This series of studies, by experts in the relevant fields, comprehensively and systematically examines British book production and publishing in the hundred years before the introduction of printing. The terms 'book' and 'publishing' are usually employed in reference to the products of the printing press. This collection of essays, however, deals with the manuscript book, its materials and make-up, the people who made, commissioned and read such books, the kinds of reading matter they wanted, and the way books catered for - and created - the reading and book-buying public. Special attention is paid to the increasing systemization and commercialization of production. These essays constitute a valuable work of reference for scholars and students in a wide range of disciplines.

Journal publishing involves such a variety of disciplines and types and levels of expertise, that a comprehensive professional guide is essential. Journal Publishing not only covers the questions those new to the business will need to ask, but also addresses the implications of new production and publication technologies which will be useful to even the most experienced journal publisher and editor/academic. Based on, and extending, the highly successful Journal Publishing: Principles and Practice (1987), this book covers all aspects of journal production, from editing, design, marketing and list management to electronic publication. An appendix covers tendering for journals; includes addresses of publishers' and editors' associations; provides a glossary of terms and acronyms, and a bibliography - making the book an indispensable desk-reference for all academic journal editors, contributors and publishers.

Negative stories make the news. Drama and conflicts, victims and villains. They are our modern world. Or are they? This revised second edition on constructive news challenges the traditional concepts and thinking of the news media. It shows the consequences media negativity has on the audience, public discourse, the press and democracy as a whole. The book also explores ways to change old news habits and provides hands-on guidelines on how to do so. Moreover, the book presents numerous examples from the author's ten-year tenure as executive director of news at the Danish Broadcasting Corporation where he led a successful paradigm shift in news production. Constructive News is a wake-up call for a media world that struggles for a future, as well as an inspirational handbook on the next megatrend in journalism.

'Tis the season for finding love... and the perfect bookWith just two weeks until Christmas, everything in Clove Lore should be perfect. But the latest holidaymaker to the Borrow a Bookshop is feeling far from festive... Icelandic ex-bookseller Magnus Sturluson might be surrounded by love stories in the Bookshop, but he's nursing a sadness that not even fiction can fix. When Alexandra Robinson finds herself stranded in Clove Lore, she finds a safe place to hide from heartbreak. After all, all that's waiting for her at home is a cheater boyfriend and the memories of her parents. As Alex finds herself embraced by the quirky village community, she finds her tough exterior thawing - and as she grows closer to Magnus, she finds an equally soft heart under his gruff shell. It seems that Clove Lore is working its magic once again - until a great flood on Christmas Eve brings devastation in its wake. It's up to Magnus and Alex to batten down the hatches and help bring the village back together again, while also introducing the locals to the Icelandic tradition of the jolabokaflod - Yule book flood - where families and friends gather on Christmas Eve to exchange books and read together. But can Magnus and Alex truly rescue the ruins of the village, and salvage their Christmas spirit? Or is there another complication lurking even closer than they thought? A totally uplifting read that will lighten the winter gloom, for fans of Jenny Colgan and Trisha Ashley. Booklovers will adore this seasonal treat! Readers are loving Christmas at the Borrow a Bookshop... 'The best holiday for every bookworm...Warm, cosy and full of Christmas atmosphere.' Reader Review 'This was such a sweet and uplifting story. A story about instant connection, friendship, strength, hope, and love.' Reader Review 'The perfect holiday read to curl up next to a fire with a cup of cocoa!' Reader Review 'Absolutely adored this...Likeable characters and a wonderful storyline that I enjoyed! Add this book to your Christmas reads!' Reader Review 'A perfect cozy read when the weather is cold and you just want to snuggle up with a sweet book! Loved it!' Reader Review 'I read it in one sitting; couldn't seem to put it down!...An absolute joy.' Reader Review 'Bookshops + Romance + Christmas...What more could you want out of a romance novel?! VERY sweet and VERY good.' Reader Review 'A fabulous Christmas read, full of romance, friendships, community and family...Joyful Christmas escapism. Recommended' Reader Review

This easy-to-read, jargon free book shows you step-by-step how you can enjoy writing, publishing and marketing your book so that it becomes an enduring bestseller. Written by an established and successful international #1 bestselling author (Dee's second book reached position 150 out of 7 million titles on Amazon and all her books are in the top 100 bestselling books in their category on Amazon several years after being published). Dee sells thousands of books worldwide including in China and America. You'll find practical, effective and powerful tools and tips on every page. The author shares her award winning templates including press releases, book launch invitations, speaker biographies and more so you can create yours effortlessly. You'll find out how you can identify your readers so that your content is appealing and relevant and, your marketing hits the spot every time. You'll discover how to tap into your knowledge and expertise to plan and write compelling content your readers will love. You'll be walked through the design, editorial and layout process so you can create a book that looks and feels attractive, professional and captivating. The publishing process can be a minefield but with Dee Blick's know-how you'll find the best publishing option for your book. She explains the benefits of self publishing, partnership publishing, securing a publishing deal and working with a literary agent - using her own personal insights and experience plus in-depth interviews with fellow authors and publishing professionals. If you find marketing baffling, you won't after reading the 10 clear and comprehensive marketing chapters. You'll learn how to market your book on a zero or shoestring budget using social media and traditional marketing to get phenomenal results. You'll also learn the insider secrets of approaching professional reviewers (shared by a highly esteemed professional reviewer of fiction and non-fiction books) and how to get dozens of genuine five-star reviews on Amazon and other review sites to boost your book sales further still. You'll also find out how to hold a packed out book launch that costs you nothing. With this book, you'll understand exactly how you can make serious money from your bestselling book on a step-by-step basis whether you're writing fiction or non-fiction. The Ultimate Guide to Writing and Marketing a Bestselling Book on a Shoestring Budget gives new authors and established authors everything they need to write a bestseller and sell thousands of books. If there's a book in you, this is the book for you!

The years 1830-1914 witnessed a revolution in the manufacture and use of books as great as that in the fifteenth century. Using new technology in printing, paper-making and binding, publishers worked with authors and illustrators to meet ever-growing and more varied demands from a population seeking books at all price levels. The essays by leading book historians in this volume show how books became cheap, how publishers used the magazine and newspaper markets to extend their influence, and how book ownership became universal for the first time. The fullest account ever published of the nineteenth-century revolution in printing, publishing and bookselling, this volume brings the Cambridge History of the Book in Britain up to a point when the world of books took on a recognisably modern form.

A harrowing and unforgettable look at reporting in Mexico, one of the world's most dangerous countries to be a journalist In 2017, Mexico edged out Iraq and Syria as the deadliest country in the world in which to be a reporter, with at least fourteen journalists killed over the course of the year. The following year another ten journalists were murdered, joining the almost 150 reporters who have been killed since the mid-2000s in a wave of violence that has accompanied Mexico's war on drugs. In Killing the Story, award-winning journalist and filmmaker Temoris Grecko reveals how journalists are risking their lives to expose crime and corruption. From the streets of Veracruz to the national television studios of Mexico City, Grecko writes about the heroic work of reporters at all levels-from the local self-trained journalist, Moises Sanchez, whose body was found dismembered by the side of a road after he reported on corruption by the state's governor, to high-profile journalists such as Javier Valdez Cardenas, gunned down in the streets of Sinaloa, and Carmen Aristegui, battling the forces attempting to censor her. In the vein of Charles Bowden's Murder City and Anna Politskaya's A Russian Diary, Killing the Story is a powerful memorial to the work of Grecko's lost colleagues, which shows a country riven by brutality, hypocrisy, and corruption, and sheds a light on how those in power are bent on silencing those determined to reveal the truth and bring an end to corruption.

This volume completes the history of Cambridge University Press from the sixteenth century to the late twentieth. It examines the ways by which the Press launched itself as a London publisher in the 1870s, building up its educational and academic lists. It charts how interests in America were advanced, how subjects were extended and the Press became an international organisation with authors and customers across the world, while at the same time developing both its printing and its publishing. The volume explores changes in the printing industry, showing how the Press assumed a leading part in the typographical renaissance of the 1920s and 1930s, and built on this after the Second World War to acquire an international reputation for the quality of its work. In publishing as in printing, this book analyses both the pitfalls and the successes in a century of change.

This study of some of the central questions in literary publishing in mid-nineteenth-century North America and Britain is addressed through examination of the unusually rich archives of one of the preeminent literary publishers of the time. Michael Winship analyzes the records and publications of Boston-based Ticknor and Fields, revealing how its books were produced, marketed and distributed, and the extent of its expenses and profits. He goes on to show how an investigation of Ticknor and Fields enriches our understanding of the literary and cultural history of North America and Britain.

This innovative collection of essays addresses important issues in the history of the book. The multidisciplinary essays consider different aspects of the production, circulation, and consumption of printed texts, analyzing such topics as market trends, modes of publication, and the use of pseudonyms by women writers. Contributors draw on speech act, reader response and gender theory in addition to historical, narratological, materialist, and bibliographical perspectives to study authors such as Dickens, the Brontës and George Eliot.

A poignant memoir of the Paris literary scene in the 1950s and 1960s by one of its protagonists Some of last century's leading cultural figures are brought to life here, people who shaped our modern thinking and defined the tastes of an entire generation, changing forever the way we look at literature and the world around us. Drawing from the accounts of two fellow publishers--Maurice Girodias and Barney Rosset, who were also active in the heady days of 1950s and 1960s Paris, London, and New York--and from his own personal recollections, John Calder talks about the challenges of being a publisher in that era of censorship and political persecution and the problems faced by such writers as Beckett, Burroughs, Trocchi, and Miller to have their work accepted and recognized. Told in John Calder's trademark raconteur style and peppered with salacious, revealing, and entertaining anecdotes, this book will appeal both to the general reader and anyone who is interested in the social and cultural history of the 20th century.

How did academic and literary writers living in rural Britain in the 1680s establish their careers and find audiences for their work? What factors influenced the choices of essayists and dramatists who lived outside London and the university cities? Who read the works of regional poets and natural scientists and how were they circulated?

In this engaging study of the development of literary industry and authorship in early modern Britain, Margaret Ezell examines the forces at work at a time when print technology was in competition with older manuscript authorship practices and the legal status of authors was being transformed. She also explores the literary concepts that subsequently developed out of new commercial practices, such as the rise of the "classic" text and the marketing of uniform series editions.

Ezell's interdisciplinary approach draws together the history of the book and cultural history. The result allows the reader a glimpse of literary life as practiced by "social" authors in the context of the development of commercial publishing and the formalization of copyright laws defining texts and authors. Ezell examines how early modern publishers went about choosing books to publish and why some groups of writers--"social" authors--were successful without relying on the growing publishing and bookselling industries. She concludes that, especially for writers living away from large cities, privately produced and circulated manuscripts remained the best means of transmitting literary or academic work and achieving recognition as an author. An underlying question, Ezell notes, is whether the Internet will inspire the reemergence of the "social" author, whose work can be circulated to readers without the assistance of a publishing firm.

The cheap Bibles of nineteenth-century Britain were not only read in millions of homes, embodying the Protestant principle of access to the Scriptures, but were also potent symbols of national virtue. In an age of social ferment cheap Bibles--most published by the British and Foreign Bible Society--represented both the promise of mass literacy and the benefits of industrialization. This book, based on correspondence and other archival records, tells the story of the BFBS from two perspectives: its place in the history of publishing and printing and in contemporary society.

From the New York Times to Gawker, a behind-the-scenes look at how performance analytics are transforming journalism today-and how they might remake other professions tomorrow Journalists today are inundated with data about which stories attract the most clicks, likes, comments, and shares. These metrics influence what stories are written, how news is promoted, and even which journalists get hired and fired. Do metrics make journalists more accountable to the public? Or are these data tools the contemporary equivalent of a stopwatch wielded by a factory boss, worsening newsroom working conditions and journalism quality? In All the News That's Fit to Click, Caitlin Petre takes readers behind the scenes at the New York Times, Gawker, and the prominent news analytics company Chartbeat to explore how performance metrics are transforming the work of journalism. Petre describes how digital metrics are a powerful but insidious new form of managerial surveillance and discipline. Real-time analytics tools are designed to win the trust and loyalty of wary journalists by mimicking key features of addictive games, including immersive displays, instant feedback, and constantly updated "scores" and rankings. Many journalists get hooked on metrics-and pressure themselves to work ever harder to boost their numbers. Yet this is not a simple story of managerial domination. Contrary to the typical perception of metrics as inevitably disempowering, Petre shows how some journalists leverage metrics to their advantage, using them to advocate for their professional worth and autonomy. An eye-opening account of data-driven journalism, All the News That's Fit to Click is also an important preview of how the metrics revolution may transform other professions.

In 1984 the Press celebrated 400 years of continuous printing and publishing. This history, now published as a paperback, provides a readable introduction to that unique period, with a foreword by Gordon Johnson which comments on the continuing achievement of the Press. The story is of the development of the printing and publishing arm of the University of Cambridge, from the medieval system of resident stationers to the modern international printing and publishing house. The narrative is set within the development of the University; in the history of the book trade as a whole; and in the intellectual and political history of England.

This is a short, illustrated account of the world's oldest publishing house, from the publication of the Press's first book in 1584 through to the present day. It emphasizes the constitutional basis of the Press--an essential part of its parent university--and highlights key moments of crisis and change: Richard Bentley's revival in the 1690s, the Victorian renaissance, the rise of modern university publishing, two world wars, the crisis of the 1970s--resolved by Geoffrey Cass' bold reconstruction--and the enterprising printing and publishing developments of the 1990s.

The Organised Writer is a practical, no-nonsense system that allows you to write without worrying about administration, business affairs, or scheduling. This straight-talking guide will help you become more productive, cope with multiple projects, and make time within your life to write - while also dealing with non-writing tasks more efficiently. It includes advice on how to: * Manage your schedule * Prioritise your writing time * Take notes effectively * Work with a 'clean mind' * Get more written every day * Deal effectively with non-writing tasks * Set up a foolproof filing system * Organise your working space Read the book, then spend a weekend setting-up the system described, and you'll make the time back with interest. You'll get more written every day and complete more of your other tasks without being overwhelmed by all the things you have to do, forgot to do, or don't want to do.

This second volume of the history of Cambridge University Press deals with a period of fundamental changes in printing, publishing, and bookselling. The purpose of this book is not only to chronicle the history of the Press, but also to set it in this context of change: to examine how the forces of commerce collided with the hopes or demands of scholarship and education, and how, in the end, one was made to exploit the other. The volume opens with the new arrangements made by the University for printing in Cambridge in the 1690s, and closes on the eve of the opening of new premises in London. In the first years, the leading figure was Richard Bentley, whose controversial part in the activities of the Press was critical to its fortunes. As always, the success of the Press depended on London and the London book trade. This book explores the changing nature of this relationship, and the extent to which the University Press also became an international publisher.

Founder of the Left Bank bookstore Shakespeare and Company and the first publisher of James Joyce's "Ulysses," Sylvia Beach had a legendary facility for nurturing literary talent. In this first collection of her letters, we witness Beach's day-to-day dealings as bookseller and publisher to expatriate Paris. Friends and clients include Ernest Hemingway, Gertrude Stein, H. D., Ezra Pound, Janet Flanner, William Carlos Williams, F. Scott Fitzgerald, James Joyce, and Richard Wright. As librarian, publicist, publisher, and translator, Beach carved out a unique space for herself in English and French letters.

This collection reveals Beach's charm and resourcefulness, sharing her negotiations with Marianne Moore to place Joyce's work in "The Dial"; her battle to curb the piracy of "Ulysses" in the United States; her struggle to keep Shakespeare and Company afloat during the Depression; and her complicated affair with the French bookstore owner Adrienne Monnier. These letters also recount Beach's childhood in New Jersey; her work in Serbia with the American Red Cross; her internment in a German prison camp; and her friendship with a new generation of expatriates in the 1950s and 1960s. Beach was the consummate American in Paris and a tireless champion of the avant-garde. Her warmth and wit made the Rue de l'Od?on the heart of modernist Paris.

Reference book, catalogue. Lists a wide range of small and independent publishers in the following African countries: Algeria, Namibia, Nigeria, Ghana, Kenya, Uganda, South Africa, Senegal, Zimbabwe. The catalogue contains listings of well over 60 different publishers from all over Africa. There are useful resources for writers and publishers. The back of the catalogue contains articles and short essays about the publishing scene in mostly, but not only Anglophone Africa. There are also items and innovations that are of interest to writers, booksellers, publishers, librarians, and all of those who are interested in the world of African publishing and book development.

This wide-ranging and innovative collection of essays addresses important issues in cultural studies and the history of the book. Multidisciplinary in approach, the essays consider different aspects of the production, circulation, and consumption of printed texts throughout the nineteenth century. Topics studied include market trends, modes of publication, the use of pseudonyms by women writers, readerships and reading ideologies, and copyright law; and the book examines a wide range of printed materials, from valentines, advertisements, illustrations, and fashionable annuals, to the more traditional literary genres of poetry, fiction and periodical essays. The authors under discussion include Dickens, the Brontes, George Eliot, Meredith, and Walter Pater. Contributors draw on speech-act, reader-response, and gender theory in addition to various historical, narratological, materialist, and bibliographical perspectives.

This is the first of three volumes concerning the history of the oldest press in the world, a history that extends from the sixteenth century to the present day. Although there was, briefly, a press at Cambridge in the early 1520s, the origins of the modern University Press spring from a charter granted to the University by Henry VIII in 1534, to provide for printers who would be able to work outside London and serve the University. In the event no book was printed until fifty years later, but from 1583 to the present the line of University Printers stretches in unbroken succession. Covering the period from the Reformation to the end of the seventeenth century, and drawing on a wealth of unpublished or unfamiliar materials, this volume explores the University's attitude to its Printers, the books they chose to print, and the circumstances in which they worked. For the first time, the early history of the Press is set in its context - of authors, University authorities, and readers, and its activities are fully related to the wider issues of the book trade in Britain and overseas. This book will be of interest to all involved in the history of politics, literature, the Church, education and social life in sixteenth- and seventeenth-century Britain.

The Holocaust was the defining cataclysm of modernity. Now, more than three quarters of a century later, the immersive, interactive technologies of the digital age are dramatically refashioning our memory of that genocide. Virtual Holocaust Memory offers the first comprehensive account of a unique historical juncture, as twenty-first century digital culture meets the edge of living Holocaust memory. The book considers a range of projects that are being developed by museums, archives, businesses, and educational organizations in the USA and Europe, including interactive video testimony, Virtual Reality films, Augmented Reality apps, museum installations, and online exhibitions. Drawing on an original conceptual framework that incorporates connective memory, palimpsestic testimony, and a notion of 'truthfulness' first applied to testimonial writing by the survivor Charlotte Delbo, this groundbreaking book argues that the value of virtual Holocaust memory-that is to say its truthfulness-will ultimately come to rest on the connections that it establishes across a complex set of subject positions. These range from 'new bystanders', who encounter Holocaust memory from a position of relative safety, to the traumatized victims whose extreme physical and psychological experiences made communicating so difficult in the first place.