In a critical, comparative study of the sociological literature, this book explores the term "time," and the various interconnections between time and a broad cluster of topics that create a conceptual labyrinth. Various understandings of time manifest themselves in the context of many individual social problems-there is no single vision in sociology of how to grasp time and address within social theory. This book, therefore, attempts to define an approach to the concept of time and its associated terms (duration, temporality, acceleration, compression, temporal structures, change, historical consciousness, and others). The volume is guided by a critical engagement with three main questions: a) the formation of human understanding of time; b) the functioning of temporal structures at different levels of social reality; c) the role and place of time in general sociological theory.

This volume brings new depth to the analysis of historical distance by looking at its importance in fields that extend far beyond the usual bounds of history, including psychoanalysis and the visual and performing arts. Its sources include 19th century British sculpture, musical theatre, and late 18th and 19th century fashion plates. The book offers general introductory discussions of how historical distance might best be understood in contemporary historiography, of changing ideals of distance and proximity as they have taken shape in Western thought from the Renaissance to modernity and of historical judgments and their meanings. It includes a range of essays that explore the importance of distance in relation to a number of different problems and periods, including how the use of historical distance as a framework might offer new ways of distinguishing literary fictions from histories, or a new understanding of the changing pattern of biography over the past two centuries. The range of forms and media covered by the essays in this collection greatly expands not only ways of thinking about historical distance, but the nature and meaning of history. By incorporating this wide range of different material and an equally wide range of approaches, the volume gives the discussion of historical distance a new breadth, flexibility and importance.

What difference do individuals make to history? Are we all swept up in the great forces like industrialisation or globalisation, or is the world we inhabit shaped just as much by real people - leaders for example - and the decisions that they make? For better or for worse, the personalities of the powerful can affect millions of people and the future of countries: it matters who is in the driving seat, and who is making plans. Equally important: how is history itself made by those who keep the records? In History's People Margaret Macmillan explores the lives of the great and lesser-known figures of the past: men, women, explorers, rulers, dreamers, politicians, observers, campaigners. She looks at the concept of leadership, from Bismarck to Franklin Delano Roosevelt, but also at the role of observers such as Babur, first Mughal emperor of India, and asks how explorers and visionaries such as Fanny Parkes and Elizabeth Simcoe managed to defy or ignore the constraints of their own societies. And, in doing so, she uncovers the important and complex relationship between biography and history, and between individuals and their times. Like all the best history, this book will change the way you see the past, as well as your own times - and perhaps introduce you to some people you didn't know.

Throughout this book we discover what our idea of memory would be without the moving image. This thought provoking analysis examines how the medium has informed modern and contemporary models of memory. The book examines the ways in which cinematic optic procedures inform an understanding of memory processes. Critical to the reciprocity of mind and screen is forgetting and the problematic that it inscribes into memory and its relation to contested histories. Through a consideration of artworks (film/video and sound installation) by artists whose practice has consistently engaged with issues surrounding memory, amnesia and trauma, the book brings to bear neuro-psychological insight and its implication with the moving image (as both image and sound) to a consideration of the global landscape of memory and the politics of memory that inform them. The artists featured include Kerry Tribe, Shona Illingworth, Bill Fontana, Lutz Becker, Yervant Gianikian and Angela Ricci Lucchi, Harun Faorcki, and Eyal Sivan.

This volume provides a historical narrative, historiographical reviews, and scholarly analyses by leading scholars throughout the world on the hitherto understudied topic of Shanghai Jewish refugees. Few among the general public know that during the Second World War, approximately 16,000 to 20,000 Jews fled the Nazis, found unexpected refuge in Shanghai, and established a vibrant community there. Though most of them left Shanghai soon after the conclusion of the war in 1945, years of sojourning among the Chinese and surviving under the Japanese occupation generated unique memories about the Second World War, lasting goodwill between the Chinese and Jews, and contested interpretations of this complex past. The volume makes two major contributions to the studies of Shanghai Jewish refugees. First, it reviews the present state of the historiography on this subject and critically assesses the ways in which the history is being researched and commemorated in China. Second, it compiles scholarship produced by renowned scholars, who aim to rescue the history from isolated perspectives and look into the interaction between Jews, Chinese, and Japanese.

The maintenance and effective use of cultural heritage involves important economic aspects yet the field of contemporary cultural policy is surprisingly void of comprehensive analysis from an economic perspective. Prominent academics and practitioners here fill this gap. They examine the theoretical background on the value of cultural heritage, consider policies from Italy, France, Britain and Japan and make concrete proposals for changes in cultural heritage policy.

Thinking, Recording, and Writing History in the Ancient World presents a cross-cultural comparison of the ways in which ancient civilizations thought about the past and recorded their own histories. * Written by an international group of scholars working in many disciplines * Truly cross-cultural, covering historical thinking and writing in ancient or early cultures across in East, South, and West Asia, the Mediterranean, and the Americas * Includes historiography shaped by religious perspectives, including Judaism, early Christianity, Islam, and Buddhism

This collection of essays argues that there is an pre-history, that is, a longer tradition of the transnationalization of historical culture and historical science. It seeks to substantiate the claim that history writing reflected the globality of its time as much as followed the nationalization of the societies in which it was produced.

This book explores how First World War commemoration events are presented, reported and mediated on the websites of mainstream daily newspapers from seven European countries. The book is the result of a research group - DIREPA-EUROPE (Discours, representations, passe de l'Europe), part of Lemel research network - characterized by a shared interest in media discourse and online newspapers. It presents a fluid analysis chain on the commemoration discourse generated by the WWI Armistice Centenary in 2018, and will be of interest not only to scholars of discourse and media studies, but also of European history, cultural memory, journalism and conflict studies.

This is the first full study in English of the German historicist tradition. Frederick C. Beiser surveys the major German thinkers on history from the middle of the eighteenth century until the early twentieth century, providing an introduction to each thinker and the main issues in interpreting and appraising his thought. The volume offers new interpretations of well-known philosophers such as Johann Gottfried Herder and Max Weber, and introduces others who are scarcely known at all, including J. A. Chladenius, Justus Moeser, Heinrich Rickert, and Emil Lask. Beyond an exploration of the historical and intellectual context of each thinker, Beiser illuminates the sources and reasons for the movement of German historicism-one of the great revolutions in modern Western thought, and the source of our historical understanding of the human world.

This volume develops a comprehensive framework for applying the theory of hauntology to everyday life from ethnographic and clinical points of view. The central argument of the book is that all human experience is fundamentally haunted, and that a shift from ontological theory of subjective experience to a hauntological one is necessary and has urgent implications. Building on the notion of hauntology outlined by Derrida, the discussions are developed within the frameworks of psychoanalytic theory, specifically Jacques Lacan's object relational theory of ego development and his structural reading of Freud's theory of the psychic apparatus and its dynamics; along with the Hegelian ontology of the negative and its later modifications by 20th century philosophers such as Heidegger and Derrida; and the semiotics of difference introduced by Saussure and worked by Jakobson and others. This book argues and demonstrates the immediate relevance of hauntological analysis in everyday life by providing a microanalysis of the roles played by power, meaning and desire; and by using vignettes and data from ethnographic research and clinical settings, as well as references to literature, movies and other cultural products.

This book seeks to overcome the tension between 'western' and 'non-western' categories and tools in the study of global history, showing how most western approaches to the social sciences and history have developed through transnational and colonial interactions. Offering a transnational and global history of the main tools we have to understand the word and its transformations over the last three centuries, Tensions of Social History explores the construction of archives and historical memory, the making of statistics and their use in politics, the identification of social actors, and the emergence of key social theories. Providing key insights into how to write history and develop social sciences in the global era while avoiding eurocentrism and cultural exceptionalism, this ambitious book shows how global history is made of encounters rather than confrontations between civilizations.

This authoritative and comprehensive guide to key people and events in Anglo-Jewish history stretches from Cromwell's re-admittance of the Jews in 1656 to the present day and contains nearly 3000 entries, the vast majority of which are not featured in any other sources.

This book offers a synthesis of the main achievements and pending challenges during the thirty years of transitional justice in Chile after Augusto Pinochet's dictatorship. The Chilean experience provides useful comparative perspectives for researchers, students and human rights activists engaged in transitional justice processes around the world. The first chapter explains the theoretical foundations of human rights and transitional justice. The second chapter discusses the main historical milestones in Chile's recent history which have defined the course of the process of transitional justice. The following chapters provide an overview of the key elements of transitional justice in Chile: truth, reparations, memory, justice, and guarantees of non-repetition.

The volume takes a field which has become established over the past 40 years, and applies it to a marginalized sector of society, enabling students of oral history, and history more generally to engage with, question and develop new conversations around the field. Oral history is increasingly becoming an established part of the modern history canon and more and more developments within its parameters are being raised and studied - this book represents a key up-coming area. The only book to look specifically at LGBTQ positions and the specific issues it raises within oral history.

This book makes a compelling case for utilising experiences of resonance in various academic and societal fields. The concept of resonance was first introduced by Hartmut Rosa to foreground the importance of affective, emotional, transformative and uncontrollable experiences in socio-political contexts that he characterizes as alienating. Based on a critical reading of Rosa's theory and further developed through engagement with Theodor W. Adorno, Gilles Deleuze, Hannah Arendt, Judith Butler and others, this book introduces the notion of a 'spectrum of resonance' which encompasses both critical resonance and affirmationist resonance. This spectrum of resonance is used to analyse various forms of aesthetic experience illustrated with reference to Edgar Reitz's film Heimat and the music of Nick Cave and Kayhan Kalhor. The spectrum is also deployed in the fields of museum, memory and trauma studies to show how experiences of resonance contribute to the constitution of political and social identities. The focus here is on memory practices in the Kurdistan Region of Iraq and the book seeks to decolonize resonance theory.

This book addresses the preoccupation with memory in contemporary artists' moving image installations. It situates artists' moving image in relation to the transformations of digitalization as hybrid intermedial combinations of analogue film, video and digital video emerge from mid 1990s onwards. While film has always been closely associated with the process of memory, this book investigates new models of memory in artists' remediation of film with video and other intermedial aesthetics. Beginning with a chapter on the theorization of memory and the moving image and the diverse genealogies of artists' film and video, the following chapters identify five different mnemonic modes in artists' moving image: critical nostalgia, database narrative, the 'echo-chamber', documentary fiction and mediatized memories. Stan Douglas, Steve McQueen, Runa Islam, Mark Leckey and Elizabeth Price are of a generation that has lived through the transition from analogue to digital. Their emphasis on the nuances of intermediality indicates the extent to which we remember through media.

What is gender and who has it? History, theory and gender are inextricably linked, but how exactly do they fit together? How do historians use theories about gender to write history? In this jargon-free introduction, Susan Kingsley Kent presents a student-friendly guide to the origins, conceptual framework, subjectmatter and methods of gender history. Assuming no prior knowledge, Gender and History: - Sets out clear definitions of theory, history and gender - Explains that gender is not solely applicable to women, but to men as well - Tackles the hotly debated topic of power and gender relations - Explores gender history from a variety of angles, including anthropology, psychology and philosophy - Spans a broad chronological period, from the times of Aristotle to the present day - Includes a helpful glossary that explains key terms and concepts at a glance Lively and approachable, this is an essential text for anyone who wishes to learn how to use theories of gender in their historical studies.

This journal, published twice yearly, explores and assesses the past of the socialist movement and the broader processes in relation to it, both for a historical understanding, and as a contribution to the movement's development and future. This issue considers America at the millennium.

Today there is much talk of a 'crisis of trust'; a crisis which is almost certainly genuine, but usually misunderstood. Trust: A History offers a new perspective on the ways in which trust and distrust have functioned in past societies, providing an empirical and historical basis against which the present crisis can be examined, and suggesting ways in which the concept of trust can be used as a tool to understand our own and other societies. Geoffrey Hosking argues that social trust is mediated through symbolic systems, such as religion and money, and the institutions associated with them, such as churches and banks. Historically these institutions have nourished trust, but the resulting trust networks have tended to create quite tough boundaries around themselves, across which distrust is projected against outsiders. Hosking also shows how nation-states have been particularly good at absorbing symbolic systems and generating trust among large numbers of people, while also erecting distinct boundaries around themselves, despite an increasingly global economy. He asserts that in the modern world it has become common to entrust major resources to institutions we know little about, and suggests that we need to learn from historical experience and temper this with more traditional forms of trust, or become an ever more distrustful society, with potentially very destabilising consequences.

As the world negotiates immense loss and questions of how to memorialize, the contributions in this volume evaluate the role of culture as a means to promote reconciliation, either between formerly warring parties, perpetrators and survivors, governments and communities, or within the self. Post-Conflict Memorialization: Missing Memorials, Absent Bodies reflects on a distinct aspect of mourning work: the possibility to move towards recovery, while in a period of grief, waiting, silence, or erasure. Drawing on ethnographic data and archival material from Bosnia-Herzegovina, Argentina, Palestine, Israel, Wales, Peru, Colombia, Hungary, Chile, Pakistan, and India, the authors analyze how memorialization and commemoration is practiced by communities who have experienced trauma and violence, while in the absence of memorials, mutual acknowledgement, and the bodies of the missing. This timely volume will appeal to undergraduate and postgraduate students, postdoctoral researchers, and scholars with an interest in memory studies, sociology, history, politics, conflict, and peace studies

Focusing on the memory of the German Democratic Republic, Towards a Collaborative Memory explores the cross-border collaborations of three German institutions. Using an innovative theoretical and methodological framework, drawing on relational sociology, network analysis and narrative, the study highlights the epistemic coloniality that has underpinned global partnerships across European actors and institutions. Sara Jones reconceptualizes transnational memory towards an approach that is collaborative not only in its practices, but also in its ethics, and shows how these institutions position themselves within dominant relationship cultures reflected between East and West, and North and South.

This open access book uses Finland in the nineteenth and twentieth centuries as an empirical case in order to study the emergence, shaping and renewal of a nation through histories of experience and emotions. It revolves around the following questions: What kinds of experiences have engendered national mobilization and feelings of national belonging? How have political and societal conflicts turned into new communities of experience and emotion? What kinds of experiences have been integrated into, or excluded from, the national context in different instances? How have people internalized or contested the nation as a context for their personal, family and minority-group experiences? In what ways has the nation entered and affected people's intimate spheres of life? How have "national" experiences been transmitted to children in the renewal of the nation? This edited collection points to the histories of experience and emotions as a novel way of studying nations and nationalism. Building on current debates in nationalism studies, it offers a theoretical framework for analyzing the historical construction of "lived nations," and introduces a number of new methodological approaches to understand the experiences of the nation, extending from the investigation of personal reminiscences and music records to the study of dreams and children's drawings.

This book focuses on discourses of the politics of history education and history textbooks. It offers a new insight into understanding of the nexus between ideology, the state, and nation-building, as depicted in history education and school textbooks. It especially focuses on the interpretation of social and political change, significant events, looking for possible biases and omissions, leadership and the contribution of key individuals, and continuities. The book discusses various aspects of historical narratives, and some selected key events in defining identity and nation-building. It considers the role of historiography in dominant historical narratives. It analyses history education, in both local and global settings, and its significance in promoting values education and intercultural and global understanding. It is argued that historical narratives add pedagogies, grounded in constructivist, metacognitive and transformational paradigms, have the power to engage the learner in significant and meaningful learning experiences, informed by multiple discourses of our historical narratives and those of other nations.