Hero Martyr Poet
The inspiring story of a remarkable life cut short.

I don t think Hannah wanted to die for the sake of having her memory exalted in history or to prove herself equal to a romantic image she conceived for herself. Her purpose wasn t to die. She died for her life s purpose. U.S. Senator John McCain, in "Why Courage Matters"

Hannah Senesh, poet and Israel s national heroine, has come to be seen as a symbol of Jewish heroism. Safe in Palestine during World War II, she volunteered for a mission to help rescue fellow Jews in her native Hungary. She was captured by the Nazis, endured imprisonment and torture, and was finally executed at the age of twenty-three.

Like Anne Frank, she kept a diary from the time she was thirteen. This new edition brings together not only the widely read and cherished diary, but many of Hannah s poems and letters, memoirs written by Hannah s mother, accounts by parachutists who accompanied Hannah on her fateful mission, and insightful material not previously published in English.

Described by a fellow parachutist as a spiritual girl guided almost by mysticism, Hannah s life has something of value to teach everyone. Now the subject of a feature-length documentary, Blessed Is the Match: The Life and Death of Hannah Senesh, Hannah s words and actions will inspire people from each generation to follow their own inner voices, just as she followed hers.

Over the decades, the Holocaust has remained a critical issue both historically and politically. This is due to the modernisation of anti-Semitism in the West, where accusations of ritual murder have long been passe and claims that the Holocaust was a hoax are de riguer, and to the government sanctions of anti-Semitism in the East in countries such as Iran. The purely scholarly problem of determining the number of victims, like other aspects of demography related to the Holocaust, have suddenly become closely embroiled in geopolitics and the phenomenon of Holocaust denial, which is now a context that has been forced upon it. This book is imbued with these connections and interrelationships. Avraham, Wolfgang Benz, Sergio Della Pergola, Mark Kupovetsky, Dieter Pohl, Aron Shneer, and the editors contribute their voices to the topic.

This is the only book from the perspective of the defendant who emerged victorious. It features reviews on book pages of national newspapers, and in history magazines. Deborah Lipstadt chronicles her five-year legal battle with David Irving that culminated in a sensational trial in 2000. In her acclaimed 1993 book "Denying the Holocaust", Deborah Lipstadt called David Irving, a prolific writer of books on World War II, "one of the most dangerous spokespersons for Holocaust denial", a conclusion she reached after closely examining his books, speeches, interviews, and other copious records. The following year, after Lipstadt's book was published in the UK, Irving filed a libel suit against Lipstadt and her UK publisher, Penguin. Lipstadt prepared her defence with the help of first-rate team of solicitors, historians, and experts. The dramatic trial, which unfolded over the course of 10 weeks, ultimately exposed the prejudice, extremism, and distortion of history that defined Irving's work. Lipstadt's victory was proclaimed on the front page of major newspapers around the world, with the "Daily Telegraph" proclaiming that the trial did "for the new century what the Nuremberg tribunals or the Eichmann trial did for earlier generations." Part history, part real life courtroom drama, "History On Trial" is Lipstadt's riveting, blow-by-blow account of the trial that tested the standards of historical and judicial truths and resulted in a formal denunciation of a Holocaust denier, crippling the movement for years to come.

The Yiddish Historians and the Struggle for a Jewish History of the Holocaust identifies the Yiddish historians who created a distinctively Jewish approach to writing Holocaust history in the early years following World War II. Author Mark L. Smith explains that these scholars survived the Nazi invasion of Eastern Europe, yet they have not previously been recognized as a specific group who were united by a common research agenda and a commitment to sharing their work with the worldwide community of Yiddish-speaking survivors. These Yiddish historians studied the history of the Holocaust from the perspective of its Jewish victims, focusing on the internal aspects of daily life in the ghettos and camps under Nazi occupation and stressing the importance of relying on Jewish sources and the urgency of collecting survivor testimonies, eyewitness accounts, and memoirs. With an aim to dispel the accusations of cowardice and passivity that arose against the Jewish victims of Nazism, these historians created both a vigorous defense and also a daring offense. They understood that most of those who survived did so because they had engaged in a daily struggle against conditions imposed by the Nazis to hasten their deaths. The redemption of Jewish honor through this recognition is the most innovative contribution by the Yiddish historians. It is the area in which they most influenced the research agendas of nearly all subsequent scholars while also disturbing certain accepted truths, including the beliefs that the earliest Holocaust research focused on the Nazi perpetrators, that research on the victims commenced only in the early 1960s, and that Holocaust study developed as an academic discipline separate from Jewish history. Now, with writings in Yiddish journals and books in Europe, Israel, and North and South America having been recovered, listed, and given careful discussion, former ideas must yield before the Yiddish historians' published works. The Yiddish Historians and the Struggle for a Jewish History of the Holocaust is an eye-opening monograph that will appeal to Holocaust and Jewish studies scholars, students, and general readers.

The Polish Experience through World War II explores Polish history through the lives of people touched by the war. The touching and terrible experiences of these people are laid bare by straightforward, first-hand accounts, including not only the hardships of deportation and concentration and refugee camps, but also the price paid by the officers killed or taken as prisoners during WWII and the families they left behind. Ziolkowska-Boehm reveals the difficulties of these women and children when, having lost their husbands and fathers, their travails take them through Siberia, Persia, India, and then Africa, New Zealand, or Mexico. Ziolkowska-Boehm recounts the experiences of individuals who lived through this tumultuous period in history through personal interviews, letters, and other surviving documents. The stories include Krasicki, a military pilot who was on of around 22 thousand Polish killed in Katyn; the saga of the Wartanowicz family, a wealthy and influential family whose story begins well before the war; and Wanda Ossowska, a Polish nurse in Auschwitz and other German prison camps. Placed squarely in historical context, these incredible stories reveal the experiences of the Polish people up through the second World War.

This collection of new essays examines third-generation Holocaust narratives and the inter-generational transmission of trauma and memory. This collection demonstrates the ways in which memory of the Holocaust has been passed along inter-generationally from survivors to the second-generation-the children of survivors-to a contemporary generation of grandchildren of survivors-those writers who have come of literary age at a time that will mark the end of direct survivor testimony. This collection, in drawing upon a variety of approaches and perspectives, suggests the rich and fluid range of expression through which stories of the Holocaust are transmitted to and by the third generation, who have taken on the task of bearing witness to the enormity of the Holocaust and the ways in which this pronounced event has shaped the lives of the descendants of those who experienced the trauma first-hand. The essays collected-essays written by renowned scholars in Holocaust literature, philosophy, history, and religion as well as by third-generation writers-show that Holocaust literary representation has continued to flourish well into the twenty-first century, gaining increased momentum as a third generation of writers has added to the growing corpus of Holocaust literature. Here we find a literature that laments unrecoverable loss for a generation removed spatially and temporally from the extended trauma of the Holocaust. The third-generation writers, in writing against a contemporary landscape of post-apocalyptic apprehension and anxiety, capture and penetrate the growing sense of loss and the fear of the failure of memory. Their novels, short stories, and memoirs carry the Holocaust into the twenty-first century and suggest the future of Holocaust writing for extended generations.

In recent years, historical witnessing has emerged as a category of "museum object." Audiovisual recordings of interviews with individuals remembering events of historical importance are now integral to the collections and research activities of museums. They have also become important components in narrative and exhibition design strategies. With a focus on Holocaust museums, this study scrutinizes for the first time the new global phenomenon of the "musealization" of the witness to history, exploring the processes, prerequisites, and consequences of the transformation of video testimonies into exhibits.

"An excellent introduction." . War in History ." . . the essays in this volume, individually and as a whole, represent for the English reader a valuable addition to scholarship on the emergence of genocidal policies." . Journal of Jewish Studies "A very interesting and valuable contribution to the debate on National Socialism." . Osterreichische Zeitschrift fur Politikwissenschaft Moving beyond the well-established problems and public discussions of the Holocaust, this collection of essays, written by some of the leading German historians of the younger generation, leaves behind the increasingly agitated arguments of the last years and substantially broadens, and in many areas revises, our knowledge of the Holocaust. Unlike previous studies, which have focused on whether the Holocaust could best be understood as the "fulfilment of a world view or as a process of "cumulative radicalisation," these articles provide an overview of how situational elements and gradual processes of radicalisation were variously combined with ever-changing objectives and fundamental ideological convictions. Focusing on the developments in Poland, the Soviet Union, Serbia, and France the authors find that heretofore we have actually had very little knowledge of many aspects of this history, particularly with regards to the specific forces that motivated German policy in the individual regions of Central and Eastern Europe. Thus the National-Socialist extermination policy is not seen as a secret undertaking but rather as part of the German conquest and occupation policy in Europe. Ulrich Herbert is Professor of Modern History at the University of Freiburg i. Br."

Comics, the Holocaust and Hiroshima breaks new ground for history by exploring the relationship between comics as a cultural record, historiography, memory and trauma studies. Comics have a dual role as sources: for gauging awareness of the Holocaust and through close analysis, as testimonies and narratives of childhood emotions and experiences.

Survivor Transitional Narratives of Nazi-Era Destruction: The Second Liberation examines the historical circumstances that gave rise in the 1960s to the first cohort of Nazi-era survivors who massed a public campaign focusing on remembrance of Nazi racial crimes. The survivors' decision to engage and disquiet a public audience occurred against the backdrop of the Frankfurt Auschwitz trial and the West German debate over the enforcement of statutory limitations for prosecuting former Nazis. Dennis B. Klein focuses on the accounts of three survivors: Jean Amery, an Austrian ex-patriot who joined the Belgian Resistance during the war, Vladimir Jankelevitch, a member of the French Resistance, and Simon Wiesenthal, who dedicated his life after the war to investigating Nazi crimes. As Klein argues, their accounts, in addition to acting as a reminder of Nazi-era endemic criminality, express a longing for human fellowshipThis contextual and interdisciplinary interpretation illustrates the explanatory significance of contemporary events and individual responses to them in shaping the memory and legacy of Nazi-era destruction. It is essential reading for students and scholars of the Nazi era and its legacy, genocide studies, Jewish Studies, and the history of emotions.

The Fragility of Law examines the ways in which, during the Second World War, the Belgian government and judicial structure became implicated in the identification, exclusion and killing of its Jewish residents, and in the theft - through Aryanization - of Jewish property. David Fraser demonstrates how a series of political and legal compromises meant that the infrastructure for antisemitic persecutions and ultimately the deaths of thousands of Belgian Jews was Belgian. Based on extensive archival research in Belgium, France, the United States and Israel, The Fragility of Law offers the first detailed exploration in English of this intriguing and virtually unexplored episode of Holocaust history. Belgian legal officials did not hesitate to invoke the provisions of international law found in the Hague Convention and those guarantees of individual freedom found in the national Constitution to oppose the demands of the German Occupying Authority. However, they remained largely silent when anti-Jewish persecution was at stake. Indeed, despite the 2007 official report of expert historians on Belgian state collaboration in the persecution of the country's Jewish population, the mythology of "passive collaboration" which has dominated Belgian historiography and accounts of the Holocaust in that country, must be radically rethought.

The representation of the Holocaust in literature and film has confronted lecturers and students with some challenging questions. Does this unique and disturbing subject demand alternative pedagogic strategies? What is the role of ethics in the classroom encounter with the Holocaust? Scholars address these and other questions in this collection.

The name of the town, Brest-Litovsk, indicates its link with Lithuania. Although founded by the Slavs in 1017 and invaded by the Mongols in 1241, it became part of the Grand Duchy of Lithuania in 1319, and in1569 it became the capital of the unified Polish-Lithuanian Commonwealth. The town is also known as "Brisk," in Yiddish to the Jews who lived and thrived there for six centuries. Jewish "Brisk" had an illustrious history; the famous Brisker Yeshivah attracted scholars from all over Europe. The list of Rabbis of Brest includes such famous rabbis as Solomon Luria and Joel Sirkes in earlier periods, the Katzenellenbogens, and three generations of the Soloveitchik dynasty in more recent times. Brest also produced Jacob Epstein the great Talmudist at the Hebrew University, Menachem Begin, and many other major religious, literary and political leaders. In 1923, Jews, made up 60% of Brest's population of 60,000. This book was written by Brest survivors and former residents from many countries who contributed their memories of their hometown as a record for future generations, and as testament and loving tribute to the innocent Victims of the Shoah. It is a must read for researchers of the town and descendants of "Briskers." Brest, Belarus is located at 52 06' North Latitude and 23 42' East Longitude 203 mi SW of Minsk. lternate names for the town are: Brest Belarussian], Brest Litovsk Russian], Brze Litewski Polish], Brze nad Bugiem Polish, 1918-39], Brisk Yiddish], Brasta Lithuanian], Brest Litowsk, Brisk Dlita, Brisk de-Lita, Brze -Litewsk, Brist nad Bugie, Bzheshch nad Bugyem, Biera cie

Using the framework of genocide, this volume analyzes the patterns of persecution of the Roma in Nazi-dominated Europe. Detailed case studies of France, Austria, Romania, Croatia, Ukraine, and Russia generate a critical mass of evidence that indicates criminal intent on the part of the Nazi regime to destroy the Roma as a distinct group. Other chapters examine the failure of the West German State to deliver justice, the Romani collective memory of the genocide, and the current political and historical debates. As this revealing volume shows, however inconsistent or geographically limited, over time, the mass murder acquired a systematic character and came to include ever larger segments of the Romani population regardless of the social status of individual members of the community.

A SPECIAL-EDITION BOXSET CREATED TO CELEBRATE THE PULITZER-PRIZE WINNING GRAPHIC NOVEL'S 40TH ANNIVERSARY 'The first masterpiece in comic book history' The New Yorker 'The most affecting and successful narrative ever done about the Holocaust' Wall Street Journal A brutally moving work of art -- widely hailed as the greatest graphic novel ever written -- MAUS recounts the chilling experiences of the author's father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats. Maus is a haunting tale within a tale, weaving the author's account of his tortured relationship with his aging father into an astonishing retelling of one of history's most unspeakable tragedies. It is an unforgettable story of survival and a disarming look at the legacy of trauma. This paperback box set includes MAUS in its original two-volume format, re-released with an exclusive sixteen-page booklet designed by the artist himself. ___________________________________________________________________________ 'A brutally moving work of art' Boston Globe 'No summary can do justice to Spiegelman's narrative skill' Adam Gopnik 'Like all great stories, it tells us more about ourselves than we could ever suspect' Philip Pullman 'A capital-G Genius' Michael Chabon

Offering a cross-media exploration of Israeli media on Holocaust Remembrance Day, one of Israel's most sacred national rituals, over the past six decades, this fascinating book investigates the way in which variables such as medium, structure of ownership, genre and targeted audiences shape the collective recollection of traumatic memories.

Ruth Kluger (1931 - 2020) passed away on October 5, 2020 in the U.S. Born in Vienna and deported to Theresienstadt, she survived Auschwitz and the Shoah together with her mother. After living in Germany for a short time after the War, she immigrated to New York. She was educated in the U.S. and received degrees in English literature as well as her Ph.D. in German literature at the University of California, Berkeley. She taught at several American universities. She has numerous scholarly publications to her credit, mostly in the fields of German and Austrian literary history. She is also recognized as a poet in her own right, an essayist, and a feminist critic. She returned to Europe, where she was a guest professor in Goettingen and Vienna. Her memoir, entitled weiter leben (1992), which she translated and revised in an English parallel-text as Still Alive, was a major bestseller and highly regarded autobiographical account of a Holocaust survivor. It was subsequently translated into more than a dozen languages. It has also generated a vigorous critical discussion in its own right. Ruth Kluger received numerous prestigious literary prizes and other distinctions. The present volume, The Legacy of Ruth Kluger and the End of the Auschwitz Century, aims to honor her memory by assessing critically her writings and career. Taking her biography and writings as points of departure, the volume includes contributions in fields and from perspectives which her writings helped to bring into focus acutely. In the table of contents are listed the following contributions: Sander L. Gilman, "Poetry and Naming in Ruth Kluger's Works and Life"; Heinrich Detering, "'Spannung': Remarks on a Stylistic Principle in Ruth Kluger's Writing"; Stephan Braese, "Speaking with Germans. Ruth Kluger and the 'Restitution of Speech between Germans and Jews'"; Irene Heidelberger-Leonard, "Writing Auschwitz: Jean Amery, Imre Kertesz, and Ruth Kluger"; Ulrike Offenberg, "Ruth Kluger and the Jewish Tradition on Women Saying Kaddish; Mark H. Gelber, "Ruth Kluger, Judaism, and Zionism: An American Perspective"; Monica Tempian, "Children's Voices in the Poetry of the Shoah"; Daniel Reynolds, "Ruth Kluger and the Problem of Holocaust Tourism"; Vera Schwarcz, "A China Angle on Memory and Ghosts in the Poetry of Ruth Kluger."

6 million Jews were murdered by the Nazis, but this is only half the story. Doris Bergen reveals how the Holocaust extended beyond the Jews to engulf millions of other victims in related programmes of mas-murder. The Nazi killing machine began with the disabled, and went on to target Afro-Germans, Gypsies, non-Jewish Poles, French African soldiers, Soviet prisoners of war, homosexual men and Jehovah's Witnesses. As Nazi Germany conquered more territories and peoples, Hitler's war turned soldiers, police officers and doctors into trained killers, creating a veneer of legitimacy around vicious acts of ethnic cleansing and genocide. Using the testimonies of both survivors and eyewitnesses, as well as a wealth of rarely seen photographs, Doris Bergen shows the true extent of the catastrophe that overwhelmed Europe during the Second World War, in a gripping story of the lives and deaths of real people.