This book is about skateboard video and experimental ways of thinking about cities. It makes a provocative argument to consider skate video as an archive of the city from below. Here 'below' has a dual meaning. First, below refers to an unofficial archive, a subaltern history of urban space. Second, below refers to the angle from which skateboarders and filmers gaze upon, capture, and consume the city-from the ground up. Since taking to the streets in the early 1980s, skateboarding has been captured on film, video tape and digital memory cards, edited into consumable forms and circulated around the world. Videos are objects amenable to ethnographic analysis while also archiving exercises in urban ethnography by their creators. I advocate for taking skate video seriously as a (fragile) archive of the urban backstage, collective memory across time and space, creative urban practice, urban encounters (people-to-people and people-to-object/s), and the globalization of a subculture at once delinquent and magnificent.

In Ali Shariati and the Future of Social Theory, Dustin J. Byrd and Seyed Javad Miri bring together a collection of essays by a variety of scholars who explore the lasting influence of the Iranian sociologist and revolutionary, Ali Shariati. Thought to be the most important intellectual behind the Iranian Revolution of 1979, these essays engage in a future-oriented remembrance of Shariati's life and praxis, with the practical attempt to clarify, expand, and apply his liberational Islamic thought to modern conditions.

"Der Mensch mit abweichendem Verhalten ist ein Mensch, auf den diese Bezeichnung erfolgreich angewandt worden ist; abweichendes Verhalten ist Verhalten, das Menschen als solches bezeichnen": Es ist einer der klassischen Satze der Devianzsoziologie in einem der Klassiker des Feldes. Howard S. Becker betont fernab von alten und simplistischen Fragen danach, "warum Menschen Regeln brechen", welche Situationen und welche Prozesse dazu fuhren, dass Menschen in Positionen geraten, in denen sie als "Regelbrecher" betitelt werden, wie sie mit diesen Positionen umgehen und sich auch gegen diese wehren. "Aussenseiter" erschien erstmals 1963 in New York und wurde 1981 bei S. Fischer in deutscher UEbersetzung publiziert. Seit den fruhen neunziger Jahren vergriffen, liegt seit 2014 eine von Michael Dellwing uberarbeitete Version vor. In der nun neuesten Auflage enthalt der Band zudem zwei neue Kapitel von Howard Becker, in denen er die Geschichte seiner Forschung reflektiert.

How can one live by impossible ideals and values? The Jains of India are a flourishing and prosperous community, but their religion is focused on the teaching and example of ascetic renouncers, whose austere regime is actually dedicated to ending worldly life and often culminates in a fast to death. This book draws upon a detailed study of an urban Jain community in Jaipur, north-west India, to offer the fullest account yet given of Jain religious belief and practice. It shows how renunciation and asceticism play a central part in the life of a thriving business community, and how world-renunciation combines for Jain families with the pursuit of worldly happiness. The book is in five parts. Part I introduces the vivid mythology and doctrine of Jainism, and the traditions of Jain renouncers. Part II discusses the relations of Jains with other groups in Indian society, the politics of leadership on Jain communities, and the history, character, and composition of the Jain community in Jaipur. Part III contains detailed analyses of lay ascetic practices such as fasting and confession, traditions of imagery and iconography, and key religious ideas, such as the paradoxical doctrine of 'non-violence' (ahimsa). These are shown to turn on complex conceptions of the body and contrasting moral topographies of self. Part IV concerns relations between lay Jains and renouncers, and draws on recent writing on exchange and value to analyse the pivotal place of alms-giving in the Jain religion. Part V describes some of the closest connections between riches and renunciation, and shows how the pan-Indian festival of Diwali is adapted to distinctively Jain values and concerns.

There is no society without right and wrong. There is no society without sin. But every culture has its own favorite list of trespasses. Perhaps the most influential of these was drawn up by the Church in late antiquity: the Seven Deadly Sins. Pride, sloth, gluttony, envy, anger, lust, and greed are not forbidden acts but the passions that lead us into temptation. Aviad Kleinberg, one of the most prominent public intellectuals in Israel, examines the arts of sinning and of finger pointing. What is wrong with a little sloth? Where would haute cuisine be without gluttony? Where would we all be without our parents' lust? Has anger really gone out of style in the West? Can consumer culture survive without envy and greed? And with all humility, why shouldn't we be proud? With intellectual insight and deadpan humor, Kleinberg deftly guides the reader through Jewish, Christian, and Greco-Roman thoughts on sin. Each chapter weaves the past into the present and examines unchanging human passions and the deep cultural shifts in the way we make sense of them. Seven Deadly Sins is a compassionate, original, and witty look at the stuff that makes us human.

The Druze and the Maronites, arguably the two founding communities of modern Lebanon, have the reputation of being primordial enemies. Makram Rabah attempts to gauge the impact of collective memory on determining the course and the nature of the conflict between these communities in Mount Lebanon. He takes as his focus 'the War of the Mountain' in 1982, reconstructing the events of this war through the framework of collective remembrance and oral history. He challenges the idea that these group identities were constructed by their respective centres of power within the Maronite and Druze community, providing an alternative to the prevailing meta-narrative. Telling the stories of the many people who took part in these events, or who simply suffered as a consequence, helps to expose the intrinsic motives which led to this conflict and makes a valuable contribution to the field of Lebanese historical scholarship.

In Populations as Brands Aaro Tupasela extends the fields of critical data studies and nation branding into the realm of state controlled biobanking and healthcare data. Using examples from two Nordic countries - Denmark and Finland - he explores how these countries have begun to market and brand their resources using methods and practices drawn from the commercial sector. Tupasela identifies changes during the past ten years that suggest that state collected and maintained resources have become the object of valuation practices. Tupasela argues that this phenomenon constitutes a novel form of nation branding in which relations between the states, individuals and the private sector are re-aligned. The author locates the historical underpinnings of population branding in the field of medical genetics starting in the early 1960s but transforming significantly during the 2010s into a professional marketing activity undertaken at multiple levels and sites. In studying this recent phenomenon, Tupasela provides examples of how marketing material has become increasingly professional and targeted towards a broader audience, including the public. The book will be of particular interest to scholars of critical data studies and nation branding, as well as students of science and technology studies, sociology and marketing.

In 1962 Norbert Elias was invited as a temporary professor at the University of Ghana in Legon, Accra. He taught, employed fieldwork, travelled, and met many people in postcolonial Africa. When Elias left Ghana in 1964, he had laid the basic groundwork for a fundamental sociological argument on human societies. The volume on hand is a selection of his unpublished writings based on these experiences. Together they touch upon not only the well-known criticism of Eurocentrism and a developmental perspective but also what could be considered the core of Elias's work: the concept of civilisation. In a foreword, Dieter Reicher and Adrian Jitschin have endeavoured to explain and break down the relations of Elias's African experience to the rest of his work and biography. They also clarified some misleading interpretations of Elias's time in Africa. Finally, Arjan Post has uncovered the previously unknown fascinating story of Elias' encounter with Malcolm X in an epilogue.

The Islamist attacks of 9/11, the Danish cartoon affair and rioting by Muslim youths in France are just some of the events that have caused the 'Muslim question' to become a key issue of public debate in many western democracies. Secularism, Religion and Multicultural Citizenship argues that the Muslim case raises important questions about how we understand western secularism and respond to new religious claims in multicultural democracies. The contributors challenge prevailing assumptions about the history and practice of western secularism and recover the pragmatism behind liberal principles in negotiating new conditions. By situating the Muslim experience in relation to western secularism and liberal democratic practice, and through examining a variety of national contexts (including Britain, Germany, France, Denmark, the United States, Australia and India), this book extends thinking about our contemporary condition and considers the broader significance for multicultural liberal democracies.

This book provides fresh insight into the creative practice developed by Paul McCartney over his extended career as a songwriter, record producer and performing musician. It frames its examination of McCartney's work through the lens of the systems model of creativity developed by Mihaly Csikszentmihalyi and combines this with the research work of Pierre Bourdieu. This systems approach is built around the basic structures of idiosyncratic agents, like McCartney himself, and the choices he has made as a creative individual. It also locates his work within social fields and cultural domains, all crucial aspects of the creative system that McCartney continues to be immersed in. Using this tripartite system, the book includes analysis of McCartney's creative collaborations with musicians, producers, artists and filmmakers and provides a critical analysis of the Romantic myth which forms a central tenet of popular music. This engaging work will have interdisciplinary appeal to students and scholars of the psychology of creativity, popular music, sociology and cultural studies.

This book is about the relationship between leisure and power. More specifically, it theorizes a group of supporters' attempts to control social space within and around English football stadiums. Not only is football a popular leisure form, it is also one which has undergone a remarkable process of transformation during the last 30 years. Advance surveillance techniques, all seater-stadia, rising ticket prices, and a growing intolerance to expressive modes of fandom have all transformed the experience of watching the professional game. Through these five chapters, Ian Woolsey asks how the collective responses of travelling football supporters to these major societal currents and changes within the game; liquid modernity and the post-1989 transformation of English football, are managed via the distinct and oft-competing processes of social spacing in football. An important inspiration for the book is the work of Zygmunt Bauman, particularly his ideas on cognitive, aesthetic, and moral 'spacings' as a social production. Ian Woolsey's powerful and persuasive application of these ideas not only extends Bauman's focus on the 'politics' of power in public space to include a consideration of leisure but in so doing shows that ethnography, selectively conducted and theoretically informed, can provide data for a rich, sociological account of a football world. The book will be of interest to researchers and scholars of sociology of leisure, sociology of sport, criminology, and cultural studies.

Although the Jains have a religious history spanning two-and -a-half millennia Western scholars have shown little interest in them until recently. Drawing on fieldwork conducted among Jains in the Indian state of Gujarat and a migrant Gujarati Jain group in Leicester, England, Marcus Banks aims to provide an understanding of contemporary Jain identity through an examination of their social and religious organizations. The first part of the book describes the array of religious and caste organizations found among Jains in the Indian city of Jamnagar and how Jains from Jamnagar and elsewhere in Gujarat migrated to East Africa, transforming their organizations in the process. The second part looks at the new forms of organization that have developed among the Jains who came to Leicester from East Africa and the part these have played in changing perceptions of Jainism itself. Throughout the book Dr Banks plays special attention to the use and transformation of urban space by religious and other groups, and he concludes with comments on the definition of religion and religious identity. This is one of the first book-length studies of the Jains as a migrant group overseas, where they are studied in their own right rather than simply as an ethnic minority. It will be valuable both for its documentation of a small but influential population and for its direct comparison of aspects of communal and religious organization in India and the UK.

This edited collection brings together two strands of current discussions in gender research through the concept of creativity. First, it addresses creativity in the context of the family, by exploring changing and newly emergent family forms and ways of creating and maintaining intimate relationships. Creativity here is understood not as just "newness or originality," but as that which, in the words of Eisler and Montouri (2007), "supports, nurtures, and actualizes life by increasing the number of choices open to individuals and communities." One aim of this book, therefore, is to investigate the social, collaborative, and creative interactions in contemporary family and kin formations in Europe. Second, the volume examines how new media and technologies are entering and shaping everyday family lives. Technological transformations and adaptions have not only enabled the creation of new forms of families and ways of family living, but also challenged the established constellations of gender and family arrangements. The present volume addresses these issues from multiple perspectives and in different contexts, and explores the involvement of different actors. By problematizing the creativity of becoming and "doing" family and kinship, the authors acknowledge the increasing fluidity of gender identities, the evolving diversity of relationships, and the permeation of technology into daily life.

This book offers a precise and rigorous analysis of the meanings of offensive words in Chinese. Adopting a semantic and cultural approach, the authors demonstrate how offensive words can and should be systematically researched, documented and accounted for as a valid aspect of any language. The book will be of interest to academics, practitioners and students of sociolinguistics, language and culture, linguistic taboo, Chinese studies and Chinese linguistics.

As religious leaders, ministers are often assumed to embody the faith of the institution they represent. As cultural symbols, they reflect subtle changes in society and belief-specifically people's perception of God and the evolving role of the church. For more than forty years, Douglas Alan Walrath has tracked changing patterns of belief and church participation in American society, and his research has revealed a particularly fascinating trend: portrayals of ministers in American fiction mirror changing perceptions of the Protestant church and a Protestant God.

From the novels of Harriet Beecher Stowe, who portrays ministers as faithful Calvinists, to the works of Herman Melville, who challenges Calvinism to its very core, Walrath considers a variety of fictional ministers, including Garrison Keillor's Lake Woebegon Lutherans and Gail Godwin's women clergy. He identifies a range of types: religious misfits, harsh Puritans, incorrigible scoundrels, secular businessmen, perpetrators of oppression, victims of belief, prudent believers, phony preachers, reactionaries, and social activists. He concludes with the modern legacy of nineteenth- and early-twentieth-century images of ministers, which highlights the ongoing challenges that skepticism, secularization, and science have brought to today's religious leaders and fictional counterparts. "Displacing the Divine" offers a novel encounter with social change, giving the reader access, through the intimacy and humanity of literature, to the evolving character of an American tradition.

Identifying scientism as religion's secular counterpart, this collection studies contemporary contestations of the authority of science. These controversies suggest that what we are witnessing today is not an increase in the authority of science at the cost of religion, but a dual decline in the authorities of religion and science alike. This entails an erosion of the legitimacy of universally binding truth claims, be they religiously or scientifically informed. Approaching the issue from a cultural-sociological perspective and building on theories from the sociology of religion, the volume unearths the cultural mechanisms that account for the headwind faced by contemporary science. The empirical contributions highlight how the field of academic science has lost much of its former authority vis-a-vis competing social realms; how political and religious worldviews define particular research findings as favorites while dismissing others; and how much of today's distrust of science is directed against scientific institutions and academic scientists rather than against science per se.

This Open Access book considers the cultural representation of gender violence, vulnerability and resistance with a focus on the transnational dimension of our contemporary visual and literary cultures in English. Contributors address concepts such as vulnerability, resilience, precarity and resistance in the Anglophone world through an analysis of memoirs, films, TV series, and crime and literary fiction across India, Ireland, Canada, Australia, the US, and the UK. Chapters explore literary and media displays of precarious conditions to examine whether these are exacerbated when intersecting with gender and ethnic identities, thus resulting in structural forms of vulnerability that generate and justify oppression, as well as forms of individual or collective resistance and/or resilience. Substantial insights are drawn from Animal Studies, Critical Race Studies, Human Rights Studies, Post-Humanism and Postcolonialism. This book will be of interest to scholars in Gender Studies, Media Studies, Sociology, Culture, Literature and History. Grant FFI2017-84555-C2-1-P (research Project "Bodies in Transit: Genders, Mobilities, Interdependencies") funded by MCIN/AEI/ 10.13039/501100011033 and by "ERDF A way of making Europe."

This volume examines the rise of an emerging sport as a grassroots effort (or "new social movement"), arguing that the growth of non-normative sports movements occurs through two social processes: one driven primarily by product development, commercialization, and consumption, and another that relies upon public resources and grassroots efforts. Through the lens of disc golf, informed by the author's experience both playing and researching the sport, Joshua Woods here explores how non-normative sports development depends on the consistency of insider culture and ideology, as well as on how the movement navigates a broad field of market competition, government regulation, community characteristics, public opinion, traditional media, social media and technological change. Throughout, the author probes why some sports grow faster than others, examining cultural tendencies toward sport, individual choices to participate, and the various institutional forces at play.

In this edited volume, authors analyze how symbolic boundaries of belonging are negotiated and reflected upon by school actors in different educational contexts and how that contributes to a richer understanding of the ways in which "we-ness" acts as a fundamentally structuring force in immigrant incorporation. The analyses draw on cultural sociologist Jeffrey Alexander's work on civil sphere theory, thus grasping both the solidaristic dimensions of incorporation and processes of exclusion. Chapters are guided by two major themes: school choice/ethnic school segregation and religion/faith in schooling. Both of these themes provide rich examples of how immigrant school actors negotiate the symbolic codes that define boundaries of belonging/non-belonging in different communities. This focus will broaden the understanding of how educational practices and formal schooling works in relation to immigrant incorporation into different school cultures, as well as in the Swedish civil sphere.

This book provides insight into how flamenco travels, the forms it assumes in new locales, and the reciprocal effects on the original scene. Utilising a postnational approach to cultural identity, Martin explores the role of non-native culture brokers in cultural transmission. This concept, referred to as 'cosmopolitan human hubs', builds on Kiwan and Meinhof's 'hubs' theory of network migration to move cultural migration and globalisation studies forwards. Martin outlines a post-globalisation flamenco culture through analysis of ethnographic research carried out in the UK, Sevilla and Madrid. Insight into these glocal scenes characterises flamenco as a historically globalized art complex, represented in various hubs around the world. This alternative approach to music migration and globalisation studies will be of interest to students and scholars across leisure studies, musicology, sociology and anthropology.

What is between us and the Christians is a deep dark affair which will go for another hundred generations . . ." (Amos Oz, Judas) Among the great social shifts of the post-World War II era is the unlikely sea-change in Jewish Christian relations. We read each other's scriptures and openly discuss differences as well as similarities. Yet many such encounters have become rote and predictable. Powerful emotions stirred up by these conversations are often dismissed or ignored. Demonstrating how such emotions as shame, envy, and desire can inform these encounters, Holy Envy: Writing in the Jewish Christian Borderzone charts a new way of thinking about interreligious relations. Moreover, by focusing on modern and contemporary writers (novelists and poets) who traffic in the volatile space between Judaism and Christianity, the book calls attention to the creative implications of these intense encounters. While recognizing a long-overdue need to address a fundamentally Christian narrative underwriting twentieth century American verse, Holy Envy does more than represent Christianity as an aesthetically coercive force, or as an adversarial other. For the book also suggests how literature can excavate an alternative interreligious space, at once risky and generative. In bringing together recent accounts of Jewish Christian relations, affect theory, and poetics, Holy Envy offers new ways into difficult and urgent, conversations about interreligious encounters. Holy Envy is sure to engage readers who are interested in literature, religion, and, above all, interfaith dialogue.