Programm auf. Die Enkel schlieAlich, insbesondere Ferdinand Springer d.J., entwickelten das Unternehmen zum bedeutendsten deutschen Wissenschaftsverlag. Der Verfasser schildert diese Entwicklung A1/4berwiegend anhand von Verlagsarchivalien, die in groAem Umfang A1/4berliefert sind, und verbindet seine Darstellung mit Ausblicken auf die jeweilige Situation des Buchhandels in dieser Zeit. Durch die Beigabe von etwa 400 Abbildungen, Tabellen und Aoebersichten ist ein umfassend dokumentiertes Werk der Buchhandels- und Wissenschaftsgeschichte entstanden.

The Holocaust was the defining cataclysm of modernity. Now, more than three quarters of a century later, the immersive, interactive technologies of the digital age are dramatically refashioning our memory of that genocide. Virtual Holocaust Memory offers the first comprehensive account of a unique historical juncture, as twenty-first century digital culture meets the edge of living Holocaust memory. The book considers a range of projects that are being developed by museums, archives, businesses, and educational organizations in the USA and Europe, including interactive video testimony, Virtual Reality films, Augmented Reality apps, museum installations, and online exhibitions. Drawing on an original conceptual framework that incorporates connective memory, palimpsestic testimony, and a notion of 'truthfulness' first applied to testimonial writing by the survivor Charlotte Delbo, this groundbreaking book argues that the value of virtual Holocaust memory-that is to say its truthfulness-will ultimately come to rest on the connections that it establishes across a complex set of subject positions. These range from 'new bystanders', who encounter Holocaust memory from a position of relative safety, to the traumatized victims whose extreme physical and psychological experiences made communicating so difficult in the first place.

What does the covert history of the early Enlightenment period look like? Maturin VeyssiA]re La Croze was a Benedictine monk in Paris and later librarian to the Prussian king in Berlin. Tracing his escape routes, networks and intellectual predilections affords an insight into the links between his involvement in the scholarly debates of the day and his personal relations with Jews, atheists and Socinians. The motivating factor for such an inquiry is a French verse adaptation of the Ring Parable in which the tolerance issue is posed in the context of the situation in which exiled Huguenots found themselves after 1685. The quest for the author finally ends among the book producers and rA(c)fugiA(c)s in Holland around 1720.

From the New York Times to Gawker, a behind-the-scenes look at how performance analytics are transforming journalism today-and how they might remake other professions tomorrow Journalists today are inundated with data about which stories attract the most clicks, likes, comments, and shares. These metrics influence what stories are written, how news is promoted, and even which journalists get hired and fired. Do metrics make journalists more accountable to the public? Or are these data tools the contemporary equivalent of a stopwatch wielded by a factory boss, worsening newsroom working conditions and journalism quality? In All the News That's Fit to Click, Caitlin Petre takes readers behind the scenes at the New York Times, Gawker, and the prominent news analytics company Chartbeat to explore how performance metrics are transforming the work of journalism. Petre describes how digital metrics are a powerful but insidious new form of managerial surveillance and discipline. Real-time analytics tools are designed to win the trust and loyalty of wary journalists by mimicking key features of addictive games, including immersive displays, instant feedback, and constantly updated "scores" and rankings. Many journalists get hooked on metrics-and pressure themselves to work ever harder to boost their numbers. Yet this is not a simple story of managerial domination. Contrary to the typical perception of metrics as inevitably disempowering, Petre shows how some journalists leverage metrics to their advantage, using them to advocate for their professional worth and autonomy. An eye-opening account of data-driven journalism, All the News That's Fit to Click is also an important preview of how the metrics revolution may transform other professions.

Getting a qualitative article or book published involves more than simply doing the research, writing it up, and sending it off. You also need to know how to navigate the social relations of presenting your work to the journal editor or book publisher-and how to craft your message to them-if you want to be successful. Written by a highly-respected publisher of qualitative research, this brief, practical resource shows you how to identify the right home for your work. It also guides you through the publications process-- from crafting the abstract to writing, production, and marketing--once you've found the best publisher. The author -demystifies what publishers and journal editors do, how they make their decisions on qualitative articles, research studies, and methods books;-discusses edited books, how to publish from your dissertation, and when to consider open access and electronic publications; and-includes case studies, appendixes, forms, and resources to help the aspiring academic.

A new history explores the commercial heart of evangelical Christianity. American evangelicalism is big business. For decades, the world's largest media conglomerates have sought out evangelical consumers, and evangelical books have regularly become international best sellers. In the early 2000s, Rick Warren's The Purpose Driven Life spent ninety weeks on the New York Times Best Sellers list and sold more than thirty million copies. But why have evangelicals achieved such remarkable commercial success? According to Daniel Vaca, evangelicalism depends upon commercialism. Tracing the once-humble evangelical book industry's emergence as a lucrative center of the US book trade, Vaca argues that evangelical Christianity became religiously and politically prominent through business activity. Through areas of commerce such as branding, retailing, marketing, and finance, for-profit media companies have capitalized on the expansive potential of evangelicalism for more than a century. Rather than treat evangelicalism as a type of conservative Protestantism that market forces have commodified and corrupted, Vaca argues that evangelicalism is an expressly commercial religion. Although religious traditions seem to incorporate people who embrace distinct theological ideas and beliefs, Vaca shows, members of contemporary consumer society often participate in religious cultures by engaging commercial products and corporations. By examining the history of companies and corporate conglomerates that have produced and distributed best-selling religious books, bibles, and more, Vaca not only illustrates how evangelical ideas, identities, and alliances have developed through commercial activity but also reveals how the production of evangelical identity became a component of modern capitalism.

Indian Media Giants is an analytical chronicle of six Indian mega media conglomerates' individual odyssey from their beginnings in the pre-independence era to their transformation into powerful business empires in the digitised modern India. The book traces media metamorphoses, contours of growth and development, travails and trajectories, organizational structures, editorial policies and business dynamics of print majors in India, namely, The Times Group, The Hindu Group, The Hindustan Times Limited, The Indian Express Group, Dainik Jagran Limited and DB Corp Limited.

There’s never been a better time to be an author. Books like the Harry Potter series create a media phenomenon, with people lining up and camping outside bookstores to purchase newly released titles. Yet book sales overall – not just those of mega-sellers – are on the rise, as more and more people seek knowledge and entertainment through reading. The Library of Congress currently registers about 60,000 new titles for copyright each year. 60,000 books by 60,000 authors. Imagine yourself as one.

Getting Your Book Published For Dummies is your complete guide to realizing whatever gem of an idea you’ve been carrying with you. If you’ve ever thought, “this would make a really good book,” be it the next great American novel or a guide to naming babies, here’s your chance to put pen to paper and find out! Written from both sides of the editor’s desk – by a widely published writer and a HarperCollins veteran publisher – this guide puts in your hand the advice you need to:

• Pick an idea
• Approach the publisher
• Craft proposals and queries
• Work with agents, or act as your own
• Self-publish
• Negotiate a contract
• Create the actual book
• Sell your published book

Full of examples, proposals, query letters, and war stories drawn from the authors’ extensive experience, Getting Your Book Published For Dummies shows you how to clear all the hurdles faced by today’s writers – freeing up precious time for you to refine your manuscript. You’ll get the inside scoop on:

• Titling your book
• Major publishers, smaller houses, niche publishers, university presses, and spiritual and religious publishers
• The 12 elements of a successful nonfiction proposal
• How editors read queries
• Submitting fiction
• Publishing outside the box
• And much more

Getting Your Book Published For Dummies is the clear, A-Z handbook that makes the entire process  plain and practicable. You don’t need to be a celebrity. You don’t need to be some kind of publishing insider. All you need to do is write.

Not since the printing press has a media object been as celebrated for its role in the advancement of knowledge as the scientific journal. From open communication to peer review, the scientific journal has long been central both to the identity of academic scientists and to the public legitimacy of scientific knowledge. But that was not always the case. At the dawn of the nineteenth century, academies and societies dominated elite study of the natural world. Journals were a relatively marginal feature of this world, and sometimes even an object of outright suspicion. The Scientific Journal tells the story of how that changed. Alex Csiszar takes readers deep into nineteenth-century London and Paris, where savants struggled to reshape scientific life in the light of rapidly changing political mores and the growing importance of the press in public life. The scientific journal did not arise as a natural solution to the problem of communicating scientific discoveries. Rather, as Csiszar shows, its dominance was a hard-won compromise born of political exigencies, shifting epistemic values, intellectual property debates, and the demands of commerce. Many of the tensions and problems that plague scholarly publishing today are rooted in these tangled beginnings. As we seek to make sense of our own moment of intense experimentation in publishing platforms, peer review, and information curation, Csiszar argues powerfully that a better understanding of the journal's past will be crucial to imagining future forms for the expression and organization of knowledge.

A healthy democracy requires vigorous, uncompromising investigative journalism. But today the free press faces a daunting set of challenges: in the face of harsh criticism from powerful politicians and the threat of lawsuits from wealthy individuals, media institutions are confronted by an uncertain financial future and stymied by a judicial philosophy that takes a narrow view of the protections that the Constitution affords reporters. In Journalism Under Fire, Stephen Gillers proposes a bold set of legal and policy changes that can overcome these obstacles to protect and support the work of journalists. Gillers argues that law and public policy must strengthen the freedom of the press, including protection for news gathering and confidential sources. He analyzes the First Amendment's Press Clause, drawing on older Supreme Court cases and recent dissenting opinions to argue for greater press freedom than the Supreme Court is today willing to recognize. Beyond the First Amendment, Journalism Under Fire advocates policies that facilitate and support the free press as a public good. Gillers proposes legislation to create a publicly funded National Endowment for Investigative Reporting, modeled on the national endowments for the arts and for the humanities; improvements to the Freedom of Information Act; and a national anti-SLAPP law, a statute to protect media organizations from frivolous lawsuits, to help journalists and the press defend themselves in court. Gillers weaves together questions of journalistic practice, law, and policy into a program that can ensure a future for investigative reporting and its role in our democracy.

Dieser Band der "Bibliothek der Mediengestaltung" behandelt die Verarbeitung von Text-, Grafik- und Bilddaten von der Datenerfassung und Datenubernahme bis zur Erstellung fertiger Druckdaten fur den professionellen Druck. Fur diese Bibliothek wurden die Themen des Kompendiums der Mediengestaltung neu strukturiert, vollstandig uberarbeitet und in ein handliches Format gebracht. Leitlinien waren hierbei die Anpassung an die Entwicklungen in der Werbe- und Medienbranche sowie die Berucksichtigung der aktuellen Rahmenplane und Studienordnungen sowie Prufungsanforderungen der Ausbildungs- und Studiengange. Die Bande der "Bibliothek der Mediengestaltung" enthalten zahlreiche praxisorientierte Aufgaben mit Musterloesungen und eignen sich als Lehr- und Arbeitsbucher an Schulen sowie Hochschulen und zum Selbststudium.