The Jewish Orphanage in Leiden was the last one of eight such care homes to open its doors in the Netherlands before the Second World War. After spending almost 39 years in an old and utterly inadequate building in Leiden's city centre, the inauguration in 1929 of a brand-new building, shown on the front cover, was the start of a remarkably productive and prosperous period. The building still stands there, proudly but sadly, to this day: the relatively happy period lasted less than fourteen years. On Wednesday evening, 17th March 1943, the Leiden police, under German instructions, closed down the orphanage and delivered 50 children and nine staff to the Leiden railway station, from where they were brought to Transit Camp Westerbork in the north-east of the country. Two boys were released from Westerbork thanks to tireless efforts of a neighbour in Leiden; one young woman survived Auschwitz, and one young girl escaped to Palestine via Bergen-Belsen. The remaining 55 were deported to Sobibor - and not one of them survived. Some 168 children lived in the new building at one time or another between August 1929 and March 1943. This book reconstructs life in the orphanage based on the many stories and photographs which they left us. It is dedicated to the memory of those who perished in the Holocaust, but also to those who survived. Without them, this book could not have been written.

The 250,000 survivors of the Holocaust who converged on the American Zone of Occupied Germany from 1945-1948 rose to brief prominence in the immediate post-war years. They envisaged themselves as the living bridge between destruction and rebirth, the last remnants of a world destroyed and the active agents of its return to life. Much of what has been written to date looks at the Surviving Remnant through the eyes of others and thus has often failed to disclose the tragic complexity of their inner lives together with their remarkable political achievements. Zeev W. Mankowitz concentrates on this community of survivors, its people, movements, ideas, institutions and self-understanding, how it grappled with the unbearable weight of the past, the strains of the present and the challenge of the future. These ordinary people lived through experiences that beggar description. In most cases they had lost everyone and everything and were now condemned to a protracted and debilitating stay amidst grim conditions in the land of their oppressors. Yet, they got on with their lives, they married, had children and worked for a better tomorrow. By and large, they did not surrender to the deformities of suffering and somehow managed to preserve their humanity intact. This is the story Mankowitz tells in Life between Memory and Hope. Over the last two decades Dr. Zeev Mankowitz has divided his time between Holocaust research and the training of educational leaders. His celebrated lectures on Issues in the Study of the Holocaust at the Rothberg International School at the Hebrew University of Jerusalem has drawn thousands of students from all over the world. In his latest project he is seeking tounderstand the relationship between history and memory and its implications for educational practice. This is his first book.

KRAUS FAMILY AWARD WINNER FOR BEST AUTOBIOGRAPHY AND MEMOIR AT THE NATIONAL JEWISH BOOK AWARDS WINNER OF THE DAYTON LITERARY PEACE PRIZE 'Beautifully told' John le Carre 'More than just history' Michael Palin 'Truly exceptional' Jon Snow 'Absolutely remarkable' Edmund de Waal In this remarkably moving memoir, Ariana Neumann dives into the secrets of her father's past: years spent hiding in plain sight in wartorn Berlin, the annihilation of dozens of family members in the Holocaust, and the courageous choice to build anew. 'The darkest shadow is beneath the candle.' As a child in Venezuela, Ariana Neumann is fascinated by the enigma of her father, who appears to be the epitome of success and strength, but who wakes at night screaming in a language she doesn't recognise. Then, one day, she finds an old identity document bearing his picture - but someone else's name. From a box of papers her father leaves for her when he dies, Ariana meticulously uncovers the extraordinary truth of his escape from Nazi-occupied Prague. She follows him across Europe and reveals his astonishing choice to assume a fake identity and live out the war undercover, spying for the Allies in Berlin - deep in the 'darkest shadow'. Having known nothing of her father's past, not even that he was Jewish, Ariana's detective work also leads to the shocking discovery that a total of twenty-five members of the Neumann family were murdered by the Nazis. Spanning nearly ninety years and crossing oceans, When Time Stopped is a powerful and beautifully wrought memoir in which Ariana comes to know the family that has been lost - and, ultimately, her own beloved father.

'To portray the Holocaust, one has to create a work of art', says Claude Lanzmann, the director of Shoah. However, can the Holocaust be turned into theatre? Is it possible to portray on stage events that, by their monstrosity, defy human comprehension? These are the questions addressed by the playwrights and the scholars featured in this book. Their essays present and analyse plays performed in Israel, America, France, Italy, Poland and, of course, Germany. The style of presentation ranges from docudramas to avant-garde performances, from realistic impersonation of historical figures to provocative and nightmarish spectacles. The book is illustrated with original production photographs and some rare drawings and documents; it also contains an important descriptive bibliography of more than two hundred Holocaust plays.

This is a meditation on memory and on the ways in which memory has operated in the work of writers for whom the Holocaust was a defining event. It is also an exploration of the ways in which fiction and drama have attempted to approach a subject so resistant to the imagination. Beginning with W. G. Sebald, for whom memory and the Holocaust were the roots of a special fascination, Bigsby moves on to consider those writers Sebald himself valued, including Arthur Miller, Anne Frank, Primo Levi and Peter Weiss, and those whose lives crossed in the bleak world of the camps, in fact or fiction. The book offers a chain of memories. It sets witness against fiction, truth against wilful deceit. It asks the question who owns the Holocaust - those who died, those who survived to bear witness, those who appropriated its victims to shape their own necessities.

The Holocaust and Representations of Jews examines how prominent national exhibitions in Europe represent the Jewish minority and its cultural and religious self-understandings, historically and today, in particular in the context of the Holocaust. Insights from the New Museology are brought to the field of Jewish Studies through an exploration of the visual representation of Jewish history and Jewish identifications in the display of photographs. Drawing on case studies which focus on the Holocaust Exhibition at the Imperial War Museum in London and the permanent exhibition at the Jewish Museum Berlin, these themes become the prism through which aspects of historiography and the display of the 'otherness' of minorities are addressed. Casting new light on the issues surrounding the visual representation of Jews, the work of museum practitioners in relation to historical presentations and to the use of photographs in exhibitions, this book is an important contribution not only to the fields of Jewish Studies, Religion and History, but also to the study of the representation of minority-majority relations and the understanding of exhibition visits as an educational tool.

Forced labor was a key feature of Nazi anti-Jewish policy and shaped the daily life of almost every Jewish family in occupied Europe. This book systematically describes the implementation of forced labor for Jews in Germany, Austria, the Protectorate, and the various occupied Polish territories. As early as the end of 1938, compulsory labor for Jews had been introduced in Germany and annexed Austria by the labor administration. Similar programs subsequently were established by civil administrations in the German-occupied Czech and Polish territories. At its maximum extent, more than one million Jewish men and women toiled for private companies and public builders, many of them in hundreds of now often-forgotten special labor camps. This study refutes the widespread thesis that compulsory work was organized only by the SS, and that exploitation was only an intermediate tactic on the way to mass murder or, rather, that it was only a facet in the destruction of the Jews.

Buried by The Times: The Holocaust and America's Most Important Newspaper is an in-depth look at how The New York Times failed in its coverage of the fate of European Jews from 1939-1945. It examines how the decisions that were made at The Times ultimately resulted in the minimizing and misunderstanding of modern history's worst genocide. Laurel Leff, a veteran journalist and professor of journalism, recounts how personal relationships at the newspaper, the assimilationist tendencies of The Times' Jewish owner, and the ethos of mid-century America all led the Times to consistently downplay news of the Holocaust. It recalls how news of Hitler's 'final solution' was hidden from readers and - because of the newspaper's influence on other media - from America at large. Buried by The Times is required reading for anyone interested in America's response to the Holocaust and for anyone curious about how journalists determine what is newsworthy.

Buried by The Times: The Holocaust and America's Most Important Newspaper is an in-depth look at how The New York Times failed in its coverage of the fate of European Jews from 1939-1945. It examines how the decisions that were made at The Times ultimately resulted in the minimizing and misunderstanding of modern history's worst genocide. Laurel Leff, a veteran journalist and professor of journalism, recounts how personal relationships at the newspaper, the assimilationist tendencies of The Times' Jewish owner, and the ethos of mid-century America all led the Times to consistently downplay news of the Holocaust. It recalls how news of Hitler's 'final solution' was hidden from readers and - because of the newspaper's influence on other media - from America at large. Buried by The Times is required reading for anyone interested in America's response to the Holocaust and for anyone curious about how journalists determine what is newsworthy.

First ever volume on Holocaust in Thessaloniki in English, utilizing new sources and interpretation schemes Thessaloniki was for centuries one of the most prominent Jewish communities in the world, which lost more than 90% of its population during the Holocaust Book will be a great contribution to the local efforts underway to reconcile Thessaloniki with its Jewish past and honor the victims of the Holocaust An ambitious Holocaust Memorial Museum, with the backing of several governments and institutions, is schedule to open in the city by 2021.

The incorporation of German territories east of the Oder and Western Neisse rivers into Poland in 1945 was linked with the difficult process of an almost total exchange of population and involved the taking over of a region in which the Second World War had effected an enormous level of destruction. The contemporary term 'Polish Wild West' not only alluded to the reigning atmosphere of chaos and 'survival of the fittest' in the Polish-German borderland but was also associated with a new kind of freedom and the opportunity to start everything anew. The arrival in this region of Polish settlers from different parts of Poland led to Poles, Germans and Soviet soldiers temporarily coming into contact with one another. Living together in this war-damaged space was far from easy. On the basis of ego-documents, the author recreates the beginnings of the shaping of this new society, one affected by a repressive political system, internal conflicts and human tragedy. In distancing oneself from the until-recently dominant narratives concerning expellees in Germany or pioneers of the 'Recovered Territories' in Poland, Beata Halicka tells the story of the disintegration of a previous cultural landscape and the establishment of one which was new, in a colourful and vivid manner and encompassing different points of view.

A NEW YORK TIMES BESTSELLER 'Original and compelling, an untold story of rare and captivating power' Philippe Sands 'A fascinating history about a little-known group who took on the Nazis . . . The individual tales of these courageous young women are remarkable' Independent 'Rescues a long-neglected aspect of history from oblivion, and puts paid to the idea of Jewish, and especially female, passivity during the Holocaust. It is uncompromising, written with passion - and it preserves truly significant knowledge. ... Judy Batalion has uncovered a trove of unknown or forgotten information about the Holocaust of genuine import and impact.' Eva Hoffman, TLS One of the most important untold stories of World War II, The Light of Days is a soaring landmark history that brings to light the extraordinary accomplishments of brave Jewish women who inspired Poland's Jewish youth groups to resist the Nazis. Witnesses to the brutal murder of their families and the violent destruction of their communities, a cadre of Jewish women in Poland - some still in their teens - became the heart of a wide-ranging resistance network that fought the Nazis. With courage, guile and nerves of steel, these 'ghetto girls' smuggled guns in loaves of bread and coded intelligence messages in their plaited hair. They helped build life-saving systems of underground bunkers and sustained thousands of Jews in safe hiding places. They bribed Gestapo guards with liquor, assassinated Nazis and sabotaged German supply lines. The Light of Days at last reveals the real history of these incredible women whose courageous yet little-known feats have been eclipsed by time.

A rediscovered masterpiece by the 16 million copy bestselling author of Man’s Search For Meaning

Just months after his liberation from Auschwitz renowned psychiatrist Viktor E. Frankl delivered a series of talks revealing the foundations of his life-affirming philosophy. The psychologist, who would soon become world famous, explained his central thoughts on meaning, resilience and his conviction that every crisis contains opportunity.

Published here for the very first time in English, Frankl's words resonate as strongly today as they did in 1946. Despite the unspeakable horrors in the camp, Frankl learnt from his fellow inmates that it is always possible to say ‘yes to life’ – a profound and timeless lesson for us all.

With an introduction by Daniel Goleman.

Volumes one and two of the Pulitzer Prize-winning tale of a mouse's experiences in Nazi-occupied Europe and in German concentration camps are housed in a sturdy box. Reprint.

Who Will Say Kaddish? is an exploration of the fragile resurgence of Jewish life and identity in post-Communist Poland. By the eve of the Holocaust, Poland was home to the second largest Jewish population in the world. By war's end, its Jews had been exterminated and their once-vibrant culture all but destroyed. In this book Larry Mayer and Gary Gelb, themselves descendants of Polish Jews, explore reports that Jewish life is being rekindled in modern Poland. What they discover are three generations of Jews-Holocaust survivors and their children and grandchildren-with differing historical perspectives. As survivors' descendants learn of their hidden Jewish heritage through deathbed revelations, a compelling drama about personal identity unfolds. Mayer and Gelb chronicle a new chapter in the life of Poland's Jewish community as the present generation seeks to celebrate its members' recent freedom and to honor the rich traditions of their forebears. Through interviews, photography, reportage, and personal memoir Who Will Say Kaddish? creates a sociocultural portrait of the multilayered community of renewed Jewish life and tradition in Poland that has emerged since the fall of the Communist regime in 1989.

Educators and students face many questions when exploring the history of the Holocaust. Both the harrowing historical narrative and its wider contemporary implications make the Holocaust an essential part of our education, whilst simultaneously bringing to the fore challenging questions of how best to recount such an event. This book addresses these crucial questions by exploring the way in which we teach and learn about the Holocaust. It demonstrates how we can dignify memories of the Holocaust by joining with resilient survivors, as well as how careful discussion and interpretation of definitions and appropriate representations can link the Holocaust to human rights and international law. It also highlights that understanding the Holocaust serves as a catalyst for the expansion of human rights and for genocide prevention. Throughout, Polgar applies sociological concepts that can help all of us to understand how the Holocaust has become both a particular concern for Jewish and European groups and also a basis for laws and practices that support universal human rights. Advocating for the inclusion of the Holocaust in multicultural education, this text will prove invaluable to students, researchers and educators alike.

William I. Brustein provides a systematic comparative and empirical examination of anti-Semitism in Europe before the Holocaust. Brustein studies the evolution of the four principal roots of anti-Semitism--religious, racial, economic, and political--and demonstrates how these roots became ignited in the decades before the Holocaust. The book explains the epidemic rise of modern anti-Semitism, societal differences in anti-Semitism, and how anti-Semitism varies from other forms of prejudice. The book draws upon an extensive body of data from Europe's leading newspapers and the American Jewish Year Book.

This book explores the roots of goodness and evil by gathering together the knowledge gained in a lifelong study of harmful or altruistic behavior. Ervin Staub has studied what leads children and adults to help others in need and how caring, helping, and altruism develop in children; bullying and youth violence and their prevention; the roots of genocide, mass killing, and other harmful behavior between groups of people; the prevention of violence; healing victimized groups and reconciliation between groups. He presents a broad panorama of the roots of violence and caring and how we create societies and a world that is caring, peaceful, and harmonious.

It's a pretty long story, Primo Levi tells a classroom of children, so I'll try to make it simple. Translated from the original Italian, this hauntingly illustrated comic tells the story of the Italian Jewish chemist who survived the camps at Auschwitz against all odds. Matteo Mastragostino draws on historical research, interviews, and Levi's own landmark books to piece together a fictionalized yet profoundly intimate portrait of a courageous figure. In the scene that emerges, Levi visits a group of schoolchildren to retell his life story and keep the memory of the Holocaust alive, answering innocent questions with hard truths. Sobering yet tender, Primo Levi extends a rare opportunity for readers both young and old to deepen their understanding of life, death, and the human spirit.

On October 14, 1943, Aleksandr "Sasha" Pechersky led a mass escape of inmates from Sobibor, a Nazi death camp in Poland. Despite leading the only successful prisoner revolt at a World War II death camp, Pechersky never received the public recognition he deserved in his home country of Russia. This story of a forgotten hero reveals the tremendous difference in memorial cultures between societies in the West and societies in the former Communist world. Pechersky, along with other Russian and Jewish inmates who had been prisoners of the Nazis, was considered suspect by the Russian government simply because he had been imprisoned. In this volume, Selma Leydesdorff describes the official silence in the Eastern Bloc about Pechersky's role in the Sobibor escape and how an effort was made to recognize his actions. The narrative is based on eyewitness accounts from people in Pechersky's life and a discussion of the mechanism of memory, mixing written sources with varied recollections and assessing the collisions of collective memory held by the East and the West. Specifically, this book critiques the ideological refusal of many societies to acknowledge the suffering of Jews at Sobibor. Offering fascinating insights into a crucial period of history, emphasizing that Jews were not passive in the face of German violence, and exploring the history of the Jews who fell victim to Stalinism after surviving Nazism, this is valuable reading for students and scholars of the Holocaust and the position of Jews under Communism.

British state-supported Holocaust remembrance has dramatically grown in prominence since the 1990s. This monograph provides the first substantial discussion of the interface between public Holocaust memory in contemporary Britain and the nation's changing religious-secular landscape. In the first half of the book attention is given to the relationships between remembrance activities and Jewish, Muslim, Christian, and post-Christian communities. Such relationships are far from monolithic, being entangled in diverse histories, identities, power-structures, and notions of 'British values'. In the book's second half, the focus turns to ways in which public initiatives concerned with Holocaust commemoration and education are intertwined with evocations and perceptions of the sacred. Three state-supported endeavours are addressed in detail: Holocaust Memorial Day, plans for a major new memorial site in London, and school visits to Auschwitz. Considering these phenomena through concepts of ritual, sacred space, and pilgrimage, it is proposed that response to the Holocaust has become a key feature of Britain's 21st century religious-secular landscape. Critical consideration of these topics, it is argued, is necessary for both a better understanding of religious-secular change in modern Britain and a sustainable culture of remembrance and national self-examination. This is the first study to examine Holocaust remembrance and British religiosity/secularity in relation to one another. As such, it will be of keen interest to scholars of Religious Studies, Jewish studies and Holocaust Studies, as well as the Sociology of Religion, Material Religion and Secularism.

Indelible Shadows investigates questions raised by films about the Holocaust. How does one make a movie that is both morally just and marketable? Film scholar Annette Insdorf provides sensitive readings of individual films and analyzes theoretical issues such as the "truth claims" of the cinematic medium. The third edition of Indelible Shadows includes five new chapters that cover recent trends, as well as rediscoveries of motion pictures made during and just after World War II. It addresses the treatment of rescuers, as in Schindler's List; the controversial use of humor, as in Life is Beautiful; the distorted image of survivors, and the growing genre of documentaries that return to the scene of the crime or rescue. The annotated filmography offers capsule summaries and information about another hundred Holocaust films from around the world, making this edition the most comprehensive and up to date discussion of films about the Holocaust, and an invaluable resource for film programmers and educators. Annette Insdorf is Director of Undergraduate Film Studies at Columbia University, and a Professor in the Graduate Film Division of the School of the Arts. She is the author of Double Lives, Second Chances: The Cinema of Krzysztof Kielowski (Hyperion, 1999) and Francois Truffaut (Cambridge, 1995). She served as a jury member at the Berlin Film Festival and the Locarno Film Festival, and is the panel moderator at the Telluride Film Festival. Insdorf co-hosts (with Roger Ebert) Cannes Film Festival coverage for BRAVo/IFC.

Mira Hamermesh is an award-winning film maker, painter and writer. This moving memoir gives a vivid account of her remarkable life. As a young Jewish teenager Hamermesh escaped the horrors of German-occupied Poland and was spared the experience of the ghetto and the concentration camp that claimed most of her family. Mira shows how her status as a refugee has continued to influence her throughout her life. The journey led her across Europe and eventually to Palestine in 1941; her account of that region, before the establishment of Israel, provides a fascinating insight into the historical setting for today's conflict. Having settled in London where she studied art and married, she eventually won a place at the celebrated Polish Film School in Lodz. At the height of the Cold War Mira Hamermesh commuted across the Iron Curtain - her experience of a divided Europe offers many insights into the political factors that affected people's everyday lives. Mira's theme of political conflict, so often explored in her films, is brought to life here in an intimate account that will live long in the memory.

Hanna, I Forgot to Tell You is a historical novel written by Estelle Laughlin, a Holocaust survivor. Laughlin grew up in Warsaw before she was deported to multiple Nazi death camps, from which she was eventually liberated in January 1945. Hanna, I Forgot to Tell You is an imagining of what might have been. The book tells the story of Malka, a teenaged Jewish girl in the Warsaw ghetto who is smuggled to the Christian neighborhood and given a new identity. The novel highlights a historically accurate Holocaust narrative not frequently told: that a small number Jewish children were smuggled into Christian families in neighborhoods that immediately abutted the confined ghetto. Laughlin's novel describes the harrowing process of trying to obtain false identity papers and secreting away through an underworld of smugglers and black marketeers. Malka learns to navigate this world while some family and friends find ways to trade for extra food and others disappear and are never heard from again. A beautiful and solemn story of survival, Hanna, I Forgot to Tell You counts the costs for those who made it to the other side of an impossibly dark moment of history.