Since the 2016 U.S. presidential election, concerns about fake news have fostered calls for government regulation and industry intervention to mitigate the influence of false content. These proposals are hindered by a lack of consensus concerning the definition of fake news or its origins. Media scholar Nolan Higdon contends that expanded access to critical media literacy education, grounded in a comprehensive history of fake news, is a more promising solution to these issues. The Anatomy of Fake News offers the first historical examination of fake news that takes as its goal the effective teaching of critical news literacy in the United States. Higdon employs a critical-historical media ecosystems approach to identify the producers, themes, purposes, and influences of fake news. The findings are then incorporated into an invaluable fake news detection kit. This much-needed resource provides a rich history and a promising set of pedagogical strategies for mitigating the pernicious influence of fake news.

This second volume of From the Vault continues where its best-selling original left off, in 1950. Spanning thirty years, From the Vault, Vol. 2 is chock full of photographs from The Windsor Star archives, with fascinating and fun chapter introductions by local reporter and award-winning historian Craig Pearson.

This book is about the radical transformation of British literary culture during the period 1880 to 1914 as seen through the early publishing careers of Joseph Conrad, Arnold Bennett and Arthur Conan Doyle. Peter D. McDonald examines the cultural politics of the period by considering the social structure of the literary world in which these writers worked. By tracing the complex network of relationships among writers, publishers, reviewers and readers, McDonald demonstrates the importance of social history and publishing to questions of critical interpretation.

The Globally Harmonized System of Classification and Labelling of Chemicals (GHS) addresses classification and labelling of chemicals by types of hazards. It provides the basis for worldwide harmonization of rules and regulations on chemicals and aims at enhancing the protection of human health and the environment during their handling, transport and use by ensuring that the information about their physical, health and environmental hazards is available. The sixth revised edition includes, inter alia, a new hazard class for desensitized explosives and a new hazard category for pyrophoric gases; miscellaneous amendments intended to further clarify the criteria for some hazard classes (explosives, specific target organ toxicity following single exposure, aspiration hazard, and hazardous to the aquatic environment) and to complement the information to be included in section 9 of the Safety Data Sheet; revised and further rationalized precautionary statements; and an example of labelling of a small packaging in Annex 7.

`...the elegant joy with which she lived her life came to her so naturally - in the delight she took in the highest forms of culture, especially music, in her house in Italy surrounded even in the hottest summer by its cool green lawn, in her always beautifully styled appearance, but above all in producing at Thames and Hudson books that attested to her great respect for high culture - one might have imagined nothing had happened to her to cause anything but total delight in the world' David Plante Eva Neurath, co-founder of Thames & Hudson, wrote this memoir for her granddaughters, and it is a private story of a remarkable 20th-century life. The youngest child of a principled and avant-garde mother and a Jewish father, she was born in Berlin and grew up there in the Twenties, in the world of Marlene Dietrich and Leni Riefenstahl, when anything was possible. Her wide knowledge of the fine arts was the result not of any formal education but of her work for art dealers, at a time when great collections were changing hands. Her mother for a time had a gallery for contemporary artists, and through other relatives she knew the world of music. But this was a world in the grip of traumatic change. Pursued by the Gestapo, Eva, her second husband Wilhelm Feuchtwang and their baby son Stephan left Berlin in 1938, first for Rotterdam, then London. Wilhelm was interned in the Isle of Man, and Eva was at her wits' end. Then came another change: she was visited with a message from her husband by Walter Neurath, an Austrian art historian and publisher who had come to England earlier and also been interned, but was soon released to continue his publishing of books for Adprint, where he had created the `Britain in Pictures' series. Offered a job by Walter, Eva grasped the opportunity to re-create herself in her own right as picture researcher, layout designer and art director. In 1949 they founded a new publishing house, Thames & Hudson, and married in 1953. Her life with Walter moved in circles of art, archaeology and history, among friends including Henry Moore, Harold Acton, John Julius Norwich and Roy Strong. The memoir ends in 1981, but Eva's work continued until 1999, the year she died, and the story is filled out by her son, Stephan Feuchtwang. The book is illustrated with photographs from Eva Neurath's family albums.