He came from the wrong social class, the wrong place and the wrong profession. He ate with the wrong people, championed the wrong causes and attracted the wrong kind of supporters. He even spoke with the wrong accent. In fact everything about Jesus of Nazareth was wrong. How could this odd-job man be God's Messiah?To the authorities he was a dangerous rebel; to the pious he was scandalously unorthodox. Even his family thought he was mad. But somehow this builder from 'up north' - this outrageous, unorthodox, rebellious teacher and miracle worker - changed the world. In this illuminating new biography, Nick Page strips away centuries of misrepresentation and myth to reveal the real personality portrayed in the gospels. Drawing on a wealth of historical and archaeological research, the result is a startling and vivid new portrait of Yeshua ben Yosef - Jesus of Nazareth. Challenging and thought-provoking, THE WRONG MESSIAH will change the way you view Jesus: the man who in so many ways seemed utterly wrong, but who history has proved triumphantly to be right.

Jesus: A Beginner’s Guide introduces Jesus, the man and his enduring legacy. Separating fact from fiction, Professor Le Donne places Jesus within the context of first-century Judaism, and explores the debate about his status as 'Son of God' among the early Christians.

He then follows his legacy through medieval Europe, and compares the various cultural Jesuses in enlightenment and post-enlightenment thought.

In Jesus and the Chaos of History, James Crossley looks at the way the earliest traditions about Jesus interacted with a context of social upheaval and the ways in which this historical chaos of the early first century led to a range of ideas which were taken up, modified, ignored, and reinterpreted in the movement that followed. Crossley examines how the earliest Palestinian tradition intersected with social upheaval and historical change and how accidental, purposeful, discontinuous, contradictory, and implicit meanings in the developments of ideas appeared in the movement that followed. He considers the ways seemingly egalitarian and countercultural ideas co-exist with ideas of dominance and power and how human reactions to socio-economic inequalities can end up mimicking dominant power. In this case, the book analyses how a Galilean 'protest' movement laid the foundations for its own brand of imperial rule. This evaluation is carried out in detailed studies on the kingdom of God and 'Christology', 'sinners' and purity, and gender and revolution.

In Jesus and the Chaos of History, James Crossley looks at the way the earliest traditions about Jesus interacted with a context of social upheaval and the ways in which this historical chaos of the early first century led to a range of ideas which were taken up, modified, ignored, and reinterpreted in the movement that followed. Crossley examines how the earliest Palestinian tradition intersected with social upheaval and historical change and how accidental, purposeful, discontinuous, contradictory, and implicit meanings in the developments of ideas appeared in the movement that followed. He considers the ways seemingly egalitarian and countercultural ideas co-exist with ideas of dominance and power and how human reactions to socio-economic inequalities can end up mimicking dominant power. In this case, the book analyses how a Galilean 'protest' movement laid the foundations for its own brand of imperial rule. This evaluation is carried out in detailed studies on the kingdom of God and 'Christology', 'sinners' and purity, and gender and revolution.

The classic work available in paperback for the first time: The Renowned Bible scholar, Anglican bishop, and bestselling author N. T. Wright breaks down the barriers that prevent us from fully engaging with the story of Jesus in the Bible to reveal a breathtaking vision of Christ that matches the needs and complexities of our time.

We have grown used to the battles over Jesus—whether he was human or divine, whether he could do miracles or just inspire them, whether he even existed. Much of the church defends tradition, while critics take shots at the institution and its beliefs. But what if these debates have masked the real story of Jesus?

Wright summarizes a lifetime of study of Jesus and the New Testament in order to present for a general audience who Jesus was and is. In Simply Jesus, we are invited to hear one of our leading scholars introduce the story of the carpenter’s son from Nazareth as if we were hearing it for the first time.

"Jesus—the Jesus we might discover if we really looked," explains Wright, "is larger, more disturbing, more urgent than we had ever imagined. . . . It is we, the churches, who have been the real reductionists. We have reduced the kingdom of God to private piety; the victory of the cross to comfort for the conscience; Easter itself to a happy, escapist ending after a sad, dark tale. Piety, conscience, and ultimate happiness are important, but not nearly as important as Jesus himself." As the church faces the many challenges of the twenty-first century, Wright presents a vision of Jesus that more than meets them.

Christianity was born nearly 2000 years ago in ancient Palestine. It has shaped the course of human history. Yet historians still cannot say how it really began. How did a 1st-century Jew called Jesus manage to spark a new religion?

It is one of the biggest and most profound of all historical mysteries. This extraordinary book finally provides the answer. And it has been staring us in the face for over a century.

'Dying to Live' is a radical exploration of the life of Jesus through the memories of Peter the Apostle and his translator Mark. It is a journey, not a destination. It is a continuing quest not in search of integrity but to preserve it. This book offers glimpses of a deeper relevant spirituality for today. The starting point is that the 'Gospel' of Mark was written as an interpretive biography, not as sacred text. To over-spiritualise the reading of Mark is to miss the real Jesus contained within its pages. To follow Jesus is not so much concerned with 'right belief' as it is about how one lives. Jesus accepted people as they were and especially offered the outsider and the rejected dignity and a sense of personal worth. Churches have rightly encouraged charitable giving, especially to the poor and the outcast, but its creeds and doctrines have misrepresented the transformational life and teaching of Jesus, masking the hard cost of discipleship required to address the underlying root causes of violence, hunger and poverty in a world of plenty.

"Provocative and readable...A remarkable achievement."—Jaroslav Pelikan, Yale Univ. "No one in our generation is more broadly and deeply prepared than Sanders to tackle the daunting array of problems confronting the historical Jesus. This book will become the standard against which future reconstruction of the historical Jesus of Nazareth will be compared."—David Dungan, Univ. of Tennessee, Knoxville.

Sitting at the Feet of Rabbi Jesus takes readers on a fascinating journey, helping them discover how learning about the Jewish world of Jesus can enrich their own faith. By exploring the land, culture, customs, prayers, and feasts, Ann Spangler and Lois Tverberg help readers to perceive Jesus through the eyes and ears of first-century Jews.

How has Christ been seen for the last two millennia? From the Christ of the Gospels to the Isa of Islam, this book explores the way Jesus Christ has been viewed, described, promoted, opposed and written about. What did the word 'Christ' mean in the first century, and how did it resonate with the politics and religion of the time? And beyond that, how was Jesus seen in the New Testament, and then onto the time of the Desert Fathers? What of the heretical Christs - and who decided, and why? And from the 2nd century onwards, people started to draw and to paint images of Christ - how did this change and develop? The book then traces the history of Christ through the militant leader of the Crusaders, via the multi-faceted Christ of the Middle Ages, and the opposing views of Him thrown up by the Reformation and the wars that followed. Finally, the authors consider the Christ of the technological age and the age of total war, before looking also at the Christ of Liberation Theology, Marxism, the Developing world, the Dalits, other faiths, and the Post-modern Christ of the 21st century.

The orderliness of the universe and the existence of human beings already provides some reason for believing that there is a God - as argued in Richard Swinburne's earlier book Is There a God ? Swinburne now claims that it is probable that the main Christian doctrines about the nature of God and his actions in the world are true. In virtue of his omnipotence and perfect goodness, God must be a Trinity, live a human life in order to share our suffering, and found a church which would enable him to tell all humans about this. It is also quite probable that he would provide his human life as an atonement for our wrongdoing, teach us how we should live and tell us his plans for our future after death. Among founders of religions, Jesus satisfies uniquely well the requirement of living the sort of human life which God would need to have lived. But to give us adequate reason to believe that Jesus was God, God would need to put his 'signature' on the life of Jesus by an act which he alone could do, for example raise him from the dead. There is adequate historical evidence that Jesus rose from the dead. The church which he founded gave plausible interpretations of his basic message. Therefore Christian doctrines are probably true.

A companion volume to Telling the Bible. Bob uses the Gospel of Luke as a basis for 70 stories about Jesus, his birth, life, teaching, death and resurrection. Bob uses a wide variety of narrative forms to produce stories that will delight new Christians and Bible veterans alike. Each story is accompanied by an introduction explaining its particular place and function, with telling tips and questions. Some require audience participation: all are designed to entertain and inform. The book is produced in large clear print and strongly bound for prolonged use. The price includes a license to photocopy.

At the turn of the twentieth century, American popular culture was booming with opportunities to see Jesus Christ. From the modernized eyewitness gospel of Ben-Hur to the widely circulated passion play films of Edison, Lumiere, and Pathe; from D. W. Griffith's conjuration of a spectral white savior in Birth of a Nation to W. E. B. Du Bois's "Black Christ" story cycle, Jesus was constantly and inventively visualized across media, and especially in the new medium of film. Why, in an era traditionally defined by the triumph of secular ideologies and institutions, were so many artists rushing to film Christ's miracles and use his story and image to contextualize their experiences of modernity? In The Disappearing Christ, Phillip Maciak examines filmic depictions of Jesus to argue that cinema developed as a model technology of secularism, training viewers for belief in a secular age. Negotiating between the magic trick and the documentary image, the conflicting impulses of faith and skepticism, the emerging aesthetic of film in this period visualized the fraught process of secularization. Cinematic depictions of an appearing and disappearing Christ became a powerful vehicle for Americans to navigate a rapidly modernizing society. Studying these films alongside a multimedia, interdisciplinary archive of novels, photographs, illustrations, and works of theology, travel writing, and historiography, The Disappearing Christ offers a new narrative of American cultural history at the intersection of cinema studies and religious studies.

Discover the Christian roots of the values we prize in western society. TGC and Christianity Today 2022 Book Award Winner in Evangelism & Apologetics.

Is Christianity history? Or is Christian history the deepest explanation of the modern world?
Today in the west, many consider the church to be dead or dying. Christianity is seen as outdated, bigoted and responsible for many of society’s problems. This leaves many believers embarrassed about their faith and many outsiders wary of religion. But what if the Christian message is not the enemy of our modern Western values, but the very thing that makes sense of them?
In this fascinating book, Glen Scrivener takes readers on a journey to discover how the teachings of Jesus not only turned the ancient world upside down, but continue to underpin the way we think of life, worth, and meaning. Far from being a relic from the past, the distinctive ideas of Christianity, such as freedom, kindness, progress and equality, are a crucial part of the air that we breathe. As author Glen Scrivener says in his introduction: “The extraordinary impact of Christianity is seen in the fact that we don’t notice it".
This is a book for both believers and sceptics—giving Christians confidence to be open about their faith and showing non-Christians the ways in which the message of Jesus makes sense of their most cherished beliefs. Whoever you are, you’ll gain a deeper appreciation for the values you hold dear as you discover the power and profundity of Jesus and his revolution.

The Christian religion figures prominently in the vast output, both discursive and imaginative, of Miguel de Unamuno. Unamuno studied nineteenth-century biblical scholarship closely, especially that of the Liberal Protestant school, but its influence did not dictate his direction. Without fully accepting the traditional Roman Catholic interpretation of the New Testament, what position vis-a-vis Jesus of Nazareth did Unamuno occupy himself? How did he see this figure from the Palestine of two thousand years ago, which has been so influential in western culture? What role does the Nazarene play in Unamuno’s work? What does the presence of Jesus tell us about the Basque writer’s idiosyncratic and combative religious views that drew the opprobrium of the Spanish Church hierarchy? This study focuses on the figure of Jesus of Nazareth as he appears in Unamuno’s writings – including The Tragic Sense of Life, The Christ of Velázquez, The Agony of Christianity, and San Manuel Bueno, mártir.

In July 1876 three eight-year-old girls from Marpingen, a village in the west German border region of Saarland, claimed to have seen an apparition of the Virgin Mary. Their visions attracted tens of thousands of pilgrims and prompted numerous claims of miraculous cures. They also led to military intervention, the dispatching of an undercover detective, parliamentary debate, and a dramatic trial. This book examines an episode that contemporaries dubbed the 'German Lourdes', its background and its repercussions. David Blackbourn sets out to recreate the Catholic world of Bismarckian Germany through a detailed analysis of the changing social, economic, and community structures in which it was embedded, and a sensitive account of popular religious beliefs. He powerfully evokes the crisis-laden atmosphere of the 1870s, and offers a subtle interpretation of the interplay between politics and religion in newly unified Germany. The book ranges boldly across the fields of social, cultural and political history, in an engrossing story with many contemporary resonances.

Saint Marks invokes and pluralizes the figure of Mark in order to explore relations between painting and writing. Emphasizing that the saint is not a singular biographical individual in the various biblical and hagiographic texts that involve someone so named, the book takes as its ultimate concern the kinds of material life that outlive the human subject. From the incommensurate, anachronic instances in which Saint Mark can be located-among them, as Evangelist or as patron saint of Venice-the book traces Mark's afterlives within art, sacred texts, and literature in conversation with such art historians and philosophers as Aby Warburg, Giorgio Agamben, Georges Didi-Huberman, T. J. Clark, Adrian Stokes, and Jean-Luc Nancy. Goldberg begins in sixteenth-century Venice, with a series of paintings by Gentile and Giovanni Bellini, Tintoretto, and others, that have virtually nothing to do with biblical texts. He turns then to the legacy of John Ruskin's Stones of Venice and through it to questions about what painting does as painting. A final chapter turns to ancient texts, considering the Gospel of St. Mark together with its double, the so-called Secret Gospel that has occasioned controversy for its homoerotic implications. The posthumous persistence of a life is what the gospel named Mark calls the Kingdom of God. Saints have posthumous lives; but so too do paintings and texts. This major interdisciplinary study by one of our most astute cultural critics extends what might have been a purely theological subject to embrace questions central to cultural practice from the ancient world to the present.

There is no writer in the evangelical world that I admire and appreciate more. Billy Graham Philip Yancey helps reveal what two thousand years of history covered up What happens when a respected Christian journalist decides to put his preconceptions aside and take a long look at the Jesus described in the Gospels? How does the Jesus of the New Testament compare to the new, rediscovered Jesus---or even the Jesus we think we know so well? Philip Yancey offers a new and different perspective on the life of Christ and his work---his teachings, his miracles, his death and resurrection---and ultimately, who he was and why he came. From the manger in Bethlehem to the cross in Jerusalem, Yancey presents a complex character who generates questions as well as answers; a disturbing and exhilarating Jesus who wants to radically transform your life and stretch your faith. The Jesus I Never Knew uncovers a Jesus who is brilliant, creative, challenging, fearless, compassionate, unpredictable, and ultimately satisfying. No one who meets Jesus ever stays the same, says Yancey. Jesus has rocked my own preconceptions and has made me ask hard questions about why those of us who bear his name don t do a better job of following him. "

Filled with compassion and brilliant scholarship, Fulton Sheen's recounting of the Birth, Life, Crucifixion, and Resurrection of Christ is as dramatic and moving as the subject Himself.

The question of the historicity of Jesus' resurrection has been repeatedly probed, investigated and debated. And the results have varied widely. Perhaps some now regard this issue as the burned-over district of New Testament scholarship. Could there be any new and promising approach to this problem? Yes, answers Michael Licona. And he convincingly points us to a significant deficiency in approaching this question: our historiographical orientation and practice. So he opens this study with an extensive consideration of historiography and the particular problem of investigating claims of miracles. This alone is a valuable contribution. But then Licona carefully applies his principles and methods to the question of Jesus' resurrection. In addition to determining and working from the most reliable sources and bedrock historical evidence, Licona critically weighs other prominent hypotheses. His own argument is a challenging and closely argued case for the historicity of the resurrection of Jesus, the Christ. Any future approaches to dealing with this 'prize puzzle' of New Testament study will need to be routed through The Resurrection of Jesus.

This book examines Paul's letter to the Philippians against the social background of the colony at Philippi. After an extensive survey of Roman social values, Professor Hellerman argues that the cursus honorum, the formalized sequence of public offices that marked out the prescribed social pilgrimage for aspiring senatorial aristocrats in Rome (and which was replicated in miniature in municipalities and in voluntary associations), forms the background against which Paul has framed his picture of Jesus in the great Christ hymn in Philippians 2. In marked contrast to the values of the dominant culture, Paul portrays Jesus descending what the author describes as a cursus pudorum ('course of ignominies'). The passage has thus been intentionally framed to subvert Roman cursus ideology and, by extension, to redefine the manner in which honour and power were to be utilized among the Christians at Philippi.

Jesus and the Politics of Interpretation seeks to interrupt the rhetorics and politics of meaning which in the past decade have compelled the proliferation of popular and scholarly books and articles about the historical Jesus, and which have turned Jesus into a commodity of neo-capitalist western culture.

In this spirited book, Elisabeth Schussler Fiorenza continues her argument begun in Jesus: Miram's Child, Sophia's Prophet (Continuum, 1995), now with a focus on the politics of Jesus scholarship. It is no accident, she maintains, that scholars in the U.S. and Europe have rediscovered the historical Jesus at a time when feminist scholarship, critical theory, interreligious dialogue, postcolonial criticism, and liberation theologies have pointed to the interconnections between knowledge and power at work in positivistic scientific circles. It is also no accident that such an explosion of Jesus books has taken place at a time when the media have discovered the "angry white male syndrome" that fuels neo-fascist movements in Europe and the U.S.

The answer to this commodification of "Jesus" is not a rejection of critical scholarship and Jesus research but a call for their investigation in terms of ideology critique and ethics. By claiming to produce knowledge about the "real" Jesus, Schussler Fiorenza points out, malestream as well as feminist scholars deny the rhetoricity of their research and refuse to stand accountable for their reconstructive cultural models and theological interests. Hence, she calls for an ethics of interpretation that can explore such a scholarly politics of meaning, rather than continue its ideological discourses on "Jesus and Women" that are fraught with bothanti-Judaism and anti-feminism.

This Companion's starting point is the realization that Jesus of Nazareth cannot be studied purely as a subject of ancient history, or as "a man like any other man". History, literature, theology and the dynamic of a living, worldwide religious reality appropriately impinge on the study of Jesus. This book therefore incorporates the most up-to-date historical work on Jesus with the "larger issues" of critical method--the story of Christian faith and study, as well as Jesus in a global church and in the encounter with Judaism and Islam.