More than a decade after the breakdown of the Soviet Empire and the reunification of Europe, historiographies and historical concepts still are very much apart. Though contacts became closer and Russian historians joined their Polish colleagues in the effort to take up western discussions and methodologies, there have been no common efforts yet for joint interpretations and no attempts to reach a common understanding of central notions and concepts. Exploring key concepts and different meanings in Western and East-European/Russian history, this volume offers an important contribution to such a comparative venture.

Traces of Ink. Experiences of Philology and Replication is a collection of original papers exploring the textual and material aspects of inks and ink-making in a number of premodern cultures (Babylonia, the Graeco-Roman world, the Syriac milieu and the Arabo-Islamic tradition). The volume proposes a fresh and interdisciplinary approach to the study of technical traditions, in which new results can be achieved thanks to the close collaboration between philologists and scientists. Replication represents a crucial meeting point between these two parties: a properly edited text informs the experts in the laboratory who, in turn, may shed light on many aspects of the text by recreating the material reality behind it. Contributors are: Miriam Blanco Cesteros, Michele Cammarosano, Claudia Colini, Vincenzo Damiani, Sara Fani, Matteo Martelli, Ira Rabin, Lucia Raggetti, and Katja Weirauch.

This study examines the historical and polemical writing of the late A.J.P. Taylor, Oxford don and television star. It provides a close examination of both historical interpretations and polemical arguments that appeared in books and essays for the popular press. The book covers Taylor's major historical and journalistic efforts from "The Italian Problem in European Diplomacy" in 1934 to "Beaverbrook" in 1972, looking for an explanation of his own judgement on his place within the historiographical community, that he was "the traitor at the gates." Other titles by Robert Cole include "Britain and the War of Words in Neutral Europe, 1939-45," "A Traveller's History of France" and "The Dissenting Tradition."

Born in Germany, Georg Iggers escaped from Nazism to the United States in his adolescence where he became one of the most distinguished scholars of European intellectual history and the history of historiography. In his lectures, delivered all over the world, and in his numerous books, translated into many languages, Georg Iggers has reshaped historiography and indefatigably promoted cross-cultural dialogue. This volume reflects the profound impact of his oeuvre. Among the contributors are leading intellectual historians but also younger scholars who explore the various cultural contexts of modern historiography, focusing on changes of European and American scholarship, as well as non-Western historical writing in relation to developments in the West. Addressing these changes from a transnational perspective, this well-rounded volume offers an excellent introduction to the field, which will be of interest to both established historians and graduate students.

The British Sociological Association held a conference on the theme "Sociology and History". In 1964, E.H. Carr had called for an open frontier between the disciplines. This book examines the traffic across this frontier and in particular, what might be called the sociological uses of history.

The Vietnam War ended over thirty years ago. Yet, it continues as a cultural reference point, shaping contemporary American society and culture, its impact felt in many different contexts. Vietnam precipitated a crisis in national self-confidence and a breakdown in political consensus out of which new ideological perspectives, including neo-conservatism, emerged. This book offers fresh perspectives on a defining event in "the American Century," examining its historical and political significance as well as its continuing cultural relevance.

What is our relationship with the past? A quiet revolution has transformed the ways in which History provides us with answers. Indeed, not so long ago the very question might have seemed odd. But in recent decades the solid moorings to which History was seemingly tethered have proved less secure than earlier supposed. That realization has produced some discomfiture, but also many more opportunities for understanding worlds with which we have lost connection.
No single book can hope to reflect all the ways in which History has 'changed with the times' nor can, or should, a volume with numerous contributors speak with one voice. Yet the Companion does range widely, addressing key themes and structures from new areas of enquiry as well as providing fresh treatment of established fields; and it does mark a significant departure in a genre still shaped by stories that are predominantly Western. It reflects a practice of history that seeks global connections and pioneers a sustained dialogue between historians specializing in the history of particular continents. It does not, in the sharply ridiculing phrase of one historian, compare the Ashanti empire to the British empire. But the scholars writing in this book build on the much greater awareness that 'Western' achievements and claims to modernity were often not as unique as once portrayed, and that the history of interconnections and multi-centric developments of different civilisations is crucial for a proper critical understanding of the past.
Escorted by some of the world's leading historians, readers of the Companion will find in these pages an indispensable guide to what history is today.

A generally acknowledged characteristic of modern life, namely the temporalization of experience, inextricable from our intensified experience of contingency and difference, has until now remained largely outside psychology's purview. Wherever questions about the development, structure, and function of the concept of time have been posed - for example by Piaget and other founders of genetic structuralism - they have been concerned predominantly with concepts of "physical," chronometrical time, and related concepts (e.g., "velocity"). All the contributions to the present volume attempt to close this gap. A larger number are especially interested in the narration of stories. Overviews of the relevant literature, as well as empirical case studies, appear alongside theoretical and methodological reflections. Most contributions refer to specifically historical phenomena and meaning-constructions. Some touch on the subjects of biographical memory and biographical constructions of reality. Of all the various affinities between the contributions collected here, the most important is their consistent attention to issues of the constitution and representation of temporal experience.

Globalization presents major challenges to scholars of history. Different variants of global history and world history compete with, and transform, more traditional approaches of national, regional, and local scope, accompanied by new forms of international and transcultural cooperation. However, as this book shows, these transnational trends in the historical discipline are not without precedent. Based on painstaking research, this volume reconstructs the history of the International Congresses of Historians from the first one in The Hague, 1898, to the nineteenth in Oslo, 2000. It also tells the story of the International Committee of the Historical Sciences, the world organization of historians, which was founded, with much American support, in 1926 and today includes 54 national committees and 28 affiliated international organizations from all parts of the world. Karl Dietrich Erdmann, former president of this organization, covered the story up to 1985. Wolfgang J. Mommsen continued it into the twenty-first century. This book traces and analyzes the changes of historians' problems, topics, and methods, as reflected at their International Congresses and in the work of their international organization. It describes the cleavages, debates, and forging of ties among historians from different parts of the world and ideological camps. It demonstrates how historians fought against academic nationalism-or succumbed to its seduction. It shows how the Cold War polarized the world of historians whereas the International Congresses offered a platform for bridging the gap. Since 1990, they have helped to redefine the relationship between historians from the West and from other parts of the world. The internationalization of the study of history is reaching a new quality. Karl Dietrich Erdmann's book was first published in German in 1987. It has been translated, updated, and edited for an international audience of the twenty-first century.

This Symposium asks whether a 'history of Israel' can be written, and if it can, how? Can the Hebrew Bible be used as a source for such history? The question of writing the 'history of ancient Israel' has become fiercely debated in recent years. It is a debate that seems to generate more heat than light because of quite different concepts of historical methodology. The European Seminar on Methodology in Israel's History was founded specifically to address this problem. Members of the Seminar hold a variety of views but all agree that there is a problem to be tackled. The first meeting of the Seminar, held in Dublin in 1996, was devoted to some broad questions: (1) Can a 'history of ancient Israel' (or Palestine, Syria, the Levant, etc.) be written? (2) If so, how? What place does the Hebrew Bible have as a source in writing this history? This first volume contains the main papers that were prepared to set the stage for the discussion, along with an introduction to the Seminar, its aims and its membership. The editor also provides a concluding chapter summarizing and reflecting on the debate.>

Containing some 3,000 quotations by 1,000 writers from different cultures, times, and perspectives, this book will fascinate readers who enjoy reflecting on history. Choice This unusual work examines the literature of history and its attempts to define the meaning of history. Approximately three thousand quotations by about 1,000 prominent philosophers, writers, and historians offer diverse interpretations of the significance of historical study, ranging from history viewed as bunk to history elevated to lyric poetry. The entries, arranged alphabetically by author, represent a variety of cultures and disciplines, and are documented as fully as possible by context, author, author birth and death dates, and vocation. Topics such as the role of the historian, the definition of history, the purpose of the study of history, and the values that history imparts broaden the scope of the work and enliven the debate over the meaning of history. Scholars, historians, and students will welcome this book, and it will also be of great use to academic and public libraries as a unique reference work.

History doesn't have to mean only an effort to know the past. It can be instead, according to Kierkegaard, a willful and personal choice regarding the creation of the future. Kierkegaard offers us an amazing new approach to the problem of what is history and who makes it.

A generally acknowledged characteristic of modern life, namely the temporalization of experience, inextricable from our intensified experience of contingency and difference, has until now remained largely outside psychology's purview. Wherever questions about the development, structure, and function of the concept of time have been posed - for example by Piaget and other founders of genetic structuralism - they have been concerned predominantly with concepts of "physical", chronometrical time, and related concepts (e.g., "velocity"). All the contributions to the present volume attempt to close this gap. A larger number are especially interested in the narration of stories. Overviews of the relevant literature, as well as empirical case studies, appear alongside theoretical and methodological reflections. Most contributions refer to specifically historical phenomena and meaning-constructions. Some touch on the subjects of biographical memory and biographical constructions of reality. Of all the various affinities between the contributions collected here, the most important is their consistent attention to issues of the constitution and representation of temporal experience.

This book is a major new critical study of the greatest comic writer of ancient Greece. It relates Aristophanes' work to modern literature and modern theory. It offers a new theory of comedy. It will be essential reading for students and specialists of ancient Greek drama and poetry, and also many students and specialists of modern literature.

" ... the student of the Great War and gender is well served, and Braybon's introduction provides an excellent overview of the various historiographical themes, whilst her footnotes provide a useful guide to further reading."? - History "Readers will not be disappointed by this scholarly, yet accessible, collection of essays."? - Centre for First World War Studies In the English-speaking world the Great War maintains a tenacious grip on the public imagination, and also continues to draw historians to an event which has been interpreted variously as a symbol of modernity, the midwife to the twentieth century and an agent of social change. Although much 'common knowledge' about the war and its aftermath has included myth, simplification and generalisation, this has often been accepted uncritically by popular and academic writers alike. While Britain may have suffered a surfeit of war books, many telling much the same story, there is far less written about the impact of the Great War in other combatant nations. Its history was long suppressed in both fascist Italy and the communist Soviet Union: only recently have historians of Russia begun to examine a conflict which killed, maimed and displaced so many millions. Even in France and Germany the experience of 1914-18 has often been overshadowed by the Second World War. The war's social history is now ripe for reassessment and revision. The essays in this volume incorporate a European perspective, engage with the historiography of the war, and consider how the primary textural, oral and pictorial evidence has been used - or abused. Subjects include the politics of shellshock, the impact of war on women, the plight of refugees, food distribution in Berlin and portrait photography, all of which illuminate key debates in war history. Gail Braybon is an independent historian. She is the author of Women Workers in the First World War and also wrote, with Penny Summerfield, Out of the Cage: Women's Experiences in Two World Wars.

Without denying the importance of the postmodernist approach to the narrative form and rhetorical strategies of historiography, the author, one of Germany's most prominent cultural historians, argues here in favor of reason and methodical rationality in history. He presents a broad variety of aspects, factors and developments of historical thinking from the 18th century to the present, thus continuing, in exemplary fashion, the tradition of critical self-reflection in the humanities and looking at historical studies as an important factor of cultural orientation in practical life.

Without denying the importance of the postmodernist approach to the narrative form and rhetorical strategies of historiography, the author, one of Germany's most prominent cultural historians, argues here in favor of reason and methodical rationality in history. He presents a broad variety of aspects, factors and developments of historical thinking from the 18th century to the present, thus continuing, in exemplary fashion, the tradition of critical self-reflection in the humanities and looking at historical studies as an important factor of cultural orientation in practical life. Jorn Rusen was Professor of Modern History at Universities Bochum and Bielefeld for many years. From 1994 to 1997 he was Director of the Center for Interdisciplinary Research (ZiF) at Bielefeld. Since 1997 he has been President of the Institute for Advanced Study in the Humanities Essen (Kulturwissenschaftliches Institut). He specialises in theory and methodology of historical sciences, the history of historiography, intercultural aspects of historical thinking, theory of historical learning, and the history of human rights.

This is a major new contribution to the historiography of the First World War. It examines the lively battle of ideas which helped destroy Austria-Hungary. It also assesses, for the first time, the weapon of "front propaganda" as used by and against the Empire on the Italian and Eastern Fronts. Based on material in eight languages, the work challenges accepted views about Britain's primacy in the field of propaganda, while casting fresh light on the creation of Yugoslavia and the viability of the Habsburg Empire in its last years.

Why should modern philosophers read the works of R. G. Collingwood? His ideas are often thought difficult to locate in the main lines of development taken by twentieth-century philosophy. Some have read Collingwood as anticipating the later Wittgenstein, others have concentrated exclusively on the internal coherence of his thought. This work aims to introduce Collingwood to contemporary students of philosophy through direct engagement with his arguments. It is a conversation with Collingwood that takes as its subject matter the topics that interested him 'philosophy and method, philosophy of mind, language and logic, the historical imagination, art and expression, action, metaphysics and life' and which still preoccupy us today.
--the first introductory book on this major modern philosopher
--includes critical investigation of his thought
--there is no similar work available

Combining the perspectives of 18 international scholars from Europe and the United States with a critical discussion of the role of culture in international relations, this volume introduces recent trends in the study of Culture and International History. It systematically explores the cultural dimension of international history, mapping existing approaches and conceptual lenses for the study of cultural factors and thus hopes to sharpen the awareness for the cultural approach to international history among both American and non-American scholars. The first part provides a methodological introduction, explores the cultural underpinnings of foreign policy, and the role of culture in international affairs by reviewing the historiography and examining the meaning of the word culture in the context of foreign relations. In the second part, contributors analyze culture as a tool of foreign policy. They demonstrate how culture was instrumentalized for diplomatic goals and purposes in different historical periods and world regions. The essays in the third part expand the state-centered view and retrace informal cultural relations among nations and peoples. This exploration of non-state cultural interaction focuses on the role of science, art, religion, and tourism. The fourth part collects the findings and arguments of part one, two, and three to define a roadmap for further scholarly inquiry. A group of" commentators" survey the preceding essays, place them into a larger research context, and address the question "Where do we go from here?" The last and fifth part presents a selection of primary sources along with individual comments highlighting a new genre of resources scholars interested in culture and international relations can consult.

Despite Adorno's famous dictum, the memory of the Shoah features prominently in the cultural legacy of the 20th century and beyond. It has led to a proliferation of works of representation and re-memorialization which have brought in their wake concerns about a 'holocaust industry' and banalization. This volume sheds fresh light on some of the issues, such as the question of silence and denial, of the formation of contemporary identities - German, East European, Jewish or Israeli, the consequences of the legacy of the Shoah for survivors and for the 'second generation,' and the political, ideological, and professional implications of Shoah historiography. One of the conclusions to be drawn from this volume is that the 'Auschwitz code,' invoked in relation to all 'unspeakable' catastrophes, has impoverished our vocabulary; it does not help us remember the Shoah and its victims, but rather erases that memory.

While most critical studies of interwar literary politics have focused on nationalism, Patrick Query makes a case that the idea of Europe intervenes in instances when the individual and the nation negotiate identity. He examines the ways interwar writers use three European ritual forms-verse drama, bullfighting, and Roman Catholic rite-to articulate ideas of European cultural identity. Within the growing discourse of globalization, Query argues, Europe presents a special, though often overlooked, case because it adds a mediating term between local and global. His book is divided into three sections: the first treats the verse dramas of T.S. Eliot, W.B. Yeats, and W.H. Auden; the second discusses the uses of the Spanish bullfight in works by D.H. Lawrence, Stephen Spender, Jack Lindsay, George Barker, Cecil Day Lewis, and others; and the third explores the cross-cultural impact of Catholic ritual in Graham Greene, Evelyn Waugh, and David Jones. While all three ritual forms were frequently associated with the most conservative tendencies of the age, Query shows that each had a remarkable political flexibility in the hands of interwar writers concerned with the idea of Europe.

In the English-speaking world the Great War maintains a tenacious grip on the public imagination, and also continues to draw historians to an event which has been interpreted variously as a symbol of modernity, the midwife to the twentieth century and an agent of social change. Although much 'common knowledge' about the war and its aftermath has included myth, simplification and generalisation, this has often been accepted uncritically by popular and academic writers alike. While Britain may have suffered a surfeit of war books, many telling much the same story, there is far less written about the impact of the Great War in other combatant nations. Its history was long suppressed in both fascist Italy and the communist Soviet Union: only recently have historians of Russia begun to examine a conflict which killed, maimed and displaced so many millions. Even in France and Germany the experience of 1914-18 has often been overshadowed by the Second World War. The war's social history is now ripe for reassessment and revision. The essays in this volume incorporate a European perspective, engage with the historiography of the war, and consider how the primary textural, oral and pictorial evidence has been used - or abused. Subjects include the politics of shellshock, the impact of war on women, the plight of refugees, food distribution in Berlin and portrait photography, all of which illuminate key debates in war history.