The Fengdao kejie or "Rules and Precepts for Worshiping the Dao" dates from the early seventh century and is a key text of medieval Daoist priesthood and monasticism, which was first formally organized in the sixth century. Compiled to serve the needs of both monastic practitioners and priests in training it describes the fundamental rules, organizational principles, and concrete establishments of Daoist institutions. Speaking in their own voices and presenting the ideal Daoist life of their time, priests and recluses come to life in this fascinating ancient document. Livia Kohn here offers the first complete annotated translation of the Fengdao kejie. She begins with three introductory chapters that outline the development of Daoist organizations and institutions, discuss the date and compilation of the work, and present key issues of terminology and worldview. The text itself contains eighteen sections that address the importance of karma and retribution, the creation of buildings, sacred statues, and scriptures, the design of sacred utensils and ritual clothing, the organization and structure of the ordination hierarchy, as well as a number of essential rituals, from the recitation of the scriptures to the daily devotions and the ordination ceremony. The Daoist Monastic Manual offers a clear and vibrant description of the lifestyle and organizational structures of medieval Daoism, rooting the religion in the concrete reality of daily activities.

The book "Tao Te Ching" is available almost everywhere, it had been translated into more than 140 languages and the publication of it was just next to "The Bible" during the past 2,700 years, thousands of current publications could be found in the major book stores, with explanation written by different famous authors.

However, there are readers that complained; "Who really knows what is Tao and can please tell us? We have studied the books for years and are sorely perplexed." These are the people who have the right scent in study.

"Tao Te Ching" is in fact the first and greatest puzzle that was created by St. Laozi more than 2,700 years ago in Chinese words.

It is the time for St. Laozi to tell people in the world about "Tao" by himself with the complete contents which consist of Yang (visible) and Yin (hidden and invisible) parts in "The Book of Thou Does."

"Religious Studies in Contemporary China Collection, Taoism" gathers together English translations of seventeen articles originally published in the People s Republic of China between 1947 and 2006, and republished together in 2008 as part of an edited volume of representative works in PRC Taoist studies. While only part of the volume edited by Professor Mou was selected for translation in the present project, the aim remains the same: showcasing representative works of Taoist studies in mainland China, including early articles that were widely influential although they may now be superseded in some aspects by more recent research. Most of the major scholars of Taoist studies in the PRC are represented in this anthology, and many of them have never had any of their work translated into any Western language before; it is hoped that the present volume will draw readers to their scholarship and inspire them to read their books and articles in Chinese.

Using a combination of newly mined Sung sources and modern ethnography, Robert Hymes addresses questions that have perplexed China scholars in recent years. Were Chinese gods celestial officials, governing the fate and fortunes of their worshippers as China's own bureaucracy governed their worldly lives? Or were they personal beings, patrons or parents or guardians, offering protection in exchange for reverence and sacrifice?
To answer these questions Hymes examines the professional exorcist sects and rising Immortals' cults of the Sung dynasty alongside ritual practices in contemporary Taiwan and Hong Kong, as well as miracle tales, liturgies, spirit law codes, devotional poetry, and sacred geographies of the eleventh through thirteenth centuries. Drawing upon historical and anthropological evidence, he argues that two contrasting and contending models informed how the Chinese saw and see their gods. These models were used separately or in creative combination to articulate widely varying religious standpoints and competing ideas of both secular and divine power. Whether gods were bureaucrats or personal protectors depended, and still depends, says Hymes, on who worships them, in what setting, and for what purposes.

Since the 1970s, the influence of oriental philosophy, in particular the Buddhist tradition, in the field of psychotherapy has been quite profound. Taoism has not had the same impact on modern psychotherapeutic models. Yet, as early as 1936, Alva LaSalle Kitselman who was, at that time, studying oriental languages at Stanford University, with a particular emphasis on Sanskrit, created his own version of the classic text of the Taoist tradition - the book of Lao Tzu entitled the Tao Teh King. His version of this classic was, as he said, a restatement rather than being a new translation from the ancient Chinese. After its publication, and through a chance encounter with one of the librarians at Stanford, he began to realise that Taoism and Taoist philosophy could be used as a form of therapy, specifically in the form he called 'non-directiveness' or 'non-directive therapy.' In the 1950s Kitsleman published an audio lecture on his early experiences using the Tao Teh King entitled 'An Ancient Therapy'. In the lecture he compared and contrasted his application of Taoist philosophy in psychotherapy with the 'client centred therapy' approach of Carl R. Rogers. This new publication of Kitselman's version of the Tao Teh King and the story of his discovery will hopefully ignite a real interest in combining the wisdom of this classic Taoist text with modern psychotherapeutic methodologies. A. L. 'Beau' Kitselman was a remarkable man, a genius whose interests ranged from mathematics, science and computer programming to exploring the potential of the human mind.

Though a minority religion in Vietnam, Christianity has been a significant presence in the country since its arrival in the sixteenth-century. Anh Q. Tran offers the first English translation of the recently discovered 1752 manuscript Tam Giao Ch(u V.ong (The Errors of the Three Religions). Structured as a dialogue between a Christian priest and a Confucian scholar, this anonymously authored manuscript paints a rich picture of the three traditional Vietnamese religions: Confucianism, Buddhism, and Daoism. The work explains and evaluates several religious beliefs, customs, and rituals of eighteenth-century Vietnam, many of which are still in practice today. In addition, it contains a trove of information on the challenges and struggles that Vietnamese Christian converts had to face in following the new faith. Besides its great historical value for studies in Vietnamese religion, language, and culture, Gods, Heroes, and Ancestors raises complex issues concerning the encounter between Christianity and other religions: Christian missions, religious pluralism, and interreligious dialogue.

The classical Triad of the Chinese tradition is Heaven-Man-Earth. Rene Guenon places this ternary in the context of universal metaphysics by identifying Heaven with Essence and Earth with Substance, the mediator between them being Man, whose cosmic function is to embody spirit (Heaven) while simultaneously spiritualizing matter (Earth). Exploring Chinese cosmology further, Guenon sheds light on such archetypal polarities as Heaven and Earth, Yin and Yang, Solve et Coagula, Celestial and Terrestrial Numbers, the Square and the Compass, the Double Spiral, and the Being and the Environment, while pointing to their synthetic unity in terms of ternaries, such as the Three Worlds, Triple Time, Spiritus, Anima, and Corpus, Sulfur, Mercury and Salt, and God, Man, and Nature. Perhaps more completely than in any other work, Guenon demonstrates in The Great Triad how any integral tradition is both a mirror reflecting universal themes found in all other intact traditions and an entire conceptual cosmos unto itself, unique and incomparable.

This translation captures the terse and enigmatic beauty of the ancient original and resists the tendency toward interpretive paraphrase found in many other editions. Along with the complete translation, Lombardo and Addiss provide one or more key lines from the original Chinese for each of the eighty-one sections, together with a transliteration of the Chinese characters and a glossary commenting on the pronunciation and meaning of each Chinese character displayed. This greatly enhances the reader's appreciation of how the Chinese text works and feels and the different ways it can be translated into English.

' What is rooted is easy to nourish What is recent is easy to correct' Lao Tzu's Tao Te Ching (The Book of the Way) is the classic manual on the art of living. In 81 short, poetic chapters, the book looks at the basic predicament of being alive and teaches how to work for the good with the effortless skill that comes from being in accord with the Tao, or the basic principle of the universe. Stephen Mitchell' s acclaimed translation is accompanied by ancient Chinese paintings that beautifully reflect Lao Tzu' s timeless words. An illustrated edition of one of the most widely translated texts in the world. Features the best of classical Chinese painting A modern, accessible translation which reflects the poetry of Lao Tzu's words. ' Beautiful and accessible; the English, as 'fluid as melting ice,' is a joy to read throughout' The New Republic. ' I have read many translations of this ancient text but Mitchell' s is by far the best.' James Frey, author of A Million Little Pieces.

The philosopher and poet Vladimir Solovyov (1853-1900) is largely unknown to English readers, though translations of his works do exist. This book presents his central teachings and analyses his treatment of the non-Christian religions, Buddhism and Taosim in particular. This now makes it more possible to reassess his religious philosophy as a whole. The book will be of interest to students of comparative religion, theology, philosophy and Russian intellectual history.

This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. This volume in the Contemporary Anarchist Studies series focuses on anti-statist critiques in ancient and modern China and demonstrates that China does not have an unchallenged authoritarian political culture. Treating anarchism as a critique of centralized state power, the work first examines radical Daoist thought from the 4th century BCE to the 9th century CE and compares Daoist philosophers and poets to Western anarchist and utopian thinkers. This is followed by a survey of anarchist themes in dissident thought in the People's Republic of China from 1949 to the present. A concluding chapter discusses how Daoist anarchism can be applied to any anarchist-inspired radical critique today. This work not only challenges the usual ideas of the scope and nature of dissent in China, it also provides a unique comparison of ancient Chinese Daoist anarchism to Western anarchist. Featuring previously untranslated texts, such as the 9th century Buddhist anarchist tract, the Wunengzi, and essays from the PRC press, it will be an essential resource to anyone studying anarchism, Chinese political thought, political dissent, and political history.

Catherine Despeux's book Taoism and Self Knowledge is a study of the Internal Alchemical text "Chart for the Cultivation of Perfection." It begins with an analysis of pictographic and symbolic representation of the body in early Taoism after which the author examines different extant versions of the "Chart" as it was transmitted among Quanzhen groups in the Qing dynasty. The book is comprised of four main parts: the principal parts of the body and their nomenclature in Internal Alchemy, the spirits in the human body, and the alchemical processes and procedures used in thunder rituals and self-cultivation. This is a revised, expanded edition of the original French edition Taoisme et connaissance de soi. La carte de la culture de la perfection (Xiuzhen tu) Paris, 2012.

Zhenwu, or the Perfected Warrior, is one of the few Chinese Deities that can rightfully claim a countrywide devotion. Religious specialists, lay devotees, the state machine, and the cultural industry all participated, both collaboratively and competitively, in the evolution of this devotional movement. This book centres on the development and transformation of the godhead of Zhenwu, as well as the devotional movement focused on him. Organised chronologically on the development of the Zhenwu worship in Daoist rituals, state religion, and popular practices, it looks at the changes in the way Zhenwu was perceived, and the historical context in which those changes took place. The author investigates the complicated means by which various social and political groups contested with each other in appropriating cultural-religious symbols. The question at the core of the book is how, in a given historical context, human agents and social institutions shape the religious world to which they profess devotion. The work offers a holistic approach to religion in a period of Chinese history when central, local, official, clerical and popular power are constantly negotiating and reshaping established values.

Despite its enduring popularity both in China and worldwide, the Yijing is often poorly understood. As a divinatory text, it has a devoted following in the western hemisphere, even as it represents a foundational text of both Confucianism and Daoism. A fascination with the Yijing has been evident among western scholars since the Enlightenment, as well as in notable modern literary and artistic figures. This book provides an introduction for the general reader to this classic sacred text. Joseph A. Adler explains its multi-layered structure, its origins, its history of interpretation from the early first millennium BCE up to the present day, its function of divination, its significance in the history of Chinese thought, and its modern transformations. He explores why the Yijing has been considered the most profound expression of traditional Chinese thought and what meaning it can have for contemporary readers.