Of the 400,000 German-speaking Jews that escaped the Third Reich as refugees, approximately 16,000 ended up in Shanghai, China, as part of one of the more remote enclaves within the Jewish diaspora. The stories of the Shanghai Jews contain extremes of the suffering and endurance that defined the refugee experience. Nobody wanted to go to China, and because Shanghai was the last choice of refugees, those who went there had nowhere else left to go. They had endured every stage of escalating Nazi persecution, including the mass arrests during Kristallnacht, the real beginning of the Holocaust. This groundbreaking oral history volume is based on 20 years of interviews with over 100 former Shanghai refugees. It offers a moving and at times astonishing collective portrait of courage, culture shock, persistence, and enduring hope in the face of unimaginable hardships.

What are you willing to do to survive? What are you willing to endure if it means you might live? 'Achingly moving, gives much-needed hope . . . Deserves the status both as a valuable historical source and as a stand-out memoir' Daily Express 'A story that needs to be heard' 5***** Reader Review Entering Terezin, a Nazi concentration camp, Franci was expected to die. She refused. In the summer of 1942, twenty-two-year-old Franci Rabinek - designated a Jew by the Nazi racial laws - arrived at Terezin, a concentration camp and ghetto forty miles north of her home in Prague. It would be the beginning of her three-year journey from Terezin to the Czech family camp in Auschwitz-Birkenau, to the slave labour camps in Hamburg, and finally to Bergen Belsen. Franci, a spirited and glamorous young woman, was known among her fellow inmates as the Prague dress designer. Having endured the transportation of her parents, she never forgot her mother's parting words: 'Your only duty to us is to stay alive'. During an Auschwitz selection, Franci would spontaneously lie to Nazi officer Dr Josef Mengele, and claim to be an electrician. A split-second decision that would go on to endanger - and save - her life. Unpublished for 50 years, Franci's War is an astonishing account of one woman's attempt to survive. Heartbreaking and candid, Franci finds the light in her darkest years and the horrors she faces instill in her, strength and resilience to survive and to live again. She gives a voice to the women prisoners in her tight-knit circle of friends. Her testimony sheds new light on the alliances, love affairs, and sexual barter that took place during the Holocaust, offering a compelling insight into the resilience and courage of ordinary people in an extraordinary situation. Above all, Franci's War asks us to explore what it takes to survive, and what it means to truly live. 'A candid account of shocking events. Franci is someone many women today will be able to identify with' 5***** Reader Review 'First-hand accounts of life in Nazi death camps never lose their terrible power but few are as extraordinary as Franci's War' Mail on Sunday 'Fascinating and traumatic. Well worth a read' 5***** Reader Review

Although the Holocaust represents one of the worst atrocities in the history of mankind, it is thought of by many only in terms of statistics--the brutal slaughter of over 6 million lives. The art of those who suffered under the most unspeakable conditions and the art of those who reflect on the genocide remind us that statistics cannot tell the entire story. This important and diverse collection focuses on the art expression from the inferno, documenting the Holocaust through sketches of camp life drawn surreptitiously by victims on scraps of paper, and through contemporary paintings, sculpture, and personal reflections. From an informative and comprehensive perspective, this book evokes a powerful response to the 20th-century catastrophe.

Sent across the ocean by their parents and taken in by foster parents and distant relatives, approximately 1,000 children, ranging in age from fourteen months to sixteen years, landed in the United States and out of Hitler's reach between 1934 and 1945. Seventy years after the first ship brought a handful of these children to American shores, the general public and many of the children themselves remain unaware of these rescues, and the fact that they were accomplished despite powerful forces in and outside the government that did not want them to occur. This is the first published account, told in the words of the children and their rescuers, to detail this unknown part of America's response to the Holocaust. It will challenge the belief that Americans did nothing to directly and actively save Holocaust victims. Judith Tydor Baumel, Holocaust scholar and sister of two rescued children, provides an introduction explaining why, when, how, and where the rescues were carried out, who the heroes and heroines were, and which individuals and organizations placed almost insurmountable obstacles in their path. This account presents both recollections and experiences recorded at the time of the rescued children, their descendants, and their rescuers. The story demonstrates what a small group of determined people can do to change the course of history.

This story of survival against all odds tells what befell Kurt Pick, an Austrian Jew, after he left his Vienna home and fled the Nazi persecution of his race. He was captured whilst attempting to walk across the German border into Belgium, but escaped and succeeded in being smuggled into Brussels, where he existed in constant fear, freezing cold and near starvation. In the summer of 1939 he was appointed Administrator of a camp for Jewish refugee families at Marneffe, near Brussels, becoming their official link with the outside world. When Germany invaded Belgium, the 600 residents were evacuated and joined the immense tide of refugees clogging the roads. Pick survived the air attacks and reached Avesnes, where he was mistaken for a spy, almost shot, and then nearly lynched by civilians. With the Germans now in occupation, he walked 100 miles back to Brussels. In 1942 he left to become a baker at a boarding school which he found was sheltering many Jews and was being used as a centre for the Resistance. When the Germans raided the school, he bluffed his way out and escaped to Liege. From that point Pick was permanently on the run until the Americans liberated Liege in September 1944. He survived, but was to discover that most of his family had perished.

The Holocaust is a subject of enormous historical importance. The murder of approximately 6 million Jews stands apart as a perhaps the most horrendous episode in world history; in this fresh introduction, McDonough examines the racial war-within-a-war, outlining controversies and examining how it has been popularized and institutionalized.

While the Netherlands had often been thought of as a champion of racial and ethnic tolerance before and during the Second World War, more than 75% of Dutch Jews were killed and those returning after the war were met with subtle but tough anti-Jewish sentiments as they tried to reclaim their former lives. For most survivors, the negative reactions were unexpected and shocking. Before the war, Dutch Jews had become part of the fabric of Dutch life and society, so the obstacles they faced upon their return were particularly painful and difficult to handle. The sobering picture presented in this book, based on research in archives, survivor's memoirs, and interviews with survivors, examines and chronicles the experiences of repatriated Jews in the Netherlands and sheds light on the continuing uneasiness and sensitivities between Jews and non-Jews there today. In the aftermath of the Holocaust, survivors returned to their home countries not knowing what to expect. In the Netherlands, considered a more tolerant nation, returnees wondered how they would be received by their neighbors; what had happened to their homes, their businesses, and their possessions; and whether or not they would be welcomed back to their jobs or their schools. The answers to many of these questions are now more important than ever, as claims for restitution continue to be made. Hondius shows that survivors returning to the Netherlands were met with a revival in anti-Semitism around the issue of liberation and that many were forced to create two memories of the time: one around the rejoicing and displays of triumph that took place in public and the other around the secret discrimination and cruelty, dealt subtly, inthe private arenas of everyday life. The blinding effect of a long history of generally good Jewish/non-Jewish relations turns out to be a most tragic aspect of the history of the Holocaust and the Netherlands.

6 million Jews were murdered by the Nazis, but this is only half the story. Doris Bergen reveals how the Holocaust extended beyond the Jews to engulf millions of other victims in related programmes of mas-murder. The Nazi killing machine began with the disabled, and went on to target Afro-Germans, Gypsies, non-Jewish Poles, French African soldiers, Soviet prisoners of war, homosexual men and Jehovah's Witnesses. As Nazi Germany conquered more territories and peoples, Hitler's war turned soldiers, police officers and doctors into trained killers, creating a veneer of legitimacy around vicious acts of ethnic cleansing and genocide. Using the testimonies of both survivors and eyewitnesses, as well as a wealth of rarely seen photographs, Doris Bergen shows the true extent of the catastrophe that overwhelmed Europe during the Second World War, in a gripping story of the lives and deaths of real people.

View the Table of Contents. Read the Introduction.

"Holocaust Restitution compiles a group of essays from leading authorities and participants in the Holocaust restitution movement. This book gathers different voices from across the Holocaust restitution movement and does an ex post facto review of the litigation. Holocaust Restitution presents an up-to-date analysis of the Holocaust restitution movement and presents the drama of Holocaust restitution from the perspective of almost all the major players, including plaintiff counsel, defense counsel, judges, diplomats, administrators, corporate defendants, and Jewish representatives. It also includes outside viewpoints from respected commentators, including historians, academics, and Holocaust survivors. It is remarkably comprehensive, does not shy away from controversy, and thoughtfully reflects on the Holocaust and its implications for future international human rights adjudication."
--"Stanford Journal of International Law"

aHolocaust Restitution compiles a group of essays from leading authorities and participants in the Holocaust restitution movement. This book gathers different voices from across the Holocaust restitution movement and does an ex post facto review of the litigation. Holocaust Restitution presents an up-to-date analysis of the Holocaust restitution movement and presents the drama of Holocaust restitution from the perspective of almost all the major players, including plaintiff counsel, defense counsel, judges, diplomats, administrators, corporate defendants, and Jewish representatives. It also includes outside viewpoints from respected commentators, including historians, academics, and Holocaust survivors.It is remarkably comprehensive, does not shy away from controversy, and thoughtfully reflects on the Holocaust and its implications for future international human rights adjudication.a
--"Stanford Journal of International Law"

"Bazyler and Alford have produced an essential tool for understanding the righteous struggle to win restitution for Holocaust victims and their heirs."
--Richard Z. Chesnoff, author of "Pack of Thieves: How Hitler & Europe Plundered the Jews & Committed The Greatest Theft In History"

"This excellent volume makes a significant contribution both to legal studies and to the history of the Holocaust. The editors deserve special praise for including chapters by Holocaust survivors, assuring that their often-forgotten voices are not lost within the great debate about Holocaust restitution."
--Marilyn J. Harran, Stern Chair in Holocaust History, Chapman University

"An invaluable text for students and scholars as well as a fascinating read for all those concerned with Holocaust and genocide issues in all disciplines and on behalf of all victims."
--Israel W. Charny, President, International Association of Genocide Scholars

"This unique collection is important in bringing together the perspectives of legal practitioners, activists, archivists and historians, negotiators, and survivors. It is remarkably comprehensive. . . . The editors have not shied away from controversy."
--David Cesarani, Research Professor in History, Royal Holloway, University of London

"If there is a 'final frontier' in understanding the Holocaust, it is the assessment of international litigation, compensation, and reparations claims. This extraordinary group ofcontributions thoughtfully reflects on the Holocaust, past and present, as well as what many would call 'imperfect justice.'"
--Stephen Feinstein, Professor of History and Director, Center for Holocaust and Genocide Studies, University of Minnesota

"This collection of essays on Holocaust restitution litigation provides a wonderful overview of the subject. Bazyler and Alford have assembled the 'A list' and the result is a most authoritative and complete treatment."
--Professor William A. Schabas, Director, Irish Centre for Human Rights

Holocaust Restitution is the first volume to present the Holocaust restitution movement directly from the viewpoints of the various parties involved in the campaigns and settlements. Now that the Holocaust restitution claims are closed, this work enjoys the benefits of hindsight to provide a definitive assessment of the movement.

From lawyers and state department officials to survivors and heads of key institutes involved in the negotiations, the volume brings together the central players in the Holocaust restitution movement, both pro and con. The volume examines the claims against European banks and against Germany and Austria relating to forced labor, insurance claims, and looted art claims. It considers their significance, their legacy, and the moral issues involved in seeking and receiving restitution.

Contributors: Roland Bank, Michael Berenbaum, Lee Boyd, Thomas Buergenthal, Monica S. Dugot, Stuart E. Eizenstat, Eric Freedman and Richard Weisberg, Si Frumkin, Peter Hayes, Kai Henning, Roman Kent, Lawrence Kill and Linda Gerstel, Edward R. Korman, Otto Graf Lambsdorff, David A. Lash and Mitchell A. Kamin, Hannah Lessing and FiorentinaAzizi, Burt Neuborne, Owen C. Pell, Morris Ratner and Caryn Becker, Shimon Samuels, E. Randol Schoenberg, William Z. Slany, Howard N. Spiegler, Deborah Sturman, Robert A. Swift, Gideon Taylor, Lothar Ulsamer, Melvyn I. Weiss, Roger M. Witten, Sidney Zabludoff, and Arie Zuckerman.

The Jewish Heroes of Warsaw: The Afterlife of the Revolt by Avinoam J. Patt analyzes how the heroic saga of the Warsaw Ghetto Uprising was mythologized in a way that captured the attention of Jews around the world, allowing them to imagine what it might have been like to be there, engaged in the struggle against the Nazi oppressor. The timing of the uprising, coinciding with the transition to memorialization and mourning, solidified the event as a date to remember both the heroes and the martyrs of Warsaw, and of European Jewry more broadly. The Jewish Heroes of Warsaw includes nine chapters. Chapter 1 includes a brief history of Warsaw from 1939 to 1943, including the creation of the ghetto and the development of the Jewish underground. Chapter 2 examines how the uprising was reported, interpreted, and commemorated in the first year after the revolt. Chapter 3 concerns the desire for first-person accounts of the fighters. Chapter 4 examines the ways the uprising was seized upon by Jewish communities around the world as evidence that Jews had joined the struggle against fascism and utilized as a prism for memorializing the destruction of European Jewry. Chapter 5 analyzes how memory of the uprising was mobilized by the Zionist movement, even as it debated how to best incorporate the doomed struggle of Warsaw's Jews into the Zionist narrative. Chapter 6 explores the aftermath of the war as survivors struggled to come to terms with the devastation around them. Chapter 7 studies how the testimonies of three surviving ghetto fighters present a fascinating case to examine the interaction between memory, testimony, politics, and history. Chapter 8 analyzes literary and artistic works, including Jacob Pat's Ash un Fayer, Marie Syrkin, Blessed is the Match, and Natan Rapoport's Monument to the Ghetto Fighters, among others. As this book demonstrates, the revolt itself, while described as a ""revolution in Jewish history,"" did little to change the existing modes for Jewish understanding of events. Students and scholars of modern Jewish history, Holocaust studies, and European studies will find great value in this detail-oriented study.

Exploring five key texts from the emerging canon of second generation writing, this exciting new study" "brings together theories of autobiography, trauma, and fantasy to understand the how traumatic family histories are represented. In doing so, it demonstrates the continuing impact of familial and community Holocaust trauma, and the need for a precise, clearly developed theoretical framework in which to situate these works. This book will appeal to final year undergraduates and postgraduate students, as well as scholars in literary and Holocaust-related fields, and an audience with personal and professional interests in the 'second generation'.

For readers of Schindler's List, The Man Who Broke into Auschwitz and The Boy in the Striped Pyjamas comes a heart-breaking story of the very best of humanity in the very worst of circumstances.

In 1942, Lale Sokolov arrived in Auschwitz-Birkenau. He was given the job of tattooing the prisoners marked for survival - scratching numbers into his fellow victims' arms in indelible ink to create what would become one of the most potent symbols of the Holocaust. Waiting in line to be tattooed, terrified and shaking, was a young girl. For Lale - a dandy, a jack-the-lad, a bit of a chancer - it was love at first sight. And he was determined not only to survive himself, but to ensure this woman, Gita, did, too.

So begins one of the most life-affirming, courageous, unforgettable and human stories of the Holocaust: the true love story of the tattooist of Auschwitz.

This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched. Filming the End of the Holocaust considers how the US Government commissioned the US Signal Corps and other filmmakers to document the horrors of the concentration camps during the April-May 1945 liberation. The evidence of the Nazis' genocidal actions amassed in these films, some of them made by Hollywood luminaries such as John Ford and Billy Wilder, would go on to have a major impact at the Nuremberg Trials; they helped to indict Nazi officials as the judges witnessed scenes of torture, human experimentation and extermination of Jews and non-Jews in the gas chambers and crematoria. These films, some produced by the Soviets, were integral to the war crime trials that followed the Holocaust and the Second World War, and this book provides a thorough, close analysis of the footage in these films and their historical significance. Using research carried out at the Museum of Jewish Heritage, the US National Archives and the film collection at the National Center for Jewish Film at Brandeis University, this book explores the rationale for filming the atrocities and their use in the subsequent trials of Nazi officials in greater detail than anything previously published. Including an extensive bibliography and filmography, Filming the End of the Holocaust is an important text for scholars and students of the Holocaust and its aftermath.

Collective memory carries the past into the present. This book traces the influence of collective memory in international relations (IR). It locates the origins of a country's memory within the international environment and inquires how memory guides states through time in world politics. Collective memory, as such, not only shapes countries and their international interactions, but the international sphere also plays an essential role in how countries approach the past. Through in-depth examinations of both domestic and international landscapes in empirical cases, the book explores four ways in which collective memory can manifest in IR: as a country's political strategy; as its public identity; as its international state behaviour; and finally, as a source for its national values. A comparative case study of (West) Germany and Austria illustrates how significantly differing interpretations of the Nazi legacy impacted their respective international policies over time. Taken together, this book investigates whether collective memory influences global outcomes and how and why it matters for IR.

This book analyzes sensationalized Nazi and Holocaust representations in Anglo-American cultural and political discourses. Recognizing that this history is increasingly removed from contemporary life, it explains how irreverent representations can help rejuvenate the story for successive generations of new learners. Surveying seventy-five-years of transatlantic activities, the work erects counterposing categorizes of "constructive and destructive memorializing," providing scholars with a new framework for elucidating both this history and its historicization.

Arguing against the prevailing view that Holocaust survivors (encouraged by a new and flourishing culture of 'witnessing') have come forward only recently to tell their stories,Writing the Holocaust examines the full history of Holocaust testimony, from the first chroniclers confined to Nazi-enforced ghettos to today's survivors writing as part of collective memory. Zoe Waxman shows how the conditions and motivations for bearing witness changed immeasurably. She reveals the multiplicity of Holocaust experiences, the historically contingent nature of victims' responses, and the extent to which their identities - secular or religious, male or female, East or West European - affected not only what they observed but also how they have written about their experiences. In particular, she demonstrates that what survivors remember is substantially determined by the context in which they are remembering.

'That nickname . . .' '"Little bird." It wasn't mine. I found out later he gave it to every little girl that came in to be injected. "Little Bird" didn't mean anything. It was a trick. There were thousands of "little birds", just like me, all thinking they were the only one.' As a reporter, Jacques Peretti has spent his life investigating important stories. But there was one story, heard in scattered fragments throughout his childhood, that he never thought to investigate. The story of how his mother survived Auschwitz. In the few last months of the Second World War, thirteen-year-old Alina Peretti, along with her mother and sister, was one of thirteen thousand non-Jewish Poles sent to Auschwitz. Her experiences there cast a shadow over the rest of her life. Now ninety, Alina has been diagnosed with dementia. Together, mother and son begin a race against time to record her memories and preserve her family's story. Along the way, Jacques learns long-hidden secrets about his mother's family. He gains an understanding of his mother through retracing her past, learning more about the woman who would never let him call her 'Mum'.

"Ambiguous Memory" examines the role of memory in the building of a new national identity in reunified Germany. The author maintains that the contentious debates surrounding contemporary monumnets to the Nazi past testify to the ambiguity of German memory and the continued link of Nazism with contemporary German national identity. The book discusses how certain monuments, and the ways Germans have viewed them, contribute to the different ways Germans have dealt with the past, and how they continue to deal with it as one country. Kattago concludes that West Germans have internalized their Nazi past as a normative orientation for the democratic culture of West Germany, while East Germans have universalized Nazism and the Holocaust, transforming it into an abstraction in which the Jewish question is down played. In order to form a new collective memory, the author argues that unified Germany must contend with these conflicting views of the past, incorporating certain aspects of both views.

Providing a topography of East, West, and unified German memory during the 1980s and the 1990s, this work contributes to a better understanding of contemporary national identity and society. The author shows how public debate over such issues at Ronald Reagan's visit to Bitburg, the renarration of Buchenwald as Nazi and Soviet internment camp, the Goldhagen controversy, and the Holocaust Memorial debate in Berlin contribute to the complexities surrounding the way Germans see themselves, their relationship to the past, and their future identity as a nation. In a careful analysis, the author shows how the past was used and abused by both the East and the West in the 1980s, and how these approaches merged in the 1990s. This interesting new work takes a sociological approach to the role of memory in forging a new, integrative national identity.

Questions shape the Holocaust's legacy. 'What happened to ethics during the Holocaust? What should ethics be, and what can it do after the Holocaust?' loom large among them. Absent the overriding or moral sensibilities, if not the collapse or collaboration of ethical traditions, the Holocaust could not have happened. Its devastation may have deepened conviction that there is a crucial difference between right and wrong; its destruction may have renewed awareness about the importance of ethical standards and conduct. But Birkenau, the main killing center at Auschwitz, also continues to cast a disturbing shadow over basic beliefs concerning right and wrong, human rights, and the hope that human beings will learn from the past. This book explores those realities and the issues they contain. It does so not to discourage but to encourage, not to deepen darkness and despair but to face those realities honestly and in a way that can make post-Holocaust ethics more credible and realistic. The book's thesis is that nothing human, natural or divine guarantees respect for the ethical values and commitments that are most needed in contemporary human existence, but nothing is more important than our commitment to defend them, for they remain as fundamental as they are fragile, as precious as they are endangered.

Gene A. Plunka argues that drama is the ideal art form to revitalize the collective memory of Holocaust resistance. Drama of and about the Holocaust can be staged worldwide, thereby introducing the Shoah to diverse audiences. Moreover, theatre affects audiences emotionally, subliminally, or intellectually (sometimes simultaneously) in a direct way that many other art forms cannot match. This comparative drama study examines a variety of international plays - some quite well-known, others more obscure - that focus on collective or individual defiance of the Nazis.