Publishing research content can be a difficult task to undertake along with other academic activities. This book addresses how newer researchers can proactively plan, write, promote and disseminate their work, and increase their chances of both academic citation and real-world impact. It focuses on how to: * Attract diverse audiences to your work, * Find value in peer review processes, * Produce multiple content from one research work, * Use multiple media such as blogs and webinars to increase output. This useful resource supports you to disseminate your work and offers forward-thinking ways to take control of your publishing processes, to enhance academic knowledge, societal impact, and the value of your research.

Gabriel Garcia Marquez's novel One Hundred Years of Solitude seemed destined for obscurity upon its publication in 1967. The little-known author, small publisher, magical style, and setting in a remote Caribbean village were hardly the usual ingredients for success in the literary marketplace. Yet today it ranks among the best-selling books of all time. Translated into dozens of languages, it continues to enter the lives of new readers around the world. How did One Hundred Years of Solitude achieve this unlikely success? And what does its trajectory tell us about how a work of art becomes a classic? Ascent to Glory is a groundbreaking study of One Hundred Years of Solitude, from the moment Garcia Marquez first had the idea for the novel to its global consecration. Using new documents from the author's archives, Alvaro Santana-Acuna shows how Garcia Marquez wrote the novel, going beyond the many legends that surround it. He unveils the literary ideas and networks that made possible the book's creation and initial success. Santana-Acuna then follows this novel's path in more than seventy countries on five continents and explains how thousands of people and organizations have helped it to become a global classic. Shedding new light on the novel's imagination, production, and reception, Ascent to Glory is an eye-opening book for cultural sociologists and literary historians as well as for fans of Garcia Marquez and One Hundred Years of Solitude.

This bestselling guide to all areas of the media, now in its 106th edition, has been completely revised and updated. With 100 articles written by successful authors and publishing insiders, it advises, guides and inspires writers and artists on how to get published. The 2013 edition includes new articles on, amongst other topics, memoir writing, apps, libraries and contains a wealth of practical information on a huge range of topics including copyright, finance, submitting a manuscript and marketing yourself and your writing. With nearly 4,500 entries in its up-to-date directory of media contacts, the Yearbook is an in invaluable companion New articles for 2013 include: Electronic publishing by Philip Jones Notes from a successul romantic novelist by Katie Fforde Writing for the theatre by David Eldridge Why libraries matter by Maggie Gee Writing for magazines by Hero Brown Writing memoir by Irene Graham The laws of privacy and confidentiality by Keith Schilling 'The one-and-only, indispensable guide to the world of writing' - William Boyd 'Everything you need to know about the business of being a writer' - Lawrence Norfolk 'Even established writers can feel as though they're climbing a mountain. Think of the Writers' & Artists' Yearbook as your sherpa' - Ian Rankin 'Full of useful stuff. It answered my every question' - J.K Rowling '...much, much better than luck' Terry Pratchett '...like a magic carpet that would carry the writer anywhere' Maeve Binchy '...the book which magically contains all other books...an entrance ticket to the world you long for' - Fay Weldon

A healthy democracy requires vigorous, uncompromising investigative journalism. But today the free press faces a daunting set of challenges: in the face of harsh criticism from powerful politicians and the threat of lawsuits from wealthy individuals, media institutions are confronted by an uncertain financial future and stymied by a judicial philosophy that takes a narrow view of the protections that the Constitution affords reporters. In Journalism Under Fire, Stephen Gillers proposes a bold set of legal and policy changes that can overcome these obstacles to protect and support the work of journalists. Gillers argues that law and public policy must strengthen the freedom of the press, including protection for news gathering and confidential sources. He analyzes the First Amendment's Press Clause, drawing on older Supreme Court cases and recent dissenting opinions to argue for greater press freedom than the Supreme Court is today willing to recognize. Beyond the First Amendment, Journalism Under Fire advocates policies that facilitate and support the free press as a public good. Gillers proposes legislation to create a publicly funded National Endowment for Investigative Reporting, modeled on the national endowments for the arts and for the humanities; improvements to the Freedom of Information Act; and a national anti-SLAPP law, a statute to protect media organizations from frivolous lawsuits, to help journalists and the press defend themselves in court. Gillers weaves together questions of journalistic practice, law, and policy into a program that can ensure a future for investigative reporting and its role in our democracy.

Many more people encountered newspapers, business press products or jobbing print than the glamorous books of the Enlightenment. This book looks at the way in which print effected a business revolution. Publishing Business in Eighteenth-Century England assesses the contribution of the business press and the publication of print to the economic transformation of England. The impact of non-book printing has been long neglected. A raft of jobbing work serviced commerce and finance while many more practical guides and more ephemeral pamphlets on trade and investment were read than the books that we now associate with the foundations of modern politicaleconomy. A pivotal change in the book trades, apparent from the late seventeenth century, was the increased separation of printers from bookseller-publishers, from the skilled artisan to the bookseller-financier who might have noprior training in the printing house but who took up the sale of publications as another commodity. This book examines the broader social relationship between publication and the practical conduct of trade; the book asks what itmeant to be 'published' and how print, text and image related to the involvement of script. The age of Enlightenment was an age of astonishing commercial and financial transformation offering printers and the business press new market opportunities. Print helped to effect a business revolution. The reliability, reputation, regularity, authority and familiarity of print increased trust and confidence and changed attitudes and behaviours. New modes of publication and the wide-ranging products of printing houses had huge implications for the way lives were managed, regulated and recorded. JAMES RAVEN is Professor of Modern History at the University of Essex and a Fellow of Magdalene College Cambridge.

Reading this book you will discover how to: * become inspired to write * get started on your book * organise and plan your book * prepare and research your book * build your book team * create a dynamic title with a stand out cover * develop the mindset of a best-selling author * publish both an e-book and a `tree book' * produce great content that you will be proud to publish, and more...

The latest addition to the acclaimed series showcasing the best sports writing from the past year For over twenty-five years, The Best American Sports Writing has built a solid reputation by showcasing the greatest sports journalism of the previous year, culled from hundreds of national, regional, and specialty print and digital publications. Each year, the series editor and guest editor curates a truly exceptional collection. The only shared traits among all these diverse styles, voices, and stories are the extraordinarily high caliber of writing, and the pure passion they tap into that can only come from sports.

The volume is designed as an introduction to scholarly research on the book, approaching it as the basic and leading medium in early-modern and modern communication systems. The various aspects of the book medium are analyzed from a wide range of perspectives - the history of printing, the book and its relation to other media, social and economic factors. A further major concern is to provide an outline of basic approaches to a theory of media as a starting-point for a future theory of the book that has yet to be developed.

Jacques Schiffrin changed the face of publishing in the twentieth century. As the founder of Les Editions de la Pleiade in Paris and cofounder of Pantheon Books in New York, he helped define a lasting canon of Western literature while also promoting new authors who shaped transatlantic intellectual life. In this first biography of Schiffrin, Amos Reichman tells the poignant story of a remarkable publisher and his dramatic travails across two continents. Just as he influenced the literary trajectory of the twentieth century, Schiffrin's life was affected by its tumultuous events. Born in Baku in 1892, he fled after the Bolsheviks came to power, eventually settling in Paris, where he founded the Pleiade, which published elegant and affordable editions of literary classics as well as leading contemporary writers. After Vichy France passed anti-Jewish laws, Schiffrin fled to New York, later establishing Pantheon Books with Kurt Wolff, a German exile. Following Schiffrin's death in 1950, his son Andre continued in his father's footsteps, preserving and continuing a remarkable intellectual and cultural legacy at Pantheon. In addition to recounting Schiffrin's life and times, Reichman describes his complex friendships with prominent figures including Andre Gide, Jean-Paul Sartre, Peggy Guggenheim, and Bernard Berenson. From the vantage point of Schiffrin's extraordinary career, Reichman sheds new light on French and American literary culture, European exiles in the United States, and the transatlantic ties that transformed the world of publishing.

Publishers and the book trade between hyperinflation and world economic crisis, between the founding of the Republic and creeping loss of democracy -- volume 2 of "Geschichte des deutschen Buchhandels im 19. und 20. Jahrhundert" (The History of the German Book Trade in the 19th and 20th Century) portrays a vivid picture of the book trade in eventful times. The first part-volume provides insight into the drastic political and economic conditions, into the author's predicament and the altered structure of the readership. Further topics stem from developments in the book trade, above all against the backdrop of the fiercely debated "book crisis," triggered by media competition with radio, film, illustrated magazines and newspapers. Aspects of production technology and book design as well as themes central to publishing such as academic publishers, are also dealt with. Supported by illustrations, tables and statistics, this presentation reconstructs a dynamic chapter in the history of the German book trade.

The finest books produced during the quarter century prior to the outbreak of the Great War were almost invariably printed by the private presses, but post-war, with the development of new technology, the accolade of excellence passed into the hands of a small number of commercial firms, with the Curwen Press very much to the fore. Like those earlier printers, Harold Curwen was inspired by the Morrisian ideal, but he did not adhere to the tenet that 'hand made' was necessarily better than 'machine made', which led him to become one of the pioneering figures in the technical revolution that transformed the printing industry. Harold Curwen joined the family firm in 1908 and by 1916 had instigated a general replanning of the works and, aided by the wartime staff shortage, felt able to push ahead with the installation of modern machinery. He was in the forefront of the development of offset lithography, which ensured that the Curwen Press would be in the vanguard of fine colour printing throughout the next decade. Harold also pioneered, as far as England was concerned, the pochoir technique of hand-stencilling. 1922, was the beginning of the Curwen Press' golden decade, during which it produced "The Woodcutter's Dog", the English language edition of Julius Meier-Graefe's two volume biography of Van Gogh for the "Medici Society", the exhibition catalogue of books and manuscripts for "The First Edition Club", Goldoni's "Four Comedies" and the delightful little pocket engagement book, "The Four Seasons", illustrated by Albert Rutherston. Rutherston was later to illustrate Thomas Hardy's Yuletide in a "Younger World", the first of the Ariel Poems for Faber & Gwyer which were to become a feature of the collaboration between the two firms. In addition there was the 'Safety First' Calendar, adorned with Lovat Fraser's cautionary illustrations. Following restructuring in 1933, the Curwen Press had a further forty years of distinguished work ahead both in the printing of books, particularly those illustrated by Barnett Freedman, as well as jobbing work, including some of the finest posters for the London Underground by Bawden, Wadsworth, John Banting, Betty Swanwick, Barnett Freedman and others. "E. McKnight Kauffer, Design" contains over 150 illustrations, many from original artworks, and work not before reproduced. With descriptions by Brian Webb and an introductory essay by Peyton Skipwith. The "Design" series is the winner of the Brand/Series Identity Category at the British Book Design and Production Awards 2009, judges said: 'A series of books about design, they had to be good and these are. The branding is consistent, there is a good use of typography and the covers are superb.'

When you've written a book you want to see it in print. You want people to read and enjoy it. The only thing standing in your way is the publishing industry which rejects 98 per cent of the manuscripts submitted to it. Why not skip months of collecting rejection slips and simply join them at their own game? Anyone can publish their own book, and the cost can be as little as zero. In this easy-to-use guide, Stewart Ferris explains everything you need to know to be able to convert your manuscript into a printed book and to get that book selling in the shops, or to sell it online as an eBook. Stewart created the UK's first self-publishing agency in 1993 with his business partner Alastair Williams, offering authors all the services and advice they needed to publish and sell their own books.

'A moving portrait of Diwan and the Cairo that embraced it, an ode to all the people who have kept it going' Harvard Review In 2002, three young women with no business degrees, no formal training, and nothing to lose founded a fiercely independent bookstore. At the time, nothing like Diwan existed in Cairo. Culture was languishing under government mismanagement, and books were considered a luxury, not a necessity. Over the next decade, these three women would contend with censors, chauvinists, critics, one another and many people who said they would never succeed in establishing Diwan as Cairo's leading bookstore. Frank, fresh and very funny, Chronicles of a Cairo Bookseller is a portrait of a country hurtling toward a revolution, a feminist rallying cry, and an unapologetic crash course in running a business under the law of entropy. Above all, it is a celebration of the power of words to bring us home. 'A unique memoir about career, life, love, friendship, motherhood, and the impossibility of succeeding at all of them at the same time . . . fascinating. Blunt, honest, funny' Jenny Lawson, author of Broken (in the best possible way) 'For every reader who has found solace in the aisles of a bookstore' Emma Straub, author of All Adults Here

This Pivot investigates the impact of the digital on literary culture through the analysis of selected marketing narratives, social media stories, and reading communities. Drawing on the work of contemporary writers, from Bernardine Evaristo to Patricia Lockwood, each chapter addresses a specific tension arising from the overarching question: How has writing culture changed in this digital age? By examining shifting modes of literary production, this book considers how discourses of writing and publishing and hierarchies of cultural capital circulate in a socially motivated post-digital environment. Writing Cultures and Literary Media combines compelling accounts of book trends, reader reception, and interviews with writers and publishers to reveal fresh insights for students, practitioners, and scholars of writing, publishing, and communications.

Are you ready to write the book you've been longing to complete and get published? What's Your Book? contains the inspiration and information you need to get there. This book is an aspiring author's go-to guide for completing the dream to become a published author. Discover in 5 chapters how to: embrace the art of becoming an author; get over common hurdles that prevent you from finishing your book; challenge counterproductive mindsets; build an author platform; and get published. What's Your Book? provides tools and insider tips about everything from overcoming common issues that keep writers from completing their books to creating a social media plan to figuring out which publishing path is right for you. Brooke Warner is a publishing expert who brings to this book her thirteen years' experience as an acquiring editor for major trade houses.

Despite initiatives to 'diversify' the publishing sector, there has been almost no transformation to the historic racial inequality that defines the field. This Element argues that contemporary book culture is structured by practice that operates according to a White taste logic. By applying the notion of this logic to an analysis of both traditional and new media tastemaking practices, White Literary Taste Production in Contemporary Book Culture examines the influence of Whiteness on the cultural practice, and how the long-standing racial inequities that characterize Anglophone book publishing are supported by systems, institutions and platforms. These themes will be explored through two distinct but interrelated case studies-women's literary prizes and anti-racist reading lists on Instagram-which demonstrate the dominance of Whiteness, and in particular White feminism, in the contemporary literary discourse.

Despite publishing endeavours such as the Ballantine Adult Fantasy Series in the 1970s and Fantasy Masterworks in the early 2000s, the canon of modern fantasy is still very much in flux. This Element examines four key questions raised by the prospect of a fantasy canon: the way in which canon and genre influence each other; the overwhelming presence of Tolkien in any discussion of the classics of fantasy; the multi-media and transmedia nature of the field; and the push for a more inclusive and diverse canon.

This study is the first academic analysis of Georg von Holtzbrinck's business activities before 1948. His companies were on the whole rather insignificant. However, the skill with which Holtzbrinck experimented in manipulating these instruments was already an early indicator of his subsequent company strategies. The study provides insights into unexplored areas of the National Socialist book and journal trade, as well as the early history of the modern book club. Thus, it represents a piece of criticial self-examination on the beginnings of today's media structures.

During the Italian Renaissance, laywomen and nuns could take part in every stage of the circulation of texts of many kinds, old and new, learned and popular. This first in-depth and integrated analysis of Italian women's involvement in the material textual culture of the period shows how they could publish their own works in manuscript and print and how they promoted the first publication of works composed by others, acting as patrons or dedicatees. It describes how they copied manuscripts and helped to make and sell printed books in collaboration with men, how they received books as gifts and borrowed or bought them, how they commissioned manuscripts for themselves and how they might listen to works in spoken or sung performance. Brian Richardson's richly documented study demonstrates the powerful social function of books in the Renaissance: texts-in-motion helped to shape women's lives and sustain their social and spiritual communities.

This approachable guide meets health and social sciences scholars at their level-either as a reference text or as an enchanting but practical read-and walks them through each stage of their academic publishing journey. Drawing on a wealth of examples from his own experience mentoring others and publishing 300+ articles, Dr. Schwartz engages early, mid-, and senior-level professionals as well as graduate students and postdoctoral fellows alike, to demystify each stage of the writing and publishing process. Employing a reader-friendly, accessible voice, Dr. Schwartz's style captivates readers across disciplines, with a refreshing, can-do perspective. Before diving in, the author relates his own personal story in scholarly publishing, inviting all academics to unlock the high-impact writer within. The next set of chapters tackle the nuts and bolts of the academic publishing process, with basics such as topic selection, data analysis for publication, writing preparation, drafting and editing manuscripts, and journals submissions. The book advances into more innovative topics that can be simultaneously intimidating and rewarding, including recruiting and collaborating with coauthors, developing a network, navigating the peer review process, publishing nonempirical papers, getting creative with rejected manuscripts, foraying into Open Access and fee-based publishing, and even how to publish a book or book chapter. Designed as a digital mentor, The Savvy Academic is the ultimate tool for students, fellows, and scholarly professionals of a broad range of experiences in the health and social sciences who are looking to launch or elevate their scholarly publication career.

This book charts the publishing industry and bestselling fiction from 1900, featuring a comprehensive list of all bestselling fiction titles in the UK. This third edition includes a new introduction which features additional information on current trends in reading including the rise of Black, Asian and LGBTQIA+ publishing; the continuing importance of certain genres and up to date trends in publishing, bookselling, library borrowing and literacy. There are sections on writing for children, on the importance of audiobooks and book clubs, self- published bestsellers as well as many new entries to the present day including bestselling authors such as David Walliams, Peter James, George R R Martin and far less well known authors whose books s sell in their thousands. This is the essential guide to best-selling books, authors, genres, publishing and bookselling since 1900, providing a unique insight into more than a century of entertainment, and opening a window into the reading habits and social life of the British from the death of Queen Victoria to the Coronavirus Pandemic.