From 1978 1996 Holocaust denial emerged as a major concern for the liberal democracies of Europe and North America. This period also saw the first prosecutions of Holocaust deniers. But these prosecutions often ran into trouble. Holocaust Denial and the Law relates how courts in four countries (Canada, France, Germany and the United States) resolved the dilemmas posed by Holocaust denial litigation. It also describes how, in the United States, student editors had to decide whether to run ads denying the Holocaust. The book concludes that a given country's resolution of these dilemmas turns on its specific legal traditions and historical experiences. MARKET 1: Law; Politics of Religion; Jewish History

This book explores the memory of the Romanian Holocaust through transnational representations strongly rooted in a Romanian past of anti-Semitism, genocide, and violence. The essays in this volume discuss survivor testimonial accounts, letters, journals, and drawings, as well as literature and films in an effort to break the silence imposed by the Communist regime and debunk the denials of the Holocaust in Romania. What the survivors, writers (Paul Celan, Aharon Applefeld, Elie Wiesel, Norman Manea), artists, and film directors (Radu Mihaileanu, Radu Gabrea) present in this volume have in common is not just their Romanian heritage and their complicated relationship with Romania, but also an intense preoccupation with the memory of the Holocaust.

This book explores how the women's orchestra at Auschwitz-Birkenau has been remembered in both media and popular culture since the end of the Second World War. In particular it focuses on Fania Fenelon's memoir, Playing for Time (1976), which was subsequently adapted into a film. Since then the publication has become a cornerstone of Holocaust remembrance and scholarship. Susan Eischeid therefore investigates whether it deserves such status, and whether such material can ever be considered reliable source material for historians. Using divergent source material gathered by the author, such as interviews with the other surviving members of the orchestra, this Pivot seeks to shed light on this period of women's history, and questions how we remember the Holocaust today.

This volume explores post-2000s artistic engagements with Holocaust memory arguing that imagination plays an increasingly important role in keeping the memory of the Holocaust vivid for contemporary and future audiences.

Before WWII there was a thriving Jewish community of some 50,000 people in Thessaloniki, Greece. In 1943, under Nazi occupation, virtually the entire community was deported to Auschwitz extermination camp. That the author, Erika Amariglio, and several members of her family survived is due only to a series of coincidences, including the fact that they were on the first transport ot Auschwitz and that they spoke fluent German. Erika Amariglio's story covers the period before the war in Thessaloniki, the German occupation and the gradual tightening of restrictions, the transportation, the two-and-a-half years spent in Auschwitz, the long death march back to Germany, the Amariglio family's escape to Yugoslavia, and their eventual reunion of the family in Greece. It concludes with the author's return to Auschwitz many years later as a delegate to an international conference on the Holocaust. This book has been previously published in Greek, German, French and Serbian.

In the years before the Second World War, the Jews of Europe faced unprecedented fear and anguish as the noose of antisemitism gradually tightened around them. The murderous violence that would eventually overtake them, later called the Holocaust, has been impressively examined by historians, as has the steady persecution of the pre-war Jewish community under the Third Reich. Yet the spread of Jew-hatred across the Continent - and the alarming picture that journalism and first-hand accounts brought to other nations - has largely gone unexamined. Drawing on newspapers, magazines, diaries, diplomatic correspondence, organizational reports, and a wide variety of other sources, this history shines a spotlight on the years between Adolf Hitler's emergence as Chancellor of Germany and the advent of the Second World War. It recounts the ways in which European Jews navigated their world as darkness closed about, even as individuals and organizations tried fervently to command the world's attention and mobilize others to action.

Holocaust Archaeologies: Approaches and Future Directions aims to move archaeological research concerning the Holocaust forward through a discussion of the variety of the political, social, ethical and religious issues that surround investigations of this period and by considering how to address them. It considers the various reasons why archaeological investigations may take place and what issues will be brought to bear when fieldwork is suggested. It presents an interdisciplinary methodology in order to demonstrate how archaeology can (uniquely) contribute to the history of this period. Case examples are used throughout the book in order to contextualise prevalent themes and a variety of geographically and typologically diverse sites throughout Europe are discussed. This book challenges many of the widely held perceptions concerning the Holocaust, including the idea that it was solely an Eastern European phenomena centred on Auschwitz and the belief that other sites connected to it were largely destroyed or are well-known. The typologically , temporally and spatial diverse body of physical evidence pertaining to this period is presented and future possibilities for investigation of it are discussed. Finally, the volume concludes by discussing issues relating to the "re-presentation" of the Holocaust and the impact of this on commemoration, heritage management and education. This discussion is a timely one as we enter an age without survivors and questions are raised about how to educate future generations about these events in their absence.

The first comprehensive history of the German Jews on the eve of Hitler's seizure of power, this book examines both their internal debates and their relations with larger German society. It shows that, far from being united, German Jewry was deeply divided along religious, political, and ideological fault lines. Above all, the liberal majority of patriotic and assimilationist Jews was forced to sharpen its self-definition by the onslaught of Zionist zealots who denied the "Germanness" of the Jews. This struggle for the heart and soul of German Jewry was fought at every level, affecting families, synagogues, and community institutions.Although the Jewish role in Germany's economy and culture was exaggerated, they were certainly prominent in many fields, giving rise to charges of privilege and domination. This volume probes the texture of German anti-Semitism, distinguishing between traditional and radical Judeophobia and reaching conclusions that will give no comfort to those who assume that Germans were predisposed to become "willing executioners" under Hitler. It also assesses the quality of Jewish responses to racist attacks. The self-defense campaigns of the Central Association of German Citizens of the Jewish Faith included publishing counter-propaganda, supporting sympathetic political parties, and taking anti-Semitic demagogues to court. Although these measures could only slow the rise of Nazism after 1930, they demonstrate that German Jewry was anything but passive in its responses to the fascist challenge.The German Jews' faith in liberalism is sometimes attributed to self-delusion and wishful thinking. This volume argues that, in fact, German Jewry pursued a clear-sighted perception of Jewish self-interest, apprehended the dangers confronting it, and found allies in socialist and democratic elements that constituted the "other Germany." Sadly, this profound and genuine commitment to liberalism left the German Jews increasingly isolated as the majority of Germans turned to political radicalism in the last years of the Republic. This full-scale history of Weimar Jewry will be of interest to professors, students, and general readers interested in the Holocaust and Jewish History.

A remarkable and compelling story about a Jewish boys coming of age during World War II, his survival, and ultimately, the transformation of his life as an American. Joseph Garays life story is an object lesson about perseverance in the face of seemingly insurmountable obstacles -- from the loss of his entire family in the concentration camps, to his survival in the Jewish Underground in Bratislava and elsewhere; from his joining the partisan underground and his enlistment in the Czechoslovakian division of the Romanian Red Army to fight the Nazis, to his meeting and marrying his wife. It is also a lesson about the remarkable acts of a single individual, Joseph Paserin, who protected Garay during those tumultuous war years despite grave risk to his own and his familys safety. The actions of Paserin ultimately enabled Garay to start anew in New York City -- to build a new family and to enjoy the safety and security of American freedom.

Since its completion in 1955, Alain Resnais's Night and Fog (Nuit et Brouillard) has been considered one of the most important films to confront the catastrophe and atrocities of the Nazi era. But was it a film about the Holocaust that failed to recognize the racist genocide? Or was the film not about the Holocaust as we know it today but a political and aesthetic response to what David Rousset, the French political prisoner from Buchenwald, identified on his return in 1945 as the 'concentrationary universe' which, now actualized, might release its totalitarian plague any time and anywhere? What kind of memory does the film create to warn us of the continued presence of this concentrationary universe? This international collection re-examines Resnais's benchmark film in terms of both its political and historical context of representation of the camps and of other instances of the concentrationary in contemporary cinema. Through a range of critical readings, Concentrationary Cinema explores the cinematic aesthetics of political resistance not to the Holocaust as such but to the political novelty of absolute power represented by the concentrationary system and its assault on the human condition.

Ein einmaliges Zeitzeugnis und eine Sammlung von Augenzeugenberichten der Novemberpogrome 1938, der Reichskristallnacht. Erscheint erstmals in englischer Sprache mit einem Vorwort von Saul Friedlander, Pulitzer-Preistrager und UEberlebender des Holocaust.

This work deals with the integration of thousands of survivors of the Holocaust into Israeli society in the early years of the new State's existence. Among the issues discussed are: the ways in which the survivors were recruited into the defence forces and the role they played in the War of Independence, the settlement of the immigrants in towns and villages abandoned by Arabs during the war and the immigrant youth.

A New Translation From The French By Marion Wiesel
"Night" is Elie Wiesel's masterpiece, a candid, horrific, and deeply poignant autobiographical account of his survival as a teenager in the Nazi death camps. This new translation by Marion Wiesel, Elie's wife and frequent translator, presents this seminal memoir in the language and spirit truest to the author's original intent. And in a substantive new preface, Elie reflects on the enduring importance of Night and his lifelong, passionate dedication to ensuring that the world never forgets man's capacity for inhumanity to man.
"""Night" offers much more than a litany of the daily terrors, everyday perversions, and rampant sadism at Auschwitz and Buchenwald; it also eloquently addresses many of the philosophical as well as personal questions implicit in any serious consideration of what the Holocaust was, what it meant, and what its legacy is and will be.

Each scholar working in the field of Holocaust literature and representation has a story to tell. Not only the scholarly story of the work they do, but their personal story, their journey to becoming a specialist in Holocaust studies. What academic, political, cultural, and personal experiences led them to choose Holocaust representation as their subject of research and teaching? What challenges did they face on their journey? What approaches, genres, media, or other forms of Holocaust representation did they choose and why? How and where did they find a scholarly "home" in which to share their work productively? Have political, social, and cultural conditions today affected how they think about their work on Holocaust representation? How do they imagine their work moving forward, including new challenges, responses, and audiences? These are but a few of the questions that the authors in this volume address, showing how a scholar's field of research and resulting writings are not arbitrary, and are often informed by their personal history and professional experiences.

Waitman Wade Beorn's The Holocaust in Eastern Europe provides a comprehensive history of the Holocaust in the region that was the central location of the event itself while including material often overlooked in general Holocaust history texts. First introducing Jewish life as it was lived before the Nazis in Eastern Europe, the book chronologically surveys the development of Nazi policies in the area over the period from 1939 to 1945. This book provides an overview of both the German imagination and obsession with the East and its impact on the Nazi genocidal project there. It also covers the important period of Soviet occupation and its effects on the unfolding of the Holocaust in Eastern Europe. This text also treats in detail other themes such as ghettoization, the Final Solution, rescue, collaboration, resistance, and many others. Throughout, Beorn includes detailed examples of the similarities and differences of the nature of the Holocaust in various regions, in the words of perpetrators, witnesses, collaborators, and victims/survivors. Beorn also illustrates the complex nature of the Holocaust by discussing the difficult subjects of collaboration, sexual violence, the use of slave labour, treatment of Soviet POWs, profiteering and others within a larger narrative framework. He also explores key topics like Jewish resistance, Jewish councils, memory, and explanations for perpetration, collaboration, and rescue. The book includes images and maps to orient the reader to the topic area. This important book explains the brutality and complexity of the Holocaust in the East for all students of the Holocaust and 20th-century Eastern European history.

On 7 November 1938, an impoverished seventeen-year-old Polish Jew living in Paris, obsessed with Nazi persecution of his family in Germany, brooding on revenge - and his own insignificance - bought a handgun, carried it on the Metro to the German Embassy in Paris and, never before having fired a weapon, shot down the first German diplomat he saw. When the official died two days later, Hitler and Goebbels used the event as their pretext for the state-sponsored wave of anti-Semitic violence and terror known as Kristallnacht, the pogrom that was the initiating event of the Holocaust. Overnight this obscure young man, Herschel Grynszpan, found himself world-famous, his face on front pages everywhere, and a pawn in the machinations of power. Instead of being executed, he found himself a privileged prisoner of the Gestapo while Hitler and Goebbels prepared a show-trial. The trial, planned to the last detail, was intended to prove that the Jews had started the Second World War. Alone in his cell, Herschel soon grasped how the Nazis planned to use him, and set out to wage a battle of wits against Hitler and Goebbels, knowing perfectly well that if he succeeded in stopping the trial, he would certainly be murdered. Until very recently, what really happened has remained hazy. Hitler's Scapegoat, based on the most recent research - including access to a heretofore untapped archive compiled by a Nuremberg rapporteur - tells Herschel's extraordinary story in full for the first time.

'A riveting tale, brilliantly told' Philippe Sands The little-known story of Hitler's war on modern art and the mentally ill. In the first years of the Weimar Republic, the German psychiatrist Hans Prinzhorn gathered a remarkable collection of works by schizophrenic patients that would astonish and delight the world. The Prinzhorn collection, as it was called, inspired a new generation of artists, including Paul Klee, Max Ernst and Salvador Dali. What the doctor could not have known, however, was that these works would later be used to prepare the ground for mass-murder. Soon after his rise to power, Hitler-a failed artist of the old school-declared war on modern art. The Nazis staged giant 'Degenerate Art' shows to ridicule the avant-garde, and seized and destroyed the cream of Germany's modern art collections. This action was mere preparation, however, for the even more sinister campaign Hitler would later wage against so-called "degenerate" people, and Prinzhorn's artists were caught up in both. Bringing together inspirational art history, genius and madness, and the wanton cruelty of the fanatical "artist-Fuhrer", this astonishing story lays bare the culture war that paved the way for Hitler's first extermination programme, the psychiatric Holocaust.

A revelation and a source of hope. Background essays give a historical overview of how the early pessimistic concentration on pathology has given way to greater emphasis on survivors' adaptive potential and strengths. Many contributors stress the importance of remembering and facing the pain that memory brings, an emphasis shared by Jewish tradition.

"Jewish Chronicle"

This is the first comprehensive anthology on the psychological treatment of Holocaust survivors and their families. It covers the full range of current theoretical and therapeutic approaches. It is a major resource for the clinician working with Holocaust survivors and their children, persecuted and traumatized populations, and patients suffering from post-traumatic stress syndrome. The chapters are organized around differing perspectives--classical psychoanalytic, self-psychological, group, family, pastoral, empirical research, eclectic. The editors include writings not usually part of the mainstream and focus on relevant yet often unnoticed issues.

This book gives its reader a good sense of how a discipline has struggled and evolved in its efforts to understand the impact of an historical event on its victims. The field's diversity of viewpoints and major controversies are put into sharp focus in this volume. It allows the reader--whether practicing clinician, academic researcher, or lay person--the opportunity to compare a wide range of approaches and draw conclusions. While primarily functioning as a resource, it will also serve as historical record to the Holocaust's unprecedented evil.

"We will be judged in our own time and in the future by measuring the aid that we, inhabitants of a free and fortunate country, gave to our brethren in this time of greatest disaster." This declaration, made shortly after the pogroms of November 1938 by the Jewish communities in Sweden, was truer than anyone could have forecast at the time. Pontus Rudberg focuses on this sensitive issue - Jewish responses to the Nazi persecutions and mass murder of Jews. What actions did Swedish Jews take to aid the Jews in Europe during the years 1933-45 and what determined their policies and actions? Specific attention is given to the aid efforts of the Jewish Community of Stockholm, including the range of activities in which the community engaged and the challenges and opportunities presented by official refugee policy in Sweden.

The association of Nazism with the symbol of ultimate evil - the devil - can be found in the works of Klaus and Thomas Mann, Else Lasker-Schuler, and Rolf Hochhuth. He appears either as Satan of the Judeo-Christian tradition, or as Goethe's Mephisto. The devil is not only a metaphor, but a central part of the historical analysis. Barasch-Rubinstein looks into this phenomenon and analyzes the premise that the image of the devil had a substantial impact on Germans' acceptance of Nazi ideas. His diabolic characteristics, the pact between himself and humans, and his prominent place in German culture are part of the intriguing historical observations these four German writers embedded in their work. Whether writing before the outbreak of WWII, during the war, or after it, when the calamities of the Holocaust were already well-known, they all examine Nazism in the light of the ultimate manifestation of evil.

The Holocaust Memorial Museum reveals and traces the transformation of ancient Jewish symbols, rituals, archetypes and narratives deployed in these sites. Demonstrating how cloaking the 'secular' history of the Holocaust in sacred garb, memorial museums generate redemptive yet conflicting visions of the meaning and utility of Holocaust memory.