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Books > Humanities > Religion & beliefs > Non-Christian sacred works & liturgy > Sacred texts
Recent years have seen a remarkable surge in interest in the book of Genesis - the first book of the Bible - and a foundational text of Western culture. In this new commentary, Thomas Brodie offers a complete and accessible overview of Genesis from literary, theological, and historical standpoints. Brodie's work is organized around three main ideas: the first is that the primary subject of Genesis is human existence - while full of historical echoes, it is primarily a sophisticated portrayal of the progress and pitfalls of human life. His second thesis is that Genesis' basic organizational unity is binary, or diptych: building on older insights that Genesis is somehow dialogical, he argues that the entire book is composed of diptychs - accounts which, like some paintings, consist of two parts or panels. Finally, Brodie contends that many of Genesis' sources still exist, and can be identified and verified.
Providing an analysis of the complete story of Mary in its liturgical, narrative and rhetorical contexts, this literary reading is a prerequisite to any textual reading of the Qur'an whether juristic, theological, or otherwise. intertextuality between the Old Testament, New Testament and the Qur'an. The Qur'an is an oral event, linguistic phenomenon and great literature. So the application of modern literary theories is essential to have full comprehension of the history of the development of literary forms from pre-Islamic period such as poetry, story telling, speech-giving to the present. In addition, there is a need, from a feminist perspective, to understand in depth why a Christian mother figure such as Mary was important in early Islam and in the different stages of the development of the Qur'an as a communication process between Muhammad and the early Muslim community. Introducing modern literary theories, gender perspective and feminist criticism into Qur'anic scholarship for the first time, this book will be an invaluable resource for scholars and researchers of Islamic Studies, Qur'anic and New Testament Studies, Comparative Literature and Feminist Theology.
'Masterly work ... Leads the reader patiently but directly not merely into Qur'anic writing but into the heart of that Holy Book itself ... By the time we have followed Dr Ahmad to the end of this splendid work we have learned something new and indeed something uplifting about one of the world's great books.' Prof. F. E. Peters, New York University.
"The books line up on my shelf like bright Bodhisattvas ready to
take tough questions or keep quiet company. They stake out a vast
territory, with works from two millennia in multiple genres:
aphorism, lyric, epic, theater, and romance." "No effort has been spared to make these little volumes as
attractive as possible to readers: the paper is of high quality,
the typesetting immaculate. The founders of the series are John and
Jennifer Clay, and Sanskritists can only thank them for an
initiative intended to make the classics of an ancient Indian
language accessible to a modern international audience." "The Clay Sanskrit Library represents one of the most admirable
publishing projects now afoot. . . . Anyone who loves the look and
feel and heft of books will delight in these elegant little
volumes." "Published in the geek-chic format." "Very few collections of Sanskrit deep enough for research are
housed anywhere in North America. Now, twenty-five hundred years
after the death of Shakyamuni Buddha, the ambitious Clay Sanskrit
Library may remedy this state of affairs." aNow an ambitious new publishing project, the Clay Sanskrit
Library brings together leading Sanskrit translators and scholars
of Indology from around the world to celebrate in translating the
beauty and range of classical Sanskrit literature. . . . Published
as smart green hardbacks that are small enough to fit into a jeans
pocket, the volumes are meant to satisfy both the scholar and the
lay reader. Each volume has a transliteration of the original
Sanskrit texton the left-hand page and an English translation on
the right, as also a helpful introduction and notes. Alongside
definitive translations of the great Indian epics -- 30 or so
volumes will be devoted to the Maha-bharat itself -- Clay Sanskrit
Library makes available to the English-speaking reader many other
delights: The earthy verse of Bhartri-hari, the pungent satire of
Jayanta Bhatta and the roving narratives of Dandin, among others.
All these writers belong properly not just to Indian literature,
but to world literature.a aThe Clay Sanskrit Library has recently set out to change the
scene by making available well-translated dual-language (English
and Sanskrit) editions of popular Sanskritic texts for the
public.a The second volume of aPreparations for Wara seals the fate of the PAndavas and Kurus. This book is the turning point of the entire MahaA-bhArata. The failure of diplomacy ensures war is now inevitable, and with this realization come dramatic arguments, miracles and temptations. The MahaA-bhArata explores timeless problems of humanity, and in this volume of aPreparations for War, a it explores the realities of human nature in times of conflict. The lust for power and bloodshed overwhelms all attempts at negotiation.Interwoven with these serious issues come beautiful accountsof divinities, magical realms and legendary marvels.
One of the most basic questions for any legal system is that of methodology: how one interprets, analyzes, weighs, and applies a mass of often competing legal rules, precedents, practices, customs, and traditions to reach final determinations and practical guidance about the correct legal-prescribed course of action in any given situation. Questions of legal methodology raise not only practical concerns, but theoretical and philosophical ones as well. We expect law to be more than the arbitrary result of a given decision maker's personal preferences, and so we demand that legal methodologies be principled as well as practical. These issues are especially acute in religious legal systems, where the stakes are raised by concerns for respecting not just human, but divine law. Despite this, the major scholars and codifiers of halakhah, or Jewish law, have only rarely explicated their own methods for reaching principled legal decisions. This book explains the major jurisprudential factors driving the halakhic jurisprudence of Rabbi Yehiel Mikhel Epstein, twentieth-century author of the Arukh Hashulchan-the most comprehensive, seminal, and original modern restatement of Jewish law since Maimonides. Reasoning inductively from a broad review of hundreds of rulings from the Orach Chaim section of the Arukh Hashulchan, the book teases out and explicates ten core halakhic principles that animate Rabbi Epstein's halakhic decision-making. Along the way, it compares the Arukh Hashulchan methodology to that of the Mishna Berura. This book will help any reader understand important methodological issues in both Jewish and general jurisprudence.
This second edition of a popular introduction to the Qur'an includes an essential updated reference guide, including a chronology of the revelation, links to internet resources, and suggestions for further reading. Exploring the Qur'an's reception through history, its key teachings, and its place in contemporary thought and belief, this volume analyzes: the Qur'an as the word of God; its reception and communication by the Prophet Muhammad; the structure and language of the text; conceptions of God, the holy law, and jihad; and Islamic commentaries on Qur'anic teachings through the ages. The Qur'an: The Basics, Second Edition is a concise and accessible introduction.
'The Zohar' was compiled and composed in Spain in the thirteenth century, and exerted a powerful influence on Jewish life in medieval ghettoes. In this book, first published in 1932, Dr Bension was the first scholar to deal with the influence on Jewish mysticism of certain characteristics which underlie so much of the literature produced in Spain both by Christians and Muslims.
In his brilliant introduction on the Mishnah, Jacob Neusner asks: How do you read a book that does not identify its author, tell you where it comes from, or explain why it was written - a book without a preface? And how do you identify a book with neither a beginning nor end, lacking table of contents and title? The answer is you just begin and let the author of the book lead you by paying attention to the information that the author does give, to the signals that the writer sets out. As Neusner goes on to explain, the Mishnah portrays the world in a special way, in a kind of code that makes it a difficult work for the modern reader to understand. Without knowing how to decode the Mishnah, we may read its works without receiving its message. Neusner, one of the world's foremost Mishnaic scholars, demonstrated that the Mishnah's own internal logic and structure form a solid foundation on which to build an understanding of this vitally important Jewish work. Using examples of how the Mishnah's language, logic, and discourse associate and categorize behaviors, events, and objects, Neusner opens the Mishnah to readers who would not otherwise be able to grasp its most fundamental concepts. Since the Mishnah forms the basis of both the Babylonian and the Palestinian Talmuds (which are, in Neusner's elegant terms, "the core curriculum of Judaism as a living religion"), study of the Mishnah is essential to an understanding of Judaism. Drawing on his own new translation of the Mishnah and displaying the enthusiastic dedication that has sparked a whole new body of Mishnaic research, Neusner allows readers with no previous background to join Jews who have studied, analyzed, and delighted in the wisdom of Mishnah for centuries. In addition to giving us a thorough exploration of the Mishnah's language, contents, organization, and inner logic, Neusner also provides us with a broad understanding of how it communicated its own world view - its vision of both the concrete an spiritual worlds. The Mishnah: An Introduction gives us a tour of this sacred Jewish text, shedding light on its many facets - from its view of life to its conception of God and His relation to our world.
An Invitation to Biblical Poetry is an accessibly written introduction to biblical poetry that emphasizes the aesthetic dimensions of poems and their openness to varieties of context. It demonstrates the irreducible complexity of poetry as a verbal art and considers the intellectual work poems accomplish as they offer aesthetic experiences to people who read or hear them. Chapters walk the reader through some of the diverse ways biblical poems are organized through techniques of voicing, lineation, and form, and describe how the poems' figures are both culturally and historically bound and always dependent on later reception. The discussions consider examples from different texts of the Bible, including poems inset in prose narratives, prophecies, psalms, and wisdom literature. Each chapter ends with a reading of a psalm that offers an acute example of the dimension under discussion. Students and general readers are invited to richer and deeper readings of ancient poems and the subjects, problems, and convictions that occupy their imagination.
Preface by R. J. Serjeant.
Refractions of the Scriptural is a transdisciplinary collection of essays that seeks to construct a new field of scholarly inquiry with scriptures as a fraught category, analytical wedge, and site for excavation and problematization. The book focuses on the ways in which individual and social bodies manipulate-and are manipulated by- the politics and power encoded in language and formalized canonical knowledge. Scriptures, in this sense, function as complex phenomena that are instrumental to social conservatism as well as social critique and social change. The essays in this volume, written by established and up-and-coming scholars across a wide range of disciplines, seek to locate, engage, and interpret the ways in which the scriptural shapes and reshapes people and the dynamics of identity formation. The chapters are organized around four domains or types of inquiry: the cognitive, the conscientized, the inscriptive, and the formative. It will be of interest to scholars of religion, as well as those interested more broadly in critical social and historical studies.
This is the full edition of the early Upanisads, the central scriptures of Hinduism. Featuring Patrick Olivelle's acclaimed new English translation (Oxford, 1996), it also includes the complete Sanskrit text, as well as variant readings, scholarly emendations, and explanations of Olivelle's choices of particular readings. The volume also contains a concordance of the two recensions of the Brhadaranyaka Upanisad, and an extensive bibliography.
First published in 1995. The volume is divided into four sections: The introduction places the position of the Buddhist Tantras within Mahayana Buddhism and recalls their early literary history, especially the Guhyasamahatantra; the section also covers Buddhist Genesis and the Tantric tradition. Next is the he foundations of the Buddhist Tantras are discussed and the Tantric presentation of divinity; the preparation of disciples and the meaning of initiation; symbolism of the mandala-palace Tantric ritual and the twilight language. The third section explores the Tantric teachings of the inner Zodiac and the fivefold ritual symbolism of passion. The bibliographical research contains an analysis of the Tantric section of the Kanjur exegesis and a selected Western Bibliography of the Buddhist Tantras with comments.
The Mandate of Heaven was originally given to King Wen in the 11th century BC. King Wen is credited with founding the Zhou dynasty after he received the Mandate from Heaven to attack and overthrow the Shang dynasty. King Wen is also credited with creating the ancient oracle known as the Yijing or Book of Changes. This book validates King Wen's association with the Changes. It uncovers in the Changes a record of a total solar eclipse that was witnessed at King Wen's capital of Feng by his son King Wu, shortly after King Wen had died (before he had a chance to launch the full invasion). The sense of this eclipse as an actual event has been overlooked for three millennia. It provides an account of the events surrounding the conquest of the Shang and founding of the Zhou dynasty that has never been told. It shows how the earliest layer of the Book of Changes (the Zhouyi) has preserved a hidden history of the Conquest.
This path-breaking book sets aside the traditional story of the life of Muhammad, and inquires into the internal history of the Qur'an itself. Drawing on fresh insights from linguistics and theology, Durie puts forward a new and very different explanation for the "Mecca-Medina" division, attributing it to a theological crisis which arose in the Qur'anic community. Through careful investigation of theologically charged topics such as prophecy, Satan, sin, the oneness of God, covenant, warfare, divine presence, and holiness, Durie questions whether the Qur'an and Bible really do share a deeper connection. He invites the reader to set aside the frames through which the Qur'an has been viewed in the past, whether Biblical or Islamic, and invites us to attend to the Qur'an's distinctive and unique theological vision, in its own terms.
Material Devotion in a South Indian Poetic World contributes new methods for the study and interpretation of material religion found within literary landscapes. The poets of Hindu devotion are known for their intimate celebration of deities, and while verses over a thousand years old are still treasured, translated, and performed, little attention has been paid to the evocative sensorial worlds referenced by these literary compositions. This book offers a material interpretation of an understudied poem that defined an entire genre of South Asian literature -Tirukkovaiyar-the 9th-century Tamil poem dedicated to Shiva. The poetry of Tamil South India invites travel across real and imagined geography, naming royal patrons, ancient temple towns, and natural landscapes. Leah Elizabeth Comeau locates the materiality of devotion to Shiva in a world unique to the South Indian vernacular and yet captivating to audiences across time, place, and tradition.
Essays on the post-modern reception and interpretation of the Middle Ages, with a particular concentration on environmental matters. Ecoconcerns and ecocriticism are a rising trend in medievalism studies, and form a major focus of this collection. Topics under discussion in the first part of the volume include figurations in nineteenth- and twentieth-century medievalism; environmental medievalism in Sidney Lanier's Southern chivalry; nostalgia and loss in T.H. White's "forest sauvage"; and green medievalism in J.R.R. Tolkien's elven realms. The eleven subsequent articles continue to take in such themes more tangentially, testing and buillding on the methods and conclusions of the first part. Their subjects include John Aubrey's Middle Ages; medieval charter-horns in early modern England; nineteenth-centuryreimaginings of Chaucer's Griselda; Dante's influence on Harlan Ellison's "I Have No Mouth and I Must Scream"; multi-layered medievalisms in George R.R. Martin's A Song of Ice and Fire; (coopted) feminism via medievalism inDisney's Maleficent; (neo)medievalism in Babylon 5 and Crusade; cosmopolitan anxieties and national identity in Netflix's Marco Polo; mapping Everealm in The Quest; undergraduate perceptions ofthe "medieval" and the "Middle Ages"; and medievalism in the prosopopeia and corpsepaint of Mayhem's De Mysteriis Dom Sathanas. Karl Fugelso is Professor of Art History at Towson University in Baltimore, Maryland. Contributors: Dustin M. Frazier Wood, Daniel Helbert, Ann F. Howey, Carol Jamison, Ann M. Martinez, Kara L. McShane, Lisa Myers, Elan Justice Pavlinich, Katie Peebles, Scott Riley, Paul B. Sturtevant, Dean Swinford, Renee Ward, Angela Jane Weisl, Jeremy Withers.
You don't have to be a mystic to enjoy Rabbi Shefa Gold's new commentary on the Song of Songs, but it may make you into one. Rather than address herself to the reader, she speaks directly, and passionately, to God, The Beloved. She invites us to share in her conversation with life itself, with the mystery that wells "at the center of every molecule, at the heart of my being." IN THE FEVER OF LOVE breathes new life into the ancient practice of both Jews and Christians to read the Song as an allegory of the love between God and human beings. This rich, poetic text of can be used for pondering, praying, and perceiving life in a deeper way by people of any faith, but remains deeply rooted in Judaism's down-to-earth approach to the world. Rabbi Gold brings a modern psychological awareness to this ancient text.For those who want specific directions, she appends ten "commandments" from the Song which can be maxims for daily living.
Rabbi Abrams writes: "When I teach Torah classes to my congregants, sometimes they become very uncomfortable with what they read in the Tanach. Jacob tricks his father. Moses kills a man. David commits adultery. They struggle to come to grips with the difficult passages in the text. They also work on finding meaning in worship services, even though they don't know Hebrew. They strive to define themselves proudly as Jews in a non-Jewish world. They worry about assimilation. And I'm pretty sure that they think their problems are modern ones. Blessedly, the rabbis of the Talmud struggled with these questions, too, and they came up with some terrific answers. "In this introduction to the tractate Megillah of the Babylonian Talmud, we will learn how the rabbis viewed the Torah, and how they teach us to relate to it. They don't shy away from the hard-to-deal with passages, but show us how to meet them head on without sacrificing respect for them. They show us how to make the text our own and how to honor it in our everyday lives. These are ancient answers to modern questions. "In this tractate, the rabbis develop a whole system of honor that is based on respect for the Torah in each person and object in our world. In other words, the true Jewish status system is based on learning and menschlichkeit, rather than money or fame. So while this tractate may be stimulating on an intellectual level, it's also stimulating on the mensch' level. "As the second volume in a series, this book challenges the learner to reach new heights of understanding the Talmud, and the way the rabbis thought. However, don't be afraid, it's still very much for beginners. A general introduction about the Talmud is provided, then selected passages from each of the tractate's four chapters are explained in simple language. A bibliography for further reading, glossary, halachic appendix and descriptions of the rabbis mentioned in the book, are also provided." |
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