First published in 1836, this lively two-volume autobiography of Thomas Frognall Dibdin (1776-1847) reveals the background and mindset of this fascinating character. Best-known for helping to stimulate interest in bibliography and for his enthusiasm in promoting book collecting among the aristocracy, the English bibliographer adopts a conversational and anecdotal tone as he shares the details of his life and work with the reader. Volume 1 begins with the history of his parents, who died when Dibdin was very young. Dibdin then describes his formative years at school and college and the beginning of his professional life, including being ordained as a priest, before moving on to discuss his publications in some detail. Drawing upon letters and literature throughout, Dibdin recounts many entertaining tales, including an unfortunate encounter with a 'savage-hearted critic' at a dinner party, and introduces the influential characters he meets along the way.

Written by the respected typographer Stanley Arthur Morison (1889 1967), English Prayer Books examines the history of the various liturgical books used in public worship in England, from their origins in apostolic times to the later stages of their development in the middle of the twentieth century. Using the books themselves as the first source of critical enquiry, Morison draws attention to the rich history of change underlying church liturgies and throws light on a subject too often neglected in the study of Christian sacred texts.

This is a lively two-volume biography, first published in 1893, of the influential Victorian businessman and politician W. H. Smith (1825 1891), whose father and uncle established the well-known stationery and bookselling business. The author, Herbert Maxwell (1845-1932), was a Scottish essayist and Conservative Member of Parliament who greatly admired Smith's human qualities and had access to his personal papers. In this second volume, Maxwell narrates Smith's career from 1878 to 1891 as the First Lord of the Admiralty, revealing his political stamina during a time of economic hardship and conflicts in Afghanistan and among the Zulu. Extracts from his personal letters show the emotional burden of his responsibilities. Smith did not disguise his connection to the commercial middle class. Instead, he approached his political life with the same pragmatic wisdom he cultivated in business, and Maxwell emphasises how Smith strove to relieve the burdens of ordinary citizens.

In 1809, Thomas Frognall Dibdin (1776-1847) published the first edition of Bibliomania, focussing on the contemporary craze for book collecting. Introduced in English at the end of the eighteenth century, the term 'bibliomania' - or 'book-madness' - gained popularity with the publication of Dibdin's book, in which bibliophiles conduct dialogues on the nature and history of book collecting, and the symptoms of and possible remedies for this 'fatal disease'. Published in 1832 under the pseudonym Mercurius Rusticus, Bibliophobia is a short pamphlet, which presents itself as a letter to the author of Bibliomania. The narrator, a book-lover himself, goes on a 'bibliopolistic pilgrimage', only to find out that 'bibliomania is no more', and that 'books are only the shadow of what they were'. From book-lovers to collectors, and from booksellers to libraries, the narrator carries out his entertaining yet melancholic investigation all the way to the Bodleian Library.

To a wide circle of friends 'S. C.' was known as a vivid raconteur and mimic; more formally he was recognised as a publisher of skill and distinction. He joined Cambridge University Press as assistant secretary in 1911, served four war years in the Suffolk Regiment, with a wound at Ypres, and three years after his return was appointed Secretary of the Press. His adventures and achievements in that capacity are the subject of the main part of this book. His 'Adventures' contain first, a rich collection of his 'stories'. These are not merely comic, though they are certainly that. They are shrewd and sympathetic and they offer a series of insights into human nature, especially in the notoriously delicate relationship between author and publisher. Roberts' 'Authors' include Jeans and Rutherford, Dover Wilson and Granville Barker, Housman and de la Mare and many others. Secondly the book is a record, by one who was at once a participant and a spectator, of the way of life of a major university as it evolved from the Victorian to the modern mode.

Legal Publishing in Antebellum America presents a history of the law book publishing and distribution industry in the United States. Part business history, part legal history, part history of information diffusion, M. H. Hoeflich shows how various developments in printing and bookbinding, the introduction of railroads, and the expansion of mail service contributed to the growth of the industry from an essentially local industry to a national industry. Furthermore, the book ties the spread of a particular approach to law, that is, the "scientific approach," championed by Northeastern American jurists to the growth of law publishing and law book selling and shows that the two were critically intertwined.

The text of The English Newspaper is substantially that given as a series of six lectures in the Sandars Readership in Bibliography in February 1932, a post that Stanley Morison held at Cambridge University from 1931 2. He based most of his research on original sources from, among others, the British Museum, the Bodleian and University Libraries. His aim was to stimulate interest in the bibliographical history of newspaper development, despite this form being 'essentially ephemeral', which 'yet has a place, though humble, beside the cocdex and the printed book - the most permanent of records of human thought and experience'.

John Bell (1745-1831) was an English publisher. The Dictionary of National Biography has Charles Knight calling Bell a 'mischievous spirit, the very Puck of booksellers'. His 109-volume, literature-for-the-masses Poets of Great Britain Complete from Chaucer to Churchill, which rivalled Samuel Johnson's Lives of the Most Eminent English Poets (1781), was published from 1777 to 1783. Each volume cost just six shillings, at a time when similar volumes usually cost many times that. The drawings and illustrations with which Bell adorned his publications influenced later publishers, as did his abandonment of the long S. Most notable, perhaps, was Bell's joint-stock organisation of his publishing company, which defied 'the trade' - at the time, forty dominant publishing companies - in order to establish a monopoly on the best publications. In addition to the immense Poets of Great Britain, Bell also published similar volumes on Shakespeare and the British Theatre, as well as the Sunday newspaper Bell's Weekly Messenger and other periodicals.

Studying printed books as physical objects can reveal not only how books were produced, but also how their design and layout features emerged and came to convey meanings. This concise and accessible introduction to analytical bibliography in its historical context explains in clear, non-specialist language how to find and analyze clues about a book's manufacture and how to examine the significance of a book's design. Written by one of the most eminent bibliographical and textual scholars working today, the book is both a practical guide to bibliographical research and a history of bibliography as a developing field of study. For all who use books, this is an ideal starting point for learning how to read the object along with the words.

"In the beginning, all the world was America."--John Locke

In the beginning, everything was America, but where did America begin? In many narratives of American nationalism (both popular and academic), the United States begins in print-with the production, dissemination, and consumption of major printed texts like "Common Sense ," the Declaration of Independence, newspaper debates over ratification, and the Constitution itself. In these narratives, print plays a central role in the emergence of American nationalism, as Americans become Americans through acts of reading that connect them to other like-minded nationals.

In "The Republic in Print," however, Trish Loughran overturns this master narrative of American origins and offers a radically new history of the early republic and its antebellum aftermath. Combining a materialist history of American nation building with an intellectual history of American federalism, Loughran challenges the idea that print culture created a sense of national connection among different parts of the early American union and instead reveals the early republic as a series of local and regional reading publics with distinct political and geographical identities.

Focusing on the years between 1770 and 1870, Loughran develops two richly detailed and provocative arguments. First, she suggests that it was the relative lack of a national infrastructure (rather than the existence of a tightly connected print network) that actually enabled the nation to be imagined in 1776 and ratification to be secured in 1787-88. She then describes how the increasingly connected book market of the 1830s, 1840s, and 1850s unexpectedly exposed cracks in the evolving nation, especially in regards to slavery, exacerbating regional differences in ways that ultimately contributed to secession and civil war.

Drawing on a range of literary, historical, and archival materials-from essays, pamphlets, novels, and plays, to engravings, paintings, statues, laws, and maps-- "The Republic in Print" provides a refreshingly original cultural history of the American nation-state over the course of its first century.

This book first published in 1978 provides a broad and comprehensive view of the Soviet book publishing industry based on extensive use of Soviet sources and on visits and interviews conducted in the Soviet Union. Book publishing is examined both as a manufacturing and distributing industry enmeshed in the machinery of central planning, and as a disseminator of ideas influenced and controlled by the organs of government, the Communist Party and the censorship. A 'policy approach' is used to study the operations and management of the vast Soviet publishing industry, examining the complex pressures which affect its administration and the impact those pressures have on books published in the USSR. The powers of the Communist Party, government ministries and the censorship over the publishing houses are analysed. The perspective of the book is wide enough to take in questions about the place of the author in the publishing process and the role played by printing and book-selling. Attention is paid to the special problems in publishing different types of books: fiction, textbooks, scientific works, mass political literature and so on.

Dieser Band der "Bibliothek der Mediengestaltung" prasentiert in kompakter Form die wichtigsten Aspekte des Medienrechts, unter besonderer Berucksichtigung des Urheberrechts. Fur diese Bibliothek wurden die Themen des Kompendiums der Mediengestaltung neu strukturiert, vollstandig uberarbeitet und in ein handliches Format gebracht. Leitlinien waren hierbei die Anpassung an die Entwicklungen in der Werbe- und Medienbranche sowie die Berucksichtigung der aktuellen Rahmenplane und Studienordnungen sowie Prufungsanforderungen der Ausbildungs- und Studiengange. Die Bande der "Bibliothek der Mediengestaltung" enthalten zahlreiche praxisorientierte Aufgaben mit Musterloesungen und eignen sich als Lehr- und Arbeitsbucher an Schulen sowie Hochschulen und zum Selbststudium.

Dieser Band der "Bibliothek der Mediengestaltung" behandelt die Konzeption und Gestaltung von Webanwendungen mit Fokus auf Screen- und Interfacedesign fur mobile Endgerate. Fur diese Bibliothek wurden die Themen des Kompendiums der Mediengestaltung neu strukturiert, vollstandig uberarbeitet und in ein handliches Format gebracht. Leitlinien waren hierbei die Anpassung an die Entwicklungen in der Werbe- und Medienbranche sowie die Berucksichtigung der aktuellen Rahmenplane und Studienordnungen sowie Prufungsanforderungen der Ausbildungs- und Studiengange. Die Bande der "Bibliothek der Mediengestaltung" enthalten zahlreiche praxisorientierte Aufgaben mit Musterloesungen und eignen sich als Lehr- und Arbeitsbucher an Schulen und Hochschulen sowie zum Selbststudium.

This book uses the methodologies of cultural studies and the history of the book to show how editors and readers of the Sixteenth through the early Nineteenth century successively remade Piers Plowman and its author according to their own ideologies of the Middle Ages.

This is an interdisciplinary study of Christopher Plantin's pioneering role in the production and distribution of books with engraved and etched illustrations in sixteenth-century Europe. Using the rich archival sources at the Plantin-Moretus Museum in Belgium, Karen Bowen and Dirk Imhof examine the artists that worked on these illustrations, the types of illustrations that appealed to specific markets, and the technological, cultural and economic constraints under which Christopher Plantin operated as he ventured into this new area of publishing. They demonstrate how Plantin's innovations led to a revolutionary change in taste for book illustrations and place his work within the broader context of the European book trade of the late sixteenth-century and Antwerp's political, economic, cultural and religious history. This is a major contribution to the history of the book, art history and the economic and social history of early modern Europe.

It was not until the eighteenth century that books became widely available throughout the whole of England. Publishing remained largely London-based, but the provincial market grew steadily in importance. In this study, drawing on a wide range of primary sources, John Feather traces the economic, social and cultural forces which made possible this fundamental change, and assesses the impact of the metropolitan printed word on provincial society. He discusses the important issues of copyright and piracy; the various financial arrangements between booksellers and publishers; and above all the elaborate distribution and agency systems that enabled London publishers to retain their effective stranglehold by penetrating the provincial market at every level.

This series of studies, by experts in the relevant fields, comprehensively and systematically examines British book production and publishing in the hundred years before the introduction of printing. The terms 'book' and 'publishing' are usually employed in reference to the products of the printing press. This collection of essays, however, deals with the manuscript book, its materials and make-up, the people who made, commissioned and read such books, the kinds of reading matter they wanted, and the way books catered for - and created - the reading and book-buying public. Special attention is paid to the increasing systemization and commercialization of production. These essays constitute a valuable work of reference for scholars and students in a wide range of disciplines.

This is an important study of the publishing of contemporary writing in Britain. It analyzes the changing social, economic and cultural environment of the publishing industry in the 1990s-2000s, and investigates its impact on genre, authorship and reading. It includes case studies of Trainspotting and the His Dark Materials trilogy.

The extraordinary life and legacy of legendary journalist Cokie Roberts-a trailblazer for women-remembered by her friends and family. Through her visibility and celebrity, Cokie Roberts was an inspiration and a role model for innumerable women and girls. A fixture on national television and radio for more than 40 years, she also wrote five bestselling books focusing on the role of women in American history. She was portrayed on Saturday Night Live, name checked on the West Wing, and featured on magazine covers. She joked with Jay Leno, balanced a pencil on her nose for David Letterman, and was the answer to numerous crossword puzzle clues. Many dogs, and at least one dairy cow, were named for her. When the legendary 1980s Spy Magazine ran a diagram documenting all her connections with the headline "Cokie Roberts - Moderately Well-Known Broadcast Journalist or Center of the Universe?" they were only half-joking. Cokie had many roles in her lifetime: Daughter. Wife. Mother. Journalist. Advocate. Historian. Reflecting on her life, those closest to her remember her impressive mind, impish wit, infectious laugh, and the tenacity that sent her career skyrocketing through glass ceilings at NPR and ABC. They marvel at how she often put others before herself and cared deeply about the world around her. When faced with daily decisions and dilemmas, many still ask themselves the question, 'What Would Cokie Do?' In this loving tribute, Cokie's husband of 53 years and bestselling-coauthor Steve Roberts reflects not only on her many accomplishments, but on how she lived each day with a devotion to helping others. For Steve, Cokie's private life was as significant and inspirational as her public one. Her commitment to celebrating and supporting other women was evident in everything she did, and her generosity and passion drove her personal and professional endeavors. In Cokie, he has a simple goal: "To tell stories. Some will make you cheer or laugh or cry. And some, I hope, will inspire you to be more like Cokie, to be a good person, to lead a good life."

Every book has a story of its own, a path leading from the initial idea that sparked it to its emergence into the world in published form. No two books follow quite the same path, but all are shaped by a similar array of market forces and writing craft concerns, as well as by a cast of characters stretching beyond the author. Behind the Book explores how eleven contemporary first-time authors, in genres ranging from post-apocalyptic fiction to young adult fantasy to travel memoir, navigated these pathways with their debut works. Based on extensive interviews with the authors, it covers the process of writing and publishing a book from beginning to end, including idea generation, developing a process, building a support network, revising the manuscript, finding the right approach to publication, building awareness, and ultimately moving on to the next project. It also includes insights from editors, agents, publishers, and others who helped to bring these projects to life. Unlike other books on writing craft, Behind the Book looks at the larger picture of how an author's work and choices can affect the outcome of a project. The authors profiled in each story open up about their challenges, mistakes, and successes. While their paths to publication may be unique, together they offer important lessons that authors of all types can apply to their own writing journeys.

Journal publishing involves such a variety of disciplines and types and levels of expertise, that a comprehensive professional guide is essential. Journal Publishing not only covers the questions those new to the business will need to ask, but also addresses the implications of new production and publication technologies which will be useful to even the most experienced journal publisher and editor/academic. Based on, and extending, the highly successful Journal Publishing: Principles and Practice (1987), this book covers all aspects of journal production, from editing, design, marketing and list management to electronic publication. An appendix covers tendering for journals; includes addresses of publishers' and editors' associations; provides a glossary of terms and acronyms, and a bibliography - making the book an indispensable desk-reference for all academic journal editors, contributors and publishers.

Deals with challenges to the maintenance of minority (or community) languages in this era of globalization and increasing transnational movements of people. The contributors, experts in language policy, language maintenance and multilingualism offer complementary perspectives from Australia and Europe on the maintenance of linguistic diversity.

For over five hundred years in the West, a particular form of the book-the printed codex-has been woven into the fabric of our lives. It has been the default medium for publicly circulating information and entertainment, and has structured the work, leisure and religious devotion of countless people. Now, as the cultural centrality of the printed book is challenged, we are prompted to reassess its value and its place in the history of media change. Readable but rooted in current scholarship, this introductory guide to book history tries not to privilege any one disciplinary perspective or historical period. Rather, the guide and its accompanying anthology aim to help the reader to find his or her bearings within the field, and to provide a map with which to navigate book history more widely.

This book was first published in 2006. Second only to the Bible and Book of Common Prayer, John Foxe's Acts and Monuments, known as the Book of Martyrs, was the most influential book published in England during the sixteenth and seventeenth centuries. The most complex and best-illustrated English book of its time, it recounted in detail the experiences of hundreds of people who were burned alive for their religious beliefs. John N. King offers the most comprehensive investigation yet of the compilation, printing, publication, illustration, and reception of the Book of Martyrs. He charts its reception across different editions by learned and unlearned, sympathetic and antagonistic readers. The many illustrations included here introduce readers to the visual features of early printed books and general printing practices both in England and continental Europe, and enhance this important contribution to early modern literary studies, cultural and religious history, and the history of the Book.