Within the Academy, itself a changing and increasingly entrepreneurial entity, publishing is no longer an option; it is the universal currency that secures a position, tenure and promotion; it is key to academic life. Providing a panoramic picture of the changing publishing climate, Academic Life and the Publishing Landscape will empower scholars by enabling them to navigate this changing terrain more successfully. This book provides guidance from a range of contributors who use their own wide expertise in writing and publication to document the challenges faced by scholars at different career stages and in different locations. It covers a wide range of debates on publishing, spilt into the following three sections: Mapping the Publication Landscape, Writing for Publication-Learning from Successful Voices, Further Challenges and Possibilities. With topics ranging from the process of preparing manuscripts for publication, including chapters on calculating journal rankings and understanding the Peer Review process, through to chapters on speaking to international audiences and writing for elite international journals, this book offers a unique perspective on how the changing nature of publishing works. This will be a useful guide for scholars across the globe looking to enhance their publication performance, and those questioning what needs to be done in order to understand, navigate and to (re-)position one's self and institution in this increasingly significant and rapidly altering terrain. Ciaran Sugrue is Professor of Education, University College Dublin, Ireland and has been Head of School from 2011-14. Sefika Mertkan is an Assistant Professor of Educational Leadership and Management at Eastern Mediterranean University.

The biggest crime story in American history began on the night of March 1, 1932, when the twenty-month-old son of Charles and Anne Lindbergh was snatched from his crib in Hopewell, New Jersey. The news shocked a nation enthralled with the aviator, the first person to fly solo nonstop across the Atlantic. American law enforcement marshalled all its resources to return "Little Lindy" to the arms of his parents-and perhaps even more energized were the legions of journalists catering to a public whose appetite for Lindbergh news was insatiable. In Little Lindy Is Kidnapped, Thomas Doherty offers a lively and comprehensive cultural history of the media coverage of the abduction and its aftermath. Beginning with Lindbergh's ascent to fame and proceeding through the trial and execution of the accused kidnapper, Doherty traces how newspapers, radio, and newsreels reported on what was dubbed the "crime of the century." He casts the affair as a transformative moment for American journalism, analyzing how the case presented new challenges and opportunities for each branch of the media in the days before the rise of television. Coverage of the Lindbergh story, Doherty reveals, set the template for the way the media would treat breaking news ever after. An engrossing account of an endlessly fascinating case, Little Lindy Is Kidnapped sheds new light on an enduring quality of journalism ever since: the media's eye on a crucial part of the story-itself.

Patrik O'Brian Holt Heriot-Watt University After speech, writing is the most common form of human communication and represents the cornerstone of our ability to preserve and record information. Writing, by its very definition, requires artifacts in the form of tools to write with and a medium to write on. Through history these artifacts have ranged from sticks and clay tablets, feather and leather, crude pens and paper, sophisticated pens and paper, typewriters and paper; and electronic devices with or without paper. The development of writing tools has straightforward objectives, to make writing easier and more effective and assist in distributing written communication fast and efficiently. Both the crudest and most sophisticated forms of writing tools act as mediators of human written communication for the purpose of producing, distributing and conserving written language. In the modern world the computer is arguably the most sophisticated form of mediation, the implications of which are not yet fully understood. The use of computers (a writing artifact which mediates communication) for the production and editing of text is almost as old as computers themselves. Early computers involved the use of crude text editors and a writer had to insert commands resembling a programming language to format and print a document. For example to underline a word the writer had to do the following, This is an example of how to .ul underline a single word. in order to produce: This is an example of how to underline a single word.

Commissioned in honour of William Pitt the Younger and finished in 1833, The Pitt Building housed the printing and publishing offices of Cambridge University Press for over 100 years. First published in 1938, this book provides a concise and accessible historical account of the building. The chief sources of information for this history were the Syndicate minute books and other papers preserved at the Press, including correspondence which passed at the time of the building's original development. These primary sources are liberally referred to throughout and numerous illustrative figures are also provided. This book will be of value to anyone with an interest in The Pitt Building and the history of Cambridge University Press.

This book documents the history of two research papers, from the first drafts to the final polished published articles, including the reviewer comments and the author responses. The documentary provides unique insights into the publishing process, which at times is filled with uncertainties, not only for young researchers. The book discusses lessons learned and also provides an experienced editor's and reviewer's perspective. In the light of the high pressure on young faculty to publish successfully, this book offers itself as a guide to publishing efficiently and effectively in a highly competitive scientific environment.

This 1957 text was the first thorough account of the serial publication of books in the eighteenth century. Professor Wiles shows how, first by serialization in newspapers and then by releasing instalments of a work in progress in small packets of sheets stitched in blue paper and delivered regularly to subscribers, English publishers made new and old books available to a great number of readers. It had not previously been realized how extensive the practice was. As a method of publishing it had important effects: because books could be sent out in instalments the high price of books sold was no longer a bar to the spread of literacy and useful knowledge. After explaining the growth of this method from the last years of the seventeenth century until 1750, Professor Wiles gives important chapters to related questions, such as the state of the law of copyright.

As the birthplace of moveable-type printing, China has some claim to being the homeland of publishing. China's ancient civilisation has nurtured a distinctively Chinese publishing industry, and this industry has done much to spread Chinese ideas and culture around the world. Yang Hu and Xiao Yang provide a comprehensive introduction to the origins and development of printing and publication in China from ancient to modern times, complemented throughout with full colour illustrations.

The first edition of the Printing Ink Manual was published by the Society of British Printing Ink Manufacturers in 1961 to fill the need for an authorative textbook on printing technology, which would serve both as a training manual and a reliable reference book for everyday use. The book soon became established as a standard source of information on printing inks and reached its fourth edition by 1988. This, the fifth edition, is being published only five years later, so rapid has been the development in technology. The objective of the Printing Ink Manual remains unchanged. It is a practical handbook designed for use by everyone engaged in the printing ink industry and the associated industries. It provides all the information required by the ink technical for the day-to-day formulation of printing inks. It supplies the factory manager with details of the latest equipment and manufacturing methods, including large-scale production, and gives guidance on achieving quality assessment and total quality management specifications. Care has been taken to maintain the value of the Manual for training both technical personnel and others who requiresome kn- ledge of inks. Readers with little scientific knowledge will not find dif- culty in using the Manual, but sufficient chemistry and physics have been included to provide an explanation of the underlying principles and theories governing the behaviour of inks for use by the advanced te- nologist. Suppliers of raw materials, substrate manufacturers, printers and print users will find the book a valuable source of information.

This book was first published in 2006. Second only to the Bible and Book of Common Prayer, John Foxe's Acts and Monuments, known as the Book of Martyrs, was the most influential book published in England during the sixteenth and seventeenth centuries. The most complex and best-illustrated English book of its time, it recounted in detail the experiences of hundreds of people who were burned alive for their religious beliefs. John N. King offers the most comprehensive investigation yet of the compilation, printing, publication, illustration, and reception of the Book of Martyrs. He charts its reception across different editions by learned and unlearned, sympathetic and antagonistic readers. The many illustrations included here introduce readers to the visual features of early printed books and general printing practices both in England and continental Europe, and enhance this important contribution to early modern literary studies, cultural and religious history, and the history of the Book.

Originally published in 1928, this small volume offers a summary look at three different items - the emblem, the arms and the motto - that have long been associated with the University of Cambridge. The book contains a variety of illustrative details showing the Cambridge emblem and its arms, and considers particularly their uses by the printers of the Cambridge University Press. This is followed by a brief discussion of the origins of the University motto, as well as an appendix showing two further details of both the emblem and the arms with the full motto.

Packed with customizable editing tools--this practical, up-to-date reference includes the latest on writing and editing online

"The McGraw-Hill Desk Reference for Editors, Writers, and Proofreaders" is an indispensable resource for writers, editors, proofreaders, and virtually everyone responsible for crafting clear, polished writing. Ideal for professionals and novices alike, it guides you through the entire proofreading and editing process and features a CD-ROM with more than 25 interactive tools and checklists.

This all-in-one package offers style sheet templates, a list of editor's symbols, comprehensive editing and proofreading checklists, and guides to commonly misspelled and confused words. It also presents advice on electronically editing and proofreading for the Web.

This book was originally published in 1954. Robert Estienne was born in Paris in the early years of the sixteenth century, the son of a successful printer-bookseller. He became a printer himself, and one distinguished not only for the quality of his printing, but also for his scholarship. He was the most outstanding figure of the Parisian booktrade at the moment when that trade was one of the most important agencies of the various intellectual movements which we summarise as 'The Renaissance'. Estienne was not only a classical but also a biblical scholar and editor (he is remembered as much for his editions of the Bible as for the beauty of his Cicero or for his use of the Garamond Greek types). Mrs Armstrong gives a full-length historical study of an important and admirable figure.

This 1959 bibliography lists and describes everything that came from the press of John Baskerville of Birmingham, who was appointed Printer to the University of Cambridge in 1758. After an introduction in which Dr Gaskell describes the methods that he has adopted and the conclusions that he has drawn from the investigation, there are two main parts: Specimens, Proposals and other Ephemera, and Books. Each entry contains a quasi-facsimile transcription of the title page, and gives details of formula contents amongst several other things. This, which was the first full bibliography of Baskerville's work, will be an essential tool for Baskerville collectors and for historians of printing and typography as well as for bibliographers. There are twelve collotype plates, most of which illustrate unique copies of Baskerville's ephemera; and there is in addition a full-size facsimile of Baskerville's last type specimen.

Between roughly 1350 and 1500, the English vernacular became established as a language of literary, bureaucratic, devotional and controversial writing; metropolitan artisans formed guilds for the production and sale of books for the first time; and Gutenberg's and eventually Caxton's printed books reached their first English consumers. This book gathers the best new work on manuscript books in England made during this crucial but neglected period. Its authors survey existing research, gather intensive new evidence and develop new approaches to key topics. The chapters cover the material conditions and economy of the book trade; amateur production both lay and religious; the effects of censorship; and the impact on English book production of manuscripts and artisans from elsewhere in the British Isles and Europe. A wide-ranging and innovative series of essays, this volume is a major contribution to the history of the book in medieval England.

This innovative study explores the history of Puritanism and the history of reading in the long seventeenth century. Drawing on a wide range of significant but understudied source materials, it seeks to advance our understanding of Puritan or 'godly' culture by examining the place of reading within that culture between c.1580 and 1720. In contrast to long-standing claims about the connections between advanced Protestantism and emergent individualism and interiority, the book demonstrates the importance of communal and public forms of reading in the practice of godly piety. Andrew Cambers employs a novel framework, based around the spaces and places of early modern reading, to offer a revised understanding of the nature of Puritanism and of the practice and representation of reading during the period. Moving beyond existing interpretations, Godly Reading opens up fresh discussions and debates about the nature of early modern reading and religion.

Originally published in 1930, and based on The Sandars Lectures for 1929 1930, this volume provides a historical study of English book and manuscript collectors from 1530 until the time of publication. The main concentration of the text is on marks of ownership made by various collectors on volumes in their respective collections. Through analysing these marks an unusual perspective is built up, one in which individual books and manuscripts can be seen to tell their own history; an idea of each volume as a unique object with its own pedigree is developed through this process. This is a fascinating volume that will be of value to anyone with an interest in the history of books and manuscripts.

Margaret Oliphant (1828 1897) is best known as the author of nearly one hundred novels, but also wrote short stories and biographies. Closely connected with Blackwoods of Edinburgh from 1851, shortly before her death she was commissioned to write a history of the publishing firm by director William Blackwood, grandson of the founder. From small beginnings, the firm had rapidly become the leading Scottish publishing house, dominating the literary world, particularly through Blackwood's Edinburgh Magazine and an impressive list of famous authors. These included Thomas de Quincey, Walter Scott, and Samuel Taylor Coleridge. The Magazine introduced the convention of having novels issued in serial form before publication as a book, which became standard practice for authors such as Dickens, Thackeray and Eliot. Volume 1 covers the early career of William Blackwood and the establishment of the firm, its commercial relationships, and the foundation of the Magazine.

Margaret Oliphant (1828 1897) is best known as the author of nearly one hundred novels, but also wrote short stories and biographies. Closely connected with Blackwoods of Edinburgh from 1851, shortly before her death she was commissioned to write a history of the publishing firm by director William Blackwood, grandson of the founder. From small beginnings, the firm had rapidly become the leading Scottish publishing house, dominating the literary world, particularly through Blackwood's Edinburgh Magazine and an impressive list of famous authors. These included Thomas de Quincey, Walter Scott, and Samuel Taylor Coleridge. The Magazine introduced the convention of having novels issued in serial form before publication as a book, which became standard practice for authors such as Dickens, Thackeray and Eliot. Volume 2 continues to 1861 and the death of the second William Blackwood, and includes landmarks such as the opening of a London branch, and George Eliot's first novels.

Annals of a Publishing House contains the early history of the influential Scottish publishing house, William Blackwood and Sons. From small beginnings, the firm had rapidly become the leading Scottish publishing house, dominating the literary world, particularly through Blackwood's Edinburgh Magazine. Owing to the death of Mrs Oliphant, the commissioned author, Volume 3 was written by Mary Porter, daughter of John Blackwood, sixth son of the founder, and covers his career. Beginning as head of the new London branch, he assumed control of the firm on the death of his uncle Robert in 1852. He reorganised the firm and added its prominence. He formed working relationships with many of the leading Victorian writers, including Elizabeth Barrett Browning, George Eliot, Edward Bulwer Lytton and Thomas Hardy. He expanded the firm's output to include travel writers such as Burton on India and Speke on the search for the source of the Nile.

Henry Benjamin Wheatley (1838 1917) was a bibliographer and editor with a prodigious output of books and articles to his name. Brought up after the death of both his parents by his brother Benjamin Robert, himself a skilled bibliographer and cataloguer, Henry worked for many years for the Royal Society and the Royal Society of Arts; he was a founder member of the Library Association, and produced an edition of Pepys' diary which was not superseded until the 1970s. This work is one of two which he produced on the subject of indexing: the Wheatley Medal awarded by the Society of Indexers is named after him. This book sets out the rules and practicalities of indexing, and also contains examples of how not to make an index; it was for many years the text to which all professional indexers referred, and still makes fascinating reading today.

Ephemeral city explores the rapid rise of cheap print and how it permeated Venetian urban culture in the Renaissance. It offers the first view of one of the city's most productive and creative industries from the bottom up and a new and unexpected vision of Renaissance culture, characterised by the fluid mobility and dynamic intermingling of texts, ideas, goods and people. Closely intertwined with oral culture and often peddled in the streets, cheap printed texts helped to open up new audiences for literature, providing information and entertainment to a diverse public and transforming the city into an epicentre of vernacular literature and performance. Examining the ways in which the production and dissemination of cheap print infiltrated Venice's urban environment and changed the course of its cultural life, the book also traces how local authorities responded by escalating censorship and control over the course of the sixteenth century. Ephemeral city will be of interest to scholars and students of early modern European and Italian Renaissance culture and society and the history of the book and communication. -- .

Henry Benjamin Wheatley (1838 1917) was a prolific writer on bibliography, literature and the arts. As founder of the Index Society, and editor of The Bibliographer, he was also involved in the foundation of the Library Association. In that context he wrote several works on library topics. How to Catalogue a Library (1889) was aimed at smaller library collections, as existing systems, such as the manuals of the British Museum library or the Library of Congress, were too elaborate for smaller collections. Wheatley begins by defining the differences between catalogues, indexes and bibliographies, and then compares the existing rules. He discusses the physical form of catalogues and lists the minimum requirements for the catalogue of a small library. He also discusses cataloguing manuscripts and cross-referencing, and provides a useful index of Latin place names. The book contains much on the theory of organisation of information still of relevance today.

John Andrews Annett was the pseudonym of John Hannett, a printer and a pioneer in the study of modern and historical bookbinding methods. Bibliopegia, or the Art of Bookbinding, first published in 1835 and enlarged the following year, was frequently republished and revised, and remains an important work on the subject. The author claims that it is the first practical manual on bookbinding to be published in England, derived from his own professional expertise and from recent French works on the topic. He explains every aspect of the process, from the folding of the sheets of paper and sewing, to the final finishing. He also discusses the various tools and machines in use, and provides a glossary of technical terms. This book is still a very valuable one for bookbinders and conservators, providing information on dyes and chemicals used in the 1830s as well as sewing and binding techniques.

This twenty-fourth volume of ABHB (Annual bibliography of the history of the printed book and libraries) contains 4247 records, selected from some 1600 periodicals, the list of which follows this introduction. They have been compiled by the National Committees of the following countries: Latin America Arab Countries Australia Latvia Austria Luxembourg Belarus The Netherlands Belgium Norway Canada Poland Croatia Portugal Estonia Rumania Finland Russia France South Africa Germany Spain Great Britain Sweden Hungary Switzerland Iceland Ukrain Ireland (Republic of) USA Italy Benevolent readers are requested to signal the names of bibliographers and historians from countries not mentioned above, who would be willing to co operate to this scheme of international bibliographic collaboration. The edi tor will greatly appreciate any communication on this matter. Subject As has been said in the introduction to the previous volumes, this bibliography aims at recording all books and articles of scholarly value which relate to the history of the printed book, to the history of the arts, crafts, techniques and equipment, and of the economic, social and cultural environment, involved in its production, distribution, conservation, and description. Of course, the ideal of a complete coverage is nearly impossible to attain. However, it is the policy of this publication to include missing items as much as possible in the forthcoming volumes. The same applies to countries newly added to the bibliography.