This edited volume maps dialogues between science and technology studies research on the arts and the emerging field of artistic research. The main themes in the book are an advanced understanding of discursivity and reasoning in arts-based research, the methodological relevance of material practices and things, and innovative ways of connecting, staging, and publishing research in art and academia. This book touches on topics including studies of artistic practices; reflexive practitioners at the boundaries between the arts, science, and technology; non-propositional forms of reasoning; unconventional (arts-based) research methods and enhanced modes of presentation and publication.

The island of Cyprus has been bitterly divided for more than four decades. One of the most divisive elements of the Cyprus conflict is the writing of its history, a history called on by both communities to justify and explain their own notions of justice. While for Greek Cypriots the history of Cyprus begins with ancient Greece and Hellenistic culture, for the Turkish Cypriot community the history of the island begins with the Ottoman invasion of 1571. The singular narratives both sides often employ to tell the story of the island are, as this volume argues, a means of continuing the battle which has torn the island apart, and an obstacle to resolution.

The Cyprus Conflict and History re-orientates history-writing on Cyprus from a tool of division to a form of dialogue, and explores a way forward for the future of conflict resolution in the region.

This book looks at the memory of the communist past in Central and Eastern Europe, with a particular focus on Bulgaria: its "official" memory, constructed by institutions, its public memory, molded by media, rituals, books and films and the urban environment, and the everyday or 'vernacular' memory. It investigates how the recent past is remembered and the circumstances upon which this memory is conditioned - how is communism/socialism construed as a public recollection? Do these processes differ in the distinct post-communist countries? The book's first part traces the institutional and political dimensions of coping with the communist past and the second part concentrates on personal reminiscences and vernacular memory. The book will be of interest for researchers and students in the fields of memory studies, Central and East European studies, oral history and contemporary history, as well as for specialists at institutions of memory and memory activists and organisations.

This volume is made up of essays in first presented as papers at the conference held in May 2015 at the POLIN museum of the history of Polish Jews in Warsaw is divided into two sections. The first deals with museological questions-the voices of the curators, comments on the museum and discussions of museums and education. The second examines the current state of the historiography of the Jews on the Polish lands from the first Jewish settlement to the present-day. Making use of the leading scholars in the field from Poland, Western Europe, North America and Israel, the volume provides a definitive overview of the history and culture of one of the most important communities in the long history of the Jewish people.

This book takes a sociocultural, developmental and dialogical perspective to explore the constructive and interconnected nature of remembering and imagining. Conceived as cognitive-affective processes, both emerge at the border of the person and his or her socio-cultural world. Memory is approached as a functional adaption to the environment using the resources of the past in preparation for action in the present. Imagination is tightly related to memory in that both aim to escape the confines of the concrete here-and-now situation; however, while memory is primarily oriented to the past, imagination looks to the future. Both are embedded in the exchanges with the social and cultural milieu, and thus theorizing them has relied on key ideas from Lev Vygotsky, Frederic Bartlett and Mikhail Bakhtin. Thus, this book aims to integrate theories of remembering and imagining, through rich empirical studies in diverse cultural settings and concerning the development of self and identity. These two groups of studies compose the subparts that organize the book.

This edited collection looks at two of the most important ancient Greek historians living in the 5th Century BCE who are considered to be the founders of the western tradition of historiography. Thucydides and Herodotus examines the relevant relationship between these historians which is considered, especially nowadays, by historians and philologists to be more significant than previously realized. The volume includes an introduction by the editors which addresses our changing view of how the historians relate to one another, and twelve papers written by leading experts in the field of ancient history and philology. Nine of the papers discuss either comprehensive issues pertaining to the historians' relationship or their common themes and practices, while three further papers discuss the ancient reception of Herodotus and Thucydides and investigate the historians' debt to Homer.

A collection of essays on European historiography, focussing on the overlapping national histories in Europe presenting many of the contested areas through conflicting historiographies. Sponsored by the European Science Foundation, this unique volume is part of Writing the Nation , a major international project.

This book explores one of the most notorious aspects of the German system of oppression in wartime Poland: the only purpose-built camp for children under the age of 16 years in German-occupied Europe. The camp at Przemyslowa street, or the Polen-Jugendverwahrlager der Sicherheitspolizei in Litzmannstadt as the Germans called it, was a concentration camp for children. The camp at Przemyslowa existed for just over two years, from December 1942 until January 1945. During that time, an unknown number of children, mainly Polish nationals, were imprisoned there and subjected to extreme physical and emotional abuse. For almost all, the consequences of atrocities which they endured in the camp remained with them for the rest of their lives. This book focuses on the establishment of the camp, the experience of the child prisoners, and the post-war investigations and trials. It is based on contemporary German documents, post-war Polish trials and German investigations, as well as dozens of testimonies from camp survivors, guards, civilian camp staff and the camp leadership

Essays on how history's victors distort and suppress the documentary record in order to perpetuate their power and privilege, and how historians are influenced by the professional and class environment in which they work.

"Michael Parenti, always provocative and eloquent, gives us a lively as well as valuable critique of orthodoxy posing as 'history.'"--Howard Zinn

"Solid if surely controversial stuff."--"Kirkus"

Table of Contents

Prologue: Against the Mainstream
History as Miseducation
Mainstream Orthodoxy
The Hunt for Real History
Textbooks: America the Beautiful
For Business, Against Labor
The School as a Tool
Priests and Pagans, Saints and Slaves
Triumph of the One True Faith
Silencing the Pagans
Accepting the Powers that Be
Affluent Believers
Saints For Slavery
Bishops and Barbarians, Jezebels and Jews
The Myth of the Devout Peasant
The Curse of Eve
The Burning of Books
Preparing the Holocaust
History in the Faking
Suppression at the Point of Origin
Cold War in the Archives
Classified History, USA
Listening to the Muted Masses
In Ranke's Footsteps
His Majesty's Servant
An Aristocratic Profession'
Purging the Reds
Publishing and Privishing'
Marketing the Right Stuff
The Strange Death of President Zachary
Taylor, a Study in the Manufacture of
Mainstream History
Examining the Examination
Confrontation with the Slavocracy
A lethal Dose of Cherries and Milk?
Honorable Men and Official History
Against Psychopolitics
Depoliticizing the Political
Dubious Clinical Data
Lenin as Oedipus
The Compulsive Hoover
The Political Hoover
When the Political Becomes Personal
Afterword

Livy's Women explores the profound questions arising from the presence of women of influence and power in the socio-political canvas of one of the most important histories of Rome and the Roman people, Ab Urbe Condita (From the Foundation of the City). This theoretically informed study of Livy's monumental narrative charts the fascinating links between episodes containing references to women in prominent roles and the historian's treatment of Rome's evolutionary foundation story. Explicitly gendered in relation to the socio-cultural contexts informing the narrative, the author's background, the literary landscape of Livy's Rome, and the subsequent historiographical commentary, this volume offers a comprehensive, coherent and contextualised overview of all episodes in Ab Urbe Condita relating to women as agents of historical change. As well as proving invaluable insights into socio-cultural history for Classicists, Livy's Women will also be of interest to instructors, researchers, and students of female representation in history in general.

This in-depth study draws on never-before-published early personal correspondence and interviews to trace Richard Hofstadter's early career from his family's background in Poland and Germany through his childhood, high school, and training years at the University of Buffalo and Columbia University. The political and educational influences of these years are introduced, as well as their effect on his writings. Hofstadter's development as a historian and the important influences which formed the basis for his orientation toward history and which served to integrate all his work into one coherent whole are also assessed.

In 1856 J.S. Davies edited for the Camden Society the continuation of the Middle English prose Brut, from a manuscript in the Bodleian (Lyell 34), that became known as the Davies ChronicleI/>. Covering the reigns of Richard II, Henry IV, Henry V, and Henry VI, it was at once recognised as an important vernacular historical narrative. Unfortunately Lyell 34 is in places badly damaged, and the narrative of the reign of Richard II has survived only in fragments. This new edition of what are in fact two BrutI/> continuations makes use of a full text recently discovered in the National Library of Wales (MS 21608), providing a more authoritative version. The narrative covers the periods 1377-1437 and 1440-1461, and includes previously unknown English-language accounts of episodes of the reign of Richard II, such as the Peasants' Revolt. Each continuation is the product of a different political climate, and the introduction explores the narrative and rhetorical structures that lie behind them. As a whole, the edition offers particularly valuable insights into the growth of a highly politicised vernacular historical narrative, and the way in which two medieval compilers sought to represent the history of the late fourteenth and early fifteenth centuries. WILLIAM MARX is senior lecturer in medieval literature at the University of Wales, Lampeter

Greek and Roman Historiography is a collection of important articles from the last thirty years which treat the ways in which the ancient Greeks and Romans thought about and wrote their histories. Six of these articles have been translated into English for the first time. Avoiding issues such as sources and reliability which were the concern of earlier scholarship, the contributors focus much more on how the ancients themselves engaged with their past: the relationship between myth and history; the role of memory and oral tradition as they shaped both Greek and Roman notions of the past; the role of the historian in giving form and meaning to his history; and the different notions of historical truth and falsehood. A specially written introduction places the essays in the larger context of earlier and more recent trends in the study of Greek and Roman historiography.

German economic crises from the past two hundred years have provoked diverse responses from journalists, politicians, scholars, and fiction writers. Among their responses, storylines have developed as proposals for reducing unemployment, improving workplace conditions, and increasing profitability when stock markets tumble, accompanied by inflation, deflation, and overwhelming debt. The contributors to Invested Narratives assess German-language economic crisis narratives from the interdisciplinary perspectives of finance, economics, political science, sociology, history, literature, and cultural studies. They interpret the ways German society has tried to comprehend, recover from, and avoid economic crises and in doing so widen our understanding of German economic debates and their influence on German society and the European Union.

Comprising a unique collection of primary sources, this book critically examines several topics relating to ancient Egypt that are of high interest to readers but about which misconceptions abound. With its pyramids, mummies, and sphinxes, ancient Egypt has fascinated us for centuries. It has been the setting of many films and novels, figuring prominently in popular culture. Much of what the average reader believes about this civilization, however, is mistaken. Through a unique collection of primary source documents, this book critically examines several topics related to ancient Egypt and about which misconceptions abound. Primary sources, many in new translations by the author, are drawn from ancient Egyptian, classical Greek and Roman, Muslim, early Christian, and modern European documents. These sources shed light on popular misconceptions. Such topics include the divinity of the pharaoh, the role of animals in ancient Egyptian religion, the purpose of the Egyptian pyramids, the use of slave labor, the Egyptian hieroglyphic writing system, the role of Cleopatra in the defeat of Marc Antony and the fall of the Roman Republic, and the influence of Egyptian religion on the development of early Christianity. By studying these documents, users will be able to develop their skills interpreting and evaluating primary sources. Provides an accurate view of the role of slavery in ancient Egyptian society Discusses the ancient Egyptian conception of divinity and how it applied to the pharaoh and the use of animals in Egyptian worship and religious iconography Critically examines the controversial proposition that Jesus never existed but was a myth created from ancient Egyptian stories about Osiris and Horus Explains the purposes for which the pyramids were built, based on ancient Egyptian texts found within the pyramids themselves Provides evidence for how misconceptions about ancient Egypt developed and spread, along with support for what we now believe to be the historical truths Directs users to additional sources of information for further study

This book explores the work of artists based in the global south whose practices and methods interrogate and explore the residue of Empire. In doing so, it highlights the way that contemporary art can assist in the un-forgetting of colonial violence and oppression that has been systemically minimized. The research draws from various fields including memory studies; postcolonial and decolonial strategies of resistance; activism; theories of the global south; the intersection between colonialism and the Anthropocene, as well as practice-led research methodologies in the visual arts. Told through the author's own perspective as an artist and examining the work of Julie Gough, Yuki Kihara, Megan Cope, Yhonnie Scarce, Lisa Reihana and Karla Dickens, the book develops a number of unique theories for configuring the relationship between art and a troubled past.

This book examines the meaning of home through the investigation of a series of public and private spaces recurrent in Italian postcolonial literature. The chapters, by respectively considering Termini train station in Rome, phone centres, the condominium, and the private spaces of the bathroom and the bedroom, investigate how migrant characters inhabit those places and turn them into familiar spaces of belonging. Home, Memory and Belonging in Italian Postcolonial Literature suggests "home spaces" as a possible lens to examine these specific places and a series of practices enacted by their inhabitants in order to feel at home. Drawing on a wide array of sources, this book focuses on the role played by memory in creating transnational connections between present and past locations and on how these connections shape migrants' sense of self and migrants' identity.

This book examines the phenomenon of individual and collective bereavement in Palestinian society. It seeks to explore the boundaries of the discourse of bereavement and commemoration in that society through the interactive relations between religion, nationality and gender, and the ways these influence the shaping of the mourning process for Palestinian parents who have lost their children in the second (al-Aqsa) Intifada. Over the course of the book's five chapters, Maram Masarwi scrutinizes how these components have shaped the differences in behavior between bereaved fathers and bereaved mothers: what characterizes these differences, how they are expressed, and how they have managed to shape the characteristics of the experience of Palestinian bereavement.

Informed by the author's long-standing work on violent conflict, peace and education in countries of the Global South, particularly Colombia, this open access book presents a comprehensive narrative about the relationship between peace education, historical memory and the sustaining peace agenda, advocating for the adoption of a new perspective on education for sustaining peace through historical memory. Education on and for peace in countries wrestling with, or emerging from, protracted violent conflict is up against major challenges, and both conventional and critical approaches to peace education are limited to address these. Incorporating a focus on historical memory, without losing sight of its own pitfalls, into peace education can support learners and teachers to come to grips with achieving positive, peace-sustaining change at both the micro (individual) and macro (social and institutional) levels, and to develop concepts and practices of effective and legitimate alternatives to violence and war. Conceived in these terms, historical memory-oriented peace education also stands to enhance the work-in-progress that is the UN-led sustaining peace agenda, including its Sustainable Development Goals.

This book discusses an archival turn in the work of contemporary Caribbean writers and visual artists across linguistic locations and whose work engages critically with various historical narratives and colonial and postcolonial records. This refiguration opens a critical space and retells stories and histories previously occluded in/by those records, and in spaces of the public sphere. Through poetics and aesthetics of fragmentation largely influenced by music and popular culture, their work encourages contrapuntal ways of (re)thinking histories; ways that interrogate the influence of colonial narratives in processes of silencing but also centre the knowledge found in oral histories and other forms of artistic archives outside official repositories. Discussing literature and selected artwork by artists from Britain, Cuba, the Dominican Republic, Haiti, Puerto Rico, and Trinidad and Tobago, Memory and the Archival Turn in Caribbean Literature and Culture demonstrates the historiographical significance of artistic and cultural production.

This open access book provides a concise introduction to a critical development in memory studies. A global memory formation has emerged since the 1990s, in which memories of traumatic histories in different parts of the world, often articulated in the terms established by Holocaust memory, have become entangled, reconciled, contested, conflicted and negotiated across borders. As historical actors and events across time and space become connected in new ways, new grounds for contest and competition arise; claims to the past that appeared de-territorialized in the global memory formation become re-territorialized - deployed in the service of nationalist projects. This poses challenges to scholarship but also to practice: How can we ensure that shared or comparable memories of past injustice continue to be grounds for solidarity between different memory communities? In chapters focusing on Europe, East Asia and Africa, five scholars respond to these challenges from a range of disciplinary perspectives in the humanities.

This is a collection of studies on ancient (especially Latin) poetry and historiography, concentrating especially on the impact of rhetoric on both genres, and on the importance of considering the literature to illuminate the historical Roman context and the historical context to illuminate the literature. It takes the form of a tribute to Tony Woodman, Gildersleeve Professor of Classics at the University of Virginia, for whom twenty-one scholars have contributed essays reflecting the interests and approaches that have typified Woodman's own work. The authors that he has continuously illuminated - especially Velleius, Horace, Virgil, Sallust, and Tacitus - figure particularly prominently.

This book presents key texts relating to the political and broader socio-economic history of the reign of Edward II. Drawing on a wide range of narrative sources, especially the extensive chronicle accounts of the reign, the editors introduce other important material including parliamentary rolls, charters, court records and accounts. Brought together, this gathering of sources allows the reader to navigate this troubled and eventful period in English medieval history. The reign of Edward II is organised chronologically, guiding the reader from the moment of Edward II's accession in 1307 until his removal from office in 1327 and his supposed death in the same year. Thematic chapters throughout address such key themes as royal finances and the state of the early fourteenth-century economy, the role of parliament, and political and military engagement with Scotland. In the Introduction, the editors survey previous historical work directed at Edward II and outline the range of source types available to the historian of the reign. -- .

This edited book includes chapters that explore the impact of war and its aftermath in language and official discourse. It covers a broad chronological range from the First World War to very recent experiences of war, with a focus on Australia and the Pacific region. It examines three main themes in relation to language: the impact of war and trauma on language, the language of war remembrance, and the language of official communications of war and the military. An innovative work that takes an interdisciplinary approach to the themes of war and language, the collection will be of interest to students and scholars across linguistics, literary studies, history and conflict studies.

This book discusses the merits of the theory of agonistic memory in relation to the memory of war. After explaining the theory in detail it provides two case studies, one on war museums in contemporary Europe and one on mass graves exhumations, which both focus on analyzing to what extent these memory sites produce different regimes of memory. Furthermore, the book provides insights into the making of an agonistic exhibition at the Ruhr Museum in Essen, Germany. It also analyses audience reaction to a theatre play scripted and performed by the Spanish theatre company Micomicion that was supposed to put agonism on stage. There is also an analysis of a Massive Open Online Course (MOOC) designed and delivered on the theory of agonistic memory and its impact on the memory of war. Finally, the book provides a personal review of the history, problems and accomplishments of the theory of agonistic memory by the two editors of the volume.