Jack London (1876-1916) is one of the most popular American authors in the world today. Two novels, The Call of the Wild and White Fang, are regarded as literary classics and have never been out of print. His forty-four published books, and hundreds of short stories and essays have been translated into more than 100 languages and hailed by critics worldwide. A vigorous self-promoter and the kind of media celebrity we would recognize today, London was America's first novelist to earn more than one million dollars a year from his writing (in today's currency). Call of the Atlantic reveals a side of London's life that has been largely overlooked by academics and critics, yet is essential to understanding the character, drive, and success of this extraordinary man - namely, London's publishing odyssey overseas. Joseph McAleer considers how London achieved international fame, and the part that he played in engineering his own success. What makes London's dealings overseas especially interesting is that he made his own decisions, unlike many of his contemporaries who depended upon the good will of their agents and publishers. Through correspondence, McAleer reveals London's conversations and transactions, as well as the misunderstandings caused when letters (which could take up to three weeks to arrive) crossed in the mail. Emotions ran high, as did the constant need for money, and the picture that emerges of London is not a pretty one. It was his way or nothing as he played what he called the 'writing game' right through to his premature death, aged forty.

When the sleepy English village of Green Bottom hosts its first literary festival, the good, the bad and the ugly of the book world descend upon its leafy lanes. But the villagers are not prepared for the peculiar habits, petty rivalries and unspeakable desires of the authors. And they are certainly not equipped to deal with Wilberforce Selfram, the ghoul-faced, ageing enfant terrible who wreaks havoc wherever he goes. Sour Grapes is a hilarious satire on the literary world which takes no prisoners as it skewers authors, agents, publishers and reviewers alike.

In May 1924, the Soncino Society of the Friends of the Jewish Book was founded in Berlin. Named after the Soncinos, a 15th to 16th century Jewish-Italian family of printers, it was the first society of Jewish bibliophiles, and set the goal of publishing rare Jewish books and Hebrew printings. The eight essays in this volume explore the history of the Society and its commitment to Hebrew book culture.

This book describes the fortunes and activities of one of the few specialist publishing houses still in the hands of the same family that established it over years ago, and with it gives a p- trayal of those members who directed it. In doing so it covers a period of momentous historical events that directly and in- rectly shaped the firm's actions and achievements. But this volume tells not only, in word and picture, the story of Springer- Verlag but also, interwoven with it, the story of scientific p- lishing in Germany over the span of a hundred years. The text, densely packed with carefully researched facts and figures, is illuminated and supplemented by many illustrations whose captions, together with the author's notes, contain a wealth of important and interesting information. The reader is urged to read these captions as well as the notes so as to - preciate in full the events and people described. I have added a few footnotes to clarify or expand on some matters that may be unfamiliar to non-German readers. Because of the long period of time covered in these pages many of the documents and letters shown and commented upon are different in diction and style from those of today. An - tempt was made in the translation to keep the flavour of the original language and not contemporise it.

Crumbling business models mean news media structures must change. Gavin Ellis explores the past and present use of newspaper trusts - drawing on case studies such as the Guardian, the Irish Times and the Pulitzer Prize winning Tampa Bay Times - to make the case for a form of ownership dedicated to sustaining high quality journalism.

Bookshelves in the Age of the COVID-19 Pandemic provides the first detailed scholarly investigation of the cultural phenomenon of bookshelves (and the social practices around them) since the start of the pandemic in March 2020. With a foreword by Lydia Pyne, author of Bookshelf (2016), the volume brings together 17 scholars from 6 countries (Australia, Canada, Germany, the Netherlands, the UK, and the USA) with expertise in literary studies, book history, publishing, visual arts, and pedagogy to critically examine the role of bookshelves during the current pandemic. This volume interrogates the complex relationship between the physical book and its digital manifestation via online platforms, a relationship brought to widespread public and scholarly attention by the global shift to working from home and the rise of online pedagogy. It also goes beyond the (digital) bookshelf to consider bookselling, book accessibility, and pandemic reading habits.

This approachable guide meets health and social sciences scholars at their level-either as a reference text or as an enchanting but practical read-and walks them through each stage of their academic publishing journey. Drawing on a wealth of examples from his own experience mentoring others and publishing 300+ articles, Dr. Schwartz engages early, mid-, and senior-level professionals as well as graduate students and postdoctoral fellows alike, to demystify each stage of the writing and publishing process. Employing a reader-friendly, accessible voice, Dr. Schwartz's style captivates readers across disciplines, with a refreshing, can-do perspective. Before diving in, the author relates his own personal story in scholarly publishing, inviting all academics to unlock the high-impact writer within. The next set of chapters tackle the nuts and bolts of the academic publishing process, with basics such as topic selection, data analysis for publication, writing preparation, drafting and editing manuscripts, and journals submissions. The book advances into more innovative topics that can be simultaneously intimidating and rewarding, including recruiting and collaborating with coauthors, developing a network, navigating the peer review process, publishing nonempirical papers, getting creative with rejected manuscripts, foraying into Open Access and fee-based publishing, and even how to publish a book or book chapter. Designed as a digital mentor, The Savvy Academic is the ultimate tool for students, fellows, and scholarly professionals of a broad range of experiences in the health and social sciences who are looking to launch or elevate their scholarly publication career.

This edited book focuses on the certifiers of scientific knowledge, bringing together experts in a variety of areas in Applied Linguistics to address the complex topic of editing and reviewing in writing for scholarly publication. Drawing on insider perspectives, the authors bring to the fore personal histories, narratives and first-hand accounts of editors and reviewers and help paint a richer and more nuanced picture of the discourses, practices, experiences, success stories, failures, and challenges that frame and shape trajectories of both Anglophone and English as an additional language (EAL) scholars in adjudicating and accrediting academic output. This book will be of interest to researchers, practitioners, supervisors, writing mentors, early-career scholars and graduate students in a variety of fields.

This encyclopaedia explains all the current specialist terminology from the fields of book studies, librarianship, information and documentation as well as 'new media'. The first edition has been updated and considerably enlarged in order to cover the latest developments, particularly in 'new media'. Among the areas concerned are the internet, automatic indexing methods, abstracting and electronic developments in librarianship such as virtual libraries and digital libraries. The encyclopaedia is both a useful introduction and a textbook for librarians, documentalists and information scientists.

Dieser Band der "Bibliothek der Mediengestaltung" behandelt die Konzeption und Gestaltung von Webanwendungen mit Fokus auf Screen- und Interfacedesign fur mobile Endgerate. Fur diese Bibliothek wurden die Themen des Kompendiums der Mediengestaltung neu strukturiert, vollstandig uberarbeitet und in ein handliches Format gebracht. Leitlinien waren hierbei die Anpassung an die Entwicklungen in der Werbe- und Medienbranche sowie die Berucksichtigung der aktuellen Rahmenplane und Studienordnungen sowie Prufungsanforderungen der Ausbildungs- und Studiengange. Die Bande der "Bibliothek der Mediengestaltung" enthalten zahlreiche praxisorientierte Aufgaben mit Musterloesungen und eignen sich als Lehr- und Arbeitsbucher an Schulen und Hochschulen sowie zum Selbststudium.

Dieser Band der "Bibliothek der Mediengestaltung" prasentiert in kompakter Form die wichtigsten Aspekte des Medienrechts, unter besonderer Berucksichtigung des Urheberrechts. Fur diese Bibliothek wurden die Themen des Kompendiums der Mediengestaltung neu strukturiert, vollstandig uberarbeitet und in ein handliches Format gebracht. Leitlinien waren hierbei die Anpassung an die Entwicklungen in der Werbe- und Medienbranche sowie die Berucksichtigung der aktuellen Rahmenplane und Studienordnungen sowie Prufungsanforderungen der Ausbildungs- und Studiengange. Die Bande der "Bibliothek der Mediengestaltung" enthalten zahlreiche praxisorientierte Aufgaben mit Musterloesungen und eignen sich als Lehr- und Arbeitsbucher an Schulen sowie Hochschulen und zum Selbststudium.

Though the field of book history has long been divided into discrete national histories, books have seldom been as respectful of national borders as the historians who study them--least of all in the age of Enlightenment when French books reached readers throughout Europe. In this erudite and engagingly written study, Jeffrey Freedman examines one of the most important axes of the transnational book trade in Enlightenment Europe: the circulation of French books between France and the German-speaking lands. Focusing on the critical role of book dealers as cultural intermediaries, he follows French books through each stage of their journey--from the French-language printing shops where they were produced, to the wholesale book fairs in Leipzig, to retail book shops at locations scattered widely throughout Germany. At some of those locations, authorities reacted with alarm to the spread of French books, burning works of the radical French Enlightenment and punishing the booksellers who sold them. But officials had little power to curtail their circulation: the political fragmentation of the German lands made it virtually impossible to police the book trade. Largely unimpeded by censorship, French books circulated more freely in Germany than in the absolutist monarchy of France.In comparison, the flow of German books into the French market was negligible--an asymmetry that corresponded to the hierarchy of languages in Enlightenment Europe. But publishers in Switzerland produced French translations of German books. By means of title changes, creative editing, and mendacious advertising, the Swiss publishers adapted works of the German Enlightenment for an audience of French-readers that stretched from Dublin to Moscow.An innovative contribution to both the history of the book and the transnational study of the Enlightenment, Freedman's work tells a story of crucial importance to understanding the circulation of texts in an age in which the concept of World Literature had not yet been invented, but the phenomenon already existed.

This study of the history of the Jewish Publishing House in Berlin, from its establishment in 1902 to its destruction in late 1938, are primarily the company itself, its founders, managers, owners and the broad range of books it published. Above and beyond that, its contacts with institutions, authors and other publishers provide new insights into Zionism and its representatives in Germany, among them Martin Buber, David Wolfssohn and Salman Schocken.

When printing first began, a new book automatically fell into the public domain upon publication. Only a special law or privilegium enacted by a competent authority could protect it from being reprinted without the consent of the author or publisher. Such privileges for books are attested before 1480, but in Germany and Italy their efficacy was limited to a relatively small area by the political fragmentation of the country. During the 1480s and 1490s France became one of Europe’s main centres of book production and, as competition intensified, privileges were sought there from 1498. Although privileges were to last as long as the Ancien Régime, the period to 1526 is the least-known stage of their development and the most important. Most privilege-holders printed the full text of their grant, and many others a summary.

In Vers & Kapittel: Artikels, rubrieke en naskrifte oor die digkuns slaag die gerespekteerde skrywer en digter Daniel Hugo daarin om die internasionale wereld van digkuns vir die gewone leser nie net toeganklik nie, maar ook aangrypend te maak. In die nagenoeg 50 artikels ontdek die leser die wonders van die Afrikaanse en Nederlandse digkuns, terwyl Hugo se outobiografiese stukke ’n persoonlike blik werp op verskeie bekende skrywers en hul werk. In elkeen van die rubrieke, artikels en naskrifte in Vers & Kapittel doen Hugo dit wat hy by sy meesters (D.J. Opperman en Gerrit Komrij) geleer het: hy bied interessante en insiggewende ontledings van gedigte sonder oordadige literere teoriee. In die bundel bewys Hugo dat al wat noodsaaklik is in die ontsluiting van gedigte “is gesonde verstand, belesenheid en die vermoe om prikkelend en kernagtig te formuleer”. Vers & Kapittel bevat ontledings van enkele werke van prominente Afrikaanse digters soos N.P. van Wyk Louw, J.C. Steyn, Elisabeth Eybers, Hennie Aucamp en Lina Spies.

The Oxford History of the Irish Book is a major new series that charts one of the most venerable book cultures in Europe, from the earliest manuscript compilations to the flourishing book industries of the late twentieth century. For the first time, it offers a history of the Irish book as a created object situated in a world of communications, trade, transport, power, and money, and examines the ways in which books have both reflected and influenced social, political, and intellectual formations in Ireland. It is an important project for the understanding of Ireland's written and printed heritage, and is by its nature of profound cross-cultural significance, embracing as it does all the written and printed traditions and heritages of Ireland and placing them in the global context of a worldwide interest in book histories.
Books have played a role of key importance in shaping Ireland's twentieth century cultural and political heritage. Volume V: The Irish Book in English 1891-2000 charts that heritage from the beginnings of the Literary Revival in the 1890s to the end of the twentieth century.
Part One consists of general survey chapters which examine developments in the cultures of Irish reading and publishing during the twentieth century. These chapters cover four specific periods, divided as follows: 1891-1921 covering the Literary Revival, and the often turbulent developments which led to the partition of the island; 1922-1939 looking at the social, economic and political machinations of print culture amidst an atmosphere of intense cultural conservatism, and during the so called economic 'war'; 1939-1969 examining the difficulties which Irish publishers continued to face, as well as the popular trends of reading 'Westerns'; 1969-2000 looking at the renewal of the Irish publishing industry, and the growth of cultural self-confidence which came about as literary censorship receded into the past.
Part Two examines some of the thematic issues raised in these survey chapters, including the financial and market factors governing the Irish book trade; the concerns of Irish regional publishing; the creation and reception of Irish books in the US and Australia; censorship; the Irish book in the informatics age; and publishing for Catholic Ireland.
Part Three is concerned with assessing the specific achievements of some of Ireland's most culturally significant publishing houses, and includes chapters on Gill and Macmillan; the Cuala Press; Maunsel and Company; the Dolmen Press; the Gallery Press and Blackstaff Press. This section also includes chapters on two British firms which have done much to support Irish writers: Macmillan and Faber.
The book concludes with a bibliographical chapter outlining 'Sources for Irish Book History, 1891-2000'. This is the first attempt to comprehensively outline the history of twentieth century Irish book culture, and will be the standard guide for many years to come.