Why were the Victorians so passionate about "History"? How did this passion relate to another Victorian obsession - the "woman question"? In a brilliant and provocative study, Christina Crosby investigates the links between the Victorians' fascination with "history" and with the nature of "women." Discussing both key novels and non-literary texts - Daniel Deronda and Hegel's Philosophy of History; Henry Esmond and Macaulay's History of England; Little Dorrit, Wilkie Collins' The Frozen Deep, and Mayhew's survey of "labour and the poor"; Villette, Patrick Fairburn's The Typology of Scripture and Ruskin's Modern Painters - she argues that the construction of middle-class Victorian "man" as the universal subject of history entailed the identification of "women" as those who are before, beyond, above, or below history. Crosby's analysis raises a crucial question for today's feminists - how can one read historically without replicating the problem of nineteenth century "history"? The book was first published in 1991.

The Carolingian period (c. 750-900) has traditionally been described as one of ‘reform’ or ‘renaissance’, where cultural and intellectual changes were imposed from above in a programme of correctio. This view leans heavily on prescriptive texts issued by kings and their entourages, foregrounding royal initiative and the cultural products of a small intellectual elite. However, attention to understudied texts and manuscripts of the period reveals a vibrant striving for moral improvement and positive change at all levels of society. This expressed itself in a variety of ways for different individuals and communities, whose personal relationships could be just as influential as top-down prescription. The often anonymous creators and copyists in a huge range of centres emerge as active participants in shaping and re-shaping the ideals of their world. A much more dynamic picture of Carolingian culture emerges when we widen our perspective to include sources from beyond royal circles and intellectual elites. This book reveals that the Carolingian age did not witness a coherent programme of reform, nor one distinct to this period and dependent exclusively on the strength of royal power. Rather, it formed a particularly intense, well-funded and creative chapter in the much longer history of moral improvement for the sake of collective salvation. -- .

With its succinct analysis of the overriding issues and detailed case-studies based on the latest archaeological research, this social and economic study of Roman Imperial frontiers is essential reading. Too often the frontier has been represented as a simple linear boundary. The reality, argues Dr Elton, was rather a fuzzy set of interlocking zones - political, military, judicial and financial. After discussion of frontier theory and types of frontier, the author analyses the acquisition of an empire and the ways in which it was ruled. He addresses the vexed question of how to define the edges of provinces, and covers the relationship with allied kingdoms. Regional variation and different rates of change are seen as significant - as is illustrated by Civilis' revolt on the Rhine in AD 69. He uses another case-study - Dura-Europos - to exemplify the role of the army on the frontier, especially its relations with the population on both sides of the border. The central importance of trade is highlighted by special consideration of Palmyra.

Fully updated and carefully revised, this new 2nd edition of History by Numbers stands alone as the only textbook on quantitative methods suitable for students of history. Even the numerically challenged will find inspiration. Taking a problem-solving approach and using authentic historical data, it describes each method in turn, including its origin, purpose, usefulness and associated pitfalls. The problems are developed gradually and with narrative skill, allowing readers to experience the moment of discovery for each of the interpretative outcomes. Quantitative methods are essential for the modern historian, and this lively and accessible text will prove an invaluable guide for anyone entering the discipline.

This book challenges historians to come to terms with the distortions that they systematically introduce into their work by their reliance on what has been written on paper without looking at what was and was not written on the body. This book is concerned with the ways in which texts relating to classical Greece, and in particular to classical Athens, classified people and with the extent to which those classifications could be seen by the eye. It compares the qualities distinguished in texts to those distinguished in sculpture and painted pottery, and emphasises the frequent invisibility of the categories upon which historians have laid most stress - the citizen, the free person, the foreigner, even the god. The frequent impossibility of seeing who belonged to which category has major political, social and theological implications which are explored here, as well as potentially revolutionary implications for all future historical writing.

What is history - a question historians have been asking themselves time and again. Does "history" as an academic discipline, as it has evolved in the West over the centuries, represent a specific mode of historical thinking that can bedefined in contrast to other forms of historical consciousness? In this volume, Peter Burke, a prominent "Western" historian, offers ten hypotheses that attempt to constitute specifically "Western Historical Thinking." Scholars from Asia and Africa comment on his position in the light of their own ideas of the sense and meaning of historical thinking. The volume is rounded off by Peter Burke's comments on the questions and issues raised by the authors and his suggestions for the way forward towards a common ground for intercultural communication.

We may yet find a precise use for the notoriously elusive category 'postcolonial', but only on the condition that we abandon its usual associations with plurality, fragmentation, particularity and resistance. This book argues that the category is best used to describe an ultimately singular configuration. A singularity is something that generates the medium of its own existence, in the eventual absence of external criteria and other existences. Like other singularities - pertinent comparisons include aspects of Buddhism and Islam, as well as concepts drawn from the philosophies of Gilles Deleuze and Alain Badiou - what is distinctive about a postcolonial discourse or literature is its abstraction from the domain of relationality. Here, Hallward offers a new conceptual distinction between singular and specific modes of differentiation, which should prove influential in a range of discourses. -- .

In Rationalities in History the distinguished historian David d'Avray writes a new comparative history in the spirit of Max Weber. In a strikingly original reassessment of seminal Weberian ideas, d'Avray applies value rationality to the comparative history of religion and the philosophy of law. Integrating theories of rational choice, anthropological reflections on relativism, and the recent philosophy of rationality with Weber's conceptual framework, d'Avray seeks to disengage 'rationalisation' from its enduring association with Western 'modernity'. This mode of analysis is contextualised through the examples of Buddhism, Imperial China and sixteenth-century Catholicism - in the latter case building upon unpublished archival research. This ambitious synthesis of social theory and comparative history will engage social scientists and historians from advanced undergraduate level upwards, stimulating interdisciplinary discourse, and making a significant contribution to the methodology of history. D'Avray explores the potential of this new Weberian analysis further in his companion volume, Medieval Religious Rationalities.

"Anglo-Norman Studies" has established itself as one of the leading annuals in the field and this index aims to simplify access to the first decade of scholarhip produced by the Battle Conference. Primarily an index of persons and places, it also includes wider subject entries. Entries for persons are cross-referenced by titles and offices, so that a succession of holders of a bishopric or an earldom can be quickly traced.

Although historiography is a frequently used term, its content is far from unequivocal. For the purposes of this bibliography, Attila Pok defines modern historiography as the history of historical science as it was established at the beginning of the nineteenth century. Thus, this bibliography includes works that discuss the development of historical science since that time to 1990. Its aim is to provide access to the most important works on nineteenth- and twentieth-century historiography. The titles are arranged geographically. Following a section of general titles, sections are devoted to Europe, America, Africa and the Middle East, Asia, and Australia. Within each section, chapters cover individual countries. The volume also includes author and subject indexes.

This is a book about real time in economics, a dimension increasingly unused by the edge of the profession. This, it is argued, has serious implications for economics' role as the premier policy-advising source for national governments and international organizations. It is also a book about the great waves of economic change that economists have failed even to identify, let alone analyze. This failure has created an intellectual vacuum that natural scientists are now only attempting to fill. It is a book, therefore, that challenges economics to put its house in order before it is engulfed by this rising tide. But, the question is, will economics have time? By the author of "Depression and Recovery: Western Australia 1929-1939", "Exploring Southeast Asia's Economic Past" and "Domesday Economy: A New Approach to Anglo-Norman History".

This edited volume encompasses a range of themes and approaches relevant to the field of South African history today, as viewed from the perspective of practicing historians at the cutting edge of research in the discipline. The collection features the historians offering critical reflection on the theoretical and methodological aspects of their work. This involves them both looking back at the inherited historiographical tradition in the respective areas of their research, while also pointing forwards to possible future directions for scholarly engagement. -- .

The Ukraine's emergence as an independent state in 1991 was not accompanied by violence due, it may be argued, to the weak national consciousness of most of its citizens. In part, this was the legacy of an historiography imposed by its rulers, who played down or ignored the Soviet Union's diversity and the past tensions among its peoples so as to legitimize a supranational "Soviet" identity.;The official history of the multinational state ruled from St Petersburg and Moscow bowdlerized the past and eroded the collective memory of each constituent nationality.;The author compares Soviet and Polish accounts of the Ukraine's past, examines how "national history" was written and how its interpretation changed in each country. This book provides an account of how historical writing was used to build and destroy nations and states, and is particularly relevant today in the light of recent events in Eastern Europe. By the author of "National History as Cultural Process".

History is everywhere in the media. Television viewers can spend every evening watching a different historian expound upon Empire, Witchcraft, the Civil War or Royal Mistresses or go to the cinema and watch reconstructions of the Second World War, American Civil War or Imperial China. Even current affairs reporting on television, radio or in newspapers implicitly or explicitly includes historical explanations. This book examines the boom in history in television and film, newspapers and radio and the constraints and opportunities it offers. Leading historians and high profile broadcasters, such as Melvyn Bragg, Simon Schama, Tristram Hunt, Ian Kershaw and David Puttnam, drawn on their personal experiences to explore the problems and highlights of representing history in the media.

This collection is a notable example of how the cultural history of the middle ages can be written in terms that satisfy both the historian and the literary scholar. John Benton's knowledge of the personnel, structure and finance of medieval courts complemented his understanding of the literature they produced.

What are the humanities? As the cluster of disciplines historically grouped together as "humanities" has grown and diversified to include media studies and digital studies alongside philosophy, art history and musicology to name a few, the need to clearly define the field is pertinent. Herman Paul leads a stellar line-up of esteemed and early-career scholars to provide an overview of the themes, questions and methods that are central to current research on the history of the nineteenth- and twentieth-century humanities. This exciting addition to the successful Writing History series will draw from a wide range of case-studies from diverse fields, as classical philology, art history, and Biblical studies, to provide a state-of-the-art overview of the field. In doing so, this ground-breaking book challenges the rigid distinctions between disciplines and show the variety of prisms through which historians of the humanities study the past.

In this reissued collection of essays, first published in 1985, Paul Q. Hirst assesses the limits of the Marxist theory of history in its various versions. It begins with an extended critical discussion of Perry Anderson and Edward Thompson, and includes chapters on G.A Cohena (TM)s attempt to re-state the Marxist theory of history in terms compatible with analytic philosophy, on R.G. Collingwooda (TM)s theory of history, on Andersona (TM)s work on Absolutism, on Thompsona (TM)s Poverty of Theory, and on the contemporary politics of democratic socialism.

Bringing together a team of history and media researchers from across Britain and Europe, this volume provides readers with a themed discussion of the range and variety of the media's engagement with history, and a close study of the relationship between media, history and national identity.

This book provides a critical examination of over 300 historical works about the French Revolution, published in Europe (in particular in France, Great Britain, Germany, Italy and Russia) as well as in the United States between 1789 and 1989. It also goes on to examine recent trends in French Revolution historiography and consider where histories of this landmark event may go in the future. By emphasizing the elements which have been valued or hidden, exalted or silenced, Historicizing the French Revolution shows how reflections on 1789 are always fundamentally tied to the times in which they are formulated. Antonino De Francesco looks at the ways in which these historical accounts can be seen to support and, at times, contrast with the formation of political modernity - both in national and international contexts - as it has taken shape in the hundreds of years that have followed this key moment in world history.

This is a first attempt to present an approach to Ukrainian history which goes beyond the standard 'national narrative' schemes, predominant in the majority of post-Soviet countries after 1991, in the years of implementing 'nation-building projects'. This is an unrivalled collection of essays by the finest scholars in the field from Ukraine, Russia, USA, Germany, Austria and Canada, superbly written to a high academic standard. The various chapters are methodologically innovative and thought-provoking. The biggest Eastern European country has ancient roots but also the birth pangs of a new autonomous state. Its historiography is characterized by animated debates, in which this book takes a definite stance. The history of Ukraine is not written here as a linear, teleological narrative of ethnic Ukrainians but as a multicultural, multidimensional history of a diversity of cultures, religious denominations, languages, ethical norms, and historical experience. It is not presented as causal explanation of 'what has to have happened' but rather as conjunctures and contingencies, disruptions, and episodes of 'lack of history.'

Bringing together a team of history and media researchers from across Britain and Europe, this volume provides readers with a themed discussion of the range and variety of the media's engagement with history, and a close study of the relationship between media, history and national identity.

When studying the origins of the First World War, scholars have relied heavily on the series of key diplomatic documents published by the governments of both the defeated and the victorious powers in the 1920s and 1930s. However, this volume shows that these volumes, rather than dealing objectively with the past, were used by the different governments to project an interpretation of the origins of the Great War that was more palatable to them and their country than the truth might have been. In revealing policies that influenced the publication of the documents, the relationships between the commissioning governments, their officials, and the historians involved, this collection serves as a warning that even seemingly objective sources have to be used with caution in historical research.

Peripheral cultures have been largely absent from the European canon of historiography. Seeking to redress the balance, Monika Baar discusses the achievements of five East-Central European historians in the nineteenth century: Joachim Lelewel (Polish); Simonas Daukantas (Lithuanian); Frantisek Palacky (Czech); Mihaly Horvath (Hungarian) and Mihail Kogalniceanu (Romanian). Comparing their efforts to promote a unified vision of national culture in their respective countries, Baar illuminates the complexities of historical writing in the region in the nineteenth century.
Drawing on previously untranslated documents, Baar reconstructs the scholars' shared intellectual background and their nationalistic aims, arguing that historians on the European periphery made significant contributions to historical writing, and had far more in common with their Western and Central European contemporaries than has been previously assumed.

This book, an international collaboration sponsored by the Commission on the History of Historiography, is devoted to historians of the 19th and 20th centuries. Offering dictionary entries for historians from more than 35 countries, the editors have sought to illustrate specific domains of history and focus on those scholars who were important to particular cultures and histories. Consultants from each area suggested historians for inclusion, thus providing a unique national perspective.

The volume begins with an explanatory preface and a detailed introduction to the time period covered. The entries are then arranged by national or geographical areas, and alphabetized within each regional section. As a general rule, the editors have excluded living historians from the dictionary. Cross references are indicated within the text for those individuals who are also the subjects of separate entries, and the editors have provided both an index of historians and a general subject index. English translations of books and articles in non-Western languages are also cited. This book will be an important reference source for studies in world history and historiography, as well as a significant addition to public, college, and university libraries.

One of the best known consensus or synthesis historians, Daniel J. Boorstin crosses disciplinary boundaries by writing about universities and students, lawyers and historians, history of science and everyday phenomena, material and popular culture, libraries and literacy, film and theater, statistics and words, airwaves and highways, and generally speaking, the past, present, and world to come. This bibliography brings together works by and about Boorstin, showing the volume, range, and importance of his contribution to the study of American history.

With more than 1,300 entries, the bibliography records a history of Daniel Boorstin in print and non-print from 1930 to 1999. It covers a multitude of types of entries, including monographs, book reviews by and about Boorstin, newspaper and scholarly articles, manuscript and archival material, videocassettes, sound reels, Websites, and CD-ROMs. Entries are selectively annotated, in many instances using direct quotes from Boorstin, to give the reader a snapshot understanding of the works cited. This book will be the definitive Boorstin bibliography.