This is a lively two-volume biography, first published in 1893, of the influential Victorian businessman and politician W. H. Smith (1825 1891), whose father and uncle established the well-known stationery and bookselling business. The author, Herbert Maxwell (1845-1932), was a Scottish essayist and Conservative Member of Parliament who greatly admired Smith's human qualities and had access to his personal papers. Volume 1 documents the foundation of the newspaper wholesaling business, Smith's education and his thwarted desire to become a priest. It describes how Smith helped his father expand their efficient and successful business to include a chain of railway station news- and bookstalls and a lending library, as well as becoming sole agents for The Times in 1854. Smith went into Parliament in 1868, and worked for several years at the Treasury. Volume 1 ends with his tour to Cyprus in 1878 as First Lord of the Admiralty.

The story of how Arab editors of the late nineteenth and early twentieth centuries revolutionized Islamic literature Islamic book culture dates back to late antiquity, when Muslim scholars began to write down their doctrines on parchment, papyrus, and paper and then to compose increasingly elaborate analyses of, and commentaries on, these ideas. Movable type was adopted in the Middle East only in the early nineteenth century, and it wasn't until the second half of the century that the first works of classical Islamic religious scholarship were printed there. But from that moment on, Ahmed El Shamsy reveals, the technology of print transformed Islamic scholarship and Arabic literature. In the first wide-ranging account of the effects of print and the publishing industry on Islamic scholarship, El Shamsy tells the fascinating story of how a small group of editors and intellectuals brought forgotten works of Islamic literature into print and defined what became the classical canon of Islamic thought. Through the lens of the literary culture of nineteenth- and twentieth-century Arab cities-especially Cairo, a hot spot of the nascent publishing business-he explores the contributions of these individuals, who included some of the most important thinkers of the time. Through their efforts to find and publish classical literature, El Shamsy shows, many nearly lost works were recovered, disseminated, and harnessed for agendas of linguistic, ethical, and religious reform. Bringing to light the agents and events of the Islamic print revolution, Rediscovering the Islamic Classics is an absorbing examination of the central role printing and its advocates played in the intellectual history of the modern Arab world.

Most academics still wrestle with the "publish or perish" phenomenon. Based on Dr. Liebowitz's 25 years serving as the editor-in-chief of a leading international journal, along with insights from some of the most knowledgeable journal editors, this book shares key lessons learned to help new professors, doctoral students, and practitioner-scholars increase their chances of being published in selective, refereed international journals. It focuses on the key practices needed to ensure journal publication, with interesting cases and helpful tips sprinkled throughout the book. A Guide to Publishing for Academics provides useful knowledge from leading journal editors of both traditional and online journals, as well as various tiers of journals. Although the focus is mainly in the business and IT areas, much of the guidance provided can cross into other fields. The book contains interesting vignettes and do's and don'ts so that potential authors can understand what goes on behind the scenes once the manuscript arrives on the journal editor's desk. The book provides constructive guidance on choosing what and where to publish, what to consider when writing a title for a paper, how to prepare and submit journal manuscripts, and how to position a paper for publication. It also has valuable information for current and future journal editors, including models of editing and editorial boards, editorial coaching advice, and editing smart practices. With the information in this book, the next generation of academics and practitioner-scholars will be well equipped to overcome the publish or perish phenomenon.

Published to mark the four hundredth anniversary of the first book to be printed in Cambridge by John Siberch in 1521, this book traces the development of the Press over four centuries. S.C. Roberts, who became Secretary to the Press Syndicate in 1922, blends archival research with an anecdotal style to produce this informative account. Appendices list the university printers up to 1921, including most famously Thomas Thomas, John Legate, Thomas Buck and John Baskerville, and the books published in each year between 1521 and 1750 by authors such as Erasmus, George Herbert, John Donne, John Milton, Isaac Newton and Thomas Browne. Aimed at the general reader, this lively account of the Press' major achievements is illustrated with a number of portraits and historical documents and remains a useful introduction to the history of the oldest publishing house in the world.

John Willis Clark, a noted academic and antiquarian, published this book in 1901 after completing his work on the architectural history of Cambridge. His carefully researched study (Clark personally visited and measured every building he described, and drew many of the illustrations), provides a wide-ranging account of the history of libraries from antiquity to the early modern period. Clark describes the buildings used to store books: churches, cloisters, and purpose-built libraries; the way collections were endowed, audited and protected; the development of library furniture, including lecterns, stalls, chaining systems and wall-cases; and the characteristics of monastic, collegiate, and private collections. The book is generously illustrated, and its approachable style means it will appeal not only to academic historians of libraries, but to a wider audience of those interested in books and reading culture, historic buildings and artefacts, and medieval, renaissance and early modern studies.

Dawks is the name of a family of booksellers and printers who practised their craft in London during the seventeenth century and later. The younger Thomas Dawks was honoured with the title of 'His Majesty's Printer for the British Language' in 1676. Ichabod Dawks, 'honest Ichabod' as Steel called him, and the best-known member of the family, published Dawks's NewsLetter on the evenings of Post Nights (i.e. Tuesday, Thursday and Saturday) from 1696 to 1716. For this periodical a special script type in imitation of handwriting was used, the matrices of which have recently been identified. Mr Morison's account of the Dawkses, based upon a family diary which he lately discovered, enlarges at several points our knowledge of their respective careers, and, in the case of Ichabod, demonstrates the character of his contribution to the progress of English journalism. Illustrated with type facsimiles, line blocks and nine pages of collotype facsimiles of newsletters.

First published in 1901, this is a rich repository of typefaces (including English, Greek, Latin, Sanskrit, Arabic, Hebrew and Cyrillic), ornaments, borders and various decorative devices used in books printed at the University Press, Cambridge, until 1900. Highlights of the compilation include a wide range of historical typefaces (including Caslon, Marr, Figgins, Blake, and Miller and Richards), stylish borders, corners and head and tail pieces, university and college shields, and a detailed catalogue of Egyptian hieroglyphs. It also contains sections on accented letters and signs, 'poster founts' and ornately styled initial letters. Prefaced with a brief 'Historical Sketch' by J. W. Clark, a noted Cambridge academic and antiquarian, Specimens is a valuable archive of the craft of lettering and design before the advent of the digital age that will delight bibliophiles, typographers and collectors.

Publishing Law is an authoritative and engaging guide to a wide range of legal issues affecting publishing today. Hugh Jones and Christopher Benson present readers with clear and accessible guidance to the complex legal areas specific to the ever evolving world of contemporary publishing, including copyright, moral rights, contracts and licensing, privacy, confidentiality, defamation, infringement and trademarks, with analysis of legal issues relating to sales, advertising, marketing, distribution and competition. This new fifth edition presents updated coverage of the key principles of copyright , as well as new copyright exceptions, licensing and open access. There is also further in-depth coverage of the legal issues around the sale of digital content. Key features of the fifth edition include: updated coverage of EU and UK copyright, including a new chapter on copyright exceptions following the significant changes in the 2014 Regulations Comprehensive coverage of publishing contracts with authors, as well as with other providers, including translators, contributors and contracts for subsidiary rights up to date coverage of the Defamation Act 2013, and other changes to EU and UK legislation exploration of the legal issues relating to digital publishing, including eBook and other electronic agreements, data protection and online issues in relation to privacy, and copyright infringement a range of summary checklists on key issues, ranging from copyright ownership to promotion and data protection useful appendices offering an A to Z glossary of legal terms and lists of useful address and further reading.

Why has punditry lately overtaken news? Why do lies seem to linger so long in the cultural subconscious even after they've been thoroughly discredited? And why, when more people than ever before are documenting the truth with laptops and digital cameras, does fact-free spin and propaganda seem to work so well? "True Enough" explores leading controversies of national politics, foreign affairs, science, and business, explaining how Americans have begun to organize themselves into echo chambers that harbor diametrically different facts--not merely opinions--from those of the larger culture.

The Best American Magazine Writing 2019 presents articles honored by this year's National Magazine Awards, showcasing outstanding writing that addresses urgent topics such as justice, gender, power, and violence, both at home and abroad. The anthology features remarkable reporting, including the story of a teenager who tried to get out of MS-13, only to face deportation (ProPublica); an account of the genocide against the Rohingya in Myanmar (Politico); and a sweeping California Sunday Magazine profile of an agribusiness empire. Other journalists explore the indications of environmental catastrophe, from invasive lionfish (Smithsonian) to the omnipresence of plastic (National Geographic). Personal pieces consider the toll of mass incarceration, including Reginald Dwayne Betts's "Getting Out" (New York Times Magazine); "This Place Is Crazy," by John J. Lennon (Esquire); and Robert Wright's "Getting Out of Prison Meant Leaving Dear Friends Behind" (Marshall Project with Vice). From the pages of the Atlantic and the New Yorker, writers and critics discuss prominent political figures: Franklin Foer's "American Hustler" explores Paul Manafort's career of corruption; Jill Lepore recounts the emergence of Ruth Bader Ginsburg; and Caitlin Flanagan and Doreen St. Felix reflect on the Kavanaugh hearings and #MeToo. Leslie Jamison crafts a portrait of the Museum of Broken Relationships (Virginia Quarterly Review), and Kasey Cordell and Lindsey B. Koehler ponder "The Art of Dying Well" (5280). A pair of never-before-published conversations illuminates the state of the American magazine: New Yorker writer Ben Taub speaks to Eric Sullivan of Esquire about pursuing a career as a reporter, alongside Taub's piece investigating how the Iraqi state is fueling a resurgence of ISIS. And Karolina Waclawiak of BuzzFeed News interviews McSweeney's editor Claire Boyle about challenges and opportunities for fiction at small magazines. That conversation is inspired by McSweeney's winning the ASME Award for Fiction, which is celebrated here with a story by Lesley Nneka Arimah, a magical-realist tale charged with feminist allegory.

For over 1500 years books have weathered numerous cultural changes remarkably unaltered. Through wars, paper shortages, radio, TV, computer games, and fluctuating literacy rates, the bound stack of printed paper has, somewhat bizarrely, remained the more robust and culturally relevant way to communicate ideas. Now, for the first time since the Middle Ages, all that is about to change.
Newspapers are struggling for readers and relevance; downloadable music has consigned the album to the format scrap heap; and the digital revolution is now about to leave books on the high shelf of history. In "Print Is Dead," Gomez explains how authors, producers, distributors, and readers must not only acknowledge these changes, but drive digital book creation, standards, storage, and delivery as the first truly transformational thing to happen in the world of words since the printing press.

From the time they first met as undergraduates at Columbia College in New York City in the mid-1930s, the noted editor Robert Giroux (1914-2008) and the Trappist monk and writer Thomas Merton (1915-1968) became friends. The Letters of Robert Giroux and Thomas Merton capture their personal and professional relationship, extending from the time of the publication of Merton's 1948 best-selling spiritual autobiography, The Seven Storey Mountain, until a few months before Merton's untimely death in December 1968. As editor-in-chief at Harcourt, Brace & Company and then at Farrar, Straus & Giroux, Giroux not only edited twenty-six of Merton's books but served as an adviser to Merton as he dealt with unexpected problems with his religious superiors at the Abbey of Our Lady of Gethsemani in Kentucky, as well as those in France and Italy. These letters, arranged chronologically, offer invaluable insights into the publishing process that brought some of Merton's most important writings to his readers. Patrick Samway, S.J., had unparalleled access not only to the materials assembled here but to Giroux's unpublished talks about Merton, which he uses to his advantage, especially in his beautifully crafted introduction that interweaves the stories of both men with a chronicle of their personal and collaborative relationship. The result is a rich and rewarding volume, which shows how Giroux helped Merton to become one of the greatest spiritual writers of the twentieth century.

After arriving in London just before the Second World War as a penniless and friendless Austrian-Jewish refugee, George Weidenfeld went on to transform not only the world of publishing but the culture of ideas. The books that he published include momentous titles such as Lolita, Double Helix, The Group and The Hedgehog and the Fox, with authors he championed ranging from Joan Didion, Mary McCarthy, Golda Meir and Edna O'Brien to Henry Miller, Harold Wilson, Saul Bellow and Henry Kissinger. In this first biography, Thomas Harding provides a full, unvarnished and at times difficult history of this complex and fascinating character. Throughout his long career, he was written about in the New York Times, the Washington Post, Time, Vanity Fair and other publications. Was he, as described by some, the 'greatest salesperson', 'the world's best networker', 'the publisher's publisher' and 'a great intellectual'? Was his lifelong effort to be the world's most famous host a cover for his desperate loneliness? Who, in fact, was the real George Weidenfeld and how did he rise so successfully within the ranks of London and New York society? Drawing on author correspondence, internal memos, and other documents buried deep in the secret publishing files of Weidenfeld & Nicolson, Harding crafts a portrait of the publisher's life that is inextricable from the efforts and intricacies of putting a book into the world. Structured around twenty books associated with George Weidenfeld, and intercut with explorations of contemporary concerns such as the right to publish, freedom of speech and separating the art from the artist, The Maverick tells the captivating story behind the life of this iconic publisher.

At a number of moments in history, political communication has undergone radical changes. Today, the Internet is the latest and most conspicuous change in the media landscape. However, it is shortsighted to imagine that the processes of media change and media convergence have fully run their course after the hectic ascendance of the Internet. To better organize our thinking about the forms and implications of contemporary media change, the present compilation also explores the long-term history of political communication.

This volume contains almost all the letters that Charles Dodgson (alias Lewis Carroll) wrote to his publisher during a professional relationship that spanned the last thirty-five years of the Victorian era, a time when the reading public expanded a hundredfold, when the techniques of mass book production were being shaped, and when laws governing copyright and bookselling were first forged in the English-speaking world. Dodgson's correspondence touched critically on all these issues, and is a fascinating record of the contemporary evolution of publishing as well as of the production and distribution of his own immensely popular children's books and other works. At the same time it charts the growth of the House of Macmillan from modest beginnings to its status as a leading publisher. Professor Cohen and Professor Gandolfo have provided a useful introduction and explanatory notes to the letters.

"Guide to Publishing a Scientific Paper" provides researchers in every field of the biological, physical and medical sciences with all the information necessary to prepare, submit for publication, and revise a scientific paper. The book includes details of every step in the process that is required for the publication of a scientific paper, for example, use of correct style and language choice of journal, use of the correct format, and adherence to journal guidelines submission of the manuscript in the appropriate format and with the appropriate cover letter and other materials the format for responses to reviewers' comments and resubmission of a revised manuscript The advice provided conforms to the most up-to-date specifications and even the seasoned writer will learn how procedures have changed in recent years, in particular with regard to the electronic submission of manuscripts. Every scientist who is preparing to write a paper should read this book before embarking on the preparation of a manuscript. This useful book also includes samples of letters to the Editor and responses to the Editor's comments and referees' criticism. In addition, as an Appendix, the book includes succinct advice on how to prepare an application for funding. The author has edited more than 7,500 manuscripts over the past twenty years and is, consequently, very familiar with all of the most common mistakes. Her book provides invaluable and straightforward advice on how to avoid these mistakes. Dr. Koerner is a professional editor and writer. She has an undergraduate degree from the University of Cambridge and a doctorate in Molecular Biophysics and Biochemistry from Yale University.

What would it mean to be avant-garde today? Arguing against the notion that the avant-garde is dead or confined to historically "failed" movements, this book offers a more dynamic and inclusive theory of avant-gardes that accounts for how they work in our present. Innovative in approach, Provisional Avant-Gardes focuses on the medium of the little magazine-from early Dada experiments to feminist, queer, and digital publishing networks-to understand avant-gardes as provisional and heterogeneous communities. Paying particular attention to neglected women writers, artists, and editors alongside more canonical figures, it shows how the study of little magazines can change our views of literary and art history while shedding new light on individual careers. By focusing on the avant-garde's publishing history and group dynamics, Sophie Seita also demonstrates a new methodology for writing about avant-garde practice across time, one that is applicable to other artistic and non-artistic communities and that speaks to contemporary practitioners as much as scholars. In the process, she addresses fundamental questions about the intersections of aesthetic form and politics and about what we consider to be literature and art.

This innovative collection of essays addresses important issues in the history of the book. The multidisciplinary essays consider different aspects of the production, circulation, and consumption of printed texts, analyzing such topics as market trends, modes of publication, and the use of pseudonyms by women writers. Contributors draw on speech act, reader response and gender theory in addition to historical, narratological, materialist, and bibliographical perspectives to study authors such as Dickens, the Brontës and George Eliot.

Contents:
1. Why publish? 2. What might you publish about? 3. Writing and the writing process 4. Publishing in journals 5. Book publishing 6. Practical guidance on writing 7. Future publishing Appendix 1. Reflections on the writing process Appendix 2. Interviews with journal editors Appendix 3. Survey of publishers by e-mail

As the story goes: Jeff Bezos left a lucrative job to start something new in Seattle only after a deeply affecting reading of Kazuo Ishiguro's Remains of the Day. But if a novel gave usAmazon.com, what has Amazon meant for the novel? In Everything and Less, acclaimed critic Mark McGurl discovers a dynamic scene of cultural experimentation in literature, with a confidence that rivals modernism. Its innovations have little to do with how the novel is written and more to do with how it's distributed online. On the internet, all fiction becomes genre fiction, which is simply another way to predict customer satisfaction. With an eye on the longer history of the novel, this witty, acerbic book tells a story that connects Henry James to E.L. James, Faulkner and Hemingway to contemporary romance, science fiction and fantasy writers. Reclaiming several works of self-published fiction from the gutter of complete critical disregard, it stages a copernican revolution in how we understand the world of letters: it's the stuff of high literature - Colson Whitehead, Don DeLillo, and Amitav Ghosh - that revolve around the star of countless unknown writers trying to forge a career by untraditional means, Adult Baby Diaper Lover erotica being just one fortuitous route. In opening the floodgates of popular literary expression as never before, the Age of Amazon shows a democratic promise, as well as what it means when literary culture becomes corporate culture in the broadbest but also deepest and most troubling sense.

The best, most comprehensive book for writers is now completely revised and updated to address ongoing changes in publishing. Published in 2005 as "Putting Your Passion Into Print," this is the book that s been praised by both industry professionals ( Refreshingly honest, knowledgeable and detailed. . . . An invaluable resource Jamie Raab, publisher, Grand Central Publishing) and bestselling authors ( A must-have for every aspiring writer. Khaled Hosseini, author of "The Kite Runner"). With its extensive coverage of e-books, self-publishing, and online marketing, "The Essential Guide to Getting Your Book Published" is more vital than ever for anyone who wants to mine that great idea and turn it into a successfully published book. Written by experts with thirteen books between them as well as many years experience as a literary agent (Eckstut) and a book doctor (Sterry), this nuts-and-bolts guide demystifies every step of the publishing process: how to come up with a blockbuster title, create a selling proposal, find the right agent, understand a book contract, develop marketing and publicity savvy, and self-publish. There s new information on how to build up a following (and even publish a book) online; the importance of a search-engine-friendly title; producing a video book trailer; and e-book pricing and royalties. Includes interviews with hundreds of publishing insiders and authors, including Seth Godin, Neil Gaiman, Amy Bloom, Margaret Atwood, Larry Kirshbaum, Leonard Lopate, plus agents, editors, and booksellers; sidebars featuring real-life publishing success stories; sample proposals, query letters, and a feature-rich website and community for authors."

Magazine Production presents a guide to the practical processes of taking a magazine from initial idea to final product. This second edition provides important revisions on these production processes by examining the technological and business advancements which have reshaped the magazine industry in the last decade. Brand new chapters document the rise of digital media and identify its impact on magazine creation. They also include new guidance on designing online, tablet and mobile editions, as well as for print. Magazine Production explains the business of magazines in the UK, Europe and North America, and the roles of marketing, publishing and advertising in establishing a successful title. This edition also addresses the move by publishers towards e-commerce, multimedia content and events to promote their brands and sell products. With information on professional bodies such as the Professional Publishers Association, an expert overview of magazine markets and a breakdown of roles within editorial and design departments, this book offers readers practical steps to achieving success in magazine publishing today. Magazine Production includes: * an introduction to the history, markets and audiences of magazines * explanations of the roles of publishers and advertising teams as part of the business of magazines * a comparison between print and new systems of digital circulation, with particular focus on mobile platforms; * guidance on setting up editorial teams, and best practice for producing feature, news and review copy * information on designing and laying out a title for print or digital distribution * legal and ethical issues affecting magazine editors and publishers * a consideration of the future of magazines.