An erudite and popular librarian, Charles Edward Sayle (1864 1924) devoted his career to cataloguing and editing rare books in the University of Cambridge. His obituary praised him as 'a fine example of the type of man who likes to catalogue things in the right order'. This catalogue of incunabula and early printed books in the University Library was his most important project, taking over a decade to complete. Commissioned by the Library Syndicate in 1894, the catalogue was published in four volumes between 1900 and 1907. Even upon completion, Sayle's list was not final, as the rare book collections at the Library were undergoing a period of great expansion, having grown by a third during his cataloguing work, both through purchases and by donations or bequests. The third volume lists the early modern books held in the University Library printed in Scotland, Ireland, France, the Low Countries, and Germany.

Samuel Squire Sprigge (1860-1937) was a qualified physician who worked for The Lancet from 1892 and was editor from 1909 until his death. He published several books including a history of the journal and its founder, and a volume of essays, Physic and Fiction. The Methods of Publishing first appeared in 1890 and is Sprigge's passionate contribution to the late-nineteenth-century discussion on how the question of literary property is best resolved. Sprigge argues that this matter is often treated in a cavalier manner that disadvantages authors, particularly in the relationship between publisher and author. In his view, book prices are too low, copyright protection for authors is insufficient, the royalty system is in chaos, and authors do not obtain a fair share of profits. He proposes that literary property questions be treated with the same legal formality and protection as is found in other business dealings.

Charles Knight's The Old Printer was first published in 1854 and is partly a biography of William Caxton and partly an account of the development of the printing press and its role in English literature from the fifteenth century. William Caxton was not only the first printer in England, but also a prolific translator and importer of books. He established a printing press at Westminster and among the books printed there were Chaucer's Canterbury Tales and The Subtil Histories and Fables of Esop. Knight describes Elizabethan reading habits and traces the development of the types of books, papers and magazines that were most popular with the reading public in the mid-nineteenth century. The author is particularly interested in the availability of cheap popular literature as he regards this as an indication of the democratisation of society.

William Tinsley (1830 1900) was a noted Victorian publisher whose catalogue included works by such celebrated novelists as Thomas Hardy and Wilkie Collins. This two-volume autobiography, first published in 1900, traces his life from his rural childhood to the establishment and rise of the Tinsley Brothers company in 1858, and its later collapse. Each chapter contains a series of brief sketches of authors and other contemporaries. Volume 1 spans Tinsley's early days and travels to London, along with his first encounters with the publishing world. It includes detailed portraits of Mary Elizabeth Braddon and H. J. Byron, and incorporates material on the development of transport and general commerce in the Victorian era. Based on Tinsley's personal recollections, and incorporating letters as well as anecdotal information, these volumes will fascinate anyone interested in the history of publishing and the development of the nineteenth-century novel.

William Tinsley (1830 1900) was a noted Victorian publisher whose catalogue included works by such celebrated novelists as Thomas Hardy and Wilkie Collins. This two-volume autobiography, first published in 1900, traces his life from his rural childhood to the establishment and rise of the Tinsley Brothers company in 1858, and its later collapse. Each chapter contains a series of brief sketches of authors and other contemporaries. Volume 2 charts Tinsley's later career, and features several lengthier portraits of some of the personalities he encountered. It also includes information on Victorian playwrights and actors, along with a detailed section on the history of Sadler's Wells theatre. Based on Tinsley's personal recollections, and incorporating letters as well as anecdotal information, these volumes will fascinate anyone interested in the history of publishing and the development of the nineteenth-century novel.

An erudite and popular librarian, Charles Edward Sayle (1864-1924) devoted his career to cataloguing and editing rare books in the University of Cambridge. His obituary praised him as 'a fine example of the type of man who likes to catalogue things in the right order'. This catalogue of incunabula and early printed books in the University Library was his most important project. Commissioned by the Library Syndicate in 1894, the catalogue was published in four volumes between 1900 and 1907. Even upon completion, Sayle's list was not final, as the rare book collections at the Library were undergoing a period of great expansion, having grown by a third during his cataloguing work, both through purchases and by donations or bequests. This final volume indexes the books by author, printer, engraver, and place of printing, and includes a list of notable titles of particular artistic, musical or bibliographical interest.

Born in 1802 in Elgin, James Grant first established himself as a reporter and then as a leading newspaper editor in Victorian London, heading the Morning Chronicle for two decades before moving on to the Christian Standard. His 1839 Travels in Town was designed as a companion piece to his earlier reflections on London, The Great Metropolis (1838) and Sketches in London (1838). This two-volume work reflects Grant's enthusiasm for 'this modern Babylon' and his lively interest in the intricacies of everyday life there. Interweaving general descriptions with specific local information, Volume 2 describes the post office and bookselling in Paternoster Row before turning its attention to the city's various religious denominations. Grant, an ardent Calvinist, concludes with reflections on London's moral state.

This is a lively two-volume biography, first published in 1893, of the influential Victorian businessman and politician W. H. Smith (1825 1891), whose father and uncle established the well-known stationery and bookselling business. The author, Herbert Maxwell (1845-1932), was a Scottish essayist and Conservative Member of Parliament who greatly admired Smith's human qualities and had access to his personal papers. Volume 1 documents the foundation of the newspaper wholesaling business, Smith's education and his thwarted desire to become a priest. It describes how Smith helped his father expand their efficient and successful business to include a chain of railway station news- and bookstalls and a lending library, as well as becoming sole agents for The Times in 1854. Smith went into Parliament in 1868, and worked for several years at the Treasury. Volume 1 ends with his tour to Cyprus in 1878 as First Lord of the Admiralty.

This is a lively two-volume biography, first published in 1893, of the influential Victorian businessman and politician W. H. Smith (1825 1891), whose father and uncle established the well-known stationery and bookselling business. The author, Herbert Maxwell (1845-1932), was a Scottish essayist and Conservative Member of Parliament who greatly admired Smith's human qualities and had access to his personal papers. In this second volume, Maxwell narrates Smith's career from 1878 to 1891 as the First Lord of the Admiralty, revealing his political stamina during a time of economic hardship and conflicts in Afghanistan and among the Zulu. Extracts from his personal letters show the emotional burden of his responsibilities. Smith did not disguise his connection to the commercial middle class. Instead, he approached his political life with the same pragmatic wisdom he cultivated in business, and Maxwell emphasises how Smith strove to relieve the burdens of ordinary citizens.

First published in 1836, this lively two-volume autobiography of Thomas Frognall Dibdin (1776-1847) reveals the background and mindset of this fascinating character. Best-known for helping to stimulate interest in bibliography and for his enthusiasm in promoting book collecting among the aristocracy, the English bibliographer adopts a conversational and anecdotal tone as he shares the details of his life and work with the reader. Volume 1 begins with the history of his parents, who died when Dibdin was very young. Dibdin then describes his formative years at school and college and the beginning of his professional life, including being ordained as a priest, before moving on to discuss his publications in some detail. Drawing upon letters and literature throughout, Dibdin recounts many entertaining tales, including an unfortunate encounter with a 'savage-hearted critic' at a dinner party, and introduces the influential characters he meets along the way.

An important figure in the establishment of free libraries in the United Kingdom, Edward Edwards (1812 1886) wrote this study, first published in 1869, as a handbook intended for promoters and managers of free town libraries. The book outlines the formation and workings of public libraries, beginning with British examples and proceeding to compare the British experience with libraries abroad, especially in America. Edwards presents strong evidence of the increasing number, and improving management, of libraries at this time, and also stresses the strikingly diverse circumstances under which libraries in the United Kingdom and abroad were established. The volume is an important historical document in library studies, and a testimony to Edwards' commitment and contribution to the free library movement which have been an inspiration to later generations of professional librarians.

An erudite and popular librarian, Charles Edward Sayle (1864 1924) devoted his career to cataloguing and editing rare books in the University of Cambridge. His obituary praised him as 'a fine example of the type of man who likes to catalogue things in the right order'. This catalogue of incunabula and early printed books in the University Library was his most important project, taking over a decade to complete. Commissioned by the Library Syndicate in 1894, the catalogue was published in four volumes between 1900 and 1907. Even upon completion, Sayle's list was not final, as the rare book collections at the Library were undergoing a period of great expansion, having grown by a third during his cataloguing work, both through purchases and by donations or bequests. The first volume covers all books from 1475 1500, and books produced from 1501 to 1640 by the most important printers in London.

From the time they first met as undergraduates at Columbia College in New York City in the mid-1930s, the noted editor Robert Giroux (1914-2008) and the Trappist monk and writer Thomas Merton (1915-1968) became friends. The Letters of Robert Giroux and Thomas Merton capture their personal and professional relationship, extending from the time of the publication of Merton's 1948 best-selling spiritual autobiography, The Seven Storey Mountain, until a few months before Merton's untimely death in December 1968. As editor-in-chief at Harcourt, Brace & Company and then at Farrar, Straus & Giroux, Giroux not only edited twenty-six of Merton's books but served as an adviser to Merton as he dealt with unexpected problems with his religious superiors at the Abbey of Our Lady of Gethsemani in Kentucky, as well as those in France and Italy. These letters, arranged chronologically, offer invaluable insights into the publishing process that brought some of Merton's most important writings to his readers. Patrick Samway, S.J., had unparalleled access not only to the materials assembled here but to Giroux's unpublished talks about Merton, which he uses to his advantage, especially in his beautifully crafted introduction that interweaves the stories of both men with a chronicle of their personal and collaborative relationship. The result is a rich and rewarding volume, which shows how Giroux helped Merton to become one of the greatest spiritual writers of the twentieth century.

In this famous book, first published in 1832, Charles Babbage (1791 1871), the mathematician, philosopher, engineer and inventor who originated the concept of a programmable computer, surveys manufacturing practices and discusses the political, moral and economic factors affecting them. The book met with hostility from the publishing industry on account of Babbage's analysis of the manufacture and sale of books. Babbage describes the many different printing processes of the time, analyses the costs of book production and explains the publication process, before discussing the 'too large' profit margins of booksellers. Babbage succeeded in his aim 'to avoid all technical terms, and to describe in concise language', making this an eminently readable historical account. His analysis and promotion of mechanisation and efficient 'division of labour' (still known as the 'Babbage principle') continue to resonate strongly for modern industrial engineering.

This autobiography recalls the eventful career of the nineteenth-century publisher and journalist, Henry Vizetelly (1820 1894). Born in London, Vizetelly was apprenticed to a wood engraver as a young child. He entered the printing business and helped found two successful but short-lived newspapers, the Pictorial Times and the Illustrated Times. From 1865 Vizetelly worked in Paris and later Berlin as a foreign correspondent for the Illustrated London News, and also wrote and published several books. On his return to England, he became a publisher of foreign novels and gained notoriety for his translations of Emile Zola which challenged strict Victorian laws on obscenity and led to his prosecution and imprisonment. His book is a fascinating blend of public and personal history, providing an insight into the turbulent literary world of nineteenth-century Europe. Volume 1 covers his life up to the infamous Palmer Trial in 1856.

This autobiography recalls the eventful career of the nineteenth-century publisher and journalist, Henry Vizetelly (1820 1894). Born in London, Vizetelly was apprenticed to a wood engraver as a young child. He entered the printing business and helped found two successful but short-lived newspapers, the Pictorial Times and the Illustrated Times. From 1865 Vizetelly worked in Paris and Berlin as a foreign correspondent for the Illustrated London News, and also wrote and published several books. He later became a publisher of foreign novels and gained notoriety for his translations of Emile Zola which challenged strict Victorian laws on obscenity and led to his prosecution and imprisonment. His book is a fascinating blend of public and personal history, providing an insight into the turbulent literary world of nineteenth-century Europe. Volume 2 begins in 1858 with the marriage of Princess Vicky and concludes with Vizetelly's return to England in 1878.

In this Essay, first published in 1853, the Victorian social activist James Hole offers an impassioned defence of the one of the central products of early Victorian social reformism, the mechanics' institutes. Aimed at improving the education of working-class men, women and youths, the institutes offered basic literacy training as well as higher-level lectures on science, the arts, and industry. This volume, originally a prize-winning essay, outlines Hole's plan for improving the efficacy of the institutes, which he saw as failing in their mission of enlivening the minds of those whose primary labours were physical. The institutes 'have established the right of the people to culture', Hole writes, but they had yet, in his view, to instil it. An important work in the history of education, Hole's Essay provides revealing insights into social reformism and the complexities of class politics within the movement.

Matthias Koops was a pioneer of mechanical paper-making. He invented new processes for making paper from wood pulp rather than from rags, and for recycling paper itself to a condition in which it could be used for printing. The second edition (1801) of his book was printed partly on a type of straw paper and partly on recycled paper; the Appendix was 'printed on paper made from wood alone, the produce of this country'. Koops's aim was to overcome the problem of the scarcity of rags for paper-making, which he believed was a restraint on the development of commerce and of science, by producing paper from natural sources which were almost inexhaustible. However, the factory which he established went bankrupt after only one year, and it was to be nearly two centuries before printing books on recycled paper became a practical possibility for the industry.

This volume brings together extensive recollections of authors, publishers, auctioneers and booksellers from 1779 to 1853, based on the author's personal acquaintance with the prominent writers, artists and book publishers of the period. The book is in three sections, each one concentrating on a given area of London and the literary scene centred upon it. They are Paternoster Row, Fleet Street and The Strand. Attention is paid to different forms of publication, such as the early magazines, in which books were published by instalments, and to key personalities. There is also detailed background to some of the most important publishing houses, such as Longman, and works which were considered pivotal to their success, such as 'Rees' Cyclopaedia' and the 'Annual Review'. Engagingly written from a personal perspective, this book will be of value to historians of literature and publishing, and others interested in London's literary past.

Charles Hindley (d.1893) wrote several books on British popular literature including Curiosities of Street Literature and a history of the cries of London. This book, first published in a limited edition in 1869 but here reprinted from the 1886 edition, tells the colourful story of John (1769 1813) and James (1792 1842) Catnach, the father-and-son printers who were leaders in the expanding market for cheap publications for the masses. John's contribution was to start using real paper and printer's ink instead of the cheap substitutes current at the time. He was also noted for embellishing his work with great technical skill. James later developed a successful business printing cheap song-sheets, ballads and sensationalist accounts of crimes, conspiracies and scandals, and was able to support his widowed mother and his sisters on the proceeds. This lively biography is illustrated with numerous woodcuts, many from Catnach's publications.

Born in 1802 in Elgin, James Grant first established himself as a reporter and then as a leading newspaper editor in Victorian London, heading the Morning Chronicle for two decades before moving on to the Christian Standard. His 1839 Travels in Town was designed as a companion piece to his earlier reflections on London, The Great Metropolis (1838) and Sketches in London (1838). This two-volume work reflects Grant's enthusiasm for 'this modern Babylon' and his lively interest in the intricacies of everyday life there. Volume 1 focuses on central London, observing major streets (including Downing Street) and the British Museum. Interweaving general descriptions with specific local information, Grant even provides his readers with details of the famous museum reading room and how to access its treasures.

This book assembles contributions from computer scientists and librarians that altogether encompass the complete range of tools, tasks and processes needed to successfully preserve the cultural heritage of the Web. It combines the librarian 's application knowledge with the computer scientist 's implementation knowledge, and serves as a standard introduction for everyone involved in keeping alive the immense amount of online information.

Most academics still wrestle with the "publish or perish" phenomenon. Based on Dr. Liebowitz's 25 years serving as the editor-in-chief of a leading international journal, along with insights from some of the most knowledgeable journal editors, this book shares key lessons learned to help new professors, doctoral students, and practitioner-scholars increase their chances of being published in selective, refereed international journals. It focuses on the key practices needed to ensure journal publication, with interesting cases and helpful tips sprinkled throughout the book. A Guide to Publishing for Academics provides useful knowledge from leading journal editors of both traditional and online journals, as well as various tiers of journals. Although the focus is mainly in the business and IT areas, much of the guidance provided can cross into other fields. The book contains interesting vignettes and do's and don'ts so that potential authors can understand what goes on behind the scenes once the manuscript arrives on the journal editor's desk. The book provides constructive guidance on choosing what and where to publish, what to consider when writing a title for a paper, how to prepare and submit journal manuscripts, and how to position a paper for publication. It also has valuable information for current and future journal editors, including models of editing and editorial boards, editorial coaching advice, and editing smart practices. With the information in this book, the next generation of academics and practitioner-scholars will be well equipped to overcome the publish or perish phenomenon.